You want your paintingto feel unified such thatall the elements fittogethercomfortably. Too muchunity creates monotony,too much varietycreates chaos.You needboth.glazingto take out orremove paintfrom an area ofa watercolorpainting.flat-washbead- the areaaround andbehind themain subjectin a painting.lineform- a tiny pool of colorformed by gravity atthe bottom of a wetwash when appliedto tilted or slantedwatercolor paper.tintpure color plusblack pigmentcreating aneutralizedversion of acolor.When oneelement of anartwork standsout more thananother.Ranging fromlight-to-dark,starting with white,the lighter grays,the darker grays,then black.textureshapeis createdby movementimplied through therepetitionof elements of art ina non-uniform butorganized way.opposite of opaque,transparent watercolorallows light to penetratethe pigment allowingthe white of the paperto showthrough the pigment- any gradualchange inhue, value, orcolor intensity.pure color pluswhite pigment orwith water addedto dilute the colorin transparentwatercolor.opposite oftransparent, opaquewatercolor reflectslight rather thanletting light passthrough it.the counterweight toharmony and createsvisual interest by slightlychanging or usingdifferent elementstogether in a composition.It can be created withcontrast, change,elaboration, ordiversifying elements.value- refers to freeform shapesand free flowinglines. Oppositeof geometrical.- are those colorsdirectly opposite oracross from eachother on the colorwheel, such as redand green or yellowand violettwo or moremedia usedtogether ina painting.shadecolorthe lightnessor darknessof tones orcolors.what the eyesees when lightbounces off anobject, such asred, blue, oryellow, etc.a thin fluid applicationof watercolor on eitherwet or dry watercolorpaper. A wash usuallyimplies laying downcolor on a broad area ofpaper.is the result of usingthe elements of artsuch that they movethe viewer's eyearound and withinthe image.- a design principle thatrefers visually to theequalization of theelements in a painting.The three types are:symmetrical (formal),asymmetrical(informal), or radial(circular, radiating for acentral point).An element ofart made up ofthreeproperties: hue,value, andintensity.sharp shapesor lines thatdid not blendinto adjacentareas.a transparentwash of colorover anothercolor modifyingthe underlyingcolor.the space in apainting that is notoccupied by thesubject matter that isstill part of theoverall designed ofthepainting.- theapplication ofwet paintonto wetpaper.the name of apure colorsuch as "red""blue" or"green" etc.An element of art that isthree-dimensional andencloses volume;includes height, widthAND depth (as in acube, a sphere, apyramid, or a cylinder).Form may also be freeflowing.is the uniformrepetition of any ofthe elements of artor anycombinationthereof.Hues nextto eachother on thecolor wheela basiccomponents/partsused by artists indesigning a painting:color, value, shape,space, line,form, and texture.allowing the value orcolor of an edge toblend or blur intonearby areas withoutdefinite lines ofseparation.spaceAn element ofart that refers tothe way thingsfeel, or look asif they mightfeel if touchedemphasisis the differencebetween elements of art in acomposition, such that eachelement is made stronger inrelation to the other. Whenplaced next to each other,contrasting elementscommand the viewer'sattention. Areas of contrast areamong the fira wash thatgraduallychanges invaluethe ratio of one artelement to another. It isimportant to keep in mindthe relationship betweendifferent elements of thecomposition so that thescale of your artworkalways makes visualsense.gradienthueis an area of evenlydistributed color. "Flat"meaning the colorremains the same hue,value(or intensity) andtextural quality. Nobrushstrokes showing.arepredominantlyhues rangingfrom yellow toorange to red.An element ofart that is two-dimensional,flat, or limited toheight andwidth.You want your paintingto feel unified such thatall the elements fittogethercomfortably. Too muchunity creates monotony,too much varietycreates chaos.You needboth.glazingto take out orremove paintfrom an area ofa watercolorpainting.flat-washbead- the areaaround andbehind themain subjectin a painting.lineform- a tiny pool of colorformed by gravity atthe bottom of a wetwash when appliedto tilted or slantedwatercolor paper.tintpure color plusblack pigmentcreating aneutralizedversion of acolor.When oneelement of anartwork standsout more thananother.Ranging fromlight-to-dark,starting with white,the lighter grays,the darker grays,then black.textureshapeis createdby movementimplied through therepetitionof elements of art ina non-uniform butorganized way.opposite of opaque,transparent watercolorallows light to penetratethe pigment allowingthe white of the paperto showthrough the pigment- any gradualchange inhue, value, orcolor intensity.pure color pluswhite pigment orwith water addedto dilute the colorin transparentwatercolor.opposite oftransparent, opaquewatercolor reflectslight rather thanletting light passthrough it.the counterweight toharmony and createsvisual interest by slightlychanging or usingdifferent elementstogether in a composition.It can be created withcontrast, change,elaboration, ordiversifying elements.value- refers to freeform shapesand free flowinglines. Oppositeof geometrical.- are those colorsdirectly opposite oracross from eachother on the colorwheel, such as redand green or yellowand violettwo or moremedia usedtogether ina painting.shadecolorthe lightnessor darknessof tones orcolors.what the eyesees when lightbounces off anobject, such asred, blue, oryellow, etc.a thin fluid applicationof watercolor on eitherwet or dry watercolorpaper. A wash usuallyimplies laying downcolor on a broad area ofpaper.is the result of usingthe elements of artsuch that they movethe viewer's eyearound and withinthe image.- a design principle thatrefers visually to theequalization of theelements in a painting.The three types are:symmetrical (formal),asymmetrical(informal), or radial(circular, radiating for acentral point).An element ofart made up ofthreeproperties: hue,value, andintensity.sharp shapesor lines thatdid not blendinto adjacentareas.a transparentwash of colorover anothercolor modifyingthe underlyingcolor.the space in apainting that is notoccupied by thesubject matter that isstill part of theoverall designed ofthepainting.- theapplication ofwet paintonto wetpaper.the name of apure colorsuch as "red""blue" or"green" etc.An element of art that isthree-dimensional andencloses volume;includes height, widthAND depth (as in acube, a sphere, apyramid, or a cylinder).Form may also be freeflowing.is the uniformrepetition of any ofthe elements of artor anycombinationthereof.Hues nextto eachother on thecolor wheela basiccomponents/partsused by artists indesigning a painting:color, value, shape,space, line,form, and texture.allowing the value orcolor of an edge toblend or blur intonearby areas withoutdefinite lines ofseparation.spaceAn element ofart that refers tothe way thingsfeel, or look asif they mightfeel if touchedemphasisis the differencebetween elements of art in acomposition, such that eachelement is made stronger inrelation to the other. Whenplaced next to each other,contrasting elementscommand the viewer'sattention. Areas of contrast areamong the fira wash thatgraduallychanges invaluethe ratio of one artelement to another. It isimportant to keep in mindthe relationship betweendifferent elements of thecomposition so that thescale of your artworkalways makes visualsense.gradienthueis an area of evenlydistributed color. "Flat"meaning the colorremains the same hue,value(or intensity) andtextural quality. Nobrushstrokes showing.arepredominantlyhues rangingfrom yellow toorange to red.An element ofart that is two-dimensional,flat, or limited toheight andwidth.

Watercolor/art - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. You want your painting to feel unified such that all the elements fit together comfortably. Too much unity creates monotony, too much variety creates chaos.You need both.
  2. glazing
  3. to take out or remove paint from an area of a watercolor painting.
  4. flat-wash
  5. bead
  6. - the area around and behind the main subject in a painting.
  7. line
  8. form
  9. - a tiny pool of color formed by gravity at the bottom of a wet wash when applied to tilted or slanted watercolor paper.
  10. tint
  11. pure color plus black pigment creating a neutralized version of a color.
  12. When one element of an artwork stands out more than another.
  13. Ranging from light-to-dark, starting with white, the lighter grays, the darker grays, then black.
  14. texture
  15. shape
  16. is created by movement implied through the repetition of elements of art in a non-uniform but organized way.
  17. opposite of opaque, transparent watercolor allows light to penetrate the pigment allowing the white of the paper to show through the pigment
  18. - any gradual change in hue, value, or color intensity.
  19. pure color plus white pigment or with water added to dilute the color in transparent watercolor.
  20. opposite of transparent, opaque watercolor reflects light rather than letting light pass through it.
  21. the counterweight to harmony and creates visual interest by slightly changing or using different elements together in a composition. It can be created with contrast, change, elaboration, or diversifying elements.
  22. value
  23. - refers to free form shapes and free flowing lines. Opposite of geometrical.
  24. - are those colors directly opposite or across from each other on the color wheel, such as red and green or yellow and violet
  25. two or more media used together in a painting.
  26. shade
  27. color
  28. the lightness or darkness of tones or colors.
  29. what the eye sees when light bounces off an object, such as red, blue, or yellow, etc.
  30. a thin fluid application of watercolor on either wet or dry watercolor paper. A wash usually implies laying down color on a broad area of paper.
  31. is the result of using the elements of art such that they move the viewer's eye around and within the image.
  32. - a design principle that refers visually to the equalization of the elements in a painting. The three types are: symmetrical (formal), asymmetrical (informal), or radial (circular, radiating for a central point).
  33. An element of art made up of three properties: hue, value, and intensity.
  34. sharp shapes or lines that did not blend into adjacent areas.
  35. a transparent wash of color over another color modifying the underlying color.
  36. the space in a painting that is not occupied by the subject matter that is still part of the overall designed of the painting.
  37. - the application of wet paint onto wet paper.
  38. the name of a pure color such as "red" "blue" or "green" etc.
  39. An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.
  40. is the uniform repetition of any of the elements of art or any combination thereof.
  41. Hues next to each other on the color wheel
  42. a basic components/parts used by artists in designing a painting: color, value, shape, space, line, form, and texture.
  43. allowing the value or color of an edge to blend or blur into nearby areas without definite lines of separation.
  44. space
  45. An element of art that refers to the way things feel, or look as if they might feel if touched
  46. emphasis
  47. is the difference between elements of art in a composition, such that each element is made stronger in relation to the other. When placed next to each other, contrasting elements command the viewer's attention. Areas of contrast are among the fir
  48. a wash that gradually changes in value
  49. the ratio of one art element to another. It is important to keep in mind the relationship between different elements of the composition so that the scale of your artwork always makes visual sense.
  50. gradient
  51. hue
  52. is an area of evenly distributed color. "Flat" meaning the color remains the same hue, value(or intensity) and textural quality. No brush strokes showing.
  53. are predominantly hues ranging from yellow to orange to red.
  54. An element of art that is two-dimensional, flat, or limited to height and width.