VALUETHEDARKNESSORLIGHTNESSOF A COLORRELIEFCARVINGAN IMAGEINTO ASURFACESTAMPINGPRESSINGAN IMAGEINTO AMATERIALPURPLERED +BLUE=ABSTRACTNONREPRESENTATIONALARTCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEORANGEYELLOW+ RED =DETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMETEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURPATTERNAREPEATINGIMAGEFOREGROUNDTHEFRONTPART OFAN IMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKGREENYELLOW+ BLUE=MIDDLEGROUNDTHEMIDDLEPART OFAN IMAGESLABA FLATROLLEDOUT PIECEOF CLAYSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSVALUETHEDARKNESSORLIGHTNESSOF A COLORRELIEFCARVINGAN IMAGEINTO ASURFACESTAMPINGPRESSINGAN IMAGEINTO AMATERIALPURPLERED +BLUE=ABSTRACTNONREPRESENTATIONALARTCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEORANGEYELLOW+ RED =DETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMETEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURPATTERNAREPEATINGIMAGEFOREGROUNDTHEFRONTPART OFAN IMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKGREENYELLOW+ BLUE=MIDDLEGROUNDTHEMIDDLEPART OFAN IMAGESLABA FLATROLLEDOUT PIECEOF CLAYSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTS

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  2. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  3. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  4. RED + BLUE =
    PURPLE
  5. NON REPRESENTATIONAL ART
    ABSTRACT
  6. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  7. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  8. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  9. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  10. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  11. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  12. YELLOW + RED =
    ORANGE
  13. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  14. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  15. A REPEATING IMAGE
    PATTERN
  16. THE FRONT PART OF AN IMAGE
    FOREGROUND
  17. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  18. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  19. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  20. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  21. YELLOW + BLUE =
    GREEN
  22. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  23. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  24. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  25. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  26. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  27. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  28. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  29. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT