(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
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sharp shapes or lines that did not blend into adjacent areas.
the name of a pure color such as "red" "blue" or "green" etc.
a transparent wash of color over another color modifying the underlying color.
Ranging from light-to-dark, starting with white, the lighter grays, the darker grays, then black.
is the uniform repetition of any of the elements of art or any combination thereof.
- the area around and behind the main subject in a painting.
the ratio of one art element to another. It is important to keep in mind the relationship between different elements of the composition so that the scale of your artwork always makes visual sense.
Hues next to each other on the color wheel
- any gradual change in hue, value, or color intensity.
- refers to free form shapes and free flowing lines. Opposite of geometrical.
is created by movement implied through the repetition of elements of art in a non-uniform but organized way.
are predominantly hues ranging from yellow to orange to red.
is an area of evenly distributed color. "Flat" meaning the color remains the same hue, value(or intensity) and textural quality. No brush
strokes showing.
pure color plus black pigment creating a neutralized version of a color.
You want your painting to feel unified such that all the elements fit together comfortably. Too much unity creates monotony, too much variety creates chaos.You need both.
- the application of wet paint onto wet paper.
a wash that gradually changes in value
An element of art made up of three properties: hue, value, and intensity.
opposite of transparent, opaque watercolor reflects light rather than letting light pass through it.
An element of art that refers to the way things feel, or look as if they might feel if touched
- are those colors directly opposite or across from each other on the color wheel, such as red and green or yellow and violet
two or more media used together in a painting.
a basic components/parts used by artists in designing a painting: color, value, shape, space, line,
form, and texture.
opposite of opaque, transparent watercolor allows light to penetrate the pigment allowing the white of the paper to show
through the pigment
is the result of using the elements of art such that they move the viewer's eye around and within the image.
- a tiny pool of color formed by gravity at the bottom of a wet wash when applied to tilted or slanted watercolor paper.
to take out or remove paint from an area of a watercolor painting.
allowing the value or color of an edge to blend or blur into nearby areas without definite lines of separation.
the lightness or darkness of tones or colors.
An element of art that is two-dimensional, flat, or limited to height and width.
what the eye sees when light bounces off an object, such as red, blue, or yellow, etc.
is the difference between elements of art in a composition, such that each element is made stronger in relation to the other. When placed next to each other, contrasting elements command the viewer's attention. Areas of contrast are among the fir
a thin fluid application of watercolor on either wet or dry watercolor paper. A wash usually implies laying down color on a broad area of paper.
pure color plus white pigment or with water added to dilute the color in transparent watercolor.
- a design principle that refers visually to the equalization of the elements in a painting. The three types are: symmetrical (formal), asymmetrical
(informal), or radial (circular, radiating for a central point).
When one element of an artwork stands out more than another.
An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.
the space in a painting that is not occupied by the subject matter that is still part of the overall designed of the
painting.
the counterweight to harmony and creates visual interest by slightly changing or using different elements together in a composition. It can be created with contrast, change, elaboration, or diversifying elements.
