Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Free!Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Free!Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)

Core I Bingo Fall 2020 - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Rankine, Citizen: “historical self” v. “self self” (p. 14) (Rachel)
  2. Dr. K.: “culture” (p. 41, top right corner). (Natalie)
  3. Dada Masilo’s Swan Lake as "cannibalization"? (Mena)
  4. “Virtue? A fig!” (Othello, p. 51), Act 1, Scene 3, 360-375. (Olivia)
  5. Simpson, “Constructing Kahnawà:ke”: culture as construct and fetish (p. 71)
  6. Simpson, “Constructing Kahnawà:ke”: “culture, tradition, and epistemological unrecognizability” (p. 74) (Katie)
  7. “Speak of me as I am” (Othello, p. 257-259), Act 5, Scene 2, 310-332. (Serena)
  8. Hong, Minor Feelings: “myself” (p. 42 bottom and 194 top) (Drishti)
  9. Rankine, Citizen: “driving yourself sane” (p. 105) (KV)
  10. Hong, Minor Feelings: “othering English” (p. 97) (Alexandra)
  11. Graffigny, Letters: “the language of the land” and truth (p. 53) (Sharee)
  12. Free!
  13. Rankine, Citizen: p. 33 (Nick Cave, Soundsuits) Also: p. 135: white men and their imagination (Archa)
  14. Simpson, “Constructing Kahnawà:ke”: desire, order, purity, fixity, research loops, Western epistemes (p. 70) (Chloe)
  15. Graffigny, Letters: “I am, I live, I exist.” (p. 173) (Lauren)
  16. Pliny, “but to give the contour of the figures, and make a satisfactory boundary where the painting within finishes, is rarely attained in successful artistry”. (p. 311) (Kyra)