tending towhine orcomplain;disagreeablestruggle between twoopposing forces. External,involving a character pittedagainst an outside force –Man vs. nature, Man vs.society, physical obstacle,Man vs. man Internal,occurring within thecharacter – Man vs. selfhavingpotentialdangers;hazardousstubbornness;an unbendingadherence toa position orviewpointprotagonistto destroycompletely,so as toleave notracecharacter whoprovides a strikingcontrast to anothercharacter, points outstrengths andweaknesses ofanother character.Good vs. Evilconflictantagonistcharacterizationfoilqueruloustranscendsuperfluouswaneprecariousto state orauthenticatethat somethingis true, valid, orgenuineable to beseen, heard,felt, tasted,or touchedbeyondwhat isnecessary;extraannihilateseetheto diminish orbecome lessbright, as theprogression ofthe moon fromfull to newobstinacyto movewithviolentagitationmethods by which writerscreate, reveal, or developtheir characters. Externalreality of their charactersrevealed by describingappearance, actions orspeech. Inner reality ofcharacters revealed byrevealing thoughts andfeelings.perceptiblea character in a storyor play who opposesthe main character,usually one who isperceived as anadversary / enemythe main character ina drama or otherliterary work, usuallyperceived as apositive or championcharacterto gobeyond orrise abovetending towhine orcomplain;disagreeablestruggle between twoopposing forces. External,involving a character pittedagainst an outside force –Man vs. nature, Man vs.society, physical obstacle,Man vs. man Internal,occurring within thecharacter – Man vs. selfhavingpotentialdangers;hazardousstubbornness;an unbendingadherence toa position orviewpointprotagonistto destroycompletely,so as toleave notracecharacter whoprovides a strikingcontrast to anothercharacter, points outstrengths andweaknesses ofanother character.Good vs. Evilconflictantagonistcharacterizationfoilqueruloustranscendsuperfluouswaneprecariousto state orauthenticatethat somethingis true, valid, orgenuineable to beseen, heard,felt, tasted,or touchedbeyondwhat isnecessary;extraannihilateseetheto diminish orbecome lessbright, as theprogression ofthe moon fromfull to newobstinacyto movewithviolentagitationmethods by which writerscreate, reveal, or developtheir characters. Externalreality of their charactersrevealed by describingappearance, actions orspeech. Inner reality ofcharacters revealed byrevealing thoughts andfeelings.perceptiblea character in a storyor play who opposesthe main character,usually one who isperceived as anadversary / enemythe main character ina drama or otherliterary work, usuallyperceived as apositive or championcharacterto gobeyond orrise above

Vocab List #12 - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
B
2
B
3
G
4
O
5
N
6
B
7
N
8
B
9
G
10
I
11
O
12
G
13
I
14
B
15
G
16
N
17
N
18
I
19
O
20
O
21
O
22
G
23
B
24
N
25
N
26
I
27
I
28
O
29
I
  1. B-tending to whine or complain; disagreeable
  2. B-struggle between two opposing forces. External, involving a character pitted against an outside force – Man vs. nature, Man vs. society, physical obstacle, Man vs. man Internal, occurring within the character – Man vs. self
  3. G-having potential dangers; hazardous
  4. O-stubbornness; an unbending adherence to a position or viewpoint
  5. N-protagonist
  6. B-to destroy completely, so as to leave no trace
  7. N-character who provides a striking contrast to another character, points out strengths and weaknesses of another character. Good vs. Evil
  8. B-conflict
  9. G-antagonist
  10. I-characterization
  11. O-foil
  12. G-querulous
  13. I-transcend
  14. B-superfluous
  15. G-wane
  16. N-precarious
  17. N-to state or authenticate that something is true, valid, or genuine
  18. I-able to be seen, heard, felt, tasted, or touched
  19. O-beyond what is necessary; extra
  20. O-annihilate
  21. O-seethe
  22. G-to diminish or become less bright, as the progression of the moon from full to new
  23. B-obstinacy
  24. N-to move with violent agitation
  25. N-methods by which writers create, reveal, or develop their characters. External reality of their characters revealed by describing appearance, actions or speech. Inner reality of characters revealed by revealing thoughts and feelings.
  26. I-perceptible
  27. I-a character in a story or play who opposes the main character, usually one who is perceived as an adversary / enemy
  28. O-the main character in a drama or other literary work, usually perceived as a positive or champion character
  29. I-to go beyond or rise above