A lightheartedor humorousliterary workwith a happyending.The speaker’saim, goal, orintentions inproducing thetext.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.Appealsto logicandreasoning.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.A short accountof aninteresting,amusing, orbiographicalincident.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.A deliberateexaggerationmade foreffectThe context andenvironmentalfactors or settingaffecting themeaning of theliterary work.The series ofevents relatedto a centralconflict orstruggle.Refers to theauthor’schoice ofwords.Appeals totheaudience’semotions.The topicof thework.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.A type ofautobiographythat focuses onone incident orperiod in aperson’s life.The study of theeffective use oflanguage, and theability to uselanguageeffectively.Appealsto thespeaker’scredibility.The state of beingclose together orside by side,especially forcomparison orcontrast.A lightheartedor humorousliterary workwith a happyending.The speaker’saim, goal, orintentions inproducing thetext.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.Appealsto logicandreasoning.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.A short accountof aninteresting,amusing, orbiographicalincident.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.A deliberateexaggerationmade foreffectThe context andenvironmentalfactors or settingaffecting themeaning of theliterary work.The series ofevents relatedto a centralconflict orstruggle.Refers to theauthor’schoice ofwords.Appeals totheaudience’semotions.The topicof thework.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.A type ofautobiographythat focuses onone incident orperiod in aperson’s life.The study of theeffective use oflanguage, and theability to uselanguageeffectively.Appealsto thespeaker’scredibility.The state of beingclose together orside by side,especially forcomparison orcontrast.

September: IBDP Rhetoric - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. A lighthearted or humorous literary work with a happy ending.
  2. The speaker’s aim, goal, or intentions in producing the text.
  3. A reading strategy of literary criticism used to analyze texts for rhetorical literary elements.
  4. Appeals to logic and reasoning.
  5. The characteristics of the writer/author, character, point of view, or “voice” who speaks in or narrates.
  6. Writing or speech meant to be understood imaginatively instead of literally.
  7. The characteristic way that a writer uses author’s crafts and features for particular purposes and effects.
  8. The apparent emotional state, or “attitude”, of the speaker, as conveyed through the language of the work.
  9. Refers to whomever a text or performance is aimed at, and the characteristics, impact or desired response created.
  10. To treat or speak of (something) so as to reduce emphasis on its importance, value, strength, etc.
  11. A short account of an interesting, amusing, or biographical incident.
  12. Sources, citations, support, and appeals made to an audience supporting the speaker’s purpose.
  13. A short nonfiction work exploring a topic related to the life or interests of the writer and characterized by an intimate and informal style or tone.
  14. A deliberate exaggeration made for effect
  15. The context and environmental factors or setting affecting the meaning of the literary work.
  16. The series of events related to a central conflict or struggle.
  17. Refers to the author’s choice of words.
  18. Appeals to the audience’s emotions.
  19. The topic of the work.
  20. The way in which a work has been put together, and the relationships of different parts of a text to each other and to the text as a complex whole.
  21. A type of autobiography that focuses on one incident or period in a person’s life.
  22. The study of the effective use of language, and the ability to use language effectively.
  23. Appeals to the speaker’s credibility.
  24. The state of being close together or side by side, especially for comparison or contrast.