A short accountof aninteresting,amusing, orbiographicalincident.Appeals totheaudience’semotions.The state of beingclose together orside by side,especially forcomparison orcontrast.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.A lightheartedor humorousliterary workwith a happyending.The speaker’saim, goal, orintentions inproducing thetext.Appealsto logicandreasoning.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.A deliberateexaggerationmade foreffectAppealsto thespeaker’scredibility.Refers to theauthor’schoice ofwords.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.The topicof thework.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.A type ofautobiographythat focuses onone incident orperiod in aperson’s life.The study of theeffective use oflanguage, and theability to uselanguageeffectively.The series ofevents relatedto a centralconflict orstruggle.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.A short accountof aninteresting,amusing, orbiographicalincident.Appeals totheaudience’semotions.The state of beingclose together orside by side,especially forcomparison orcontrast.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.A lightheartedor humorousliterary workwith a happyending.The speaker’saim, goal, orintentions inproducing thetext.Appealsto logicandreasoning.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.A deliberateexaggerationmade foreffectAppealsto thespeaker’scredibility.Refers to theauthor’schoice ofwords.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.The topicof thework.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.A type ofautobiographythat focuses onone incident orperiod in aperson’s life.The study of theeffective use oflanguage, and theability to uselanguageeffectively.The series ofevents relatedto a centralconflict orstruggle.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.

September: IBDP Rhetoric - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. A short account of an interesting, amusing, or biographical incident.
  2. Appeals to the audience’s emotions.
  3. The state of being close together or side by side, especially for comparison or contrast.
  4. The context and environmental factors or setting affecting the meaning of the literary work.
  5. The apparent emotional state, or “attitude”, of the speaker, as conveyed through the language of the work.
  6. A short nonfiction work exploring a topic related to the life or interests of the writer and characterized by an intimate and informal style or tone.
  7. A lighthearted or humorous literary work with a happy ending.
  8. The speaker’s aim, goal, or intentions in producing the text.
  9. Appeals to logic and reasoning.
  10. A reading strategy of literary criticism used to analyze texts for rhetorical literary elements.
  11. A deliberate exaggeration made for effect
  12. Appeals to the speaker’s credibility.
  13. Refers to the author’s choice of words.
  14. Writing or speech meant to be understood imaginatively instead of literally.
  15. The topic of the work.
  16. Sources, citations, support, and appeals made to an audience supporting the speaker’s purpose.
  17. The way in which a work has been put together, and the relationships of different parts of a text to each other and to the text as a complex whole.
  18. Refers to whomever a text or performance is aimed at, and the characteristics, impact or desired response created.
  19. A type of autobiography that focuses on one incident or period in a person’s life.
  20. The study of the effective use of language, and the ability to use language effectively.
  21. The series of events related to a central conflict or struggle.
  22. The characteristics of the writer/author, character, point of view, or “voice” who speaks in or narrates.
  23. To treat or speak of (something) so as to reduce emphasis on its importance, value, strength, etc.
  24. The characteristic way that a writer uses author’s crafts and features for particular purposes and effects.