REPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTPURPLERED +BLUE=MOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEFOREGROUNDTHEFRONTPART OFAN IMAGEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELRELIEFCARVINGAN IMAGEINTO ASURFACEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESGREENYELLOW+ BLUE=BACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGETILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INABSTRACTNONREPRESENTATIONALARTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURVALUETHEDARKNESSORLIGHTNESSOF A COLORPATTERNAREPEATINGIMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMESTAMPINGPRESSINGAN IMAGEINTO AMATERIALCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEORANGEYELLOW+ RED =SLABA FLATROLLEDOUT PIECEOF CLAYCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTPURPLERED +BLUE=MOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEFOREGROUNDTHEFRONTPART OFAN IMAGEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELRELIEFCARVINGAN IMAGEINTO ASURFACEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESGREENYELLOW+ BLUE=BACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGETILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INABSTRACTNONREPRESENTATIONALARTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURVALUETHEDARKNESSORLIGHTNESSOF A COLORPATTERNAREPEATINGIMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMESTAMPINGPRESSINGAN IMAGEINTO AMATERIALCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEORANGEYELLOW+ RED =SLABA FLATROLLEDOUT PIECEOF CLAYCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVING

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  2. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  3. RED + BLUE =
    PURPLE
  4. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  5. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  6. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  7. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  8. THE FRONT PART OF AN IMAGE
    FOREGROUND
  9. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  10. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  11. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  12. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  13. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  14. YELLOW + BLUE =
    GREEN
  15. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  16. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  17. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  18. NON REPRESENTATIONAL ART
    ABSTRACT
  19. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  20. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  21. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  22. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  23. A REPEATING IMAGE
    PATTERN
  24. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  25. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  26. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  27. YELLOW + RED =
    ORANGE
  28. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  29. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS