The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.The series ofevents relatedto a centralconflict orstruggle.The study of theeffective use oflanguage, and theability to uselanguageeffectively.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.A deliberateexaggerationmade foreffectA type ofautobiographythat focuses onone incident orperiod in aperson’s life.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.The speaker’saim, goal, orintentions inproducing thetext.Appealsto logicandreasoning.A short accountof aninteresting,amusing, orbiographicalincident.Appeals totheaudience’semotions.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.The state of beingclose together orside by side,especially forcomparison orcontrast.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.Refers to theauthor’schoice ofwords.The topicof thework.A lightheartedor humorousliterary workwith a happyending.Appealsto thespeaker’scredibility.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.The way in which awork has been puttogether, and therelationships ofdifferent parts of atext to each otherand to the text as acomplex whole.The series ofevents relatedto a centralconflict orstruggle.The study of theeffective use oflanguage, and theability to uselanguageeffectively.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.A short nonfictionwork exploring atopic related to thelife or interests of thewriter andcharacterized by anintimate and informalstyle or tone.A deliberateexaggerationmade foreffectA type ofautobiographythat focuses onone incident orperiod in aperson’s life.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.The speaker’saim, goal, orintentions inproducing thetext.Appealsto logicandreasoning.A short accountof aninteresting,amusing, orbiographicalincident.Appeals totheaudience’semotions.The characteristicway that a writeruses author’s craftsand features forparticular purposesand effects.The state of beingclose together orside by side,especially forcomparison orcontrast.A reading strategyof literary criticismused to analyzetexts for rhetoricalliterary elements.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.To treat or speakof (something) soas to reduceemphasis on itsimportance, value,strength, etc.Refers to theauthor’schoice ofwords.The topicof thework.A lightheartedor humorousliterary workwith a happyending.Appealsto thespeaker’scredibility.Sources, citations,support, and appealsmade to an audiencesupporting thespeaker’s purpose.

September: IBDP Rhetoric - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. The apparent emotional state, or “attitude”, of the speaker, as conveyed through the language of the work.
  2. The way in which a work has been put together, and the relationships of different parts of a text to each other and to the text as a complex whole.
  3. The series of events related to a central conflict or struggle.
  4. The study of the effective use of language, and the ability to use language effectively.
  5. Refers to whomever a text or performance is aimed at, and the characteristics, impact or desired response created.
  6. Writing or speech meant to be understood imaginatively instead of literally.
  7. A short nonfiction work exploring a topic related to the life or interests of the writer and characterized by an intimate and informal style or tone.
  8. A deliberate exaggeration made for effect
  9. A type of autobiography that focuses on one incident or period in a person’s life.
  10. The context and environmental factors or setting affecting the meaning of the literary work.
  11. The speaker’s aim, goal, or intentions in producing the text.
  12. Appeals to logic and reasoning.
  13. A short account of an interesting, amusing, or biographical incident.
  14. Appeals to the audience’s emotions.
  15. The characteristic way that a writer uses author’s crafts and features for particular purposes and effects.
  16. The state of being close together or side by side, especially for comparison or contrast.
  17. A reading strategy of literary criticism used to analyze texts for rhetorical literary elements.
  18. The characteristics of the writer/author, character, point of view, or “voice” who speaks in or narrates.
  19. To treat or speak of (something) so as to reduce emphasis on its importance, value, strength, etc.
  20. Refers to the author’s choice of words.
  21. The topic of the work.
  22. A lighthearted or humorous literary work with a happy ending.
  23. Appeals to the speaker’s credibility.
  24. Sources, citations, support, and appeals made to an audience supporting the speaker’s purpose.