Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Free!Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Free!Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)

Core I Bingo Fall 2020 - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Hong, Minor Feelings: “othering English” (p. 97) (Alexandra)
  2. Rankine, Citizen: “driving yourself sane” (p. 105) (KV)
  3. Dr. K.: “culture” (p. 41, top right corner). (Natalie)
  4. Rankine, Citizen: “historical self” v. “self self” (p. 14) (Rachel)
  5. Simpson, “Constructing Kahnawà:ke”: desire, order, purity, fixity, research loops, Western epistemes (p. 70) (Chloe)
  6. “Virtue? A fig!” (Othello, p. 51), Act 1, Scene 3, 360-375. (Olivia)
  7. Simpson, “Constructing Kahnawà:ke”: “culture, tradition, and epistemological unrecognizability” (p. 74) (Katie)
  8. Dada Masilo’s Swan Lake as "cannibalization"? (Mena)
  9. “Speak of me as I am” (Othello, p. 257-259), Act 5, Scene 2, 310-332. (Serena)
  10. Hong, Minor Feelings: “myself” (p. 42 bottom and 194 top) (Drishti)
  11. Rankine, Citizen: p. 33 (Nick Cave, Soundsuits) Also: p. 135: white men and their imagination (Archa)
  12. Pliny, “but to give the contour of the figures, and make a satisfactory boundary where the painting within finishes, is rarely attained in successful artistry”. (p. 311) (Kyra)
  13. Free!
  14. Simpson, “Constructing Kahnawà:ke”: culture as construct and fetish (p. 71)
  15. Graffigny, Letters: “I am, I live, I exist.” (p. 173) (Lauren)
  16. Graffigny, Letters: “the language of the land” and truth (p. 53) (Sharee)