DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESPURPLERED +BLUE=MIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEPATTERNAREPEATINGIMAGESLABA FLATROLLEDOUT PIECEOF CLAYATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEVALUETHEDARKNESSORLIGHTNESSOF A COLORSTAMPINGPRESSINGAN IMAGEINTO AMATERIALCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSORANGEYELLOW+ RED =GREENYELLOW+ BLUE=COLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURABSTRACTNONREPRESENTATIONALARTSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSRELIEFCARVINGAN IMAGEINTO ASURFACEFOREGROUNDTHEFRONTPART OFAN IMAGESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESPURPLERED +BLUE=MIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEPATTERNAREPEATINGIMAGESLABA FLATROLLEDOUT PIECEOF CLAYATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEVALUETHEDARKNESSORLIGHTNESSOF A COLORSTAMPINGPRESSINGAN IMAGEINTO AMATERIALCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSORANGEYELLOW+ RED =GREENYELLOW+ BLUE=COLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURABSTRACTNONREPRESENTATIONALARTSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSRELIEFCARVINGAN IMAGEINTO ASURFACEFOREGROUNDTHEFRONTPART OFAN IMAGESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEME

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
  1. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  2. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  3. RED + BLUE =
    PURPLE
  4. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  5. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  6. A REPEATING IMAGE
    PATTERN
  7. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  8. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  9. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  10. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  11. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  12. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  13. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  14. YELLOW + RED =
    ORANGE
  15. YELLOW + BLUE =
    GREEN
  16. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  17. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  18. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  19. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  20. NON REPRESENTATIONAL ART
    ABSTRACT
  21. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  22. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  23. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  24. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  25. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  26. THE FRONT PART OF AN IMAGE
    FOREGROUND
  27. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  28. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  29. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL