An interactionwhere what’snot saidmatters morethan what isA song usedto summonemotioninstead ofexplain itA shot thatfeelstheatrical onpurpose, notrealisticA momentthat asks:“What do weowe eachother?”A momentwhere the setfeels theatricalon purpose,not realisticA momentwherepacing feelsdeliberatelytheatricalA musicalcue that feelsinevitable,notmanipulativeA momentthat treatsneutrality asa moralstanceA shot whereshadows domore actingthan facesA momentwheresilence feelslouder thandialogueNotice amoment wherethe cameralingers just abeat longerthan expectedA scene thatfeels almostepisodic, likea short playinside the filmA moment wherebackgroundsound reinforcestension withoutdrawing attentionMusic thatfeels like amemoryrather than acueA scene thatfeels like apause foremotion, notplotA scene wherepersonal desireand largerresponsibilitycollideAn example oflove framedas sacrificerather thanfulfillmentA characterwho performsconfidenceas a defensemechanismA characterforced tochoosebetweencomfort andprincipleA compositionthat visuallytraps acharacter intheir situationA line thatsoundscasual butclearly isn’tA charactersays onething whiletheir facesays anotherA plot beatthat existsmainly toforce a moralchoiceA momentwhere anaccent, tone,or cadenceadds subtextAn interactionwhere what’snot saidmatters morethan what isA song usedto summonemotioninstead ofexplain itA shot thatfeelstheatrical onpurpose, notrealisticA momentthat asks:“What do weowe eachother?”A momentwhere the setfeels theatricalon purpose,not realisticA momentwherepacing feelsdeliberatelytheatricalA musicalcue that feelsinevitable,notmanipulativeA momentthat treatsneutrality asa moralstanceA shot whereshadows domore actingthan facesA momentwheresilence feelslouder thandialogueNotice amoment wherethe cameralingers just abeat longerthan expectedA scene thatfeels almostepisodic, likea short playinside the filmA moment wherebackgroundsound reinforcestension withoutdrawing attentionMusic thatfeels like amemoryrather than acueA scene thatfeels like apause foremotion, notplotA scene wherepersonal desireand largerresponsibilitycollideAn example oflove framedas sacrificerather thanfulfillmentA characterwho performsconfidenceas a defensemechanismA characterforced tochoosebetweencomfort andprincipleA compositionthat visuallytraps acharacter intheir situationA line thatsoundscasual butclearly isn’tA charactersays onething whiletheir facesays anotherA plot beatthat existsmainly toforce a moralchoiceA momentwhere anaccent, tone,or cadenceadds subtext

Casablanca - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
R
2
T
3
C
4
F
5
C
6
A
7
T
8
F
9
C
10
T
11
C
12
A
13
T
14
T
15
A
16
F
17
F
18
R
19
F
20
C
21
R
22
R
23
A
24
R
  1. R-An interaction where what’s not said matters more than what is
  2. T-A song used to summon emotion instead of explain it
  3. C-A shot that feels theatrical on purpose, not realistic
  4. F-A moment that asks: “What do we owe each other?”
  5. C-A moment where the set feels theatrical on purpose, not realistic
  6. A-A moment where pacing feels deliberately theatrical
  7. T-A musical cue that feels inevitable, not manipulative
  8. F-A moment that treats neutrality as a moral stance
  9. C-A shot where shadows do more acting than faces
  10. T-A moment where silence feels louder than dialogue
  11. C-Notice a moment where the camera lingers just a beat longer than expected
  12. A-A scene that feels almost episodic, like a short play inside the film
  13. T-A moment where background sound reinforces tension without drawing attention
  14. T-Music that feels like a memory rather than a cue
  15. A-A scene that feels like a pause for emotion, not plot
  16. F-A scene where personal desire and larger responsibility collide
  17. F-An example of love framed as sacrifice rather than fulfillment
  18. R-A character who performs confidence as a defense mechanism
  19. F-A character forced to choose between comfort and principle
  20. C-A composition that visually traps a character in their situation
  21. R-A line that sounds casual but clearly isn’t
  22. R-A character says one thing while their face says another
  23. A-A plot beat that exists mainly to force a moral choice
  24. R-A moment where an accent, tone, or cadence adds subtext