we are abouta 90%solution toour concertdancing:)pick anumberbetween 0and 9actually, let'sget into that.count withme please...thatthrows awrench intheredon't let yourinstrumentscollect dustdeer intheheadlightsshedding atear after aminor keywarm uplet us geta pitchpleasea boat loadofaccidentalsyou getaccidentals!and YOU getaccidentals!that onewas onmefor those ofyou in myconductingclass...folksstaccato isnot shortbut?...scribbling onpaper whensomeone'slateanyonehere drivestickshift?tangentwearingdriprubbinghands righton 11:59A.M. or 1:29P.M.do you hearhow(early/late/etc)you are?now thatwe knowwhere weare...moretofollow...please putphonestucked away,and not onyour standusing the nameof a piece as averb (ex. "let us'Rock n'March)"does anyoneknow where*person* is?itissssssssssswweeeeeekif you havehalfnote/quarternote motion,this is youcancellingcount offmentionsof being atrombonistsantalaughingwhen plentyofaccidentalsfor those ofyou keepingtrack athome...sorry y'all,its *day ofweek*if youwouldpleasebeing unsure ofwhether to saygood morningor goodafternoonwhatkey arewe in?we are xweeks awayfrom ourconcertsplit thedifferencewith meStarWarsreferencetrue or false:tuning is a"set it andforget it" typeof dealBe!Aggressive!B! E!Aggressive!saying aphrase inJapanesereadwhat hewroteremind meto make apart foryoupartandparcelI've been yakkingfor a while, spend30 seconds to putsome air throughyour instrumentswe're in areallygoodspot, folkswhat a greatkey signatureto startrehearsalwithmilitaryreferencelock yourselfinto apracticeroomgood airflow, for yourbest possiblesoundahhh, Ican'tconducttoday thank you foryour patience,for those of youwho are not inlet themcenter,beforeyou tuneI appreciatethe hardwork y'allhave put intothiswe are abouta 90%solution toour concertdancing:)pick anumberbetween 0and 9actually, let'sget into that.count withme please...thatthrows awrench intheredon't let yourinstrumentscollect dustdeer intheheadlightsshedding atear after aminor keywarm uplet us geta pitchpleasea boat loadofaccidentalsyou getaccidentals!and YOU getaccidentals!that onewas onmefor those ofyou in myconductingclass...folksstaccato isnot shortbut?...scribbling onpaper whensomeone'slateanyonehere drivestickshift?tangentwearingdriprubbinghands righton 11:59A.M. or 1:29P.M.do you hearhow(early/late/etc)you are?now thatwe knowwhere weare...moretofollow...please putphonestucked away,and not onyour standusing the nameof a piece as averb (ex. "let us'Rock n'March)"does anyoneknow where*person* is?itissssssssssswweeeeeekif you havehalfnote/quarternote motion,this is youcancellingcount offmentionsof being atrombonistsantalaughingwhen plentyofaccidentalsfor those ofyou keepingtrack athome...sorry y'all,its *day ofweek*if youwouldpleasebeing unsure ofwhether to saygood morningor goodafternoonwhatkey arewe in?we are xweeks awayfrom ourconcertsplit thedifferencewith meStarWarsreferencetrue or false:tuning is a"set it andforget it" typeof dealBe!Aggressive!B! E!Aggressive!saying aphrase inJapanesereadwhat hewroteremind meto make apart foryoupartandparcelI've been yakkingfor a while, spend30 seconds to putsome air throughyour instrumentswe're in areallygoodspot, folkswhat a greatkey signatureto startrehearsalwithmilitaryreferencelock yourselfinto apracticeroomgood airflow, for yourbest possiblesoundahhh, Ican'tconducttoday thank you foryour patience,for those of youwho are not inlet themcenter,beforeyou tuneI appreciatethe hardwork y'allhave put intothis

Morsisms - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
E
2
R
3
E
4
E
5
R
6
S
7
S
8
R
9
R
10
M
11
O
12
M
13
E
14
M
15
S
16
O
17
S
18
O
19
S
20
S
21
E
22
M
23
O
24
M
25
E
26
O
27
M
28
M
29
S
30
R
31
R
32
S
33
R
34
E
35
R
36
S
37
M
38
M
39
M
40
E
41
E
42
R
43
E
44
M
45
O
46
S
47
O
48
O
49
E
50
R
51
O
52
M
53
O
54
S
55
O
  1. E-we are about a 90% solution to our concert
  2. R-dancing :)
  3. E-pick a number between 0 and 9
  4. E-actually, let's get into that. count with me please...
  5. R-that throws a wrench in there
  6. S-don't let your instruments collect dust
  7. S-deer in the headlights
  8. R-shedding a tear after a minor key warm up
  9. R-let us get a pitch please
  10. M-a boat load of accidentals
  11. O-you get accidentals! and YOU get accidentals!
  12. M-that one was on me
  13. E-for those of you in my conducting class...
  14. M-folks staccato is not short but?...
  15. S-scribbling on paper when someone's late
  16. O-anyone here drive stick shift?
  17. S-tangent
  18. O-wearing drip
  19. S-rubbing hands right on 11:59 A.M. or 1:29 P.M.
  20. S-do you hear how (early/late/etc) you are?
  21. E-now that we know where we are...
  22. M-more to follow...
  23. O-please put phones tucked away, and not on your stand
  24. M-using the name of a piece as a verb (ex. "let us 'Rock n' March)"
  25. E-does anyone know where *person* is?
  26. O-it isssssssssss wweeeeeek
  27. M-if you have half note/quarter note motion, this is you
  28. M-
  29. S-cancelling count off
  30. R-mentions of being a trombonist
  31. R-santa laughing when plenty of accidentals
  32. S-for those of you keeping track at home...
  33. R-sorry y'all, its *day of week*
  34. E-if you would please
  35. R-being unsure of whether to say good morning or good afternoon
  36. S-what key are we in?
  37. M-we are x weeks away from our concert
  38. M-split the difference with me
  39. M-Star Wars reference
  40. E-true or false: tuning is a "set it and forget it" type of deal
  41. E-Be! Aggressive! B! E! Aggressive!
  42. R-saying a phrase in Japanese
  43. E-read what he wrote
  44. M-remind me to make a part for you
  45. O-part and parcel
  46. S-I've been yakking for a while, spend 30 seconds to put some air through your instruments
  47. O-we're in a really good spot, folks
  48. O-what a great key signature to start rehearsal with
  49. E-military reference
  50. R-lock yourself into a practice room
  51. O-good air flow, for your best possible sound
  52. M-ahhh, I can't conduct today
  53. O- thank you for your patience, for those of you who are not in
  54. S-let them center, before you tune
  55. O-I appreciate the hard work y'all have put into this