COLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGETILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESORANGEYELLOW+ RED =VALUETHEDARKNESSORLIGHTNESSOF A COLORSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKGREENYELLOW+ BLUE=ABSTRACTNONREPRESENTATIONALARTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELPURPLERED +BLUE=TEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURSTAMPINGPRESSINGAN IMAGEINTO AMATERIALDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLESLABA FLATROLLEDOUT PIECEOF CLAYMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESRELIEFCARVINGAN IMAGEINTO ASURFACEFOREGROUNDTHEFRONTPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTPATTERNAREPEATINGIMAGECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGETILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESORANGEYELLOW+ RED =VALUETHEDARKNESSORLIGHTNESSOF A COLORSKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKGREENYELLOW+ BLUE=ABSTRACTNONREPRESENTATIONALARTDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELPURPLERED +BLUE=TEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURSTAMPINGPRESSINGAN IMAGEINTO AMATERIALDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLESLABA FLATROLLEDOUT PIECEOF CLAYMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESRELIEFCARVINGAN IMAGEINTO ASURFACEFOREGROUNDTHEFRONTPART OFAN IMAGEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTPATTERNAREPEATINGIMAGE

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  2. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  3. YELLOW + RED =
    ORANGE
  4. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  5. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  6. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  7. YELLOW + BLUE =
    GREEN
  8. NON REPRESENTATIONAL ART
    ABSTRACT
  9. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  10. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  11. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  12. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  13. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  14. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  15. RED + BLUE =
    PURPLE
  16. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  17. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  18. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  19. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  20. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  21. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  22. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  23. THE FRONT PART OF AN IMAGE
    FOREGROUND
  24. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  25. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  26. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  27. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  28. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  29. A REPEATING IMAGE
    PATTERN