A charactersays onething whiletheir facesays anotherA momentthat asks:“What do weowe eachother?”A scene thatfeels like apause foremotion, notplotA momentwheresilence feelslouder thandialogueA shot thatfeelstheatrical onpurpose, notrealisticA plot beatthat existsmainly toforce a moralchoiceAn interactionwhere what’snot saidmatters morethan what isA compositionthat visuallytraps acharacter intheir situationAn example oflove framedas sacrificerather thanfulfillmentA momentwhere anaccent, tone,or cadenceadds subtextA scene wherepersonal desireand largerresponsibilitycollideA song usedto summonemotioninstead ofexplain itA moment wherebackgroundsound reinforcestension withoutdrawing attentionA characterwho performsconfidenceas a defensemechanismA momentthat treatsneutrality asa moralstanceA scene thatfeels almostepisodic, likea short playinside the filmA shot whereshadows domore actingthan facesMusic thatfeels like amemoryrather than acueA characterforced tochoosebetweencomfort andprincipleA momentwherepacing feelsdeliberatelytheatricalA momentwhere the setfeels theatricalon purpose,not realisticA musicalcue that feelsinevitable,notmanipulativeNotice amoment wherethe cameralingers just abeat longerthan expectedA line thatsoundscasual butclearly isn’tA charactersays onething whiletheir facesays anotherA momentthat asks:“What do weowe eachother?”A scene thatfeels like apause foremotion, notplotA momentwheresilence feelslouder thandialogueA shot thatfeelstheatrical onpurpose, notrealisticA plot beatthat existsmainly toforce a moralchoiceAn interactionwhere what’snot saidmatters morethan what isA compositionthat visuallytraps acharacter intheir situationAn example oflove framedas sacrificerather thanfulfillmentA momentwhere anaccent, tone,or cadenceadds subtextA scene wherepersonal desireand largerresponsibilitycollideA song usedto summonemotioninstead ofexplain itA moment wherebackgroundsound reinforcestension withoutdrawing attentionA characterwho performsconfidenceas a defensemechanismA momentthat treatsneutrality asa moralstanceA scene thatfeels almostepisodic, likea short playinside the filmA shot whereshadows domore actingthan facesMusic thatfeels like amemoryrather than acueA characterforced tochoosebetweencomfort andprincipleA momentwherepacing feelsdeliberatelytheatricalA momentwhere the setfeels theatricalon purpose,not realisticA musicalcue that feelsinevitable,notmanipulativeNotice amoment wherethe cameralingers just abeat longerthan expectedA line thatsoundscasual butclearly isn’t

Casablanca - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
R
2
F
3
A
4
T
5
C
6
A
7
R
8
C
9
F
10
R
11
F
12
T
13
T
14
R
15
F
16
A
17
C
18
T
19
F
20
A
21
C
22
T
23
C
24
R
  1. R-A character says one thing while their face says another
  2. F-A moment that asks: “What do we owe each other?”
  3. A-A scene that feels like a pause for emotion, not plot
  4. T-A moment where silence feels louder than dialogue
  5. C-A shot that feels theatrical on purpose, not realistic
  6. A-A plot beat that exists mainly to force a moral choice
  7. R-An interaction where what’s not said matters more than what is
  8. C-A composition that visually traps a character in their situation
  9. F-An example of love framed as sacrifice rather than fulfillment
  10. R-A moment where an accent, tone, or cadence adds subtext
  11. F-A scene where personal desire and larger responsibility collide
  12. T-A song used to summon emotion instead of explain it
  13. T-A moment where background sound reinforces tension without drawing attention
  14. R-A character who performs confidence as a defense mechanism
  15. F-A moment that treats neutrality as a moral stance
  16. A-A scene that feels almost episodic, like a short play inside the film
  17. C-A shot where shadows do more acting than faces
  18. T-Music that feels like a memory rather than a cue
  19. F-A character forced to choose between comfort and principle
  20. A-A moment where pacing feels deliberately theatrical
  21. C-A moment where the set feels theatrical on purpose, not realistic
  22. T-A musical cue that feels inevitable, not manipulative
  23. C-Notice a moment where the camera lingers just a beat longer than expected
  24. R-A line that sounds casual but clearly isn’t