repriserepeat ofearliermaterialXcrossAntagonistsomeonewho offersoppositionscoremusicwritten ina scriptdramaticmoreserioustoneprotagonistmajorcharacterin a workmethodactor recallsemotions fromhis/her ownlife to identifywith characterRogers &HammersteinwroteOklahomaandCarouselgesturebodymovementused tocommunicatebeata momentan actorpausesprojectspeakloudly andclearlyFalapbrush andstep intap danceimprovisationmakingthings upon thespotseriocomicelements ofbothdramatic andcomic toneprosceniumstagea stagewith aframearound itlibrettowords of amusicalaka"book"downstagetowardstheaudiencerolean actingpart in aproductionbreakingcharactera lapse inmaintainingthe illusion ofthe characterarenastagewhen theaudience isseated allaround thestagebackstorythe eventsand historyof acharacterrelevea dancemove onone's toeswingssides of astage notseen to theaudienceforeshadowingindicationsof eventsto comehousewhere theaudiencesitscountermoving inresponse toanothercharacter'smotion onstagefinaletheconcludingpart of aperformancecuea promptfor someaction onstageConceptMusicalemphasis ona theme ormessagerather than astorychoreographerperson incharge ofcreating thedance movesin a showStephenSondheimwrote WestSide Storyand Intothe Woodsmotivationthe reason acharacteracts ormakeschoicesdialoglinesspoken bymultipleactorsblockingpositionof actorson stagepantomimeactingsomethingout withoutspeakingpliea dance movebendingknees andlowering bodytoward groundpropan item heldor used byactor to makescene morerealisticdarkdays whencast has norehearsal orperformanceHairfirstrockmusicalrepriserepeat ofearliermaterialXcrossAntagonistsomeonewho offersoppositionscoremusicwritten ina scriptdramaticmoreserioustoneprotagonistmajorcharacterin a workmethodactor recallsemotions fromhis/her ownlife to identifywith characterRogers &HammersteinwroteOklahomaandCarouselgesturebodymovementused tocommunicatebeata momentan actorpausesprojectspeakloudly andclearlyFalapbrush andstep intap danceimprovisationmakingthings upon thespotseriocomicelements ofbothdramatic andcomic toneprosceniumstagea stagewith aframearound itlibrettowords of amusicalaka"book"downstagetowardstheaudiencerolean actingpart in aproductionbreakingcharactera lapse inmaintainingthe illusion ofthe characterarenastagewhen theaudience isseated allaround thestagebackstorythe eventsand historyof acharacterrelevea dancemove onone's toeswingssides of astage notseen to theaudienceforeshadowingindicationsof eventsto comehousewhere theaudiencesitscountermoving inresponse toanothercharacter'smotion onstagefinaletheconcludingpart of aperformancecuea promptfor someaction onstageConceptMusicalemphasis ona theme ormessagerather than astorychoreographerperson incharge ofcreating thedance movesin a showStephenSondheimwrote WestSide Storyand Intothe Woodsmotivationthe reason acharacteracts ormakeschoicesdialoglinesspoken bymultipleactorsblockingpositionof actorson stagepantomimeactingsomethingout withoutspeakingpliea dance movebendingknees andlowering bodytoward groundpropan item heldor used byactor to makescene morerealisticdarkdays whencast has norehearsal orperformanceHairfirstrockmusical

Theatre Terms BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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O O
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B B
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B B
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B B
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I I
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N N
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B B
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G G
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G G
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I I
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I I
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I I
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O O
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O O
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G G
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O O
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I I
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N N
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O O
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G G
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G G
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N N
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B B
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I I
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I I
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G G
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N N
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G G
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I I
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O O
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O O
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N N
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B B
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B B
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N N
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G G
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B B
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O O
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N N
  1. O-repeat of earlier material
    O-reprise
  2. B-cross
    B-X
  3. B-someone who offers opposition
    B-Antagonist
  4. B-music written in a script
    B-score
  5. I-more serious tone
    I-dramatic
  6. N-major character in a work
    N-protagonist
  7. B-actor recalls emotions from his/her own life to identify with character
    B-method
  8. G-wrote Oklahoma and Carousel
    G-Rogers & Hammerstein
  9. G-body movement used to communicate
    G-gesture
  10. I-a moment an actor pauses
    I-beat
  11. I-speak loudly and clearly
    I-project
  12. I-brush and step in tap dance
    I-Falap
  13. O-making things up on the spot
    O-improvisation
  14. O-elements of both dramatic and comic tone
    O-serio comic
  15. G-a stage with a frame around it
    G-proscenium stage
  16. O-words of a musical aka "book"
    O-libretto
  17. I-towards the audience
    I-downstage
  18. N-an acting part in a production
    N-role
  19. O-a lapse in maintaining the illusion of the character
    O-breaking character
  20. G-when the audience is seated all around the stage
    G-arena stage
  21. G-the events and history of a character
    G-backstory
  22. N-a dance move on one's toes
    N-releve
  23. B-sides of a stage not seen to the audience
    B-wings
  24. I-indications of events to come
    I-foreshadowing
  25. I-where the audience sits
    I-house
  26. G-moving in response to another character's motion on stage
    G-counter
  27. N-the concluding part of a performance
    N-finale
  28. G-a prompt for some action on stage
    G-cue
  29. I-emphasis on a theme or message rather than a story
    I-Concept Musical
  30. O-person in charge of creating the dance moves in a show
    O-choreographer
  31. O-wrote West Side Story and Into the Woods
    O-Stephen Sondheim
  32. N-the reason a character acts or makes choices
    N-motivation
  33. B-lines spoken by multiple actors
    B-dialog
  34. B-position of actors on stage
    B-blocking
  35. N-acting something out without speaking
    N-pantomime
  36. G-a dance move bending knees and lowering body toward ground
    G-plie
  37. B-an item held or used by actor to make scene more realistic
    B-prop
  38. O-days when cast has no rehearsal or performance
    O-dark
  39. N-first rock musical
    N-Hair