TEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURPURPLERED +BLUE=FOREGROUNDTHEFRONTPART OFAN IMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESTAMPINGPRESSINGAN IMAGEINTO AMATERIALORANGEYELLOW+ RED =RELIEFCARVINGAN IMAGEINTO ASURFACECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKSLABA FLATROLLEDOUT PIECEOF CLAYDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGREENYELLOW+ BLUE=CARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSPATTERNAREPEATINGIMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSABSTRACTNONREPRESENTATIONALARTVALUETHEDARKNESSORLIGHTNESSOF A COLORMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURPURPLERED +BLUE=FOREGROUNDTHEFRONTPART OFAN IMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESTAMPINGPRESSINGAN IMAGEINTO AMATERIALORANGEYELLOW+ RED =RELIEFCARVINGAN IMAGEINTO ASURFACECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKSLABA FLATROLLEDOUT PIECEOF CLAYDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGREENYELLOW+ BLUE=CARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSPATTERNAREPEATINGIMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSABSTRACTNONREPRESENTATIONALARTVALUETHEDARKNESSORLIGHTNESSOF A COLORMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILES

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  2. RED + BLUE =
    PURPLE
  3. THE FRONT PART OF AN IMAGE
    FOREGROUND
  4. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  5. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  6. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  7. YELLOW + RED =
    ORANGE
  8. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  9. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  10. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  11. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  12. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  13. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  14. YELLOW + BLUE =
    GREEN
  15. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  16. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  17. A REPEATING IMAGE
    PATTERN
  18. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  19. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  20. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  21. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  22. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  23. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  24. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  25. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  26. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  27. NON REPRESENTATIONAL ART
    ABSTRACT
  28. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  29. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC