COMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELPATTERNAREPEATINGIMAGEFOREGROUNDTHEFRONTPART OFAN IMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMETEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGSTAMPINGPRESSINGAN IMAGEINTO AMATERIALABSTRACTNONREPRESENTATIONALARTSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSVALUETHEDARKNESSORLIGHTNESSOF A COLORSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INGREENYELLOW+ BLUE=GRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLESLABA FLATROLLEDOUT PIECEOF CLAYMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSRELIEFCARVINGAN IMAGEINTO ASURFACECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESPURPLERED +BLUE=ORANGEYELLOW+ RED =COMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELPATTERNAREPEATINGIMAGEFOREGROUNDTHEFRONTPART OFAN IMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMETEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGSTAMPINGPRESSINGAN IMAGEINTO AMATERIALABSTRACTNONREPRESENTATIONALARTSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSVALUETHEDARKNESSORLIGHTNESSOF A COLORSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INGREENYELLOW+ BLUE=GRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLESLABA FLATROLLEDOUT PIECEOF CLAYMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSRELIEFCARVINGAN IMAGEINTO ASURFACECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESPURPLERED +BLUE=ORANGEYELLOW+ RED =

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  2. A REPEATING IMAGE
    PATTERN
  3. THE FRONT PART OF AN IMAGE
    FOREGROUND
  4. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  5. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  6. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  7. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  8. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  9. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  10. NON REPRESENTATIONAL ART
    ABSTRACT
  11. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  12. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  13. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  14. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  15. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  16. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  17. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  18. YELLOW + BLUE =
    GREEN
  19. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  20. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  21. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  22. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  23. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  24. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  25. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  26. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  27. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  28. RED + BLUE =
    PURPLE
  29. YELLOW + RED =
    ORANGE