Free!Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) Free!Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) 

Core I Bingo Fall 2020 - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Free!
  2. Rankine, Citizen: “historical self” v. “self self” (p. 14) (Rachel)
  3. Rankine, Citizen: p. 33 (Nick Cave, Soundsuits) Also: p. 135: white men and their imagination (Archa)
  4. “Virtue? A fig!” (Othello, p. 51), Act 1, Scene 3, 360-375. (Olivia)
  5. Simpson, “Constructing Kahnawà:ke”: culture as construct and fetish (p. 71)
  6. Dada Masilo’s Swan Lake as "cannibalization"? (Mena)
  7. Rankine, Citizen: “driving yourself sane” (p. 105) (KV)
  8. Graffigny, Letters: “the language of the land” and truth (p. 53) (Sharee)
  9. Pliny, “but to give the contour of the figures, and make a satisfactory boundary where the painting within finishes, is rarely attained in successful artistry”. (p. 311) (Kyra)
  10. Hong, Minor Feelings: “othering English” (p. 97) (Alexandra)
  11. Simpson, “Constructing Kahnawà:ke”: desire, order, purity, fixity, research loops, Western epistemes (p. 70) (Chloe)
  12. “Speak of me as I am” (Othello, p. 257-259), Act 5, Scene 2, 310-332. (Serena)
  13. Simpson, “Constructing Kahnawà:ke”: “culture, tradition, and epistemological unrecognizability” (p. 74) (Katie)
  14. Hong, Minor Feelings: “myself” (p. 42 bottom and 194 top) (Drishti)
  15. Dr. K.: “culture” (p. 41, top right corner). (Natalie)
  16. Graffigny, Letters: “I am, I live, I exist.” (p. 173) (Lauren)