annihilatestruggle between twoopposing forces. External,involving a character pittedagainst an outside force –Man vs. nature, Man vs.society, physical obstacle,Man vs. man Internal,occurring within thecharacter – Man vs. selfto movewithviolentagitationto destroycompletely,so as toleave notraceto state orauthenticatethat somethingis true, valid, orgenuinebeyondwhat isnecessary;extrasuperfluousprotagonistto gobeyond orrise abovefoilwaneseetheprecarioustending towhine orcomplain;disagreeablea character in a storyor play who opposesthe main character,usually one who isperceived as anadversary / enemyconflictobstinacycharacterizationhavingpotentialdangers;hazardousable to beseen, heard,felt, tasted,or touchedthe main character ina drama or otherliterary work, usuallyperceived as apositive or championcharacterto diminish orbecome lessbright, as theprogression ofthe moon fromfull to newstubbornness;an unbendingadherence toa position orviewpointtranscendmethods by which writerscreate, reveal, or developtheir characters. Externalreality of their charactersrevealed by describingappearance, actions orspeech. Inner reality ofcharacters revealed byrevealing thoughts andfeelings.antagonistperceptiblecharacter whoprovides a strikingcontrast to anothercharacter, points outstrengths andweaknesses ofanother character.Good vs. Evilquerulousannihilatestruggle between twoopposing forces. External,involving a character pittedagainst an outside force –Man vs. nature, Man vs.society, physical obstacle,Man vs. man Internal,occurring within thecharacter – Man vs. selfto movewithviolentagitationto destroycompletely,so as toleave notraceto state orauthenticatethat somethingis true, valid, orgenuinebeyondwhat isnecessary;extrasuperfluousprotagonistto gobeyond orrise abovefoilwaneseetheprecarioustending towhine orcomplain;disagreeablea character in a storyor play who opposesthe main character,usually one who isperceived as anadversary / enemyconflictobstinacycharacterizationhavingpotentialdangers;hazardousable to beseen, heard,felt, tasted,or touchedthe main character ina drama or otherliterary work, usuallyperceived as apositive or championcharacterto diminish orbecome lessbright, as theprogression ofthe moon fromfull to newstubbornness;an unbendingadherence toa position orviewpointtranscendmethods by which writerscreate, reveal, or developtheir characters. Externalreality of their charactersrevealed by describingappearance, actions orspeech. Inner reality ofcharacters revealed byrevealing thoughts andfeelings.antagonistperceptiblecharacter whoprovides a strikingcontrast to anothercharacter, points outstrengths andweaknesses ofanother character.Good vs. Evilquerulous

Vocab List #12 - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
O
2
B
3
N
4
B
5
N
6
O
7
B
8
N
9
I
10
O
11
G
12
O
13
N
14
B
15
I
16
B
17
B
18
I
19
G
20
I
21
O
22
G
23
O
24
I
25
N
26
G
27
I
28
N
29
G
  1. O-annihilate
  2. B-struggle between two opposing forces. External, involving a character pitted against an outside force – Man vs. nature, Man vs. society, physical obstacle, Man vs. man Internal, occurring within the character – Man vs. self
  3. N-to move with violent agitation
  4. B-to destroy completely, so as to leave no trace
  5. N-to state or authenticate that something is true, valid, or genuine
  6. O-beyond what is necessary; extra
  7. B-superfluous
  8. N-protagonist
  9. I-to go beyond or rise above
  10. O-foil
  11. G-wane
  12. O-seethe
  13. N-precarious
  14. B-tending to whine or complain; disagreeable
  15. I-a character in a story or play who opposes the main character, usually one who is perceived as an adversary / enemy
  16. B-conflict
  17. B-obstinacy
  18. I-characterization
  19. G-having potential dangers; hazardous
  20. I-able to be seen, heard, felt, tasted, or touched
  21. O-the main character in a drama or other literary work, usually perceived as a positive or champion character
  22. G-to diminish or become less bright, as the progression of the moon from full to new
  23. O-stubbornness; an unbending adherence to a position or viewpoint
  24. I-transcend
  25. N-methods by which writers create, reveal, or develop their characters. External reality of their characters revealed by describing appearance, actions or speech. Inner reality of characters revealed by revealing thoughts and feelings.
  26. G-antagonist
  27. I-perceptible
  28. N-character who provides a striking contrast to another character, points out strengths and weaknesses of another character. Good vs. Evil
  29. G-querulous