CARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURGREENYELLOW+ BLUE=REPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLESLABA FLATROLLEDOUT PIECEOF CLAYGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSABSTRACTNONREPRESENTATIONALARTMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESTAMPINGPRESSINGAN IMAGEINTO AMATERIALSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGORANGEYELLOW+ RED =PURPLERED +BLUE=DETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESVALUETHEDARKNESSORLIGHTNESSOF A COLORPATTERNAREPEATINGIMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESRELIEFCARVINGAN IMAGEINTO ASURFACECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKFOREGROUNDTHEFRONTPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURGREENYELLOW+ BLUE=REPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLESLABA FLATROLLEDOUT PIECEOF CLAYGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSABSTRACTNONREPRESENTATIONALARTMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESTAMPINGPRESSINGAN IMAGEINTO AMATERIALSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGORANGEYELLOW+ RED =PURPLERED +BLUE=DETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESVALUETHEDARKNESSORLIGHTNESSOF A COLORPATTERNAREPEATINGIMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESRELIEFCARVINGAN IMAGEINTO ASURFACECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKFOREGROUNDTHEFRONTPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  2. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  3. YELLOW + BLUE =
    GREEN
  4. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  5. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  6. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  7. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  8. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  9. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  10. NON REPRESENTATIONAL ART
    ABSTRACT
  11. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  12. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  13. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  14. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  15. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  16. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  17. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  18. YELLOW + RED =
    ORANGE
  19. RED + BLUE =
    PURPLE
  20. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  21. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  22. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  23. A REPEATING IMAGE
    PATTERN
  24. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  25. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  26. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  27. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  28. THE FRONT PART OF AN IMAGE
    FOREGROUND
  29. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND