LightFlash[ ]1826CyanotypeAlfredStieglitzSilhouetteRule ofThirdsHueFrance1839LightDrawingCompositionPowerPointPixelsShallowDepthof FieldCtrl+ 0OverexposedSir JonHerschelGoldenHourDevelopCameraObscuraImpliedLineDroneSymmetryDarkroomAnnaAtkinsManualLouisDaguerreSelectiveColoringCompositeLumiereBrothersRedInvertedResolutionGeorgeEastmanNegativeSpaceF-stopDeepDepthof FieldWilliamHenryTalbotNegativeShutterReleaseButtonCtr +TArtificialLightEadweardMuybridgeJosephNiepceEnlargerApertureDesaturateCtrl+ ZCtrl +Shift +ZMargaretBourke-WhiteISOJuliaMargaretCameron8HoursShadeRobertCorneliusNaturalLightHeliographyDarkRoomMilitaryShutterSpeedDorotheaLange.PSDCtrl+ DCtrl+ +FoldersRoll ofFilmBackdropCtrl+ JPrintsDarkRoomLibraryZoomPixelatedLeadingLineAdobePhotoshopUnderexposedBokehBrownie30MinutesKodakAutochromeQuickSelectionToolAnselAdamsLayersAsymmetry.JPEGLightDrawingKoda-chromeModeDialMonochromaticPositiveSpacePhoto-grapherCtr +-SelectiveColoringTripodTintAdobeLightroomDigitalPhotographyPoint ofViewLightFlash[ ]1826CyanotypeAlfredStieglitzSilhouetteRule ofThirdsHueFrance1839LightDrawingCompositionPowerPointPixelsShallowDepthof FieldCtrl+ 0OverexposedSir JonHerschelGoldenHourDevelopCameraObscuraImpliedLineDroneSymmetryDarkroomAnnaAtkinsManualLouisDaguerreSelectiveColoringCompositeLumiereBrothersRedInvertedResolutionGeorgeEastmanNegativeSpaceF-stopDeepDepthof FieldWilliamHenryTalbotNegativeShutterReleaseButtonCtr +TArtificialLightEadweardMuybridgeJosephNiepceEnlargerApertureDesaturateCtrl+ ZCtrl +Shift +ZMargaretBourke-WhiteISOJuliaMargaretCameron8HoursShadeRobertCorneliusNaturalLightHeliographyDarkRoomMilitaryShutterSpeedDorotheaLange.PSDCtrl+ DCtrl+ +FoldersRoll ofFilmBackdropCtrl+ JPrintsDarkRoomLibraryZoomPixelatedLeadingLineAdobePhotoshopUnderexposedBokehBrownie30MinutesKodakAutochromeQuickSelectionToolAnselAdamsLayersAsymmetry.JPEGLightDrawingKoda-chromeModeDialMonochromaticPositiveSpacePhoto-grapherCtr +-SelectiveColoringTripodTintAdobeLightroomDigitalPhotographyPoint ofView

Photography - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Light
  2. Flash
  3. [ ]
  4. 1826
  5. Cyanotype
  6. Alfred Stieglitz
  7. Silhouette
  8. Rule of Thirds
  9. Hue
  10. France
  11. 1839
  12. Light Drawing
  13. Composition
  14. Power Point
  15. Pixels
  16. Shallow Depth of Field
  17. Ctrl + 0
  18. Overexposed
  19. Sir Jon Herschel
  20. Golden Hour
  21. Develop
  22. Camera Obscura
  23. Implied Line
  24. Drone
  25. Symmetry
  26. Darkroom
  27. Anna Atkins
  28. Manual
  29. Louis Daguerre
  30. Selective Coloring
  31. Composite
  32. Lumiere Brothers
  33. Red
  34. Inverted
  35. Resolution
  36. George Eastman
  37. Negative Space
  38. F-stop
  39. Deep Depth of Field
  40. William Henry Talbot
  41. Negative
  42. Shutter Release Button
  43. Ctr + T
  44. Artificial Light
  45. Eadweard Muybridge
  46. Joseph Niepce
  47. Enlarger
  48. Aperture
  49. Desaturate
  50. Ctrl + Z
  51. Ctrl + Shift + Z
  52. Margaret Bourke-White
  53. ISO
  54. Julia Margaret Cameron
  55. 8 Hours
  56. Shade
  57. Robert Cornelius
  58. Natural Light
  59. Heliography
  60. Dark Room
  61. Military
  62. Shutter Speed
  63. Dorothea Lange
  64. .PSD
  65. Ctrl + D
  66. Ctrl + +
  67. Folders
  68. Roll of Film
  69. Backdrop
  70. Ctrl + J
  71. Prints
  72. Dark Room
  73. Library
  74. Zoom
  75. Pixelated
  76. Leading Line
  77. Adobe Photoshop
  78. Underexposed
  79. Bokeh
  80. Brownie
  81. 30 Minutes
  82. Kodak
  83. Autochrome
  84. Quick Selection Tool
  85. Ansel Adams
  86. Layers
  87. Asymmetry
  88. .JPEG
  89. Light Drawing
  90. Koda-chrome
  91. Mode Dial
  92. Monochromatic
  93. Positive Space
  94. Photo-grapher
  95. Ctr + -
  96. Selective Coloring
  97. Tripod
  98. Tint
  99. Adobe Lightroom
  100. Digital Photography
  101. Point of View