CARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEORANGEYELLOW+ RED =GREENYELLOW+ BLUE=CONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKABSTRACTNONREPRESENTATIONALARTTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESPURPLERED +BLUE=PATTERNAREPEATINGIMAGECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESLABA FLATROLLEDOUT PIECEOF CLAYRELIEFCARVINGAN IMAGEINTO ASURFACEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSSTAMPINGPRESSINGAN IMAGEINTO AMATERIALTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURFOREGROUNDTHEFRONTPART OFAN IMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGVALUETHEDARKNESSORLIGHTNESSOF A COLORDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEORANGEYELLOW+ RED =GREENYELLOW+ BLUE=CONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKABSTRACTNONREPRESENTATIONALARTTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESPURPLERED +BLUE=PATTERNAREPEATINGIMAGECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESLABA FLATROLLEDOUT PIECEOF CLAYRELIEFCARVINGAN IMAGEINTO ASURFACEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSSTAMPINGPRESSINGAN IMAGEINTO AMATERIALTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURFOREGROUNDTHEFRONTPART OFAN IMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGVALUETHEDARKNESSORLIGHTNESSOF A COLORDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
  1. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  2. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  3. YELLOW + RED =
    ORANGE
  4. YELLOW + BLUE =
    GREEN
  5. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  6. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  7. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  8. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  9. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  10. NON REPRESENTATIONAL ART
    ABSTRACT
  11. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  12. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  13. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  14. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  15. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  16. RED + BLUE =
    PURPLE
  17. A REPEATING IMAGE
    PATTERN
  18. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  19. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  20. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  21. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  22. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  23. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  24. THE FRONT PART OF AN IMAGE
    FOREGROUND
  25. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  26. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  27. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  28. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  29. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND