George Eastman Mirror Balance Composition Aberration Color Depth of Field Chimping Simulated Texture SOOC Distractions (poor background) Sensor Shallow DOF Silhouette Dodging Linear Perspective Elements of Art Fixed Lens Matthew Brady Diagonal lines Emphasis Negative space Line Frame in Tight/Crop in Contrast Symmetrical Balance Polaroid Value Pixel Aperture Positive space Bokeh Frame Simple Shutter speed Rhythm Louis Daguerre Form space William Henry Fox Talbot ISO Picture in a picture Rule of Thirds converging lines Sub- framing TV – Shutter Priority Pattern Camera Obscura Exposure value Kodak Asymmetrical Balance Copyright Liquid Crystal Display Dr. Harrold Edgerton Shape Environmental Portrait Photojournalism Burning Viewfinder Under exposure Leading lines Light meter AV – Aperture Priority pentaprism Unity Daguerreotype Greater DOF Shutter Texture Radial Exposure Triangle Macro Over exposure Adobe Photoshop Principles of Art Zoom Lens Simple lens Edwin Land White Balance Proportion Compound Lens Eadweard Muybridge Actual Texture George Eastman Mirror Balance Composition Aberration Color Depth of Field Chimping Simulated Texture SOOC Distractions (poor background) Sensor Shallow DOF Silhouette Dodging Linear Perspective Elements of Art Fixed Lens Matthew Brady Diagonal lines Emphasis Negative space Line Frame in Tight/Crop in Contrast Symmetrical Balance Polaroid Value Pixel Aperture Positive space Bokeh Frame Simple Shutter speed Rhythm Louis Daguerre Form space William Henry Fox Talbot ISO Picture in a picture Rule of Thirds converging lines Sub- framing TV – Shutter Priority Pattern Camera Obscura Exposure value Kodak Asymmetrical Balance Copyright Liquid Crystal Display Dr. Harrold Edgerton Shape Environmental Portrait Photojournalism Burning Viewfinder Under exposure Leading lines Light meter AV – Aperture Priority pentaprism Unity Daguerreotype Greater DOF Shutter Texture Radial Exposure Triangle Macro Over exposure Adobe Photoshop Principles of Art Zoom Lens Simple lens Edwin Land White Balance Proportion Compound Lens Eadweard Muybridge Actual Texture
(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
George Eastman
Mirror
Balance
Composition
Aberration
Color
Depth of Field
Chimping
Simulated Texture
SOOC
Distractions (poor background)
Sensor
Shallow DOF
Silhouette
Dodging
Linear Perspective
Elements of Art
Fixed Lens
Matthew Brady
Diagonal lines
Emphasis
Negative space
Line
Frame in Tight/Crop in
Contrast
Symmetrical Balance
Polaroid
Value
Pixel
Aperture
Positive space
Bokeh
Frame
Simple
Shutter speed
Rhythm
Louis Daguerre
Form
space
William Henry Fox Talbot
ISO
Picture in a picture
Rule of Thirds
converging lines
Sub-framing
TV – Shutter Priority
Pattern
Camera Obscura
Exposure value
Kodak
Asymmetrical Balance
Copyright
Liquid Crystal Display
Dr. Harrold Edgerton
Shape
Environmental Portrait
Photojournalism
Burning
Viewfinder
Under exposure
Leading lines
Light meter
AV – Aperture Priority
pentaprism
Unity
Daguerreotype
Greater DOF
Shutter
Texture
Radial
Exposure Triangle
Macro
Over exposure
Adobe Photoshop
Principles of Art
Zoom Lens
Simple lens
Edwin Land
White Balance
Proportion
Compound Lens
Eadweard Muybridge
Actual Texture