Music thatfeels like amemoryrather than acueNotice amoment wherethe cameralingers just abeat longerthan expectedA characterwho performsconfidenceas a defensemechanismA plot beatthat existsmainly toforce a moralchoiceA scene wherepersonal desireand largerresponsibilitycollideA characterforced tochoosebetweencomfort andprincipleA scene thatfeels like apause foremotion, notplotA charactersays onething whiletheir facesays anotherA momentwhere the setfeels theatricalon purpose,not realisticA momentwherepacing feelsdeliberatelytheatricalA momentthat asks:“What do weowe eachother?”A shot whereshadows domore actingthan facesA momentthat treatsneutrality asa moralstanceA moment wherebackgroundsound reinforcestension withoutdrawing attentionA momentwhere anaccent, tone,or cadenceadds subtextAn example oflove framedas sacrificerather thanfulfillmentAn interactionwhere what’snot saidmatters morethan what isA musicalcue that feelsinevitable,notmanipulativeA momentwheresilence feelslouder thandialogueA line thatsoundscasual butclearly isn’tA compositionthat visuallytraps acharacter intheir situationA song usedto summonemotioninstead ofexplain itA shot thatfeelstheatrical onpurpose, notrealisticA scene thatfeels almostepisodic, likea short playinside the filmMusic thatfeels like amemoryrather than acueNotice amoment wherethe cameralingers just abeat longerthan expectedA characterwho performsconfidenceas a defensemechanismA plot beatthat existsmainly toforce a moralchoiceA scene wherepersonal desireand largerresponsibilitycollideA characterforced tochoosebetweencomfort andprincipleA scene thatfeels like apause foremotion, notplotA charactersays onething whiletheir facesays anotherA momentwhere the setfeels theatricalon purpose,not realisticA momentwherepacing feelsdeliberatelytheatricalA momentthat asks:“What do weowe eachother?”A shot whereshadows domore actingthan facesA momentthat treatsneutrality asa moralstanceA moment wherebackgroundsound reinforcestension withoutdrawing attentionA momentwhere anaccent, tone,or cadenceadds subtextAn example oflove framedas sacrificerather thanfulfillmentAn interactionwhere what’snot saidmatters morethan what isA musicalcue that feelsinevitable,notmanipulativeA momentwheresilence feelslouder thandialogueA line thatsoundscasual butclearly isn’tA compositionthat visuallytraps acharacter intheir situationA song usedto summonemotioninstead ofexplain itA shot thatfeelstheatrical onpurpose, notrealisticA scene thatfeels almostepisodic, likea short playinside the film

Casablanca - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
T
2
C
3
R
4
A
5
F
6
F
7
A
8
R
9
C
10
A
11
F
12
C
13
F
14
T
15
R
16
F
17
R
18
T
19
T
20
R
21
C
22
T
23
C
24
A
  1. T-Music that feels like a memory rather than a cue
  2. C-Notice a moment where the camera lingers just a beat longer than expected
  3. R-A character who performs confidence as a defense mechanism
  4. A-A plot beat that exists mainly to force a moral choice
  5. F-A scene where personal desire and larger responsibility collide
  6. F-A character forced to choose between comfort and principle
  7. A-A scene that feels like a pause for emotion, not plot
  8. R-A character says one thing while their face says another
  9. C-A moment where the set feels theatrical on purpose, not realistic
  10. A-A moment where pacing feels deliberately theatrical
  11. F-A moment that asks: “What do we owe each other?”
  12. C-A shot where shadows do more acting than faces
  13. F-A moment that treats neutrality as a moral stance
  14. T-A moment where background sound reinforces tension without drawing attention
  15. R-A moment where an accent, tone, or cadence adds subtext
  16. F-An example of love framed as sacrifice rather than fulfillment
  17. R-An interaction where what’s not said matters more than what is
  18. T-A musical cue that feels inevitable, not manipulative
  19. T-A moment where silence feels louder than dialogue
  20. R-A line that sounds casual but clearly isn’t
  21. C-A composition that visually traps a character in their situation
  22. T-A song used to summon emotion instead of explain it
  23. C-A shot that feels theatrical on purpose, not realistic
  24. A-A scene that feels almost episodic, like a short play inside the film