MOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSORANGEYELLOW+ RED =PURPLERED +BLUE=FORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEPATTERNAREPEATINGIMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELSLABA FLATROLLEDOUT PIECEOF CLAYMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEABSTRACTNONREPRESENTATIONALARTREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEGREENYELLOW+ BLUE=CARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGSTAMPINGPRESSINGAN IMAGEINTO AMATERIALVALUETHEDARKNESSORLIGHTNESSOF A COLORSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSRELIEFCARVINGAN IMAGEINTO ASURFACESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSFOREGROUNDTHEFRONTPART OFAN IMAGECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSORANGEYELLOW+ RED =PURPLERED +BLUE=FORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEPATTERNAREPEATINGIMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELSLABA FLATROLLEDOUT PIECEOF CLAYMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEABSTRACTNONREPRESENTATIONALARTREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEGREENYELLOW+ BLUE=CARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGSTAMPINGPRESSINGAN IMAGEINTO AMATERIALVALUETHEDARKNESSORLIGHTNESSOF A COLORSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSRELIEFCARVINGAN IMAGEINTO ASURFACESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSFOREGROUNDTHEFRONTPART OFAN IMAGECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORK

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  2. YELLOW + RED =
    ORANGE
  3. RED + BLUE =
    PURPLE
  4. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  5. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  6. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  7. A REPEATING IMAGE
    PATTERN
  8. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  9. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  10. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  11. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  12. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  13. NON REPRESENTATIONAL ART
    ABSTRACT
  14. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  15. YELLOW + BLUE =
    GREEN
  16. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  17. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  18. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  19. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  20. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  21. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  22. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  23. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  24. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  25. THE FRONT PART OF AN IMAGE
    FOREGROUND
  26. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  27. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  28. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  29. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE