to movewithviolentagitationobstinacyto gobeyond orrise aboveconflictcharacterizationto destroycompletely,so as toleave notraceable to beseen, heard,felt, tasted,or touchedwaneannihilatetending towhine orcomplain;disagreeablecharacter whoprovides a strikingcontrast to anothercharacter, points outstrengths andweaknesses ofanother character.Good vs. Evilseetheantagonistprecariousperceptibleto state orauthenticatethat somethingis true, valid, orgenuineto diminish orbecome lessbright, as theprogression ofthe moon fromfull to newthe main character ina drama or otherliterary work, usuallyperceived as apositive or championcharacterbeyondwhat isnecessary;extratranscendstubbornness;an unbendingadherence toa position orviewpointfoilhavingpotentialdangers;hazardoussuperfluousmethods by which writerscreate, reveal, or developtheir characters. Externalreality of their charactersrevealed by describingappearance, actions orspeech. Inner reality ofcharacters revealed byrevealing thoughts andfeelings.a character in a storyor play who opposesthe main character,usually one who isperceived as anadversary / enemyprotagonistquerulousstruggle between twoopposing forces. External,involving a character pittedagainst an outside force –Man vs. nature, Man vs.society, physical obstacle,Man vs. man Internal,occurring within thecharacter – Man vs. selfto movewithviolentagitationobstinacyto gobeyond orrise aboveconflictcharacterizationto destroycompletely,so as toleave notraceable to beseen, heard,felt, tasted,or touchedwaneannihilatetending towhine orcomplain;disagreeablecharacter whoprovides a strikingcontrast to anothercharacter, points outstrengths andweaknesses ofanother character.Good vs. Evilseetheantagonistprecariousperceptibleto state orauthenticatethat somethingis true, valid, orgenuineto diminish orbecome lessbright, as theprogression ofthe moon fromfull to newthe main character ina drama or otherliterary work, usuallyperceived as apositive or championcharacterbeyondwhat isnecessary;extratranscendstubbornness;an unbendingadherence toa position orviewpointfoilhavingpotentialdangers;hazardoussuperfluousmethods by which writerscreate, reveal, or developtheir characters. Externalreality of their charactersrevealed by describingappearance, actions orspeech. Inner reality ofcharacters revealed byrevealing thoughts andfeelings.a character in a storyor play who opposesthe main character,usually one who isperceived as anadversary / enemyprotagonistquerulousstruggle between twoopposing forces. External,involving a character pittedagainst an outside force –Man vs. nature, Man vs.society, physical obstacle,Man vs. man Internal,occurring within thecharacter – Man vs. self

Vocab List #12 - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
N
2
B
3
I
4
B
5
I
6
B
7
I
8
G
9
O
10
B
11
N
12
O
13
G
14
N
15
I
16
N
17
G
18
O
19
O
20
I
21
O
22
O
23
G
24
B
25
N
26
I
27
N
28
G
29
B
  1. N-to move with violent agitation
  2. B-obstinacy
  3. I-to go beyond or rise above
  4. B-conflict
  5. I-characterization
  6. B-to destroy completely, so as to leave no trace
  7. I-able to be seen, heard, felt, tasted, or touched
  8. G-wane
  9. O-annihilate
  10. B-tending to whine or complain; disagreeable
  11. N-character who provides a striking contrast to another character, points out strengths and weaknesses of another character. Good vs. Evil
  12. O-seethe
  13. G-antagonist
  14. N-precarious
  15. I-perceptible
  16. N-to state or authenticate that something is true, valid, or genuine
  17. G-to diminish or become less bright, as the progression of the moon from full to new
  18. O-the main character in a drama or other literary work, usually perceived as a positive or champion character
  19. O-beyond what is necessary; extra
  20. I-transcend
  21. O-stubbornness; an unbending adherence to a position or viewpoint
  22. O-foil
  23. G-having potential dangers; hazardous
  24. B-superfluous
  25. N-methods by which writers create, reveal, or develop their characters. External reality of their characters revealed by describing appearance, actions or speech. Inner reality of characters revealed by revealing thoughts and feelings.
  26. I-a character in a story or play who opposes the main character, usually one who is perceived as an adversary / enemy
  27. N-protagonist
  28. G-querulous
  29. B-struggle between two opposing forces. External, involving a character pitted against an outside force – Man vs. nature, Man vs. society, physical obstacle, Man vs. man Internal, occurring within the character – Man vs. self