E-Sound – Sound isan audible material inart that can be madeelectronically ornaturally and mightbe recorded andreproduced.Contemporary Framework-The contemporary contextinforms the analysis andinterpretation of past andpresent artwork through alens of 21st century artideas and issues, and howthese challengeengagement,communication andmeaningE-Tone - Tones areblack, white andgrey and can bedescribed as arange in terms ofkey or value.Personal Framework-The personalFramework informs theanalysis andinterpretation ofemotions, sensoryexperiences, personalphilosophy, beliefs andideasE-Light – Light isclosely aligned totone and describesthe clarity of lightrays that illuminatean object orinstallation.E-Form – Formdescribes a three-dimensional area.It can bevisual/depicted orphysical.FREECultural Framework-Thecultural framework informsthe analysis andinterpretation of the socialinfluences andrepresentations of time,place, politics, purpose,ethnicity, gender andspiritual beliefs.P-Space – Refers toits visual/pictorial(illusionary/ plastic)depiction or physical(sculptural/architectural) use.E-Line – Has asingle dimension,joining two points.It has length anddirection.E-Shape - Shapean area containedwithin an impliedline, or defined bya change in colouror tone.E-Texture - Texturethe surface quality,from smooth torough, that can eitherbe felt or observed(literal or implied).P-Movement –Can be still,anticipated,kinetic, due tokinetic empathy,suggested bymotion blur.P-Scale – Refers tothe comparative sizeof shapes or forms,use of time, volumeof sound in anartwork.Structural Framework-The StructuralFramework contextinforms the analysisand interpretation offormal visual artelements andprinciplesP-Variety – Thediverse use of anelement creates amore assorted andvisually dynamiccomposition.E-Colour – Colour isgenerated by lightreflecting off asurface anddescribes ourexperience of thisaction.P-Contrast –differences in tone,colours, textures,shapes and otherelements used todraw attention or tomake dramatic partsof an artwork.P-Emphasis/focalpoint – The artist’sapplication of artelements make a partor parts of thecomposition standout.P-Proportion – Refersto the comparativeamounts or ratios of anelement. This includesconcepts such as theGolden Section anddistortions.P-Unity – Refersto the similar oruniform use of anelement thatunifies or tiestogether acomposition.P-Balance – Balance isthe distribution ofvisual weight in a workof art. Elements likeshape may bebalanced along avisual axissymmetrically orasymmetrically.P-Rhythm – Wherethe use of an elementis repeated. This canbe a regular or anirregular repetitionand if regular canform a pattern.P-Repetition(Pattern) – Aregularly recurringmotif/ shape/ figurecreates pattern. Amotif that recursirregularly isrepetition.E-Time – Time as amaterial relates to thephysical, emotionalor psychologicalduration of an eventor experience in art.E-Sound – Sound isan audible material inart that can be madeelectronically ornaturally and mightbe recorded andreproduced.Contemporary Framework-The contemporary contextinforms the analysis andinterpretation of past andpresent artwork through alens of 21st century artideas and issues, and howthese challengeengagement,communication andmeaningE-Tone - Tones areblack, white andgrey and can bedescribed as arange in terms ofkey or value.Personal Framework-The personalFramework informs theanalysis andinterpretation ofemotions, sensoryexperiences, personalphilosophy, beliefs andideasE-Light – Light isclosely aligned totone and describesthe clarity of lightrays that illuminatean object orinstallation.E-Form – Formdescribes a three-dimensional area.It can bevisual/depicted orphysical.FREECultural Framework-Thecultural framework informsthe analysis andinterpretation of the socialinfluences andrepresentations of time,place, politics, purpose,ethnicity, gender andspiritual beliefs.P-Space – Refers toits visual/pictorial(illusionary/ plastic)depiction or physical(sculptural/architectural) use.E-Line – Has asingle dimension,joining two points.It has length anddirection.E-Shape - Shapean area containedwithin an impliedline, or defined bya change in colouror tone.E-Texture - Texturethe surface quality,from smooth torough, that can eitherbe felt or observed(literal or implied).P-Movement –Can be still,anticipated,kinetic, due tokinetic empathy,suggested bymotion blur.P-Scale – Refers tothe comparative sizeof shapes or forms,use of time, volumeof sound in anartwork.Structural Framework-The StructuralFramework contextinforms the analysisand interpretation offormal visual artelements andprinciplesP-Variety – Thediverse use of anelement creates amore assorted andvisually dynamiccomposition.E-Colour – Colour isgenerated by lightreflecting off asurface anddescribes ourexperience of thisaction.P-Contrast –differences in tone,colours, textures,shapes and otherelements used todraw attention or tomake dramatic partsof an artwork.P-Emphasis/focalpoint – The artist’sapplication of artelements make a partor parts of thecomposition standout.P-Proportion – Refersto the comparativeamounts or ratios of anelement. This includesconcepts such as theGolden Section anddistortions.P-Unity – Refersto the similar oruniform use of anelement thatunifies or tiestogether acomposition.P-Balance – Balance isthe distribution ofvisual weight in a workof art. Elements likeshape may bebalanced along avisual axissymmetrically orasymmetrically.P-Rhythm – Wherethe use of an elementis repeated. This canbe a regular or anirregular repetitionand if regular canform a pattern.P-Repetition(Pattern) – Aregularly recurringmotif/ shape/ figurecreates pattern. Amotif that recursirregularly isrepetition.E-Time – Time as amaterial relates to thephysical, emotionalor psychologicalduration of an eventor experience in art.

Art Elements and Principles Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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I
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O
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N
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N
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N
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B
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B
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G
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G
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B
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O
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G
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G
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N
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I
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N
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I
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B
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I
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O
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O
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G
  1. I-E-Sound – Sound is an audible material in art that can be made electronically or naturally and might be recorded and reproduced.
  2. O-Contemporary Framework- The contemporary context informs the analysis and interpretation of past and present artwork through a lens of 21st century art ideas and issues, and how these challenge engagement, communication and meaning
  3. N-E-Tone - Tones are black, white and grey and can be described as a range in terms of key or value.
  4. N-Personal Framework-The personal Framework informs the analysis and interpretation of emotions, sensory experiences, personal philosophy, beliefs and ideas
  5. N-E-Light – Light is closely aligned to tone and describes the clarity of light rays that illuminate an object or installation.
  6. B-E-Form – Form describes a three-dimensional area. It can be visual/depicted or physical.
  7. B-FREE
  8. G-Cultural Framework-The cultural framework informs the analysis and interpretation of the social influences and representations of time, place, politics, purpose, ethnicity, gender and spiritual beliefs.
  9. G-P-Space – Refers to its visual/pictorial (illusionary/ plastic) depiction or physical (sculptural/ architectural) use.
  10. B-E-Line – Has a single dimension, joining two points. It has length and direction.
  11. O-E-Shape - Shape an area contained within an implied line, or defined by a change in colour or tone.
  12. G-E-Texture - Texture the surface quality, from smooth to rough, that can either be felt or observed (literal or implied).
  13. G-P-Movement – Can be still, anticipated, kinetic, due to kinetic empathy, suggested by motion blur.
  14. N-P-Scale – Refers to the comparative size of shapes or forms, use of time, volume of sound in an artwork.
  15. I-Structural Framework- The Structural Framework context informs the analysis and interpretation of formal visual art elements and principles
  16. N-P-Variety – The diverse use of an element creates a more assorted and visually dynamic composition.
  17. I-E-Colour – Colour is generated by light reflecting off a surface and describes our experience of this action.
  18. B-P-Contrast – differences in tone, colours, textures, shapes and other elements used to draw attention or to make dramatic parts of an artwork.
  19. I-P-Emphasis/focal point – The artist’s application of art elements make a part or parts of the composition stand out.
  20. O-P-Proportion – Refers to the comparative amounts or ratios of an element. This includes concepts such as the Golden Section and distortions.
  21. O-P-Unity – Refers to the similar or uniform use of an element that unifies or ties together a composition.
  22. O-P-Balance – Balance is the distribution of visual weight in a work of art. Elements like shape may be balanced along a visual axis symmetrically or asymmetrically.
  23. I-P-Rhythm – Where the use of an element is repeated. This can be a regular or an irregular repetition and if regular can form a pattern.
  24. B-P-Repetition (Pattern) – A regularly recurring motif/ shape/ figure creates pattern. A motif that recurs irregularly is repetition.
  25. G-E-Time – Time as a material relates to the physical, emotional or psychological duration of an event or experience in art.