REPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELSTAMPINGPRESSINGAN IMAGEINTO AMATERIALCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGETEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSVALUETHEDARKNESSORLIGHTNESSOF A COLORMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSRELIEFCARVINGAN IMAGEINTO ASURFACETILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESFOREGROUNDTHEFRONTPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKPURPLERED +BLUE=DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSPATTERNAREPEATINGIMAGESLABA FLATROLLEDOUT PIECEOF CLAYBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INORANGEYELLOW+ RED =FORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGGREENYELLOW+ BLUE=CONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKABSTRACTNONREPRESENTATIONALARTSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELSTAMPINGPRESSINGAN IMAGEINTO AMATERIALCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGETEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSVALUETHEDARKNESSORLIGHTNESSOF A COLORMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSRELIEFCARVINGAN IMAGEINTO ASURFACETILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESFOREGROUNDTHEFRONTPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKPURPLERED +BLUE=DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSPATTERNAREPEATINGIMAGESLABA FLATROLLEDOUT PIECEOF CLAYBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INORANGEYELLOW+ RED =FORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGGREENYELLOW+ BLUE=CONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKABSTRACTNONREPRESENTATIONALARTSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  2. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  3. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  4. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  5. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  6. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  7. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  8. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  9. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  10. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  11. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  12. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  13. THE FRONT PART OF AN IMAGE
    FOREGROUND
  14. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  15. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  16. RED + BLUE =
    PURPLE
  17. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  18. A REPEATING IMAGE
    PATTERN
  19. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  20. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  21. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  22. YELLOW + RED =
    ORANGE
  23. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  24. YELLOW + BLUE =
    GREEN
  25. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  26. NON REPRESENTATIONAL ART
    ABSTRACT
  27. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  28. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  29. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION