DETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSPATTERNAREPEATINGIMAGEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKSTAMPINGPRESSINGAN IMAGEINTO AMATERIALCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLESLABA FLATROLLEDOUT PIECEOF CLAYCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESVALUETHEDARKNESSORLIGHTNESSOF A COLORPURPLERED +BLUE=FOREGROUNDTHEFRONTPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEGREENYELLOW+ BLUE=FORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELABSTRACTNONREPRESENTATIONALARTORANGEYELLOW+ RED =RELIEFCARVINGAN IMAGEINTO ASURFACEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSPATTERNAREPEATINGIMAGEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKSTAMPINGPRESSINGAN IMAGEINTO AMATERIALCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLESLABA FLATROLLEDOUT PIECEOF CLAYCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESVALUETHEDARKNESSORLIGHTNESSOF A COLORPURPLERED +BLUE=FOREGROUNDTHEFRONTPART OFAN IMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEGREENYELLOW+ BLUE=FORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELABSTRACTNONREPRESENTATIONALARTORANGEYELLOW+ RED =RELIEFCARVINGAN IMAGEINTO ASURFACEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  2. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  3. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  4. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  5. A REPEATING IMAGE
    PATTERN
  6. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  7. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  8. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  9. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  10. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  11. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  12. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  13. RED + BLUE =
    PURPLE
  14. THE FRONT PART OF AN IMAGE
    FOREGROUND
  15. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  16. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  17. YELLOW + BLUE =
    GREEN
  18. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  19. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  20. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  21. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  22. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  23. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  24. NON REPRESENTATIONAL ART
    ABSTRACT
  25. YELLOW + RED =
    ORANGE
  26. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  27. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  28. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  29. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND