SHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTABSTRACTNONREPRESENTATIONALARTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSPURPLERED +BLUE=SLABA FLATROLLEDOUT PIECEOF CLAYTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURORANGEYELLOW+ RED =COMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGRELIEFCARVINGAN IMAGEINTO ASURFACEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESPATTERNAREPEATINGIMAGEGREENYELLOW+ BLUE=STAMPINGPRESSINGAN IMAGEINTO AMATERIALCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INVALUETHEDARKNESSORLIGHTNESSOF A COLORGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEFOREGROUNDTHEFRONTPART OFAN IMAGETILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTABSTRACTNONREPRESENTATIONALARTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSPURPLERED +BLUE=SLABA FLATROLLEDOUT PIECEOF CLAYTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURORANGEYELLOW+ RED =COMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGRELIEFCARVINGAN IMAGEINTO ASURFACEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESPATTERNAREPEATINGIMAGEGREENYELLOW+ BLUE=STAMPINGPRESSINGAN IMAGEINTO AMATERIALCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INVALUETHEDARKNESSORLIGHTNESSOF A COLORGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEFOREGROUNDTHEFRONTPART OFAN IMAGETILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGES

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  2. NON REPRESENTATIONAL ART
    ABSTRACT
  3. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  4. RED + BLUE =
    PURPLE
  5. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  6. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  7. YELLOW + RED =
    ORANGE
  8. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  9. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  10. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  11. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  12. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  13. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  14. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  15. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  16. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  17. A REPEATING IMAGE
    PATTERN
  18. YELLOW + BLUE =
    GREEN
  19. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  20. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  21. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  22. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  23. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  24. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  25. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  26. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  27. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  28. THE FRONT PART OF AN IMAGE
    FOREGROUND
  29. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE