COLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELORANGEYELLOW+ RED =SLABA FLATROLLEDOUT PIECEOF CLAYMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESSTAMPINGPRESSINGAN IMAGEINTO AMATERIALCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEVALUETHEDARKNESSORLIGHTNESSOF A COLORATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKPATTERNAREPEATINGIMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEFOREGROUNDTHEFRONTPART OFAN IMAGEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSGREENYELLOW+ BLUE=COMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGPURPLERED +BLUE=TEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURABSTRACTNONREPRESENTATIONALARTSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTRELIEFCARVINGAN IMAGEINTO ASURFACECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELORANGEYELLOW+ RED =SLABA FLATROLLEDOUT PIECEOF CLAYMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESSTAMPINGPRESSINGAN IMAGEINTO AMATERIALCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEVALUETHEDARKNESSORLIGHTNESSOF A COLORATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKPATTERNAREPEATINGIMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEFOREGROUNDTHEFRONTPART OFAN IMAGEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSGREENYELLOW+ BLUE=COMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGPURPLERED +BLUE=TEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURABSTRACTNONREPRESENTATIONALARTSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTRELIEFCARVINGAN IMAGEINTO ASURFACE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  2. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  3. YELLOW + RED =
    ORANGE
  4. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  5. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  6. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  7. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  8. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  9. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  10. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  11. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  12. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  13. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  14. A REPEATING IMAGE
    PATTERN
  15. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  16. THE FRONT PART OF AN IMAGE
    FOREGROUND
  17. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  18. YELLOW + BLUE =
    GREEN
  19. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  20. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  21. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  22. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  23. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  24. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  25. RED + BLUE =
    PURPLE
  26. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  27. NON REPRESENTATIONAL ART
    ABSTRACT
  28. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  29. CARVING AN IMAGE INTO A SURFACE
    RELIEF