TEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGABSTRACTNONREPRESENTATIONALARTVALUETHEDARKNESSORLIGHTNESSOF A COLORSLABA FLATROLLEDOUT PIECEOF CLAYPATTERNAREPEATINGIMAGERELIEFCARVINGAN IMAGEINTO ASURFACEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGREENYELLOW+ BLUE=BACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEORANGEYELLOW+ RED =DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSFOREGROUNDTHEFRONTPART OFAN IMAGEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKPURPLERED +BLUE=STAMPINGPRESSINGAN IMAGEINTO AMATERIALCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGABSTRACTNONREPRESENTATIONALARTVALUETHEDARKNESSORLIGHTNESSOF A COLORSLABA FLATROLLEDOUT PIECEOF CLAYPATTERNAREPEATINGIMAGERELIEFCARVINGAN IMAGEINTO ASURFACEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEGREENYELLOW+ BLUE=BACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEORANGEYELLOW+ RED =DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSFOREGROUNDTHEFRONTPART OFAN IMAGEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKPURPLERED +BLUE=STAMPINGPRESSINGAN IMAGEINTO AMATERIALCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORK

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
  1. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  2. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  3. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  4. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  5. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  6. NON REPRESENTATIONAL ART
    ABSTRACT
  7. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  8. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  9. A REPEATING IMAGE
    PATTERN
  10. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  11. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  12. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  13. YELLOW + BLUE =
    GREEN
  14. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  15. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  16. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  17. YELLOW + RED =
    ORANGE
  18. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  19. THE FRONT PART OF AN IMAGE
    FOREGROUND
  20. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  21. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  22. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  23. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  24. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  25. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  26. RED + BLUE =
    PURPLE
  27. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  28. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  29. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE