SLABA FLATROLLEDOUT PIECEOF CLAYREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESVALUETHEDARKNESSORLIGHTNESSOF A COLORSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INGREENYELLOW+ BLUE=STAMPINGPRESSINGAN IMAGEINTO AMATERIALPATTERNAREPEATINGIMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSORANGEYELLOW+ RED =MIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGPURPLERED +BLUE=MOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEABSTRACTNONREPRESENTATIONALARTMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEFOREGROUNDTHEFRONTPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGERELIEFCARVINGAN IMAGEINTO ASURFACEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTSLABA FLATROLLEDOUT PIECEOF CLAYREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESVALUETHEDARKNESSORLIGHTNESSOF A COLORSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INGREENYELLOW+ BLUE=STAMPINGPRESSINGAN IMAGEINTO AMATERIALPATTERNAREPEATINGIMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSORANGEYELLOW+ RED =MIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGPURPLERED +BLUE=MOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEABSTRACTNONREPRESENTATIONALARTMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEFOREGROUNDTHEFRONTPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGERELIEFCARVINGAN IMAGEINTO ASURFACEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHT

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  2. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  3. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  4. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  5. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  6. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  7. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  8. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  9. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  10. YELLOW + BLUE =
    GREEN
  11. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  12. A REPEATING IMAGE
    PATTERN
  13. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  14. YELLOW + RED =
    ORANGE
  15. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  16. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  17. RED + BLUE =
    PURPLE
  18. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  19. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  20. NON REPRESENTATIONAL ART
    ABSTRACT
  21. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  22. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  23. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  24. THE FRONT PART OF AN IMAGE
    FOREGROUND
  25. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  26. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  27. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  28. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  29. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS