DEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSABSTRACTNONREPRESENTATIONALARTGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKPURPLERED +BLUE=SKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKRELIEFCARVINGAN IMAGEINTO ASURFACEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELVALUETHEDARKNESSORLIGHTNESSOF A COLORSLABA FLATROLLEDOUT PIECEOF CLAYBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEFOREGROUNDTHEFRONTPART OFAN IMAGECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESTAMPINGPRESSINGAN IMAGEINTO AMATERIALORANGEYELLOW+ RED =MOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESPATTERNAREPEATINGIMAGEGREENYELLOW+ BLUE=MOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSABSTRACTNONREPRESENTATIONALARTGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKPURPLERED +BLUE=SKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMESHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESCOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLECARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKRELIEFCARVINGAN IMAGEINTO ASURFACEMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELVALUETHEDARKNESSORLIGHTNESSOF A COLORSLABA FLATROLLEDOUT PIECEOF CLAYBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEREPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEFOREGROUNDTHEFRONTPART OFAN IMAGECOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGESTAMPINGPRESSINGAN IMAGEINTO AMATERIALORANGEYELLOW+ RED =MOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESPATTERNAREPEATINGIMAGEGREENYELLOW+ BLUE=MOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTS

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  2. NON REPRESENTATIONAL ART
    ABSTRACT
  3. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  4. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  5. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  6. RED + BLUE =
    PURPLE
  7. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  8. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  9. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  10. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  11. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  12. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  13. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  14. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  15. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  16. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  17. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  18. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  19. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  20. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  21. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  22. THE FRONT PART OF AN IMAGE
    FOREGROUND
  23. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  24. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING
  25. YELLOW + RED =
    ORANGE
  26. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  27. A REPEATING IMAGE
    PATTERN
  28. YELLOW + BLUE =
    GREEN
  29. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT