havingpotentialdangers;hazardousannihilatesuperfluousobstinacycharacter whoprovides a strikingcontrast to anothercharacter, points outstrengths andweaknesses ofanother character.Good vs. Evilable to beseen, heard,felt, tasted,or toucheda character in a storyor play who opposesthe main character,usually one who isperceived as anadversary / enemybeyondwhat isnecessary;extraperceptiblestruggle between twoopposing forces. External,involving a character pittedagainst an outside force –Man vs. nature, Man vs.society, physical obstacle,Man vs. man Internal,occurring within thecharacter – Man vs. selfstubbornness;an unbendingadherence toa position orviewpointto state orauthenticatethat somethingis true, valid, orgenuineto diminish orbecome lessbright, as theprogression ofthe moon fromfull to newconflictantagonisttranscendprotagonistmethods by which writerscreate, reveal, or developtheir characters. Externalreality of their charactersrevealed by describingappearance, actions orspeech. Inner reality ofcharacters revealed byrevealing thoughts andfeelings.waneto gobeyond orrise aboveseetheprecariousquerulousto movewithviolentagitationfoiltending towhine orcomplain;disagreeablethe main character ina drama or otherliterary work, usuallyperceived as apositive or championcharacterto destroycompletely,so as toleave notracecharacterizationhavingpotentialdangers;hazardousannihilatesuperfluousobstinacycharacter whoprovides a strikingcontrast to anothercharacter, points outstrengths andweaknesses ofanother character.Good vs. Evilable to beseen, heard,felt, tasted,or toucheda character in a storyor play who opposesthe main character,usually one who isperceived as anadversary / enemybeyondwhat isnecessary;extraperceptiblestruggle between twoopposing forces. External,involving a character pittedagainst an outside force –Man vs. nature, Man vs.society, physical obstacle,Man vs. man Internal,occurring within thecharacter – Man vs. selfstubbornness;an unbendingadherence toa position orviewpointto state orauthenticatethat somethingis true, valid, orgenuineto diminish orbecome lessbright, as theprogression ofthe moon fromfull to newconflictantagonisttranscendprotagonistmethods by which writerscreate, reveal, or developtheir characters. Externalreality of their charactersrevealed by describingappearance, actions orspeech. Inner reality ofcharacters revealed byrevealing thoughts andfeelings.waneto gobeyond orrise aboveseetheprecariousquerulousto movewithviolentagitationfoiltending towhine orcomplain;disagreeablethe main character ina drama or otherliterary work, usuallyperceived as apositive or championcharacterto destroycompletely,so as toleave notracecharacterization

Vocab List #12 - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
G
2
O
3
B
4
B
5
N
6
I
7
I
8
O
9
I
10
B
11
O
12
N
13
G
14
B
15
G
16
I
17
N
18
N
19
G
20
I
21
O
22
N
23
G
24
N
25
O
26
B
27
O
28
B
29
I
  1. G-having potential dangers; hazardous
  2. O-annihilate
  3. B-superfluous
  4. B-obstinacy
  5. N-character who provides a striking contrast to another character, points out strengths and weaknesses of another character. Good vs. Evil
  6. I-able to be seen, heard, felt, tasted, or touched
  7. I-a character in a story or play who opposes the main character, usually one who is perceived as an adversary / enemy
  8. O-beyond what is necessary; extra
  9. I-perceptible
  10. B-struggle between two opposing forces. External, involving a character pitted against an outside force – Man vs. nature, Man vs. society, physical obstacle, Man vs. man Internal, occurring within the character – Man vs. self
  11. O-stubbornness; an unbending adherence to a position or viewpoint
  12. N-to state or authenticate that something is true, valid, or genuine
  13. G-to diminish or become less bright, as the progression of the moon from full to new
  14. B-conflict
  15. G-antagonist
  16. I-transcend
  17. N-protagonist
  18. N-methods by which writers create, reveal, or develop their characters. External reality of their characters revealed by describing appearance, actions or speech. Inner reality of characters revealed by revealing thoughts and feelings.
  19. G-wane
  20. I-to go beyond or rise above
  21. O-seethe
  22. N-precarious
  23. G-querulous
  24. N-to move with violent agitation
  25. O-foil
  26. B-tending to whine or complain; disagreeable
  27. O-the main character in a drama or other literary work, usually perceived as a positive or champion character
  28. B-to destroy completely, so as to leave no trace
  29. I-characterization