TILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELPATTERNAREPEATINGIMAGEGREENYELLOW+ BLUE=SKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEPURPLERED +BLUE=REPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGERELIEFCARVINGAN IMAGEINTO ASURFACEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKVALUETHEDARKNESSORLIGHTNESSOF A COLORORANGEYELLOW+ RED =ABSTRACTNONREPRESENTATIONALARTSLABA FLATROLLEDOUT PIECEOF CLAYSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEFOREGROUNDTHEFRONTPART OFAN IMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSSTAMPINGPRESSINGAN IMAGEINTO AMATERIALTILEA PIECE OF CLAY,STONE, OR GLASSUSED INMULTIPLES TOCREATE PATTERNSOR IMAGESMOSAICMULTIPLE PIECESOF MATERIAL PUTTOGETHER TOFORM A LARGERIMAGE, USUALLYMADE FROM TILESCARVINGTOOLSSHARP KNIFELIKE OBJECTSMEANT TOHELP WITHRELIEFCARVINGCOMPLIMENTARYCOLORSCOLORS THATARE ACROSSFROM EACHOTHER ONTHE COLORWHEELPATTERNAREPEATINGIMAGEGREENYELLOW+ BLUE=SKETCHBOOKTHE TOOLARTISTSUSE TOPUT THEIRIDEAS INMIDDLEGROUNDTHEMIDDLEPART OFAN IMAGECOMPOSITIONHOW ANIMAGE IS PUTTOGETHERAND FLOWSAS A WHOLEPURPLERED +BLUE=REPRESENTATIVEARTWORK THATSHOWSSOMETHING INA WAY WHEREIT ISRECOGNIZABLEBACKGROUNDTHEFURTHESTBACK PARTOF ANIMAGEFORMTHE THREEDIMENSIONALSHAPE (ORILLUSION OFTHREEDIMENSIONALITY)OF SOMETHINGTEXTURECREATING A SENSEOF BEING ABLE TOPHYSICALLY FEELAN ARTWORKOFTEN FOUND INDRAWINGS OF FURGRAPHITECARBON BASEDDRAWINGMATERIALUSUALLY FOUNDIN PENCILSCOLLAGECOMBININGMULTIPLE IMAGESAND MATERIALSTO CREATE ANEW, DIFFERENT,IMAGERELIEFCARVINGAN IMAGEINTO ASURFACEMOVEMENTCREATING ASENSE OFMOTIONTHROUGHCOMPOSITIONAND ARTISTICELEMENTSCONTRASTTHEDIFFERENCEBETWEEN THELIGHT AND DARKAREAS OF ANARTWORKVALUETHEDARKNESSORLIGHTNESSOF A COLORORANGEYELLOW+ RED =ABSTRACTNONREPRESENTATIONALARTSLABA FLATROLLEDOUT PIECEOF CLAYSHADOWSTHE AREA OFDARKNESSCREATED WHENAN OBJECTBLOCKS LIGHTATMOSPHERICPERSPECTIVEUSING VALUE,SCALE, SIZE,ETC. TOCREATEDEPTH IN ANARTWORKDETAILELEMENTS OFARTWORK MEANTTO HELP VIEWERSBETTERUNDERSTAND IT'SMEANING/THEMEFOREGROUNDTHEFRONTPART OFAN IMAGEDEPTHHOW FARBACKSOMETHINGIN AN IMAGESEEMSSTAMPINGPRESSINGAN IMAGEINTO AMATERIAL

ART CLASS BINGO - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
  1. A PIECE OF CLAY, STONE, OR GLASS USED IN MULTIPLES TO CREATE PATTERNS OR IMAGES
    TILE
  2. MULTIPLE PIECES OF MATERIAL PUT TOGETHER TO FORM A LARGER IMAGE, USUALLY MADE FROM TILES
    MOSAIC
  3. SHARP KNIFE LIKE OBJECTS MEANT TO HELP WITH RELIEF CARVING
    CARVING TOOLS
  4. COLORS THAT ARE ACROSS FROM EACH OTHER ON THE COLOR WHEEL
    COMPLIMENTARY COLORS
  5. A REPEATING IMAGE
    PATTERN
  6. YELLOW + BLUE =
    GREEN
  7. THE TOOL ARTISTS USE TO PUT THEIR IDEAS IN
    SKETCHBOOK
  8. THE MIDDLE PART OF AN IMAGE
    MIDDLEGROUND
  9. HOW AN IMAGE IS PUT TOGETHER AND FLOWS AS A WHOLE
    COMPOSITION
  10. RED + BLUE =
    PURPLE
  11. ARTWORK THAT SHOWS SOMETHING IN A WAY WHERE IT IS RECOGNIZABLE
    REPRESENTATIVE
  12. THE FURTHEST BACK PART OF AN IMAGE
    BACKGROUND
  13. THE THREE DIMENSIONAL SHAPE (OR ILLUSION OF THREE DIMENSIONALITY) OF SOMETHING
    FORM
  14. CREATING A SENSE OF BEING ABLE TO PHYSICALLY FEEL AN ARTWORK OFTEN FOUND IN DRAWINGS OF FUR
    TEXTURE
  15. CARBON BASED DRAWING MATERIAL USUALLY FOUND IN PENCILS
    GRAPHITE
  16. COMBINING MULTIPLE IMAGES AND MATERIALS TO CREATE A NEW, DIFFERENT, IMAGE
    COLLAGE
  17. CARVING AN IMAGE INTO A SURFACE
    RELIEF
  18. CREATING A SENSE OF MOTION THROUGH COMPOSITION AND ARTISTIC ELEMENTS
    MOVEMENT
  19. THE DIFFERENCE BETWEEN THE LIGHT AND DARK AREAS OF AN ARTWORK
    CONTRAST
  20. THE DARKNESS OR LIGHTNESS OF A COLOR
    VALUE
  21. YELLOW + RED =
    ORANGE
  22. NON REPRESENTATIONAL ART
    ABSTRACT
  23. A FLAT ROLLED OUT PIECE OF CLAY
    SLAB
  24. THE AREA OF DARKNESS CREATED WHEN AN OBJECT BLOCKS LIGHT
    SHADOWS
  25. USING VALUE, SCALE, SIZE, ETC. TO CREATE DEPTH IN AN ARTWORK
    ATMOSPHERIC PERSPECTIVE
  26. ELEMENTS OF ARTWORK MEANT TO HELP VIEWERS BETTER UNDERSTAND IT'S MEANING/THEME
    DETAIL
  27. THE FRONT PART OF AN IMAGE
    FOREGROUND
  28. HOW FAR BACK SOMETHING IN AN IMAGE SEEMS
    DEPTH
  29. PRESSING AN IMAGE INTO A MATERIAL
    STAMPING