SLABA FLATROLLEDOUT PIECEOF CLAYFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGRELIEFCARVINGAN IMAGEINTO ASURFACECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGETEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKPURPLERED +BLUE=ORANGEYELLOW+ RED =GREENYELLOW+ BLUE=FOREGROUNDTHEFRONTPART OFAN IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGVALUETHEDARKNESSORLIGHTNESSOF A COLORPATTERNAREPEATINGIMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSABSTRACTNONREPRESENTATIONALARTSTAMPINGPRESSINGAN IMAGEINTO AMATERIALMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSSLABA FLATROLLEDOUT PIECEOF CLAYFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGRELIEFCARVINGAN IMAGEINTO ASURFACECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGETEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKPURPLERED +BLUE=ORANGEYELLOW+ RED =GREENYELLOW+ BLUE=FOREGROUNDTHEFRONTPART OFAN IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGVALUETHEDARKNESSORLIGHTNESSOF A COLORPATTERNAREPEATINGIMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSABSTRACTNONREPRESENTATIONALARTSTAMPINGPRESSINGAN IMAGEINTO AMATERIALMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTS

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  2. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  3. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  4. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  5. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  6. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  7. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  8. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  9. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  10. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  11. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  12. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  13. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  14. RED + BLUE =
    PURPLE
  15. YELLOW + RED =
    ORANGE
  16. YELLOW + BLUE =
    GREEN
  17. THE FRONT PART OF AN IMAGE
    FOREGROUND
  18. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  19. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  20. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  21. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  22. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  23. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  24. A REPEATING IMAGE
    PATTERN
  25. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  26. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  27. NON REPRESENTATIONAL ART
    ABSTRACT
  28. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  29. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT