Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Free!Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)Rankine,Citizen:“historical self”v. “self self” (p.14)(Rachel)“Speak of me as Iam” (Othello, p.257-259), Act 5,Scene 2, 310-332.(Serena)Graffigny,Letters:“I am, I live, Iexist.” (p. 173)(Lauren) Pliny, “but to give thecontour of the figures,and make asatisfactory boundarywhere the paintingwithin finishes, is rarelyattained in successfulartistry”. (p. 311)(Kyra)Hong, MinorFeelings:“otheringEnglish” (p. 97)(Alexandra) Simpson,“ConstructingKahnawà:ke”:“culture, tradition,and epistemologicalunrecognizability” (p.74) (Katie)Rankine,Citizen:“drivingyourself sane”(p. 105) (KV) Simpson,“ConstructingKahnawà:ke”: desire,order, purity, fixity,research loops,Western epistemes(p. 70) (Chloe)“Virtue? A fig!”(Othello, p. 51),Act 1, Scene 3,360-375.(Olivia)Hong, MinorFeelings:“myself” (p. 42bottom and 194top)(Drishti) Dr. K.:“culture” (p.41, top rightcorner).(Natalie)Free!Simpson,“ConstructingKahnawà:ke”:culture asconstruct andfetish (p. 71)Dada Masilo’sSwan Lake as"cannibalization"?(Mena)Graffigny, Letters:  “the language of theland” and truth (p.53)(Sharee)Rankine, Citizen: p.33 (Nick Cave,Soundsuits) Also: p. 135: whitemen and theirimagination(Archa)

Core I Bingo Fall 2020 - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Rankine, Citizen: “historical self” v. “self self” (p. 14) (Rachel)
  2. “Speak of me as I am” (Othello, p. 257-259), Act 5, Scene 2, 310-332. (Serena)
  3. Graffigny, Letters: “I am, I live, I exist.” (p. 173) (Lauren)
  4. Pliny, “but to give the contour of the figures, and make a satisfactory boundary where the painting within finishes, is rarely attained in successful artistry”. (p. 311) (Kyra)
  5. Hong, Minor Feelings: “othering English” (p. 97) (Alexandra)
  6. Simpson, “Constructing Kahnawà:ke”: “culture, tradition, and epistemological unrecognizability” (p. 74) (Katie)
  7. Rankine, Citizen: “driving yourself sane” (p. 105) (KV)
  8. Simpson, “Constructing Kahnawà:ke”: desire, order, purity, fixity, research loops, Western epistemes (p. 70) (Chloe)
  9. “Virtue? A fig!” (Othello, p. 51), Act 1, Scene 3, 360-375. (Olivia)
  10. Hong, Minor Feelings: “myself” (p. 42 bottom and 194 top) (Drishti)
  11. Dr. K.: “culture” (p. 41, top right corner). (Natalie)
  12. Free!
  13. Simpson, “Constructing Kahnawà:ke”: culture as construct and fetish (p. 71)
  14. Dada Masilo’s Swan Lake as "cannibalization"? (Mena)
  15. Graffigny, Letters: “the language of the land” and truth (p. 53) (Sharee)
  16. Rankine, Citizen: p. 33 (Nick Cave, Soundsuits) Also: p. 135: white men and their imagination (Archa)