“There was nogoing backnow, yet insideI wasscreaming tostop. by emphasizing theunknown threats thatlay below, the wordemphasizes thedesperate dangerthat Simpson was inwhile in the water. we live to tellour tale bymaking thechoice to riseabove our ownfears“Callahan sawhis situation,dire as it was,in terms ofchoice.”know:myThe answer tothat questioncan give us allthe paddle weso desperatelyseek.Although I oftenfight with myolder brother,without hisadvice I am lostin this world.The author usesa clichè topresent theimage ofsomeone whohas no choice.importantit suggeststhat choicehas morepower thanopportunityit suggeststhat choicehas morepower thanopportunitywasteThough he wasraised on a farm,Isaiah had muchsuccessnavigating the city.The author uses ametaphor to advancethe point of view thatwe can all choose toeither live a full andhappy life or we canchoose to live in themisery of the past.by asking aseries ofquestions thatcause thereader to reflecton themselvesthe survival firsthand stories oftwo willful menwho chose toliveareas ofart: suchasCorrectas is.notoriousHe falls intoa crevasseand crawledacross aglacier.dangerousto suggest thatCallahan’ssituation couldbe hopeless ifhe chose to seeit that way.necessity“whistleof thewind”“There was nogoing backnow, yet insideI wasscreaming tostop. by emphasizing theunknown threats thatlay below, the wordemphasizes thedesperate dangerthat Simpson was inwhile in the water. we live to tellour tale bymaking thechoice to riseabove our ownfears“Callahan sawhis situation,dire as it was,in terms ofchoice.”know:myThe answer tothat questioncan give us allthe paddle weso desperatelyseek.Although I oftenfight with myolder brother,without hisadvice I am lostin this world.The author usesa clichè topresent theimage ofsomeone whohas no choice.importantit suggeststhat choicehas morepower thanopportunityit suggeststhat choicehas morepower thanopportunitywasteThough he wasraised on a farm,Isaiah had muchsuccessnavigating the city.The author uses ametaphor to advancethe point of view thatwe can all choose toeither live a full andhappy life or we canchoose to live in themisery of the past.by asking aseries ofquestions thatcause thereader to reflecton themselvesthe survival firsthand stories oftwo willful menwho chose toliveareas ofart: suchasCorrectas is.notoriousHe falls intoa crevasseand crawledacross aglacier.dangerousto suggest thatCallahan’ssituation couldbe hopeless ifhe chose to seeit that way.necessity“whistleof thewind”

Unit 2 Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. “There was no going back now, yet inside I was screaming to stop.
  2. by emphasizing the unknown threats that lay below, the word emphasizes the desperate danger that Simpson was in while in the water.
  3. we live to tell our tale by making the choice to rise above our own fears
  4. “Callahan saw his situation, dire as it was, in terms of choice.”
  5. know: my
  6. The answer to that question can give us all the paddle we so desperately seek.
  7. Although I often fight with my older brother, without his advice I am lost in this world.
  8. The author uses a clichè to present the image of someone who has no choice.
  9. important
  10. it suggests that choice has more power than opportunity
  11. it suggests that choice has more power than opportunity
  12. waste
  13. Though he was raised on a farm, Isaiah had much success navigating the city.
  14. The author uses a metaphor to advance the point of view that we can all choose to either live a full and happy life or we can choose to live in the misery of the past.
  15. by asking a series of questions that cause the reader to reflect on themselves
  16. the survival first hand stories of two willful men who chose to live
  17. areas of art: such as
  18. Correct as is.
  19. notorious
  20. He falls into a crevasse and crawled across a glacier.
  21. dangerous
  22. to suggest that Callahan’s situation could be hopeless if he chose to see it that way.
  23. necessity
  24. “whistle of the wind”