opposite oftransparent, opaquewatercolor reflectslight rather thanletting light passthrough it.the name of apure colorsuch as "red""blue" or"green" etc.Ranging fromlight-to-dark,starting with white,the lighter grays,the darker grays,then black.is the uniformrepetition of any ofthe elements of artor anycombinationthereof.a thin fluid applicationof watercolor on eitherwet or dry watercolorpaper. A wash usuallyimplies laying downcolor on a broad area ofpaper.the space in apainting that is notoccupied by thesubject matter that isstill part of theoverall designed ofthepainting.what the eyesees when lightbounces off anobject, such asred, blue, oryellow, etc.- are those colorsdirectly opposite oracross from eachother on the colorwheel, such as redand green or yellowand violeta transparentwash of colorover anothercolor modifyingthe underlyingcolor.is createdby movementimplied through therepetitionof elements of art ina non-uniform butorganized way.An element of art that isthree-dimensional andencloses volume;includes height, widthAND depth (as in acube, a sphere, apyramid, or a cylinder).Form may also be freeflowing.opposite of opaque,transparent watercolorallows light to penetratethe pigment allowingthe white of the paperto showthrough the pigmentYou want your paintingto feel unified such thatall the elements fittogethercomfortably. Too muchunity creates monotony,too much varietycreates chaos.You needboth.sharp shapesor lines thatdid not blendinto adjacentareas.is an area of evenlydistributed color. "Flat"meaning the colorremains the same hue,value(or intensity) andtextural quality. Nobrushstrokes showing.a wash thatgraduallychanges invaluearepredominantlyhues rangingfrom yellow toorange to red.pure color pluswhite pigment orwith water addedto dilute the colorin transparentwatercolor.- refers to freeform shapesand free flowinglines. Oppositeof geometrical.- a design principle thatrefers visually to theequalization of theelements in a painting.The three types are:symmetrical (formal),asymmetrical(informal), or radial(circular, radiating for acentral point).two or moremedia usedtogether ina painting.When oneelement of anartwork standsout more thananother.An element ofart that is two-dimensional,flat, or limited toheight andwidth.is the differencebetween elements of art in acomposition, such that eachelement is made stronger inrelation to the other. Whenplaced next to each other,contrasting elementscommand the viewer'sattention. Areas of contrast areamong the fira basiccomponents/partsused by artists indesigning a painting:color, value, shape,space, line,form, and texture.- a tiny pool of colorformed by gravity atthe bottom of a wetwash when appliedto tilted or slantedwatercolor paper.allowing the value orcolor of an edge toblend or blur intonearby areas withoutdefinite lines ofseparation.An element ofart that refers tothe way thingsfeel, or look asif they mightfeel if touchedis the result of usingthe elements of artsuch that they movethe viewer's eyearound and withinthe image.Hues nextto eachother on thecolor wheelto take out orremove paintfrom an area ofa watercolorpainting.- theapplication ofwet paintonto wetpaper.- the areaaround andbehind themain subjectin a painting.An element ofart made up ofthreeproperties: hue,value, andintensity.- any gradualchange inhue, value, orcolor intensity.the lightnessor darknessof tones orcolors.the counterweight toharmony and createsvisual interest by slightlychanging or usingdifferent elementstogether in a composition.It can be created withcontrast, change,elaboration, ordiversifying elements.pure color plusblack pigmentcreating aneutralizedversion of acolor.the ratio of one artelement to another. It isimportant to keep in mindthe relationship betweendifferent elements of thecomposition so that thescale of your artworkalways makes visualsense.opposite oftransparent, opaquewatercolor reflectslight rather thanletting light passthrough it.the name of apure colorsuch as "red""blue" or"green" etc.Ranging fromlight-to-dark,starting with white,the lighter grays,the darker grays,then black.is the uniformrepetition of any ofthe elements of artor anycombinationthereof.a thin fluid applicationof watercolor on eitherwet or dry watercolorpaper. A wash usuallyimplies laying downcolor on a broad area ofpaper.the space in apainting that is notoccupied by thesubject matter that isstill part of theoverall designed ofthepainting.what the eyesees when lightbounces off anobject, such asred, blue, oryellow, etc.- are those colorsdirectly opposite oracross from eachother on the colorwheel, such as redand green or yellowand violeta transparentwash of colorover anothercolor modifyingthe underlyingcolor.is createdby movementimplied through therepetitionof elements of art ina non-uniform butorganized way.An element of art that isthree-dimensional andencloses volume;includes height, widthAND depth (as in acube, a sphere, apyramid, or a cylinder).Form may also be freeflowing.opposite of opaque,transparent watercolorallows light to penetratethe pigment allowingthe white of the paperto showthrough the pigmentYou want your paintingto feel unified such thatall the elements fittogethercomfortably. Too muchunity creates monotony,too much varietycreates chaos.You needboth.sharp shapesor lines thatdid not blendinto adjacentareas.is an area of evenlydistributed color. "Flat"meaning the colorremains the same hue,value(or intensity) andtextural quality. Nobrushstrokes showing.a wash thatgraduallychanges invaluearepredominantlyhues rangingfrom yellow toorange to red.pure color pluswhite pigment orwith water addedto dilute the colorin transparentwatercolor.- refers to freeform shapesand free flowinglines. Oppositeof geometrical.- a design principle thatrefers visually to theequalization of theelements in a painting.The three types are:symmetrical (formal),asymmetrical(informal), or radial(circular, radiating for acentral point).two or moremedia usedtogether ina painting.When oneelement of anartwork standsout more thananother.An element ofart that is two-dimensional,flat, or limited toheight andwidth.is the differencebetween elements of art in acomposition, such that eachelement is made stronger inrelation to the other. Whenplaced next to each other,contrasting elementscommand the viewer'sattention. Areas of contrast areamong the fira basiccomponents/partsused by artists indesigning a painting:color, value, shape,space, line,form, and texture.- a tiny pool of colorformed by gravity atthe bottom of a wetwash when appliedto tilted or slantedwatercolor paper.allowing the value orcolor of an edge toblend or blur intonearby areas withoutdefinite lines ofseparation.An element ofart that refers tothe way thingsfeel, or look asif they mightfeel if touchedis the result of usingthe elements of artsuch that they movethe viewer's eyearound and withinthe image.Hues nextto eachother on thecolor wheelto take out orremove paintfrom an area ofa watercolorpainting.- theapplication ofwet paintonto wetpaper.- the areaaround andbehind themain subjectin a painting.An element ofart made up ofthreeproperties: hue,value, andintensity.- any gradualchange inhue, value, orcolor intensity.the lightnessor darknessof tones orcolors.the counterweight toharmony and createsvisual interest by slightlychanging or usingdifferent elementstogether in a composition.It can be created withcontrast, change,elaboration, ordiversifying elements.pure color plusblack pigmentcreating aneutralizedversion of acolor.the ratio of one artelement to another. It isimportant to keep in mindthe relationship betweendifferent elements of thecomposition so that thescale of your artworkalways makes visualsense.

Watercolor/art - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. opposite of transparent, opaque watercolor reflects light rather than letting light pass through it.
  2. the name of a pure color such as "red" "blue" or "green" etc.
  3. Ranging from light-to-dark, starting with white, the lighter grays, the darker grays, then black.
  4. is the uniform repetition of any of the elements of art or any combination thereof.
  5. a thin fluid application of watercolor on either wet or dry watercolor paper. A wash usually implies laying down color on a broad area of paper.
  6. the space in a painting that is not occupied by the subject matter that is still part of the overall designed of the painting.
  7. what the eye sees when light bounces off an object, such as red, blue, or yellow, etc.
  8. - are those colors directly opposite or across from each other on the color wheel, such as red and green or yellow and violet
  9. a transparent wash of color over another color modifying the underlying color.
  10. is created by movement implied through the repetition of elements of art in a non-uniform but organized way.
  11. An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.
  12. opposite of opaque, transparent watercolor allows light to penetrate the pigment allowing the white of the paper to show through the pigment
  13. You want your painting to feel unified such that all the elements fit together comfortably. Too much unity creates monotony, too much variety creates chaos.You need both.
  14. sharp shapes or lines that did not blend into adjacent areas.
  15. is an area of evenly distributed color. "Flat" meaning the color remains the same hue, value(or intensity) and textural quality. No brush strokes showing.
  16. a wash that gradually changes in value
  17. are predominantly hues ranging from yellow to orange to red.
  18. pure color plus white pigment or with water added to dilute the color in transparent watercolor.
  19. - refers to free form shapes and free flowing lines. Opposite of geometrical.
  20. - a design principle that refers visually to the equalization of the elements in a painting. The three types are: symmetrical (formal), asymmetrical (informal), or radial (circular, radiating for a central point).
  21. two or more media used together in a painting.
  22. When one element of an artwork stands out more than another.
  23. An element of art that is two-dimensional, flat, or limited to height and width.
  24. is the difference between elements of art in a composition, such that each element is made stronger in relation to the other. When placed next to each other, contrasting elements command the viewer's attention. Areas of contrast are among the fir
  25. a basic components/parts used by artists in designing a painting: color, value, shape, space, line, form, and texture.
  26. - a tiny pool of color formed by gravity at the bottom of a wet wash when applied to tilted or slanted watercolor paper.
  27. allowing the value or color of an edge to blend or blur into nearby areas without definite lines of separation.
  28. An element of art that refers to the way things feel, or look as if they might feel if touched
  29. is the result of using the elements of art such that they move the viewer's eye around and within the image.
  30. Hues next to each other on the color wheel
  31. to take out or remove paint from an area of a watercolor painting.
  32. - the application of wet paint onto wet paper.
  33. - the area around and behind the main subject in a painting.
  34. An element of art made up of three properties: hue, value, and intensity.
  35. - any gradual change in hue, value, or color intensity.
  36. the lightness or darkness of tones or colors.
  37. the counterweight to harmony and creates visual interest by slightly changing or using different elements together in a composition. It can be created with contrast, change, elaboration, or diversifying elements.
  38. pure color plus black pigment creating a neutralized version of a color.
  39. the ratio of one art element to another. It is important to keep in mind the relationship between different elements of the composition so that the scale of your artwork always makes visual sense.