The speaker’saim, goal, orintentions inproducing thetext.The study of theeffective use oflanguage, and theability to uselanguageeffectively.A deliberateexaggerationmade foreffectThe state of beingclose together orside by side,especially forcomparison orcontrast.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.Appeals totheaudience’semotions.The topicof thework.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.A short accountof aninteresting,amusing, orbiographicalincident.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.Refers to theauthor’schoice ofwords.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.A type ofautobiographythat focuses onone incident orperiod in aperson’s life.Appealsto logicandreasoning.The series ofevents relatedto a centralconflict orstruggle.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.Appealsto thespeaker’scredibility.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.A lightheartedor humorousliterary workwith a happyending.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.The speaker’saim, goal, orintentions inproducing thetext.The study of theeffective use oflanguage, and theability to uselanguageeffectively.A deliberateexaggerationmade foreffectThe state of beingclose together orside by side,especially forcomparison orcontrast.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.Appeals totheaudience’semotions.The topicof thework.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.A short accountof aninteresting,amusing, orbiographicalincident.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.Refers to theauthor’schoice ofwords.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.A type ofautobiographythat focuses onone incident orperiod in aperson’s life.Appealsto logicandreasoning.The series ofevents relatedto a centralconflict orstruggle.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.Appealsto thespeaker’scredibility.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.A lightheartedor humorousliterary workwith a happyending.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.

September: IBDP Rhetoric - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. The speaker’s aim, goal, or intentions in producing the text.
  2. The study of the effective use of language, and the ability to use language effectively.
  3. A deliberate exaggeration made for effect
  4. The state of being close together or side by side, especially for comparison or contrast.
  5. Sources, citations, support, and appeals made to an audience supporting the speaker’s purpose.
  6. Appeals to the audience’s emotions.
  7. The topic of the work.
  8. A reading strategy of literary criticism used to analyze texts for rhetorical literary elements.
  9. A short account of an interesting, amusing, or biographical incident.
  10. A short nonfiction work exploring a topic related to the life or interests of the writer and characterized by an intimate and informal style or tone.
  11. Refers to the author’s choice of words.
  12. The context and environmental factors or setting affecting the meaning of the literary work.
  13. Writing or speech meant to be understood imaginatively instead of literally.
  14. The characteristics of the writer/author, character, point of view, or “voice” who speaks in or narrates.
  15. Refers to whomever a text or performance is aimed at, and the characteristics, impact or desired response created.
  16. The apparent emotional state, or “attitude”, of the speaker, as conveyed through the language of the work.
  17. A type of autobiography that focuses on one incident or period in a person’s life.
  18. Appeals to logic and reasoning.
  19. The series of events related to a central conflict or struggle.
  20. To treat or speak of (something) so as to reduce emphasis on its importance, value, strength, etc.
  21. Appeals to the speaker’s credibility.
  22. The way in which a work has been put together, and the relationships of different parts of a text to each other and to the text as a complex whole.
  23. A lighthearted or humorous literary work with a happy ending.
  24. The characteristic way that a writer uses author’s crafts and features for particular purposes and effects.