Dada Masilo’sSwan Lake as"cannibalization"?(Mena)Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) “Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Free!Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) “Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Free!Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)

Core I Bingo Fall 2020 - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Dada Masilo’s Swan Lake as "cannibalization"? (Mena)
  2. Dr. K.: “culture” (p. 41, top right corner). (Natalie)
  3. Pliny, “but to give the contour of the figures, and make a satisfactory boundary where the painting within finishes, is rarely attained in successful artistry”. (p. 311) (Kyra)
  4. Hong, Minor Feelings: “myself” (p. 42 bottom and 194 top) (Drishti)
  5. Simpson, “Constructing Kahnawà:ke”: desire, order, purity, fixity, research loops, Western epistemes (p. 70) (Chloe)
  6. Rankine, Citizen: “historical self” v. “self self” (p. 14) (Rachel)
  7. Hong, Minor Feelings: “othering English” (p. 97) (Alexandra)
  8. Graffigny, Letters: “the language of the land” and truth (p. 53) (Sharee)
  9. Simpson, “Constructing Kahnawà:ke”: culture as construct and fetish (p. 71)
  10. Graffigny, Letters: “I am, I live, I exist.” (p. 173) (Lauren)
  11. “Virtue? A fig!” (Othello, p. 51), Act 1, Scene 3, 360-375. (Olivia)
  12. Free!
  13. Rankine, Citizen: “driving yourself sane” (p. 105) (KV)
  14. Rankine, Citizen: p. 33 (Nick Cave, Soundsuits) Also: p. 135: white men and their imagination (Archa)
  15. “Speak of me as I am” (Othello, p. 257-259), Act 5, Scene 2, 310-332. (Serena)
  16. Simpson, “Constructing Kahnawà:ke”: “culture, tradition, and epistemological unrecognizability” (p. 74) (Katie)