Theoverallfeeling oremotionDocumentingideasThesuspensethat holds anaudience’sattentionAims toengage theintellectrather thanemotionsAnunambiguousconfrontationbetweengood and evilThe intensityan actorbrings to aperformance.Creatingmeaningthat is notliteral.SpontaneouslycreatingscenesAims toshockaudiencesTheperformancearea is used tocommunicatemeaningFree!Gait,postureandstanceThe ability ofthe actor tocommit totheirperformanceThe poeticandexaggerateduse oflanguage.Musicalunderscoreto enhancemoodActionthat isoverstatedEvokes afeeling ofsympathyManipulatingeyes, mouthetcAttire isgenerallysymbolic andfragmentaryAtmosphericlighting thatmayenhancemood.Items that aretransformedinto multipleitems andmade symbolicDrawingideas froma range ofsources.The mostsignificantmoment oftension orconflictRepresentideasthroughdiagramsUsing thebody or bodyparts to createsymbols andmeaningAnexaggerationof acharacterTragedyandcomedyUsed tocontrol orregulate thepace of aperformance.A regularpattern ofwords,sounds oractions.Simultaneouslysustainedabsence ofsound andmovement.The way inwhich an actordeliberatelymanipulates theaudienceFragmentaryand easy tomanipulate ortransform into arange ofthings/locationsThedissimilar,oroppositeWhen acharactercannot achievean objectivedue to anobstacleDiction, pitch,pace, tone,resonance,muscularity andvocal soundsCreated live,by the actor,in theperformance.Theoverallfeeling oremotionDocumentingideasThesuspensethat holds anaudience’sattentionAims toengage theintellectrather thanemotionsAnunambiguousconfrontationbetweengood and evilThe intensityan actorbrings to aperformance.Creatingmeaningthat is notliteral.SpontaneouslycreatingscenesAims toshockaudiencesTheperformancearea is used tocommunicatemeaningFree!Gait,postureandstanceThe ability ofthe actor tocommit totheirperformanceThe poeticandexaggerateduse oflanguage.Musicalunderscoreto enhancemoodActionthat isoverstatedEvokes afeeling ofsympathyManipulatingeyes, mouthetcAttire isgenerallysymbolic andfragmentaryAtmosphericlighting thatmayenhancemood.Items that aretransformedinto multipleitems andmade symbolicDrawingideas froma range ofsources.The mostsignificantmoment oftension orconflictRepresentideasthroughdiagramsUsing thebody or bodyparts to createsymbols andmeaningAnexaggerationof acharacterTragedyandcomedyUsed tocontrol orregulate thepace of aperformance.A regularpattern ofwords,sounds oractions.Simultaneouslysustainedabsence ofsound andmovement.The way inwhich an actordeliberatelymanipulates theaudienceFragmentaryand easy tomanipulate ortransform into arange ofthings/locationsThedissimilar,oroppositeWhen acharactercannot achievean objectivedue to anobstacleDiction, pitch,pace, tone,resonance,muscularity andvocal soundsCreated live,by the actor,in theperformance.

Untitled Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
G
2
B
3
N
4
N
5
O
6
O
7
I
8
O
9
B
10
I
11
N
12
B
13
B
14
I
15
I
16
G
17
N
18
G
19
N
20
G
21
O
22
N
23
B
24
G
25
O
26
O
27
G
28
I
29
O
30
B
31
G
32
B
33
N
34
I
35
I
36
B
  1. G-The overall feeling or emotion
  2. B-Documenting ideas
  3. N-The suspense that holds an audience’s attention
  4. N-Aims to engage the intellect rather than emotions
  5. O-An unambiguous confrontation between good and evil
  6. O-The intensity an actor brings to a performance.
  7. I-Creating meaning that is not literal.
  8. O-Spontaneously creating scenes
  9. B-Aims to shock audiences
  10. I-The performance area is used to communicate meaning
  11. N-Free!
  12. B-Gait, posture and stance
  13. B-The ability of the actor to commit to their performance
  14. I-The poetic and exaggerated use of language.
  15. I-Musical underscore to enhance mood
  16. G-Action that is overstated
  17. N-Evokes a feeling of sympathy
  18. G-Manipulating eyes, mouth etc
  19. N-Attire is generally symbolic and fragmentary
  20. G-Atmospheric lighting that may enhance mood.
  21. O-Items that are transformed into multiple items and made symbolic
  22. N-Drawing ideas from a range of sources.
  23. B-The most significant moment of tension or conflict
  24. G-Represent ideas through diagrams
  25. O-Using the body or body parts to create symbols and meaning
  26. O-An exaggeration of a character
  27. G-Tragedy and comedy
  28. I-Used to control or regulate the pace of a performance.
  29. O-A regular pattern of words, sounds or actions.
  30. B-Simultaneously sustained absence of sound and movement.
  31. G-The way in which an actor deliberately manipulates the audience
  32. B-Fragmentary and easy to manipulate or transform into a range of things/locations
  33. N-The dissimilar, or opposite
  34. I-When a character cannot achieve an objective due to an obstacle
  35. I-Diction, pitch, pace, tone, resonance, muscularity and vocal sounds
  36. B-Created live, by the actor, in the performance.