SHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTSLABA FLATROLLEDOUT PIECEOF CLAYABSTRACTNONREPRESENTATIONALARTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURSTAMPINGPRESSINGAN IMAGEINTO AMATERIALTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKPURPLERED +BLUE=PATTERNAREPEATINGIMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGRELIEFCARVINGAN IMAGEINTO ASURFACEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKGREENYELLOW+ BLUE=FOREGROUNDTHEFRONTPART OFAN IMAGEVALUETHEDARKNESSORLIGHTNESSOF A COLORCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGORANGEYELLOW+ RED =SHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTSLABA FLATROLLEDOUT PIECEOF CLAYABSTRACTNONREPRESENTATIONALARTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURSTAMPINGPRESSINGAN IMAGEINTO AMATERIALTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKPURPLERED +BLUE=PATTERNAREPEATINGIMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGRELIEFCARVINGAN IMAGEINTO ASURFACEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKGREENYELLOW+ BLUE=FOREGROUNDTHEFRONTPART OFAN IMAGEVALUETHEDARKNESSORLIGHTNESSOF A COLORCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGORANGEYELLOW+ RED =

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  2. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  3. NON REPRESENTATIONAL ART
    ABSTRACT
  4. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  5. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  6. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  7. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  8. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  9. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  10. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  11. RED + BLUE =
    PURPLE
  12. A REPEATING IMAGE
    PATTERN
  13. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  14. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  15. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  16. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  17. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  18. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  19. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  20. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  21. YELLOW + BLUE =
    GREEN
  22. THE FRONT PART OF AN IMAGE
    FOREGROUND
  23. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  24. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  25. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  26. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  27. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  28. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  29. YELLOW + RED =
    ORANGE