Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Free!Dr. K.:“culture” (p.41, top rightcorner).(Natalie)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Free!Dr. K.:“culture” (p.41, top rightcorner).(Natalie)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) 

Core I Bingo Fall 2020 - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Hong, Minor Feelings: “othering English” (p. 97) (Alexandra)
  2. Hong, Minor Feelings: “myself” (p. 42 bottom and 194 top) (Drishti)
  3. Pliny, “but to give the contour of the figures, and make a satisfactory boundary where the painting within finishes, is rarely attained in successful artistry”. (p. 311) (Kyra)
  4. Dada Masilo’s Swan Lake as "cannibalization"? (Mena)
  5. Simpson, “Constructing Kahnawà:ke”: desire, order, purity, fixity, research loops, Western epistemes (p. 70) (Chloe)
  6. “Speak of me as I am” (Othello, p. 257-259), Act 5, Scene 2, 310-332. (Serena)
  7. Graffigny, Letters: “the language of the land” and truth (p. 53) (Sharee)
  8. Free!
  9. Dr. K.: “culture” (p. 41, top right corner). (Natalie)
  10. “Virtue? A fig!” (Othello, p. 51), Act 1, Scene 3, 360-375. (Olivia)
  11. Rankine, Citizen: p. 33 (Nick Cave, Soundsuits) Also: p. 135: white men and their imagination (Archa)
  12. Rankine, Citizen: “historical self” v. “self self” (p. 14) (Rachel)
  13. Simpson, “Constructing Kahnawà:ke”: “culture, tradition, and epistemological unrecognizability” (p. 74) (Katie)
  14. Simpson, “Constructing Kahnawà:ke”: culture as construct and fetish (p. 71)
  15. Rankine, Citizen: “driving yourself sane” (p. 105) (KV)
  16. Graffigny, Letters: “I am, I live, I exist.” (p. 173) (Lauren)