MIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLERELIEFCARVINGAN IMAGEINTO ASURFACECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSABSTRACTNONREPRESENTATIONALARTVALUETHEDARKNESSORLIGHTNESSOF A COLORORANGEYELLOW+ RED =DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGREENYELLOW+ BLUE=TILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGSTAMPINGPRESSINGAN IMAGEINTO AMATERIALCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGESLABA FLATROLLEDOUT PIECEOF CLAYSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURPURPLERED +BLUE=FOREGROUNDTHEFRONTPART OFAN IMAGEPATTERNAREPEATINGIMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLERELIEFCARVINGAN IMAGEINTO ASURFACECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSABSTRACTNONREPRESENTATIONALARTVALUETHEDARKNESSORLIGHTNESSOF A COLORORANGEYELLOW+ RED =DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGREENYELLOW+ BLUE=TILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGSTAMPINGPRESSINGAN IMAGEINTO AMATERIALCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGESLABA FLATROLLEDOUT PIECEOF CLAYSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURPURPLERED +BLUE=FOREGROUNDTHEFRONTPART OFAN IMAGEPATTERNAREPEATINGIMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  2. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  3. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  4. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  5. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  6. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  7. NON REPRESENTATIONAL ART
    ABSTRACT
  8. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  9. YELLOW + RED =
    ORANGE
  10. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  11. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  12. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  13. YELLOW + BLUE =
    GREEN
  14. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  15. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  16. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  17. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  18. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  19. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  20. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  21. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  22. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  23. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  24. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  25. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  26. RED + BLUE =
    PURPLE
  27. THE FRONT PART OF AN IMAGE
    FOREGROUND
  28. A REPEATING IMAGE
    PATTERN
  29. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE