VALUETHEDARKNESSORLIGHTNESSOF A COLORABSTRACTNONREPRESENTATIONALARTCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELSLABA FLATROLLEDOUT PIECEOF CLAYTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESGREENYELLOW+ BLUE=RELIEFCARVINGAN IMAGEINTO ASURFACEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEORANGEYELLOW+ RED =BACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKFOREGROUNDTHEFRONTPART OFAN IMAGECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKPURPLERED +BLUE=SHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSSTAMPINGPRESSINGAN IMAGEINTO AMATERIALPATTERNAREPEATINGIMAGEVALUETHEDARKNESSORLIGHTNESSOF A COLORABSTRACTNONREPRESENTATIONALARTCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELSLABA FLATROLLEDOUT PIECEOF CLAYTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESGREENYELLOW+ BLUE=RELIEFCARVINGAN IMAGEINTO ASURFACEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEORANGEYELLOW+ RED =BACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKFOREGROUNDTHEFRONTPART OFAN IMAGECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKPURPLERED +BLUE=SHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSSTAMPINGPRESSINGAN IMAGEINTO AMATERIALPATTERNAREPEATINGIMAGE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  2. NON REPRESENTATIONAL ART
    ABSTRACT
  3. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  4. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  5. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  6. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  7. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  8. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  9. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  10. YELLOW + BLUE =
    GREEN
  11. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  12. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  13. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  14. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  15. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  16. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  17. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  18. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  19. YELLOW + RED =
    ORANGE
  20. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  21. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  22. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  23. THE FRONT PART OF AN IMAGE
    FOREGROUND
  24. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  25. RED + BLUE =
    PURPLE
  26. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  27. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  28. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  29. A REPEATING IMAGE
    PATTERN