The intensityan actorbrings to aperformance.When acharactercannot achievean objectivedue to anobstacleDiction, pitch,pace, tone,resonance,muscularity andvocal soundsAims toshockaudiencesThe poeticandexaggerateduse oflanguage.Anexaggerationof acharacterUsed tocontrol orregulate thepace of aperformance.Theperformancearea is used tocommunicatemeaningUsing thebody or bodyparts to createsymbols andmeaningThe way inwhich an actordeliberatelymanipulates theaudienceManipulatingeyes, mouthetcA regularpattern ofwords,sounds oractions.Attire isgenerallysymbolic andfragmentaryThedissimilar,oroppositeThesuspensethat holds anaudience’sattentionFragmentaryand easy tomanipulate ortransform into arange ofthings/locationsActionthat isoverstatedAims toengage theintellectrather thanemotionsEvokes afeeling ofsympathyRepresentideasthroughdiagramsSimultaneouslysustainedabsence ofsound andmovement.Created live,by the actor,in theperformance.The ability ofthe actor tocommit totheirperformanceDocumentingideasFree!Creatingmeaningthat is notliteral.TragedyandcomedyAnunambiguousconfrontationbetweengood and evilTheoverallfeeling oremotionThe mostsignificantmoment oftension orconflictDrawingideas froma range ofsources.Musicalunderscoreto enhancemoodGait,postureandstanceAtmosphericlighting thatmayenhancemood.Items that aretransformedinto multipleitems andmade symbolicSpontaneouslycreatingscenesThe intensityan actorbrings to aperformance.When acharactercannot achievean objectivedue to anobstacleDiction, pitch,pace, tone,resonance,muscularity andvocal soundsAims toshockaudiencesThe poeticandexaggerateduse oflanguage.Anexaggerationof acharacterUsed tocontrol orregulate thepace of aperformance.Theperformancearea is used tocommunicatemeaningUsing thebody or bodyparts to createsymbols andmeaningThe way inwhich an actordeliberatelymanipulates theaudienceManipulatingeyes, mouthetcA regularpattern ofwords,sounds oractions.Attire isgenerallysymbolic andfragmentaryThedissimilar,oroppositeThesuspensethat holds anaudience’sattentionFragmentaryand easy tomanipulate ortransform into arange ofthings/locationsActionthat isoverstatedAims toengage theintellectrather thanemotionsEvokes afeeling ofsympathyRepresentideasthroughdiagramsSimultaneouslysustainedabsence ofsound andmovement.Created live,by the actor,in theperformance.The ability ofthe actor tocommit totheirperformanceDocumentingideasFree!Creatingmeaningthat is notliteral.TragedyandcomedyAnunambiguousconfrontationbetweengood and evilTheoverallfeeling oremotionThe mostsignificantmoment oftension orconflictDrawingideas froma range ofsources.Musicalunderscoreto enhancemoodGait,postureandstanceAtmosphericlighting thatmayenhancemood.Items that aretransformedinto multipleitems andmade symbolicSpontaneouslycreatingscenes

Untitled Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
O
2
I
3
I
4
B
5
I
6
O
7
I
8
I
9
O
10
G
11
G
12
O
13
N
14
N
15
N
16
B
17
G
18
N
19
N
20
G
21
B
22
B
23
B
24
B
25
N
26
I
27
G
28
O
29
G
30
B
31
N
32
I
33
B
34
G
35
O
36
O
  1. O-The intensity an actor brings to a performance.
  2. I-When a character cannot achieve an objective due to an obstacle
  3. I-Diction, pitch, pace, tone, resonance, muscularity and vocal sounds
  4. B-Aims to shock audiences
  5. I-The poetic and exaggerated use of language.
  6. O-An exaggeration of a character
  7. I-Used to control or regulate the pace of a performance.
  8. I-The performance area is used to communicate meaning
  9. O-Using the body or body parts to create symbols and meaning
  10. G-The way in which an actor deliberately manipulates the audience
  11. G-Manipulating eyes, mouth etc
  12. O-A regular pattern of words, sounds or actions.
  13. N-Attire is generally symbolic and fragmentary
  14. N-The dissimilar, or opposite
  15. N-The suspense that holds an audience’s attention
  16. B-Fragmentary and easy to manipulate or transform into a range of things/locations
  17. G-Action that is overstated
  18. N-Aims to engage the intellect rather than emotions
  19. N-Evokes a feeling of sympathy
  20. G-Represent ideas through diagrams
  21. B-Simultaneously sustained absence of sound and movement.
  22. B-Created live, by the actor, in the performance.
  23. B-The ability of the actor to commit to their performance
  24. B-Documenting ideas
  25. N-Free!
  26. I-Creating meaning that is not literal.
  27. G-Tragedy and comedy
  28. O-An unambiguous confrontation between good and evil
  29. G-The overall feeling or emotion
  30. B-The most significant moment of tension or conflict
  31. N-Drawing ideas from a range of sources.
  32. I-Musical underscore to enhance mood
  33. B-Gait, posture and stance
  34. G-Atmospheric lighting that may enhance mood.
  35. O-Items that are transformed into multiple items and made symbolic
  36. O-Spontaneously creating scenes