Notice amoment wherethe cameralingers just abeat longerthan expectedA momentwherepacing feelsdeliberatelytheatricalA song usedto summonemotioninstead ofexplain itA scene thatfeels like apause foremotion, notplotA charactersays onething whiletheir facesays anotherA shot whereshadows domore actingthan facesA momentwhere anaccent, tone,or cadenceadds subtextA shot thatfeelstheatrical onpurpose, notrealisticA momentwheresilence feelslouder thandialogueAn interactionwhere what’snot saidmatters morethan what isA characterforced tochoosebetweencomfort andprincipleA moment wherebackgroundsound reinforcestension withoutdrawing attentionA musicalcue that feelsinevitable,notmanipulativeA momentthat treatsneutrality asa moralstanceMusic thatfeels like amemoryrather than acueA plot beatthat existsmainly toforce a moralchoiceA characterwho performsconfidenceas a defensemechanismA scene wherepersonal desireand largerresponsibilitycollideA line thatsoundscasual butclearly isn’tA scene thatfeels almostepisodic, likea short playinside the filmA momentwhere the setfeels theatricalon purpose,not realisticA momentthat asks:“What do weowe eachother?”An example oflove framedas sacrificerather thanfulfillmentA compositionthat visuallytraps acharacter intheir situationNotice amoment wherethe cameralingers just abeat longerthan expectedA momentwherepacing feelsdeliberatelytheatricalA song usedto summonemotioninstead ofexplain itA scene thatfeels like apause foremotion, notplotA charactersays onething whiletheir facesays anotherA shot whereshadows domore actingthan facesA momentwhere anaccent, tone,or cadenceadds subtextA shot thatfeelstheatrical onpurpose, notrealisticA momentwheresilence feelslouder thandialogueAn interactionwhere what’snot saidmatters morethan what isA characterforced tochoosebetweencomfort andprincipleA moment wherebackgroundsound reinforcestension withoutdrawing attentionA musicalcue that feelsinevitable,notmanipulativeA momentthat treatsneutrality asa moralstanceMusic thatfeels like amemoryrather than acueA plot beatthat existsmainly toforce a moralchoiceA characterwho performsconfidenceas a defensemechanismA scene wherepersonal desireand largerresponsibilitycollideA line thatsoundscasual butclearly isn’tA scene thatfeels almostepisodic, likea short playinside the filmA momentwhere the setfeels theatricalon purpose,not realisticA momentthat asks:“What do weowe eachother?”An example oflove framedas sacrificerather thanfulfillmentA compositionthat visuallytraps acharacter intheir situation

Casablanca - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
C
2
A
3
T
4
A
5
R
6
C
7
R
8
C
9
T
10
R
11
F
12
T
13
T
14
F
15
T
16
A
17
R
18
F
19
R
20
A
21
C
22
F
23
F
24
C
  1. C-Notice a moment where the camera lingers just a beat longer than expected
  2. A-A moment where pacing feels deliberately theatrical
  3. T-A song used to summon emotion instead of explain it
  4. A-A scene that feels like a pause for emotion, not plot
  5. R-A character says one thing while their face says another
  6. C-A shot where shadows do more acting than faces
  7. R-A moment where an accent, tone, or cadence adds subtext
  8. C-A shot that feels theatrical on purpose, not realistic
  9. T-A moment where silence feels louder than dialogue
  10. R-An interaction where what’s not said matters more than what is
  11. F-A character forced to choose between comfort and principle
  12. T-A moment where background sound reinforces tension without drawing attention
  13. T-A musical cue that feels inevitable, not manipulative
  14. F-A moment that treats neutrality as a moral stance
  15. T-Music that feels like a memory rather than a cue
  16. A-A plot beat that exists mainly to force a moral choice
  17. R-A character who performs confidence as a defense mechanism
  18. F-A scene where personal desire and larger responsibility collide
  19. R-A line that sounds casual but clearly isn’t
  20. A-A scene that feels almost episodic, like a short play inside the film
  21. C-A moment where the set feels theatrical on purpose, not realistic
  22. F-A moment that asks: “What do we owe each other?”
  23. F-An example of love framed as sacrifice rather than fulfillment
  24. C-A composition that visually traps a character in their situation