Manipulatingeyes, mouthetcGait,postureandstanceDocumentingideasEvokes afeeling ofsympathySpontaneouslycreatingscenesThesuspensethat holds anaudience’sattentionCreated live,by the actor,in theperformance.Attire isgenerallysymbolic andfragmentaryAnexaggerationof acharacterThedissimilar,oroppositeItems that aretransformedinto multipleitems andmade symbolicAims toshockaudiencesThe ability ofthe actor tocommit totheirperformanceTheoverallfeeling oremotionWhen acharactercannot achievean objectivedue to anobstacleThe intensityan actorbrings to aperformance.Atmosphericlighting thatmayenhancemood.Aims toengage theintellectrather thanemotionsAnunambiguousconfrontationbetweengood and evilThe mostsignificantmoment oftension orconflictTragedyandcomedyThe poeticandexaggerateduse oflanguage.Actionthat isoverstatedFree!Used tocontrol orregulate thepace of aperformance.Fragmentaryand easy tomanipulate ortransform into arange ofthings/locationsRepresentideasthroughdiagramsCreatingmeaningthat is notliteral.Theperformancearea is used tocommunicatemeaningUsing thebody or bodyparts to createsymbols andmeaningDiction, pitch,pace, tone,resonance,muscularity andvocal soundsA regularpattern ofwords,sounds oractions.Simultaneouslysustainedabsence ofsound andmovement.Musicalunderscoreto enhancemoodThe way inwhich an actordeliberatelymanipulates theaudienceDrawingideas froma range ofsources.Manipulatingeyes, mouthetcGait,postureandstanceDocumentingideasEvokes afeeling ofsympathySpontaneouslycreatingscenesThesuspensethat holds anaudience’sattentionCreated live,by the actor,in theperformance.Attire isgenerallysymbolic andfragmentaryAnexaggerationof acharacterThedissimilar,oroppositeItems that aretransformedinto multipleitems andmade symbolicAims toshockaudiencesThe ability ofthe actor tocommit totheirperformanceTheoverallfeeling oremotionWhen acharactercannot achievean objectivedue to anobstacleThe intensityan actorbrings to aperformance.Atmosphericlighting thatmayenhancemood.Aims toengage theintellectrather thanemotionsAnunambiguousconfrontationbetweengood and evilThe mostsignificantmoment oftension orconflictTragedyandcomedyThe poeticandexaggerateduse oflanguage.Actionthat isoverstatedFree!Used tocontrol orregulate thepace of aperformance.Fragmentaryand easy tomanipulate ortransform into arange ofthings/locationsRepresentideasthroughdiagramsCreatingmeaningthat is notliteral.Theperformancearea is used tocommunicatemeaningUsing thebody or bodyparts to createsymbols andmeaningDiction, pitch,pace, tone,resonance,muscularity andvocal soundsA regularpattern ofwords,sounds oractions.Simultaneouslysustainedabsence ofsound andmovement.Musicalunderscoreto enhancemoodThe way inwhich an actordeliberatelymanipulates theaudienceDrawingideas froma range ofsources.

Untitled Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
G
2
B
3
B
4
N
5
O
6
N
7
B
8
N
9
O
10
N
11
O
12
B
13
B
14
G
15
I
16
O
17
G
18
N
19
O
20
B
21
G
22
I
23
G
24
N
25
I
26
B
27
G
28
I
29
I
30
O
31
I
32
O
33
B
34
I
35
G
36
N
  1. G-Manipulating eyes, mouth etc
  2. B-Gait, posture and stance
  3. B-Documenting ideas
  4. N-Evokes a feeling of sympathy
  5. O-Spontaneously creating scenes
  6. N-The suspense that holds an audience’s attention
  7. B-Created live, by the actor, in the performance.
  8. N-Attire is generally symbolic and fragmentary
  9. O-An exaggeration of a character
  10. N-The dissimilar, or opposite
  11. O-Items that are transformed into multiple items and made symbolic
  12. B-Aims to shock audiences
  13. B-The ability of the actor to commit to their performance
  14. G-The overall feeling or emotion
  15. I-When a character cannot achieve an objective due to an obstacle
  16. O-The intensity an actor brings to a performance.
  17. G-Atmospheric lighting that may enhance mood.
  18. N-Aims to engage the intellect rather than emotions
  19. O-An unambiguous confrontation between good and evil
  20. B-The most significant moment of tension or conflict
  21. G-Tragedy and comedy
  22. I-The poetic and exaggerated use of language.
  23. G-Action that is overstated
  24. N-Free!
  25. I-Used to control or regulate the pace of a performance.
  26. B-Fragmentary and easy to manipulate or transform into a range of things/locations
  27. G-Represent ideas through diagrams
  28. I-Creating meaning that is not literal.
  29. I-The performance area is used to communicate meaning
  30. O-Using the body or body parts to create symbols and meaning
  31. I-Diction, pitch, pace, tone, resonance, muscularity and vocal sounds
  32. O-A regular pattern of words, sounds or actions.
  33. B-Simultaneously sustained absence of sound and movement.
  34. I-Musical underscore to enhance mood
  35. G-The way in which an actor deliberately manipulates the audience
  36. N-Drawing ideas from a range of sources.