GREENYELLOW+ BLUE=GRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSORANGEYELLOW+ RED =SHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESPATTERNAREPEATINGIMAGECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMERELIEFCARVINGAN IMAGEINTO ASURFACECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURSLABA FLATROLLEDOUT PIECEOF CLAYCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEABSTRACTNONREPRESENTATIONALARTMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INSTAMPINGPRESSINGAN IMAGEINTO AMATERIALPURPLERED +BLUE=DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSVALUETHEDARKNESSORLIGHTNESSOF A COLORREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKFOREGROUNDTHEFRONTPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGGREENYELLOW+ BLUE=GRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSORANGEYELLOW+ RED =SHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESPATTERNAREPEATINGIMAGECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGEDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMERELIEFCARVINGAN IMAGEINTO ASURFACECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURSLABA FLATROLLEDOUT PIECEOF CLAYCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEABSTRACTNONREPRESENTATIONALARTMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INSTAMPINGPRESSINGAN IMAGEINTO AMATERIALPURPLERED +BLUE=DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSVALUETHEDARKNESSORLIGHTNESSOF A COLORREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKFOREGROUNDTHEFRONTPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHING

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. YELLOW + BLUE =
    GREEN
  2. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  3. YELLOW + RED =
    ORANGE
  4. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  5. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  6. A REPEATING IMAGE
    PATTERN
  7. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  8. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  9. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  10. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  11. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  12. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  13. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  14. NON REPRESENTATIONAL ART
    ABSTRACT
  15. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  16. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  17. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  18. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  19. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  20. RED + BLUE =
    PURPLE
  21. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  22. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  23. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  24. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  25. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  26. THE FRONT PART OF AN IMAGE
    FOREGROUND
  27. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  28. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  29. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM