the name of apure colorsuch as "red""blue" or"green" etc.You want your paintingto feel unified such thatall the elements fittogethercomfortably. Too muchunity creates monotony,too much varietycreates chaos.You needboth.spaceHues nextto eachother on thecolor wheelthe space in apainting that is notoccupied by thesubject matter that isstill part of theoverall designed ofthepainting.two or moremedia usedtogether ina painting.the counterweight toharmony and createsvisual interest by slightlychanging or usingdifferent elementstogether in a composition.It can be created withcontrast, change,elaboration, ordiversifying elements.tintlineAn element of art that isthree-dimensional andencloses volume;includes height, widthAND depth (as in acube, a sphere, apyramid, or a cylinder).Form may also be freeflowing.colorAn element ofart that is two-dimensional,flat, or limited toheight andwidth.shade- the areaaround andbehind themain subjectin a painting.is the differencebetween elements of art in acomposition, such that eachelement is made stronger inrelation to the other. Whenplaced next to each other,contrasting elementscommand the viewer'sattention. Areas of contrast areamong the firglazingsharp shapesor lines thatdid not blendinto adjacentareas.An element ofart made up ofthreeproperties: hue,value, andintensity.- refers to freeform shapesand free flowinglines. Oppositeof geometrical.hueis the result of usingthe elements of artsuch that they movethe viewer's eyearound and withinthe image.the lightnessor darknessof tones orcolors.a transparentwash of colorover anothercolor modifyingthe underlyingcolor.- are those colorsdirectly opposite oracross from eachother on the colorwheel, such as redand green or yellowand violetis the uniformrepetition of any ofthe elements of artor anycombinationthereof.An element ofart that refers tothe way thingsfeel, or look asif they mightfeel if touchedgradientflat-washto take out orremove paintfrom an area ofa watercolorpainting.- theapplication ofwet paintonto wetpaper.valueopposite oftransparent, opaquewatercolor reflectslight rather thanletting light passthrough it.bead- a design principle thatrefers visually to theequalization of theelements in a painting.The three types are:symmetrical (formal),asymmetrical(informal), or radial(circular, radiating for acentral point).arepredominantlyhues rangingfrom yellow toorange to red.a basiccomponents/partsused by artists indesigning a painting:color, value, shape,space, line,form, and texture.texturea thin fluid applicationof watercolor on eitherwet or dry watercolorpaper. A wash usuallyimplies laying downcolor on a broad area ofpaper.a wash thatgraduallychanges invaluepure color plusblack pigmentcreating aneutralizedversion of acolor.the ratio of one artelement to another. It isimportant to keep in mindthe relationship betweendifferent elements of thecomposition so that thescale of your artworkalways makes visualsense.Ranging fromlight-to-dark,starting with white,the lighter grays,the darker grays,then black.allowing the value orcolor of an edge toblend or blur intonearby areas withoutdefinite lines ofseparation.pure color pluswhite pigment orwith water addedto dilute the colorin transparentwatercolor.When oneelement of anartwork standsout more thananother.form- any gradualchange inhue, value, orcolor intensity.is createdby movementimplied through therepetitionof elements of art ina non-uniform butorganized way.shapeopposite of opaque,transparent watercolorallows light to penetratethe pigment allowingthe white of the paperto showthrough the pigmentemphasiswhat the eyesees when lightbounces off anobject, such asred, blue, oryellow, etc.is an area of evenlydistributed color. "Flat"meaning the colorremains the same hue,value(or intensity) andtextural quality. Nobrushstrokes showing.- a tiny pool of colorformed by gravity atthe bottom of a wetwash when appliedto tilted or slantedwatercolor paper.the name of apure colorsuch as "red""blue" or"green" etc.You want your paintingto feel unified such thatall the elements fittogethercomfortably. Too muchunity creates monotony,too much varietycreates chaos.You needboth.spaceHues nextto eachother on thecolor wheelthe space in apainting that is notoccupied by thesubject matter that isstill part of theoverall designed ofthepainting.two or moremedia usedtogether ina painting.the counterweight toharmony and createsvisual interest by slightlychanging or usingdifferent elementstogether in a composition.It can be created withcontrast, change,elaboration, ordiversifying elements.tintlineAn element of art that isthree-dimensional andencloses volume;includes height, widthAND depth (as in acube, a sphere, apyramid, or a cylinder).Form may also be freeflowing.colorAn element ofart that is two-dimensional,flat, or limited toheight andwidth.shade- the areaaround andbehind themain subjectin a painting.is the differencebetween elements of art in acomposition, such that eachelement is made stronger inrelation to the other. Whenplaced next to each other,contrasting elementscommand the viewer'sattention. Areas of contrast areamong the firglazingsharp shapesor lines thatdid not blendinto adjacentareas.An element ofart made up ofthreeproperties: hue,value, andintensity.- refers to freeform shapesand free flowinglines. Oppositeof geometrical.hueis the result of usingthe elements of artsuch that they movethe viewer's eyearound and withinthe image.the lightnessor darknessof tones orcolors.a transparentwash of colorover anothercolor modifyingthe underlyingcolor.- are those colorsdirectly opposite oracross from eachother on the colorwheel, such as redand green or yellowand violetis the uniformrepetition of any ofthe elements of artor anycombinationthereof.An element ofart that refers tothe way thingsfeel, or look asif they mightfeel if touchedgradientflat-washto take out orremove paintfrom an area ofa watercolorpainting.- theapplication ofwet paintonto wetpaper.valueopposite oftransparent, opaquewatercolor reflectslight rather thanletting light passthrough it.bead- a design principle thatrefers visually to theequalization of theelements in a painting.The three types are:symmetrical (formal),asymmetrical(informal), or radial(circular, radiating for acentral point).arepredominantlyhues rangingfrom yellow toorange to red.a basiccomponents/partsused by artists indesigning a painting:color, value, shape,space, line,form, and texture.texturea thin fluid applicationof watercolor on eitherwet or dry watercolorpaper. A wash usuallyimplies laying downcolor on a broad area ofpaper.a wash thatgraduallychanges invaluepure color plusblack pigmentcreating aneutralizedversion of acolor.the ratio of one artelement to another. It isimportant to keep in mindthe relationship betweendifferent elements of thecomposition so that thescale of your artworkalways makes visualsense.Ranging fromlight-to-dark,starting with white,the lighter grays,the darker grays,then black.allowing the value orcolor of an edge toblend or blur intonearby areas withoutdefinite lines ofseparation.pure color pluswhite pigment orwith water addedto dilute the colorin transparentwatercolor.When oneelement of anartwork standsout more thananother.form- any gradualchange inhue, value, orcolor intensity.is createdby movementimplied through therepetitionof elements of art ina non-uniform butorganized way.shapeopposite of opaque,transparent watercolorallows light to penetratethe pigment allowingthe white of the paperto showthrough the pigmentemphasiswhat the eyesees when lightbounces off anobject, such asred, blue, oryellow, etc.is an area of evenlydistributed color. "Flat"meaning the colorremains the same hue,value(or intensity) andtextural quality. Nobrushstrokes showing.- a tiny pool of colorformed by gravity atthe bottom of a wetwash when appliedto tilted or slantedwatercolor paper.

Watercolor/art - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. the name of a pure color such as "red" "blue" or "green" etc.
  2. You want your painting to feel unified such that all the elements fit together comfortably. Too much unity creates monotony, too much variety creates chaos.You need both.
  3. space
  4. Hues next to each other on the color wheel
  5. the space in a painting that is not occupied by the subject matter that is still part of the overall designed of the painting.
  6. two or more media used together in a painting.
  7. the counterweight to harmony and creates visual interest by slightly changing or using different elements together in a composition. It can be created with contrast, change, elaboration, or diversifying elements.
  8. tint
  9. line
  10. An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.
  11. color
  12. An element of art that is two-dimensional, flat, or limited to height and width.
  13. shade
  14. - the area around and behind the main subject in a painting.
  15. is the difference between elements of art in a composition, such that each element is made stronger in relation to the other. When placed next to each other, contrasting elements command the viewer's attention. Areas of contrast are among the fir
  16. glazing
  17. sharp shapes or lines that did not blend into adjacent areas.
  18. An element of art made up of three properties: hue, value, and intensity.
  19. - refers to free form shapes and free flowing lines. Opposite of geometrical.
  20. hue
  21. is the result of using the elements of art such that they move the viewer's eye around and within the image.
  22. the lightness or darkness of tones or colors.
  23. a transparent wash of color over another color modifying the underlying color.
  24. - are those colors directly opposite or across from each other on the color wheel, such as red and green or yellow and violet
  25. is the uniform repetition of any of the elements of art or any combination thereof.
  26. An element of art that refers to the way things feel, or look as if they might feel if touched
  27. gradient
  28. flat-wash
  29. to take out or remove paint from an area of a watercolor painting.
  30. - the application of wet paint onto wet paper.
  31. value
  32. opposite of transparent, opaque watercolor reflects light rather than letting light pass through it.
  33. bead
  34. - a design principle that refers visually to the equalization of the elements in a painting. The three types are: symmetrical (formal), asymmetrical (informal), or radial (circular, radiating for a central point).
  35. are predominantly hues ranging from yellow to orange to red.
  36. a basic components/parts used by artists in designing a painting: color, value, shape, space, line, form, and texture.
  37. texture
  38. a thin fluid application of watercolor on either wet or dry watercolor paper. A wash usually implies laying down color on a broad area of paper.
  39. a wash that gradually changes in value
  40. pure color plus black pigment creating a neutralized version of a color.
  41. the ratio of one art element to another. It is important to keep in mind the relationship between different elements of the composition so that the scale of your artwork always makes visual sense.
  42. Ranging from light-to-dark, starting with white, the lighter grays, the darker grays, then black.
  43. allowing the value or color of an edge to blend or blur into nearby areas without definite lines of separation.
  44. pure color plus white pigment or with water added to dilute the color in transparent watercolor.
  45. When one element of an artwork stands out more than another.
  46. form
  47. - any gradual change in hue, value, or color intensity.
  48. is created by movement implied through the repetition of elements of art in a non-uniform but organized way.
  49. shape
  50. opposite of opaque, transparent watercolor allows light to penetrate the pigment allowing the white of the paper to show through the pigment
  51. emphasis
  52. what the eye sees when light bounces off an object, such as red, blue, or yellow, etc.
  53. is an area of evenly distributed color. "Flat" meaning the color remains the same hue, value(or intensity) and textural quality. No brush strokes showing.
  54. - a tiny pool of color formed by gravity at the bottom of a wet wash when applied to tilted or slanted watercolor paper.