PURPLERED +BLUE=CARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLETILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSTAMPINGPRESSINGAN IMAGEINTO AMATERIALABSTRACTNONREPRESENTATIONALARTSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESRELIEFCARVINGAN IMAGEINTO ASURFACEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSSLABA FLATROLLEDOUT PIECEOF CLAYFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSFOREGROUNDTHEFRONTPART OFAN IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEPATTERNAREPEATINGIMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELORANGEYELLOW+ RED =GREENYELLOW+ BLUE=VALUETHEDARKNESSORLIGHTNESSOF A COLORMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEPURPLERED +BLUE=CARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLETILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESSTAMPINGPRESSINGAN IMAGEINTO AMATERIALABSTRACTNONREPRESENTATIONALARTSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESRELIEFCARVINGAN IMAGEINTO ASURFACEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSSLABA FLATROLLEDOUT PIECEOF CLAYFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSFOREGROUNDTHEFRONTPART OFAN IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEPATTERNAREPEATINGIMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELORANGEYELLOW+ RED =GREENYELLOW+ BLUE=VALUETHEDARKNESSORLIGHTNESSOF A COLORMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. RED + BLUE =
    PURPLE
  2. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  3. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  4. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  5. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  6. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  7. NON REPRESENTATIONAL ART
    ABSTRACT
  8. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  9. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  10. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  11. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  12. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  13. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  14. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  15. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  16. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  17. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  18. THE FRONT PART OF AN IMAGE
    FOREGROUND
  19. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  20. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  21. A REPEATING IMAGE
    PATTERN
  22. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  23. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  24. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  25. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  26. YELLOW + RED =
    ORANGE
  27. YELLOW + BLUE =
    GREEN
  28. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  29. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND