A large differencebetween twothings: Forexample, roughand smooth, orwhite and black.Colors made bymixing a primarywith a secondarycolor. Also calledintermediatecolors.A way ofcombining visualelements toproduce a senseof action - orimplied motion.The empty oropen areabetween,around, above,below, andwithin objects.An element of art that isthree-dimensional andencloses volume;includes height, widthAND depth (as in acube, a sphere, apyramid, or a cylinder).Form may also be freeflowing.You want your painting to feelunified such that all theelements fit togethercomfortably. Too much unitycreates monotony, too muchvariety creates chaos. Youneed both. Ideally, you wantareas of interest in yourcomposition along with places A visual tempo orbeat - oftendescribed asalternating,regular, flowing,progressive, orjazzy.A mark with lengthand direction,created by a pointthat moves acrossa surface.An orderlyarrangement ofelements usingthe principlesof designA feeling that all ofthe parts areworking togetheras a team - thequality ofwholeness.is when the artistcreates an area of thecomposition that isvisually dominant andcommands theviewer's attention. Thisis often achieved bycontrast.- brings together acomposition with similar units.If your composition was usingwavy lines and organic shapesyou would stay with thosetypes of lines and not put injust one geometric shape.(Notice how similar Harmonyis to Unity - some sourceLineSpaceThe relation ofone object toanother in size,amount,number, ordegree - scaleThe element of artthat refers to thesurface quality orfeel of an object - itssmoothness,roughness, softness,etc.both sides of acomposition havethe same elementsin the same position,as in a mirror-image,or the two sides of aface.An element ofart that is two-dimensional,flat, or limited toheight andwidthPrimarycolorsEmphasisMovementthe composition isbalanced due to thecontrast of any of theelements of art. Forexample, a large circle onone side of a compositionmight be balanced by asmall square on the othersideArea in a workof art thatcatches andholds theviewer'sattentionis an area that firstattracts attention in acomposition. This area ismore important whencompared to the otherobjects or elements in acomposition. This can beby contrast of values,more colors, andplacement in the format.ProportionColorspectrumTextureColorRhythmis createdby movementimplied through therepetitionof elements of art ina non-uniform butorganized way.Principle of designreferring to the waythe elements arearranged to create afeeling of stability ina work - parts ofequal visual weight.TertiaryBalanceis a visual flow through thecomposition. It can be thesuggestion of motion in adesign as you move fromobject to object by way ofplacement and position.Directional movement can becreated with a value pattern. Itis with the placement of darkPatternFormAn element ofart that refersto the lightnessor darkness ofa color.Contrastis the result of using theelements of art such thatthey move the viewer's eyearound and within the image.A sense of movement can becreated by diagonal orcurvy lines, either real orimplied, by edges, by theillusion of space, by repetition,HueMonochromeAnalogouscolorsAsymmetryThe use of differentlines, shapes,textures, colors andother elements ofdesign to createinterest in a work ofart.Unityis the differencebetween elements of artin a composition, suchthat each element ismade stronger in relationto the other. When placednext to each other,contrasting elementscommand the viewer'sattentionAn element ofart that refers tothe way thingsfeel, or look asif they mightfeel if touched.Made of onlya single coloror hue and itstints andshades.An element of artdefined by a pointmoving in space. Linemay be two-or three-dimensional,descriptive, implied, orabstract.ValueA photographicprocess thatdoes not use acamera, butprints anegative image.Black,gray,brown,and white.SymmetryAn element of artby which positiveand negativeareas are definedor a sense ofdepth achieved ina work of art .NeutralcolorsMovementShapeCompositionVarietySecondarycolorsHarmonyColors that aredirectly opposite onthe color wheel.When mixedtogether, they makea neutral gray orbrown.Complementaryrepresent how theartist uses theelements of art tocreate an effectand to helpconvey the artist'sintent.The lightness ordarkness of tones orcolors. White is thelightest value; black isthe darkest. The valuehalfway between theseextremes is calledmiddle gray.refers to the visualweight of the elementsof the composition. It isa sense that thepainting feels stableand "feels right."Imbalance causes afeeling of discomfort inthe viewer.RadialsymmetryElement of artproduced when awavelength of lightstrikes and objectand reflects backto the eyes.Commonname fora color.Any threedimensional objectthat can bemeasured byheight, width, anddepth.An element of art made up ofthree properties: hue, value,and intensity. • Hue: name ofcolor • Value: hue’s lightnessand darkness (a color’s valuechanges when white or blackis added) • Intensity: quality ofbrightness and purity (highintensielements areequally spacedaround a centralpoint, as in thespokes comingout of the hub of abicycle tire.VarietyOrange,green, andpurple (orviolet)is the uniform repetition ofany of the elements of artor any combinationthereof. Anything can beturned into a patternthrough repetition. Someclassic patterns arespirals, grids, weaves.Another name forrelated colors -have one color incommon. Colorsthat appear nextto each other onthe color wheel.CenterofinterestA flat figurecreated whenactual or impliedlines surround aspace - can begeometric ororganic.ImpressionismA large differencebetween twothings: Forexample, roughand smooth, orwhite and black.Colors made bymixing a primarywith a secondarycolor. Also calledintermediatecolors.A way ofcombining visualelements toproduce a senseof action - orimplied motion.The empty oropen areabetween,around, above,below, andwithin objects.An element of art that isthree-dimensional andencloses volume;includes height, widthAND depth (as in acube, a sphere, apyramid, or a cylinder).Form may also be freeflowing.You want your painting to feelunified such that all theelements fit togethercomfortably. Too much unitycreates monotony, too muchvariety creates chaos. Youneed both. Ideally, you wantareas of interest in yourcomposition along with places A visual tempo orbeat - oftendescribed asalternating,regular, flowing,progressive, orjazzy.A mark with lengthand direction,created by a pointthat moves acrossa surface.An orderlyarrangement ofelements usingthe principlesof designA feeling that all ofthe parts areworking togetheras a team - thequality ofwholeness.is when the artistcreates an area of thecomposition that isvisually dominant andcommands theviewer's attention. Thisis often achieved bycontrast.- brings together acomposition with similar units.If your composition was usingwavy lines and organic shapesyou would stay with thosetypes of lines and not put injust one geometric shape.(Notice how similar Harmonyis to Unity - some sourceLineSpaceThe relation ofone object toanother in size,amount,number, ordegree - scaleThe element of artthat refers to thesurface quality orfeel of an object - itssmoothness,roughness, softness,etc.both sides of acomposition havethe same elementsin the same position,as in a mirror-image,or the two sides of aface.An element ofart that is two-dimensional,flat, or limited toheight andwidthPrimarycolorsEmphasisMovementthe composition isbalanced due to thecontrast of any of theelements of art. Forexample, a large circle onone side of a compositionmight be balanced by asmall square on the othersideArea in a workof art thatcatches andholds theviewer'sattentionis an area that firstattracts attention in acomposition. This area ismore important whencompared to the otherobjects or elements in acomposition. This can beby contrast of values,more colors, andplacement in the format.ProportionColorspectrumTextureColorRhythmis createdby movementimplied through therepetitionof elements of art ina non-uniform butorganized way.Principle of designreferring to the waythe elements arearranged to create afeeling of stability ina work - parts ofequal visual weight.TertiaryBalanceis a visual flow through thecomposition. It can be thesuggestion of motion in adesign as you move fromobject to object by way ofplacement and position.Directional movement can becreated with a value pattern. Itis with the placement of darkPatternFormAn element ofart that refersto the lightnessor darkness ofa color.Contrastis the result of using theelements of art such thatthey move the viewer's eyearound and within the image.A sense of movement can becreated by diagonal orcurvy lines, either real orimplied, by edges, by theillusion of space, by repetition,HueMonochromeAnalogouscolorsAsymmetryThe use of differentlines, shapes,textures, colors andother elements ofdesign to createinterest in a work ofart.Unityis the differencebetween elements of artin a composition, suchthat each element ismade stronger in relationto the other. When placednext to each other,contrasting elementscommand the viewer'sattentionAn element ofart that refers tothe way thingsfeel, or look asif they mightfeel if touched.Made of onlya single coloror hue and itstints andshades.An element of artdefined by a pointmoving in space. Linemay be two-or three-dimensional,descriptive, implied, orabstract.ValueA photographicprocess thatdoes not use acamera, butprints anegative image.Black,gray,brown,and white.SymmetryAn element of artby which positiveand negativeareas are definedor a sense ofdepth achieved ina work of art .NeutralcolorsMovementShapeCompositionVarietySecondarycolorsHarmonyColors that aredirectly opposite onthe color wheel.When mixedtogether, they makea neutral gray orbrown.Complementaryrepresent how theartist uses theelements of art tocreate an effectand to helpconvey the artist'sintent.The lightness ordarkness of tones orcolors. White is thelightest value; black isthe darkest. The valuehalfway between theseextremes is calledmiddle gray.refers to the visualweight of the elementsof the composition. It isa sense that thepainting feels stableand "feels right."Imbalance causes afeeling of discomfort inthe viewer.RadialsymmetryElement of artproduced when awavelength of lightstrikes and objectand reflects backto the eyes.Commonname fora color.Any threedimensional objectthat can bemeasured byheight, width, anddepth.An element of art made up ofthree properties: hue, value,and intensity. • Hue: name ofcolor • Value: hue’s lightnessand darkness (a color’s valuechanges when white or blackis added) • Intensity: quality ofbrightness and purity (highintensielements areequally spacedaround a centralpoint, as in thespokes comingout of the hub of abicycle tire.VarietyOrange,green, andpurple (orviolet)is the uniform repetition ofany of the elements of artor any combinationthereof. Anything can beturned into a patternthrough repetition. Someclassic patterns arespirals, grids, weaves.Another name forrelated colors -have one color incommon. Colorsthat appear nextto each other onthe color wheel.CenterofinterestA flat figurecreated whenactual or impliedlines surround aspace - can begeometric ororganic.Impressionism

Drawing/Art - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. A large difference between two things: For example, rough and smooth, or white and black.
  2. Colors made by mixing a primary with a secondary color. Also called intermediate colors.
  3. A way of combining visual elements to produce a sense of action - or implied motion.
  4. The empty or open area between, around, above, below, and within objects.
  5. An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.
  6. You want your painting to feel unified such that all the elements fit together comfortably. Too much unity creates monotony, too much variety creates chaos. You need both. Ideally, you want areas of interest in your composition along with places
  7. A visual tempo or beat - often described as alternating, regular, flowing, progressive, or jazzy.
  8. A mark with length and direction, created by a point that moves across a surface.
  9. An orderly arrangement of elements using the principles of design
  10. A feeling that all of the parts are working together as a team - the quality of wholeness.
  11. is when the artist creates an area of the composition that is visually dominant and commands the viewer's attention. This is often achieved by contrast.
  12. - brings together a composition with similar units. If your composition was using wavy lines and organic shapes you would stay with those types of lines and not put in just one geometric shape. (Notice how similar Harmony is to Unity - some source
  13. Line
  14. Space
  15. The relation of one object to another in size, amount, number, or degree - scale
  16. The element of art that refers to the surface quality or feel of an object - its smoothness, roughness, softness, etc.
  17. both sides of a composition have the same elements in the same position, as in a mirror-image, or the two sides of a face.
  18. An element of art that is two-dimensional, flat, or limited to height and width
  19. Primary colors
  20. Emphasis
  21. Movement
  22. the composition is balanced due to the contrast of any of the elements of art. For example, a large circle on one side of a composition might be balanced by a small square on the other side
  23. Area in a work of art that catches and holds the viewer's attention
  24. is an area that first attracts attention in a composition. This area is more important when compared to the other objects or elements in a composition. This can be by contrast of values, more colors, and placement in the format.
  25. Proportion
  26. Color spectrum
  27. Texture
  28. Color
  29. Rhythm
  30. is created by movement implied through the repetition of elements of art in a non-uniform but organized way.
  31. Principle of design referring to the way the elements are arranged to create a feeling of stability in a work - parts of equal visual weight.
  32. Tertiary
  33. Balance
  34. is a visual flow through the composition. It can be the suggestion of motion in a design as you move from object to object by way of placement and position. Directional movement can be created with a value pattern. It is with the placement of dark
  35. Pattern
  36. Form
  37. An element of art that refers to the lightness or darkness of a color.
  38. Contrast
  39. is the result of using the elements of art such that they move the viewer's eye around and within the image. A sense of movement can be created by diagonal or curvy lines, either real or implied, by edges, by the illusion of space, by repetition,
  40. Hue
  41. Monochrome
  42. Analogous colors
  43. Asymmetry
  44. The use of different lines, shapes, textures, colors and other elements of design to create interest in a work of art.
  45. Unity
  46. is the difference between elements of art in a composition, such that each element is made stronger in relation to the other. When placed next to each other, contrasting elements command the viewer's attention
  47. An element of art that refers to the way things feel, or look as if they might feel if touched.
  48. Made of only a single color or hue and its tints and shades.
  49. An element of art defined by a point moving in space. Line may be two-or three-dimensional, descriptive, implied, or abstract.
  50. Value
  51. A photographic process that does not use a camera, but prints a negative image.
  52. Black, gray, brown, and white.
  53. Symmetry
  54. An element of art by which positive and negative areas are defined or a sense of depth achieved in a work of art .
  55. Neutral colors
  56. Movement
  57. Shape
  58. Composition
  59. Variety
  60. Secondary colors
  61. Harmony
  62. Colors that are directly opposite on the color wheel. When mixed together, they make a neutral gray or brown.
  63. Complementary
  64. represent how the artist uses the elements of art to create an effect and to help convey the artist's intent.
  65. The lightness or darkness of tones or colors. White is the lightest value; black is the darkest. The value halfway between these extremes is called middle gray.
  66. refers to the visual weight of the elements of the composition. It is a sense that the painting feels stable and "feels right." Imbalance causes a feeling of discomfort in the viewer.
  67. Radial symmetry
  68. Element of art produced when a wavelength of light strikes and object and reflects back to the eyes.
  69. Common name for a color.
  70. Any three dimensional object that can be measured by height, width, and depth.
  71. An element of art made up of three properties: hue, value, and intensity. • Hue: name of color • Value: hue’s lightness and darkness (a color’s value changes when white or black is added) • Intensity: quality of brightness and purity (high intensi
  72. elements are equally spaced around a central point, as in the spokes coming out of the hub of a bicycle tire.
  73. Variety
  74. Orange, green, and purple (or violet)
  75. is the uniform repetition of any of the elements of art or any combination thereof. Anything can be turned into a pattern through repetition. Some classic patterns are spirals, grids, weaves.
  76. Another name for related colors - have one color in common. Colors that appear next to each other on the color wheel.
  77. Center of interest
  78. A flat figure created when actual or implied lines surround a space - can be geometric or organic.
  79. Impressionism