The state of beingclose together orside by side,especially forcomparison orcontrast.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.The series ofevents relatedto a centralconflict orstruggle.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.A deliberateexaggerationmade foreffectAppealsto logicandreasoning.Appealsto thespeaker’scredibility.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.The speaker’saim, goal, orintentions inproducing thetext.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.The study of theeffective use oflanguage, and theability to uselanguageeffectively.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.Refers to theauthor’schoice ofwords.A lightheartedor humorousliterary workwith a happyending.Appeals totheaudience’semotions.A short accountof aninteresting,amusing, orbiographicalincident.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.A type ofautobiographythat focuses onone incident orperiod in aperson’s life.The topicof thework.The state of beingclose together orside by side,especially forcomparison orcontrast.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.The series ofevents relatedto a centralconflict orstruggle.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.A deliberateexaggerationmade foreffectAppealsto logicandreasoning.Appealsto thespeaker’scredibility.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.The speaker’saim, goal, orintentions inproducing thetext.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.The study of theeffective use oflanguage, and theability to uselanguageeffectively.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.Refers to theauthor’schoice ofwords.A lightheartedor humorousliterary workwith a happyending.Appeals totheaudience’semotions.A short accountof aninteresting,amusing, orbiographicalincident.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.A type ofautobiographythat focuses onone incident orperiod in aperson’s life.The topicof thework.

September: IBDP Rhetoric - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. The state of being close together or side by side, especially for comparison or contrast.
  2. The characteristic way that a writer uses author’s crafts and features for particular purposes and effects.
  3. The way in which a work has been put together, and the relationships of different parts of a text to each other and to the text as a complex whole.
  4. The apparent emotional state, or “attitude”, of the speaker, as conveyed through the language of the work.
  5. The series of events related to a central conflict or struggle.
  6. The characteristics of the writer/author, character, point of view, or “voice” who speaks in or narrates.
  7. A deliberate exaggeration made for effect
  8. Appeals to logic and reasoning.
  9. Appeals to the speaker’s credibility.
  10. To treat or speak of (something) so as to reduce emphasis on its importance, value, strength, etc.
  11. Refers to whomever a text or performance is aimed at, and the characteristics, impact or desired response created.
  12. A reading strategy of literary criticism used to analyze texts for rhetorical literary elements.
  13. The speaker’s aim, goal, or intentions in producing the text.
  14. Sources, citations, support, and appeals made to an audience supporting the speaker’s purpose.
  15. The study of the effective use of language, and the ability to use language effectively.
  16. A short nonfiction work exploring a topic related to the life or interests of the writer and characterized by an intimate and informal style or tone.
  17. Refers to the author’s choice of words.
  18. A lighthearted or humorous literary work with a happy ending.
  19. Appeals to the audience’s emotions.
  20. A short account of an interesting, amusing, or biographical incident.
  21. The context and environmental factors or setting affecting the meaning of the literary work.
  22. Writing or speech meant to be understood imaginatively instead of literally.
  23. A type of autobiography that focuses on one incident or period in a person’s life.
  24. The topic of the work.