The study of theeffective use oflanguage, and theability to uselanguageeffectively.Appealsto logicandreasoning.A deliberateexaggerationmade foreffectRefers to theauthor’schoice ofwords.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.A short accountof aninteresting,amusing, orbiographicalincident.Appealsto thespeaker’scredibility.A type ofautobiographythat focuses onone incident orperiod in aperson’s life.A lightheartedor humorousliterary workwith a happyending.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.Appeals totheaudience’semotions.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.The state of beingclose together orside by side,especially forcomparison orcontrast.The speaker’saim, goal, orintentions inproducing thetext.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.The series ofevents relatedto a centralconflict orstruggle.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.The topicof thework.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.The study of theeffective use oflanguage, and theability to uselanguageeffectively.Appealsto logicandreasoning.A deliberateexaggerationmade foreffectRefers to theauthor’schoice ofwords.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.A short accountof aninteresting,amusing, orbiographicalincident.Appealsto thespeaker’scredibility.A type ofautobiographythat focuses onone incident orperiod in aperson’s life.A lightheartedor humorousliterary workwith a happyending.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.Appeals totheaudience’semotions.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.The state of beingclose together orside by side,especially forcomparison orcontrast.The speaker’saim, goal, orintentions inproducing thetext.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.The series ofevents relatedto a centralconflict orstruggle.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.The topicof thework.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.

September: IBDP Rhetoric - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. The study of the effective use of language, and the ability to use language effectively.
  2. Appeals to logic and reasoning.
  3. A deliberate exaggeration made for effect
  4. Refers to the author’s choice of words.
  5. The apparent emotional state, or “attitude”, of the speaker, as conveyed through the language of the work.
  6. A short account of an interesting, amusing, or biographical incident.
  7. Appeals to the speaker’s credibility.
  8. A type of autobiography that focuses on one incident or period in a person’s life.
  9. A lighthearted or humorous literary work with a happy ending.
  10. The context and environmental factors or setting affecting the meaning of the literary work.
  11. Appeals to the audience’s emotions.
  12. The way in which a work has been put together, and the relationships of different parts of a text to each other and to the text as a complex whole.
  13. The characteristic way that a writer uses author’s crafts and features for particular purposes and effects.
  14. The state of being close together or side by side, especially for comparison or contrast.
  15. The speaker’s aim, goal, or intentions in producing the text.
  16. Writing or speech meant to be understood imaginatively instead of literally.
  17. The series of events related to a central conflict or struggle.
  18. A reading strategy of literary criticism used to analyze texts for rhetorical literary elements.
  19. The topic of the work.
  20. Refers to whomever a text or performance is aimed at, and the characteristics, impact or desired response created.
  21. A short nonfiction work exploring a topic related to the life or interests of the writer and characterized by an intimate and informal style or tone.
  22. Sources, citations, support, and appeals made to an audience supporting the speaker’s purpose.
  23. To treat or speak of (something) so as to reduce emphasis on its importance, value, strength, etc.
  24. The characteristics of the writer/author, character, point of view, or “voice” who speaks in or narrates.