RELIEFCARVINGAN IMAGEINTO ASURFACEORANGEYELLOW+ RED =DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEABSTRACTNONREPRESENTATIONALARTTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGPATTERNAREPEATINGIMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEPURPLERED +BLUE=ATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKVALUETHEDARKNESSORLIGHTNESSOF A COLORTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGSTAMPINGPRESSINGAN IMAGEINTO AMATERIALDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INSLABA FLATROLLEDOUT PIECEOF CLAYFOREGROUNDTHEFRONTPART OFAN IMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELGREENYELLOW+ BLUE=MOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGERELIEFCARVINGAN IMAGEINTO ASURFACEORANGEYELLOW+ RED =DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEABSTRACTNONREPRESENTATIONALARTTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGPATTERNAREPEATINGIMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEPURPLERED +BLUE=ATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKVALUETHEDARKNESSORLIGHTNESSOF A COLORTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGSTAMPINGPRESSINGAN IMAGEINTO AMATERIALDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INSLABA FLATROLLEDOUT PIECEOF CLAYFOREGROUNDTHEFRONTPART OFAN IMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELGREENYELLOW+ BLUE=MOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
  1. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  2. YELLOW + RED =
    ORANGE
  3. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  4. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  5. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  6. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  7. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  8. NON REPRESENTATIONAL ART
    ABSTRACT
  9. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  10. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  11. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  12. A REPEATING IMAGE
    PATTERN
  13. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  14. RED + BLUE =
    PURPLE
  15. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  16. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  17. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  18. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  19. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  20. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  21. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  22. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  23. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  24. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  25. THE FRONT PART OF AN IMAGE
    FOREGROUND
  26. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  27. YELLOW + BLUE =
    GREEN
  28. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  29. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND