SecondarycolorsAny threedimensional objectthat can bemeasured byheight, width, anddepth.A photographicprocess thatdoes not use acamera, butprints anegative image.VarietyColorspectrumelements areequally spacedaround a centralpoint, as in thespokes comingout of the hub of abicycle tire.Element of artproduced when awavelength of lightstrikes and objectand reflects backto the eyes.An element of art made up ofthree properties: hue, value,and intensity. • Hue: name ofcolor • Value: hue’s lightnessand darkness (a color’s valuechanges when white or blackis added) • Intensity: quality ofbrightness and purity (highintensirepresent how theartist uses theelements of art tocreate an effectand to helpconvey the artist'sintent.both sides of acomposition havethe same elementsin the same position,as in a mirror-image,or the two sides of aface.FormA large differencebetween twothings: Forexample, roughand smooth, orwhite and black.Principle of designreferring to the waythe elements arearranged to create afeeling of stability ina work - parts ofequal visual weight.The empty oropen areabetween,around, above,below, andwithin objects.LineAnalogouscolorsCommonname fora color.ColorRadialsymmetryA mark with lengthand direction,created by a pointthat moves acrossa surface.The relation ofone object toanother in size,amount,number, ordegree - scaleAn element of artdefined by a pointmoving in space. Linemay be two-or three-dimensional,descriptive, implied, orabstract.is the uniform repetition ofany of the elements of artor any combinationthereof. Anything can beturned into a patternthrough repetition. Someclassic patterns arespirals, grids, weaves.CompositionArea in a workof art thatcatches andholds theviewer'sattentionAn element of artby which positiveand negativeareas are definedor a sense ofdepth achieved ina work of art .A flat figurecreated whenactual or impliedlines surround aspace - can begeometric ororganic.VarietyShapePatternThe use of differentlines, shapes,textures, colors andother elements ofdesign to createinterest in a work ofart.ValueMovementThe element of artthat refers to thesurface quality orfeel of an object - itssmoothness,roughness, softness,etc.ImpressionismBalanceUnityis when the artistcreates an area of thecomposition that isvisually dominant andcommands theviewer's attention. Thisis often achieved bycontrast.MonochromeA way ofcombining visualelements toproduce a senseof action - orimplied motion.ProportionAn element ofart that refersto the lightnessor darkness ofa color.Orange,green, andpurple (orviolet)You want your painting to feelunified such that all theelements fit togethercomfortably. Too much unitycreates monotony, too muchvariety creates chaos. Youneed both. Ideally, you wantareas of interest in yourcomposition along with places An orderlyarrangement ofelements usingthe principlesof designTexture- brings together acomposition with similar units.If your composition was usingwavy lines and organic shapesyou would stay with thosetypes of lines and not put injust one geometric shape.(Notice how similar Harmonyis to Unity - some sourceTertiaryHarmonyA feeling that all ofthe parts areworking togetheras a team - thequality ofwholeness.Spacerefers to the visualweight of the elementsof the composition. It isa sense that thepainting feels stableand "feels right."Imbalance causes afeeling of discomfort inthe viewer.is the differencebetween elements of artin a composition, suchthat each element ismade stronger in relationto the other. When placednext to each other,contrasting elementscommand the viewer'sattentionAn element ofart that is two-dimensional,flat, or limited toheight andwidthBlack,gray,brown,and white.A visual tempo orbeat - oftendescribed asalternating,regular, flowing,progressive, orjazzy.is createdby movementimplied through therepetitionof elements of art ina non-uniform butorganized way.RhythmComplementaryAsymmetryNeutralcolorsEmphasisAn element of art that isthree-dimensional andencloses volume;includes height, widthAND depth (as in acube, a sphere, apyramid, or a cylinder).Form may also be freeflowing.An element ofart that refers tothe way thingsfeel, or look asif they mightfeel if touched.Movementthe composition isbalanced due to thecontrast of any of theelements of art. Forexample, a large circle onone side of a compositionmight be balanced by asmall square on the othersideColors that aredirectly opposite onthe color wheel.When mixedtogether, they makea neutral gray orbrown.CenterofinterestContrastThe lightness ordarkness of tones orcolors. White is thelightest value; black isthe darkest. The valuehalfway between theseextremes is calledmiddle gray.is an area that firstattracts attention in acomposition. This area ismore important whencompared to the otherobjects or elements in acomposition. This can beby contrast of values,more colors, andplacement in the format.Symmetryis a visual flow through thecomposition. It can be thesuggestion of motion in adesign as you move fromobject to object by way ofplacement and position.Directional movement can becreated with a value pattern. Itis with the placement of darkHueColors made bymixing a primarywith a secondarycolor. Also calledintermediatecolors.is the result of using theelements of art such thatthey move the viewer's eyearound and within the image.A sense of movement can becreated by diagonal orcurvy lines, either real orimplied, by edges, by theillusion of space, by repetition,Another name forrelated colors -have one color incommon. Colorsthat appear nextto each other onthe color wheel.PrimarycolorsMade of onlya single coloror hue and itstints andshades.SecondarycolorsAny threedimensional objectthat can bemeasured byheight, width, anddepth.A photographicprocess thatdoes not use acamera, butprints anegative image.VarietyColorspectrumelements areequally spacedaround a centralpoint, as in thespokes comingout of the hub of abicycle tire.Element of artproduced when awavelength of lightstrikes and objectand reflects backto the eyes.An element of art made up ofthree properties: hue, value,and intensity. • Hue: name ofcolor • Value: hue’s lightnessand darkness (a color’s valuechanges when white or blackis added) • Intensity: quality ofbrightness and purity (highintensirepresent how theartist uses theelements of art tocreate an effectand to helpconvey the artist'sintent.both sides of acomposition havethe same elementsin the same position,as in a mirror-image,or the two sides of aface.FormA large differencebetween twothings: Forexample, roughand smooth, orwhite and black.Principle of designreferring to the waythe elements arearranged to create afeeling of stability ina work - parts ofequal visual weight.The empty oropen areabetween,around, above,below, andwithin objects.LineAnalogouscolorsCommonname fora color.ColorRadialsymmetryA mark with lengthand direction,created by a pointthat moves acrossa surface.The relation ofone object toanother in size,amount,number, ordegree - scaleAn element of artdefined by a pointmoving in space. Linemay be two-or three-dimensional,descriptive, implied, orabstract.is the uniform repetition ofany of the elements of artor any combinationthereof. Anything can beturned into a patternthrough repetition. Someclassic patterns arespirals, grids, weaves.CompositionArea in a workof art thatcatches andholds theviewer'sattentionAn element of artby which positiveand negativeareas are definedor a sense ofdepth achieved ina work of art .A flat figurecreated whenactual or impliedlines surround aspace - can begeometric ororganic.VarietyShapePatternThe use of differentlines, shapes,textures, colors andother elements ofdesign to createinterest in a work ofart.ValueMovementThe element of artthat refers to thesurface quality orfeel of an object - itssmoothness,roughness, softness,etc.ImpressionismBalanceUnityis when the artistcreates an area of thecomposition that isvisually dominant andcommands theviewer's attention. Thisis often achieved bycontrast.MonochromeA way ofcombining visualelements toproduce a senseof action - orimplied motion.ProportionAn element ofart that refersto the lightnessor darkness ofa color.Orange,green, andpurple (orviolet)You want your painting to feelunified such that all theelements fit togethercomfortably. Too much unitycreates monotony, too muchvariety creates chaos. Youneed both. Ideally, you wantareas of interest in yourcomposition along with places An orderlyarrangement ofelements usingthe principlesof designTexture- brings together acomposition with similar units.If your composition was usingwavy lines and organic shapesyou would stay with thosetypes of lines and not put injust one geometric shape.(Notice how similar Harmonyis to Unity - some sourceTertiaryHarmonyA feeling that all ofthe parts areworking togetheras a team - thequality ofwholeness.Spacerefers to the visualweight of the elementsof the composition. It isa sense that thepainting feels stableand "feels right."Imbalance causes afeeling of discomfort inthe viewer.is the differencebetween elements of artin a composition, suchthat each element ismade stronger in relationto the other. When placednext to each other,contrasting elementscommand the viewer'sattentionAn element ofart that is two-dimensional,flat, or limited toheight andwidthBlack,gray,brown,and white.A visual tempo orbeat - oftendescribed asalternating,regular, flowing,progressive, orjazzy.is createdby movementimplied through therepetitionof elements of art ina non-uniform butorganized way.RhythmComplementaryAsymmetryNeutralcolorsEmphasisAn element of art that isthree-dimensional andencloses volume;includes height, widthAND depth (as in acube, a sphere, apyramid, or a cylinder).Form may also be freeflowing.An element ofart that refers tothe way thingsfeel, or look asif they mightfeel if touched.Movementthe composition isbalanced due to thecontrast of any of theelements of art. Forexample, a large circle onone side of a compositionmight be balanced by asmall square on the othersideColors that aredirectly opposite onthe color wheel.When mixedtogether, they makea neutral gray orbrown.CenterofinterestContrastThe lightness ordarkness of tones orcolors. White is thelightest value; black isthe darkest. The valuehalfway between theseextremes is calledmiddle gray.is an area that firstattracts attention in acomposition. This area ismore important whencompared to the otherobjects or elements in acomposition. This can beby contrast of values,more colors, andplacement in the format.Symmetryis a visual flow through thecomposition. It can be thesuggestion of motion in adesign as you move fromobject to object by way ofplacement and position.Directional movement can becreated with a value pattern. Itis with the placement of darkHueColors made bymixing a primarywith a secondarycolor. Also calledintermediatecolors.is the result of using theelements of art such thatthey move the viewer's eyearound and within the image.A sense of movement can becreated by diagonal orcurvy lines, either real orimplied, by edges, by theillusion of space, by repetition,Another name forrelated colors -have one color incommon. Colorsthat appear nextto each other onthe color wheel.PrimarycolorsMade of onlya single coloror hue and itstints andshades.

Drawing/Art - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Secondary colors
  2. Any three dimensional object that can be measured by height, width, and depth.
  3. A photographic process that does not use a camera, but prints a negative image.
  4. Variety
  5. Color spectrum
  6. elements are equally spaced around a central point, as in the spokes coming out of the hub of a bicycle tire.
  7. Element of art produced when a wavelength of light strikes and object and reflects back to the eyes.
  8. An element of art made up of three properties: hue, value, and intensity. • Hue: name of color • Value: hue’s lightness and darkness (a color’s value changes when white or black is added) • Intensity: quality of brightness and purity (high intensi
  9. represent how the artist uses the elements of art to create an effect and to help convey the artist's intent.
  10. both sides of a composition have the same elements in the same position, as in a mirror-image, or the two sides of a face.
  11. Form
  12. A large difference between two things: For example, rough and smooth, or white and black.
  13. Principle of design referring to the way the elements are arranged to create a feeling of stability in a work - parts of equal visual weight.
  14. The empty or open area between, around, above, below, and within objects.
  15. Line
  16. Analogous colors
  17. Common name for a color.
  18. Color
  19. Radial symmetry
  20. A mark with length and direction, created by a point that moves across a surface.
  21. The relation of one object to another in size, amount, number, or degree - scale
  22. An element of art defined by a point moving in space. Line may be two-or three-dimensional, descriptive, implied, or abstract.
  23. is the uniform repetition of any of the elements of art or any combination thereof. Anything can be turned into a pattern through repetition. Some classic patterns are spirals, grids, weaves.
  24. Composition
  25. Area in a work of art that catches and holds the viewer's attention
  26. An element of art by which positive and negative areas are defined or a sense of depth achieved in a work of art .
  27. A flat figure created when actual or implied lines surround a space - can be geometric or organic.
  28. Variety
  29. Shape
  30. Pattern
  31. The use of different lines, shapes, textures, colors and other elements of design to create interest in a work of art.
  32. Value
  33. Movement
  34. The element of art that refers to the surface quality or feel of an object - its smoothness, roughness, softness, etc.
  35. Impressionism
  36. Balance
  37. Unity
  38. is when the artist creates an area of the composition that is visually dominant and commands the viewer's attention. This is often achieved by contrast.
  39. Monochrome
  40. A way of combining visual elements to produce a sense of action - or implied motion.
  41. Proportion
  42. An element of art that refers to the lightness or darkness of a color.
  43. Orange, green, and purple (or violet)
  44. You want your painting to feel unified such that all the elements fit together comfortably. Too much unity creates monotony, too much variety creates chaos. You need both. Ideally, you want areas of interest in your composition along with places
  45. An orderly arrangement of elements using the principles of design
  46. Texture
  47. - brings together a composition with similar units. If your composition was using wavy lines and organic shapes you would stay with those types of lines and not put in just one geometric shape. (Notice how similar Harmony is to Unity - some source
  48. Tertiary
  49. Harmony
  50. A feeling that all of the parts are working together as a team - the quality of wholeness.
  51. Space
  52. refers to the visual weight of the elements of the composition. It is a sense that the painting feels stable and "feels right." Imbalance causes a feeling of discomfort in the viewer.
  53. is the difference between elements of art in a composition, such that each element is made stronger in relation to the other. When placed next to each other, contrasting elements command the viewer's attention
  54. An element of art that is two-dimensional, flat, or limited to height and width
  55. Black, gray, brown, and white.
  56. A visual tempo or beat - often described as alternating, regular, flowing, progressive, or jazzy.
  57. is created by movement implied through the repetition of elements of art in a non-uniform but organized way.
  58. Rhythm
  59. Complementary
  60. Asymmetry
  61. Neutral colors
  62. Emphasis
  63. An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.
  64. An element of art that refers to the way things feel, or look as if they might feel if touched.
  65. Movement
  66. the composition is balanced due to the contrast of any of the elements of art. For example, a large circle on one side of a composition might be balanced by a small square on the other side
  67. Colors that are directly opposite on the color wheel. When mixed together, they make a neutral gray or brown.
  68. Center of interest
  69. Contrast
  70. The lightness or darkness of tones or colors. White is the lightest value; black is the darkest. The value halfway between these extremes is called middle gray.
  71. is an area that first attracts attention in a composition. This area is more important when compared to the other objects or elements in a composition. This can be by contrast of values, more colors, and placement in the format.
  72. Symmetry
  73. is a visual flow through the composition. It can be the suggestion of motion in a design as you move from object to object by way of placement and position. Directional movement can be created with a value pattern. It is with the placement of dark
  74. Hue
  75. Colors made by mixing a primary with a secondary color. Also called intermediate colors.
  76. is the result of using the elements of art such that they move the viewer's eye around and within the image. A sense of movement can be created by diagonal or curvy lines, either real or implied, by edges, by the illusion of space, by repetition,
  77. Another name for related colors - have one color in common. Colors that appear next to each other on the color wheel.
  78. Primary colors
  79. Made of only a single color or hue and its tints and shades.