MIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEPURPLERED +BLUE=COMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESORANGEYELLOW+ RED =SLABA FLATROLLEDOUT PIECEOF CLAYSTAMPINGPRESSINGAN IMAGEINTO AMATERIALFOREGROUNDTHEFRONTPART OFAN IMAGEVALUETHEDARKNESSORLIGHTNESSOF A COLORMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGERELIEFCARVINGAN IMAGEINTO ASURFACEGREENYELLOW+ BLUE=COLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEABSTRACTNONREPRESENTATIONALARTPATTERNAREPEATINGIMAGEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEPURPLERED +BLUE=COMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESORANGEYELLOW+ RED =SLABA FLATROLLEDOUT PIECEOF CLAYSTAMPINGPRESSINGAN IMAGEINTO AMATERIALFOREGROUNDTHEFRONTPART OFAN IMAGEVALUETHEDARKNESSORLIGHTNESSOF A COLORMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGERELIEFCARVINGAN IMAGEINTO ASURFACEGREENYELLOW+ BLUE=COLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEABSTRACTNONREPRESENTATIONALARTPATTERNAREPEATINGIMAGEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMS

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  2. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  3. RED + BLUE =
    PURPLE
  4. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  5. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  6. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  7. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  8. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  9. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  10. YELLOW + RED =
    ORANGE
  11. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  12. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  13. THE FRONT PART OF AN IMAGE
    FOREGROUND
  14. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  15. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  16. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  17. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  18. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  19. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  20. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  21. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  22. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  23. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  24. YELLOW + BLUE =
    GREEN
  25. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  26. NON REPRESENTATIONAL ART
    ABSTRACT
  27. A REPEATING IMAGE
    PATTERN
  28. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  29. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH