Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Dada Masilo’sSwan Lake as"cannibalization"?(Mena)Free!Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Dada Masilo’sSwan Lake as"cannibalization"?(Mena)Free!Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)

Core I Bingo Fall 2020 - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Rankine, Citizen: “historical self” v. “self self” (p. 14) (Rachel)
  2. Simpson, “Constructing Kahnawà:ke”: desire, order, purity, fixity, research loops, Western epistemes (p. 70) (Chloe)
  3. “Virtue? A fig!” (Othello, p. 51), Act 1, Scene 3, 360-375. (Olivia)
  4. Rankine, Citizen: “driving yourself sane” (p. 105) (KV)
  5. Simpson, “Constructing Kahnawà:ke”: culture as construct and fetish (p. 71)
  6. “Speak of me as I am” (Othello, p. 257-259), Act 5, Scene 2, 310-332. (Serena)
  7. Graffigny, Letters: “I am, I live, I exist.” (p. 173) (Lauren)
  8. Hong, Minor Feelings: “othering English” (p. 97) (Alexandra)
  9. Dada Masilo’s Swan Lake as "cannibalization"? (Mena)
  10. Free!
  11. Dr. K.: “culture” (p. 41, top right corner). (Natalie)
  12. Simpson, “Constructing Kahnawà:ke”: “culture, tradition, and epistemological unrecognizability” (p. 74) (Katie)
  13. Hong, Minor Feelings: “myself” (p. 42 bottom and 194 top) (Drishti)
  14. Pliny, “but to give the contour of the figures, and make a satisfactory boundary where the painting within finishes, is rarely attained in successful artistry”. (p. 311) (Kyra)
  15. Graffigny, Letters: “the language of the land” and truth (p. 53) (Sharee)
  16. Rankine, Citizen: p. 33 (Nick Cave, Soundsuits) Also: p. 135: white men and their imagination (Archa)