RELIEFCARVINGAN IMAGEINTO ASURFACEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INORANGEYELLOW+ RED =GRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEABSTRACTNONREPRESENTATIONALARTSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTSLABA FLATROLLEDOUT PIECEOF CLAYVALUETHEDARKNESSORLIGHTNESSOF A COLORCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELGREENYELLOW+ BLUE=TILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURSTAMPINGPRESSINGAN IMAGEINTO AMATERIALPURPLERED +BLUE=CONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKPATTERNAREPEATINGIMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEFOREGROUNDTHEFRONTPART OFAN IMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLERELIEFCARVINGAN IMAGEINTO ASURFACEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INORANGEYELLOW+ RED =GRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEABSTRACTNONREPRESENTATIONALARTSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTSLABA FLATROLLEDOUT PIECEOF CLAYVALUETHEDARKNESSORLIGHTNESSOF A COLORCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELGREENYELLOW+ BLUE=TILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURSTAMPINGPRESSINGAN IMAGEINTO AMATERIALPURPLERED +BLUE=CONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKPATTERNAREPEATINGIMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEFOREGROUNDTHEFRONTPART OFAN IMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  2. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  3. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  4. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  5. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  6. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  7. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  8. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  9. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  10. YELLOW + RED =
    ORANGE
  11. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  12. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  13. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  14. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  15. NON REPRESENTATIONAL ART
    ABSTRACT
  16. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  17. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  18. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  19. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  20. YELLOW + BLUE =
    GREEN
  21. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  22. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  23. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  24. RED + BLUE =
    PURPLE
  25. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  26. A REPEATING IMAGE
    PATTERN
  27. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  28. THE FRONT PART OF AN IMAGE
    FOREGROUND
  29. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION