TILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESGREENYELLOW+ BLUE=COLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGERELIEFCARVINGAN IMAGEINTO ASURFACEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEPURPLERED +BLUE=MOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESPATTERNAREPEATINGIMAGECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKSTAMPINGPRESSINGAN IMAGEINTO AMATERIALSLABA FLATROLLEDOUT PIECEOF CLAYGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSORANGEYELLOW+ RED =VALUETHEDARKNESSORLIGHTNESSOF A COLORFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLETEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURFOREGROUNDTHEFRONTPART OFAN IMAGESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTABSTRACTNONREPRESENTATIONALARTCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESGREENYELLOW+ BLUE=COLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGERELIEFCARVINGAN IMAGEINTO ASURFACEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEPURPLERED +BLUE=MOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESPATTERNAREPEATINGIMAGECONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGESKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKSTAMPINGPRESSINGAN IMAGEINTO AMATERIALSLABA FLATROLLEDOUT PIECEOF CLAYGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSORANGEYELLOW+ RED =VALUETHEDARKNESSORLIGHTNESSOF A COLORFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLETEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURFOREGROUNDTHEFRONTPART OFAN IMAGESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTABSTRACTNONREPRESENTATIONALARTCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVING

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  2. YELLOW + BLUE =
    GREEN
  3. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  4. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  5. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  6. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  7. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  8. RED + BLUE =
    PURPLE
  9. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  10. A REPEATING IMAGE
    PATTERN
  11. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  12. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  13. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  14. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  15. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  16. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  17. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  18. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  19. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  20. YELLOW + RED =
    ORANGE
  21. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  22. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  23. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  24. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  25. THE FRONT PART OF AN IMAGE
    FOREGROUND
  26. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  27. NON REPRESENTATIONAL ART
    ABSTRACT
  28. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  29. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS