GRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSPATTERNAREPEATINGIMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEFOREGROUNDTHEFRONTPART OFAN IMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEABSTRACTNONREPRESENTATIONALARTSLABA FLATROLLEDOUT PIECEOF CLAYMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELVALUETHEDARKNESSORLIGHTNESSOF A COLORATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INORANGEYELLOW+ RED =GREENYELLOW+ BLUE=STAMPINGPRESSINGAN IMAGEINTO AMATERIALMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGERELIEFCARVINGAN IMAGEINTO ASURFACECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSPURPLERED +BLUE=GRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSPATTERNAREPEATINGIMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEFOREGROUNDTHEFRONTPART OFAN IMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEABSTRACTNONREPRESENTATIONALARTSLABA FLATROLLEDOUT PIECEOF CLAYMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELVALUETHEDARKNESSORLIGHTNESSOF A COLORATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INORANGEYELLOW+ RED =GREENYELLOW+ BLUE=STAMPINGPRESSINGAN IMAGEINTO AMATERIALMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGERELIEFCARVINGAN IMAGEINTO ASURFACECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSPURPLERED +BLUE=

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  2. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  3. A REPEATING IMAGE
    PATTERN
  4. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  5. THE FRONT PART OF AN IMAGE
    FOREGROUND
  6. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  7. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  8. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  9. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  10. NON REPRESENTATIONAL ART
    ABSTRACT
  11. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  12. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  13. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  14. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  15. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  16. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  17. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  18. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  19. YELLOW + RED =
    ORANGE
  20. YELLOW + BLUE =
    GREEN
  21. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  22. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  23. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  24. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  25. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  26. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  27. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  28. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  29. RED + BLUE =
    PURPLE