(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
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Movement
Secondary colors
An element of art by which positive and negative areas are defined or a sense of depth achieved in a work of art .
Monochrome
Color
Colors made by mixing a primary with a secondary color. Also called intermediate colors.
A large difference between two things: For example, rough and smooth, or white and black.
A feeling that all of the parts are working together as a team - the quality of wholeness.
the composition is balanced due to the contrast of any of the elements of art. For example, a large circle on one side of a composition might be balanced by a small square on the other side
Emphasis
Any three dimensional object that can be measured by height, width, and depth.
Colors that are directly opposite on the color wheel. When mixed together, they make a neutral gray or brown.
A photographic process that does not use a camera, but prints a negative image.
is the uniform repetition of any of the elements of art or any combination thereof. Anything can be turned into a pattern through repetition. Some classic patterns are spirals, grids, weaves.
- brings together a composition with similar units. If your composition was using wavy lines and organic shapes you would stay with those types of lines and not put in just one geometric shape. (Notice how similar Harmony is to Unity - some source
Orange, green, and purple (or violet)
Primary colors
Line
Texture
You want your painting to feel unified such that all the elements fit together comfortably. Too much unity creates monotony, too much variety creates chaos. You need both. Ideally, you want areas of interest in your composition along with places
A flat figure created when actual or implied lines surround a space - can be geometric or organic.
An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.
Another name for related colors - have one color in common. Colors that appear next to each other on the color wheel.
Space
Common name for a color.
An element of art that refers to the way things feel, or look as if they might feel if touched.
A visual tempo or beat - often described as alternating, regular, flowing, progressive, or jazzy.
Area in a work of art that catches and holds the viewer's attention
An orderly arrangement of elements using the principles of design
Element of art produced when a wavelength of light strikes and object and reflects back to the eyes.
is the difference between elements of art in a composition, such that each element is made stronger in relation to the other. When placed next to each other, contrasting elements command the viewer's attention
is a visual flow through the composition. It can be the suggestion of motion in a design as you move from object to object by way of placement and position. Directional movement can be created with a value pattern. It is with the placement of dark
An element of art that refers to the lightness or darkness of a color.
Pattern
Symmetry
Asymmetry
is an area that first attracts attention in a composition. This area is more important when compared to the other objects or elements in a composition. This can be by contrast of values, more colors, and placement in the format.
An element of art that is two-dimensional, flat, or limited to height and width
represent how the artist uses the elements of art to create an effect and to help convey the artist's intent.
Tertiary
Principle of design referring to the way the elements are arranged to create a feeling of stability in a work - parts of equal visual weight.
A way of combining visual elements to produce a sense of action - or implied motion.
Impressionism
Hue
Rhythm
both sides of a composition have the same elements in the same position, as in a mirror-image, or the two sides of a face.
is the result of using the elements of art such that they move the viewer's eye around and within the image. A sense of movement can be created by diagonal or curvy lines, either real or implied, by edges, by the illusion of space, by repetition,
Variety
is when the artist creates an area of the composition that is visually dominant and commands the viewer's attention. This is often achieved by contrast.
Shape
Movement
Harmony
Color spectrum
Composition
Balance
Variety
The lightness or darkness of tones or colors. White is the lightest value; black is the darkest. The value halfway between these extremes is called middle gray.
Black, gray, brown, and white.
Contrast
An element of art made up of three properties: hue, value, and intensity. • Hue: name of color • Value: hue’s lightness and darkness (a color’s value changes when white or black is added) • Intensity: quality of brightness and purity (high intensi
Unity
Center of interest
Made of only a single color or hue and its tints and shades.
elements are equally spaced around a central point, as in the spokes coming out of the hub of a bicycle tire.
Analogous colors
Radial symmetry
Complementary
refers to the visual weight of the elements of the composition. It is a sense that the painting feels stable and "feels right." Imbalance causes a feeling of discomfort in the viewer.
A mark with length and direction, created by a point that moves across a surface.
Proportion
Value
Form
The use of different lines, shapes, textures, colors and other elements of design to create interest in a work of art.
The relation of one object to another in size, amount, number, or degree - scale
The element of art that refers to the surface quality or feel of an object - its smoothness, roughness, softness, etc.
is created by movement implied through the repetition of elements of art in a non-uniform but organized way.
Neutral colors
An element of art defined by a point moving in space. Line may be two-or three-dimensional, descriptive, implied, or abstract.
The empty or open area between, around, above, below, and within objects.
