PATTERNAREPEATINGIMAGESTAMPINGPRESSINGAN IMAGEINTO AMATERIALCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGRELIEFCARVINGAN IMAGEINTO ASURFACEPURPLERED +BLUE=SLABA FLATROLLEDOUT PIECEOF CLAYCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSVALUETHEDARKNESSORLIGHTNESSOF A COLORDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEGREENYELLOW+ BLUE=TEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESABSTRACTNONREPRESENTATIONALARTCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSORANGEYELLOW+ RED =FOREGROUNDTHEFRONTPART OFAN IMAGEPATTERNAREPEATINGIMAGESTAMPINGPRESSINGAN IMAGEINTO AMATERIALCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGRELIEFCARVINGAN IMAGEINTO ASURFACEPURPLERED +BLUE=SLABA FLATROLLEDOUT PIECEOF CLAYCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSVALUETHEDARKNESSORLIGHTNESSOF A COLORDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEGREENYELLOW+ BLUE=TEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESABSTRACTNONREPRESENTATIONALARTCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSORANGEYELLOW+ RED =FOREGROUNDTHEFRONTPART OFAN IMAGE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. A REPEATING IMAGE
    PATTERN
  2. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  3. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  4. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  5. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  6. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  7. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  8. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  9. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  10. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  11. RED + BLUE =
    PURPLE
  12. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  13. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  14. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  15. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  16. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  17. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  18. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  19. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  20. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  21. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  22. YELLOW + BLUE =
    GREEN
  23. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  24. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  25. NON REPRESENTATIONAL ART
    ABSTRACT
  26. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  27. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  28. YELLOW + RED =
    ORANGE
  29. THE FRONT PART OF AN IMAGE
    FOREGROUND