Drawingideas froma range ofsources.A regularpattern ofwords,sounds oractions.Thesuspensethat holds anaudience’sattentionMusicalunderscoreto enhancemoodThe intensityan actorbrings to aperformance.Anunambiguousconfrontationbetweengood and evilCreatingmeaningthat is notliteral.Atmosphericlighting thatmayenhancemood.Diction, pitch,pace, tone,resonance,muscularity andvocal soundsAims toshockaudiencesGait,postureandstanceThe poeticandexaggerateduse oflanguage.Anexaggerationof acharacterUsing thebody or bodyparts to createsymbols andmeaningItems that aretransformedinto multipleitems andmade symbolicEvokes afeeling ofsympathyFragmentaryand easy tomanipulate ortransform into arange ofthings/locationsSimultaneouslysustainedabsence ofsound andmovement.Aims toengage theintellectrather thanemotionsManipulatingeyes, mouthetcThe mostsignificantmoment oftension orconflictWhen acharactercannot achievean objectivedue to anobstacleTragedyandcomedyThedissimilar,oroppositeThe way inwhich an actordeliberatelymanipulates theaudienceActionthat isoverstatedAttire isgenerallysymbolic andfragmentaryTheoverallfeeling oremotionUsed tocontrol orregulate thepace of aperformance.Created live,by the actor,in theperformance.Theperformancearea is used tocommunicatemeaningThe ability ofthe actor tocommit totheirperformanceFree!DocumentingideasRepresentideasthroughdiagramsSpontaneouslycreatingscenesDrawingideas froma range ofsources.A regularpattern ofwords,sounds oractions.Thesuspensethat holds anaudience’sattentionMusicalunderscoreto enhancemoodThe intensityan actorbrings to aperformance.Anunambiguousconfrontationbetweengood and evilCreatingmeaningthat is notliteral.Atmosphericlighting thatmayenhancemood.Diction, pitch,pace, tone,resonance,muscularity andvocal soundsAims toshockaudiencesGait,postureandstanceThe poeticandexaggerateduse oflanguage.Anexaggerationof acharacterUsing thebody or bodyparts to createsymbols andmeaningItems that aretransformedinto multipleitems andmade symbolicEvokes afeeling ofsympathyFragmentaryand easy tomanipulate ortransform into arange ofthings/locationsSimultaneouslysustainedabsence ofsound andmovement.Aims toengage theintellectrather thanemotionsManipulatingeyes, mouthetcThe mostsignificantmoment oftension orconflictWhen acharactercannot achievean objectivedue to anobstacleTragedyandcomedyThedissimilar,oroppositeThe way inwhich an actordeliberatelymanipulates theaudienceActionthat isoverstatedAttire isgenerallysymbolic andfragmentaryTheoverallfeeling oremotionUsed tocontrol orregulate thepace of aperformance.Created live,by the actor,in theperformance.Theperformancearea is used tocommunicatemeaningThe ability ofthe actor tocommit totheirperformanceFree!DocumentingideasRepresentideasthroughdiagramsSpontaneouslycreatingscenes

Untitled Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
N
2
O
3
N
4
I
5
O
6
O
7
I
8
G
9
I
10
B
11
B
12
I
13
O
14
O
15
O
16
N
17
B
18
B
19
N
20
G
21
B
22
I
23
G
24
N
25
G
26
G
27
N
28
G
29
I
30
B
31
I
32
B
33
N
34
B
35
G
36
O
  1. N-Drawing ideas from a range of sources.
  2. O-A regular pattern of words, sounds or actions.
  3. N-The suspense that holds an audience’s attention
  4. I-Musical underscore to enhance mood
  5. O-The intensity an actor brings to a performance.
  6. O-An unambiguous confrontation between good and evil
  7. I-Creating meaning that is not literal.
  8. G-Atmospheric lighting that may enhance mood.
  9. I-Diction, pitch, pace, tone, resonance, muscularity and vocal sounds
  10. B-Aims to shock audiences
  11. B-Gait, posture and stance
  12. I-The poetic and exaggerated use of language.
  13. O-An exaggeration of a character
  14. O-Using the body or body parts to create symbols and meaning
  15. O-Items that are transformed into multiple items and made symbolic
  16. N-Evokes a feeling of sympathy
  17. B-Fragmentary and easy to manipulate or transform into a range of things/locations
  18. B-Simultaneously sustained absence of sound and movement.
  19. N-Aims to engage the intellect rather than emotions
  20. G-Manipulating eyes, mouth etc
  21. B-The most significant moment of tension or conflict
  22. I-When a character cannot achieve an objective due to an obstacle
  23. G-Tragedy and comedy
  24. N-The dissimilar, or opposite
  25. G-The way in which an actor deliberately manipulates the audience
  26. G-Action that is overstated
  27. N-Attire is generally symbolic and fragmentary
  28. G-The overall feeling or emotion
  29. I-Used to control or regulate the pace of a performance.
  30. B-Created live, by the actor, in the performance.
  31. I-The performance area is used to communicate meaning
  32. B-The ability of the actor to commit to their performance
  33. N-Free!
  34. B-Documenting ideas
  35. G-Represent ideas through diagrams
  36. O-Spontaneously creating scenes