metaphorthe part of the story'splot line in which theproblem of the story isresolved or worked out.This occurs after thefalling action and istypically where the storyends.conversationcarried on bythe charactersin a work ofliteraturethe person orthing thatopposes theprotagonist;sometimescalled the villainlanguage used by the peopleof a specific area, class,district or any other group ofpeople. The term dialectinvolves the spelling, sounds,grammar and pronunciationused by a particular group ofpeople and it distinguishesthem from other peoplpointof viewRoundCharactersironyRoundCharactersthe person orthing thatopposes theprotagonist;sometimescalled the villaina comparisonof two unlikethings usinglike or aswhen the story is toldfrom the perspective ofsomeone outside of theevents but who knowsand reveals all thecharacter’s thoughtsand feelingsfoila character in a storythat the leadcharacter(protagonist)confides in and trustsfoilconflicta character in a storythat the leadcharacter(protagonist)confides in and trustssettingsettingStockCharactersforeshadowingProtagonistthesequence ofevents in aliterary workare two-dimensionalin that they arerelativelyuncomplicated anddo not changethroughout thecourse of a workmetaphorthe part of the story'splot line in which theproblem of the story isresolved or worked out.This occurs after thefalling action and istypically where the storyends.conversationcarried on bythe charactersin a work ofliteraturethe person orthing thatopposes theprotagonist;sometimescalled the villainlanguage used by the peopleof a specific area, class,district or any other group ofpeople. The term dialectinvolves the spelling, sounds,grammar and pronunciationused by a particular group ofpeople and it distinguishesthem from other peoplpointof viewRoundCharactersironyRoundCharactersthe person orthing thatopposes theprotagonist;sometimescalled the villaina comparisonof two unlikethings usinglike or aswhen the story is toldfrom the perspective ofsomeone outside of theevents but who knowsand reveals all thecharacter’s thoughtsand feelingsfoila character in a storythat the leadcharacter(protagonist)confides in and trustsfoilconflicta character in a storythat the leadcharacter(protagonist)confides in and trustssettingsettingStockCharactersforeshadowingProtagonistthesequence ofevents in aliterary workare two-dimensionalin that they arerelativelyuncomplicated anddo not changethroughout thecourse of a work

Untitled Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. metaphor
  2. the part of the story's plot line in which the problem of the story is resolved or worked out. This occurs after the falling action and is typically where the story ends.
  3. conversation carried on by the characters in a work of literature
  4. the person or thing that opposes the protagonist; sometimes called the villain
  5. language used by the people of a specific area, class, district or any other group of people. The term dialect involves the spelling, sounds, grammar and pronunciation used by a particular group of people and it distinguishes them from other peopl
  6. point of view
  7. Round Characters
  8. irony
  9. Round Characters
  10. the person or thing that opposes the protagonist; sometimes called the villain
  11. a comparison of two unlike things using like or as
  12. when the story is told from the perspective of someone outside of the events but who knows and reveals all the character’s thoughts and feelings
  13. foil
  14. a character in a story that the lead character(protagonist) confides in and trusts
  15. foil
  16. conflict
  17. a character in a story that the lead character(protagonist) confides in and trusts
  18. setting
  19. setting
  20. Stock Characters
  21. foreshadowing
  22. Protagonist
  23. the sequence of events in a literary work
  24. are two-dimensional in that they are relatively uncomplicated and do not change throughout the course of a work