Pliny, “but to give the contour of the figures, and make a satisfactory boundary where the painting within finishes, is rarely attained in successful artistry”. (p. 311) (Kyra) Simpson, “Constructing Kahnawà:ke”: “culture, tradition, and epistemological unrecognizability” (p. 74) (Katie) Graffigny, Letters: “the language of the land” and truth (p. 53) (Sharee) Dr. K.: “culture” (p. 41, top right corner). (Natalie) Rankine, Citizen: “driving yourself sane” (p. 105) (KV) Simpson, “Constructing Kahnawà:ke”: culture as construct and fetish (p. 71) Rankine, Citizen: “historical self” v. “self self” (p. 14) (Rachel) Free! Graffigny, Letters: “I am, I live, I exist.” (p. 173) (Lauren) Simpson, “Constructing Kahnawà:ke”: desire, order, purity, fixity, research loops, Western epistemes (p. 70) (Chloe) Hong, Minor Feelings: “myself” (p. 42 bottom and 194 top) (Drishti) Hong, Minor Feelings: “othering English” (p. 97) (Alexandra) “Speak of me as I am” (Othello, p. 257-259), Act 5, Scene 2, 310-332. (Serena) Rankine, Citizen: p. 33 (Nick Cave, Soundsuits) Also: p. 135: white men and their imagination (Archa) “Virtue? A fig!” (Othello, p. 51), Act 1, Scene 3, 360-375. (Olivia) Dada Masilo’s Swan Lake as "cannibalization"? (Mena) Pliny, “but to give the contour of the figures, and make a satisfactory boundary where the painting within finishes, is rarely attained in successful artistry”. (p. 311) (Kyra) Simpson, “Constructing Kahnawà:ke”: “culture, tradition, and epistemological unrecognizability” (p. 74) (Katie) Graffigny, Letters: “the language of the land” and truth (p. 53) (Sharee) Dr. K.: “culture” (p. 41, top right corner). (Natalie) Rankine, Citizen: “driving yourself sane” (p. 105) (KV) Simpson, “Constructing Kahnawà:ke”: culture as construct and fetish (p. 71) Rankine, Citizen: “historical self” v. “self self” (p. 14) (Rachel) Free! Graffigny, Letters: “I am, I live, I exist.” (p. 173) (Lauren) Simpson, “Constructing Kahnawà:ke”: desire, order, purity, fixity, research loops, Western epistemes (p. 70) (Chloe) Hong, Minor Feelings: “myself” (p. 42 bottom and 194 top) (Drishti) Hong, Minor Feelings: “othering English” (p. 97) (Alexandra) “Speak of me as I am” (Othello, p. 257-259), Act 5, Scene 2, 310-332. (Serena) Rankine, Citizen: p. 33 (Nick Cave, Soundsuits) Also: p. 135: white men and their imagination (Archa) “Virtue? A fig!” (Othello, p. 51), Act 1, Scene 3, 360-375. (Olivia) Dada Masilo’s Swan Lake as "cannibalization"? (Mena)
(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
Pliny, “but to give the contour of the figures, and make a satisfactory boundary where the painting within finishes, is rarely attained in successful artistry”. (p. 311)
(Kyra)
Simpson, “Constructing Kahnawà:ke”: “culture, tradition, and epistemological unrecognizability” (p. 74) (Katie)
Graffigny, Letters:
“the language of the land” and truth (p. 53)
(Sharee)
Dr. K.: “culture” (p. 41, top right corner).
(Natalie)
Rankine, Citizen:
“driving yourself sane” (p. 105) (KV)
Simpson, “Constructing Kahnawà:ke”: culture as construct and fetish (p. 71)
Rankine, Citizen: “historical self” v. “self self” (p. 14)
(Rachel)
Free!
Graffigny, Letters:
“I am, I live, I exist.” (p. 173)
(Lauren)
Simpson, “Constructing Kahnawà:ke”: desire, order, purity, fixity, research loops, Western epistemes (p. 70) (Chloe)
Hong, Minor Feelings:
“myself” (p. 42 bottom and 194 top)
(Drishti)
Hong, Minor Feelings:
“othering English” (p. 97) (Alexandra)
“Speak of me as I am” (Othello, p. 257-259), Act 5, Scene 2, 310-332.
(Serena)
Rankine, Citizen: p. 33 (Nick Cave, Soundsuits)
Also: p. 135: white men and their imagination
(Archa)
“Virtue? A fig!” (Othello, p. 51), Act 1, Scene 3, 360-375.
(Olivia)
Dada Masilo’s Swan Lake as "cannibalization"?
(Mena)