STAMPINGPRESSINGAN IMAGEINTO AMATERIALATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSRELIEFCARVINGAN IMAGEINTO ASURFACEORANGEYELLOW+ RED =PATTERNAREPEATINGIMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEPURPLERED +BLUE=TEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGREENYELLOW+ BLUE=ABSTRACTNONREPRESENTATIONALARTBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTSLABA FLATROLLEDOUT PIECEOF CLAYCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEVALUETHEDARKNESSORLIGHTNESSOF A COLORCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGFOREGROUNDTHEFRONTPART OFAN IMAGESTAMPINGPRESSINGAN IMAGEINTO AMATERIALATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSRELIEFCARVINGAN IMAGEINTO ASURFACEORANGEYELLOW+ RED =PATTERNAREPEATINGIMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEPURPLERED +BLUE=TEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGREENYELLOW+ BLUE=ABSTRACTNONREPRESENTATIONALARTBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTSLABA FLATROLLEDOUT PIECEOF CLAYCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEVALUETHEDARKNESSORLIGHTNESSOF A COLORCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGFOREGROUNDTHEFRONTPART OFAN IMAGE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  2. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  3. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  4. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  5. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  6. YELLOW + RED =
    ORANGE
  7. A REPEATING IMAGE
    PATTERN
  8. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  9. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  10. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  11. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  12. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  13. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  14. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  15. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  16. RED + BLUE =
    PURPLE
  17. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  18. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  19. YELLOW + BLUE =
    GREEN
  20. NON REPRESENTATIONAL ART
    ABSTRACT
  21. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  22. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  23. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  24. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  25. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  26. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  27. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  28. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  29. THE FRONT PART OF AN IMAGE
    FOREGROUND