I've been yakkingfor a while, spend30 seconds to putsome air throughyour instrumentstangentactually, let'sget into that.count withme please...pick anumberbetween 0and 9let themcenter,beforeyou tunewearingdripreadwhat hewrotewe're in areallygoodspot, folksusing the nameof a piece as averb (ex. "let us'Rock n'March)"if you havehalfnote/quarternote motion,this is youdancing:)for those ofyou keepingtrack athome...militaryreferencelock yourselfinto apracticeroomremind meto make apart foryouI appreciatethe hardwork y'allhave put intothisyou getaccidentals!and YOU getaccidentals!true or false:tuning is a"set it andforget it" typeof dealanyonehere drivestickshift?please putphonestucked away,and not onyour standcancellingcount offfor those ofyou in myconductingclass...santalaughingwhen plentyofaccidentalsStarWarsreferencethat onewas onmegood airflow, for yourbest possiblesoundscribbling onpaper whensomeone'slaterubbinghands righton 11:59A.M. or 1:29P.M.whatkey arewe in?Be!Aggressive!B! E!Aggressive!what a greatkey signatureto startrehearsalwithwe are abouta 90%solution toour concertmoretofollow...don't let yourinstrumentscollect dustif youwouldpleasedo you hearhow(early/late/etc)you are?itissssssssssswweeeeeekdoes anyoneknow where*person* is? thank you foryour patience,for those of youwho are not inshedding atear after aminor keywarm upthatthrows awrench intherewe are xweeks awayfrom ourconcertahhh, Ican'tconducttodaylet us geta pitchpleasesorry y'all,its *day ofweek*saying aphrase inJapanesefolksstaccato isnot shortbut?...split thedifferencewith mebeing unsure ofwhether to saygood morningor goodafternoondeer intheheadlightspartandparcela boat loadofaccidentalsnow thatwe knowwhere weare...mentionsof being atrombonistI've been yakkingfor a while, spend30 seconds to putsome air throughyour instrumentstangentactually, let'sget into that.count withme please...pick anumberbetween 0and 9let themcenter,beforeyou tunewearingdripreadwhat hewrotewe're in areallygoodspot, folksusing the nameof a piece as averb (ex. "let us'Rock n'March)"if you havehalfnote/quarternote motion,this is youdancing:)for those ofyou keepingtrack athome...militaryreferencelock yourselfinto apracticeroomremind meto make apart foryouI appreciatethe hardwork y'allhave put intothisyou getaccidentals!and YOU getaccidentals!true or false:tuning is a"set it andforget it" typeof dealanyonehere drivestickshift?please putphonestucked away,and not onyour standcancellingcount offfor those ofyou in myconductingclass...santalaughingwhen plentyofaccidentalsStarWarsreferencethat onewas onmegood airflow, for yourbest possiblesoundscribbling onpaper whensomeone'slaterubbinghands righton 11:59A.M. or 1:29P.M.whatkey arewe in?Be!Aggressive!B! E!Aggressive!what a greatkey signatureto startrehearsalwithwe are abouta 90%solution toour concertmoretofollow...don't let yourinstrumentscollect dustif youwouldpleasedo you hearhow(early/late/etc)you are?itissssssssssswweeeeeekdoes anyoneknow where*person* is? thank you foryour patience,for those of youwho are not inshedding atear after aminor keywarm upthatthrows awrench intherewe are xweeks awayfrom ourconcertahhh, Ican'tconducttodaylet us geta pitchpleasesorry y'all,its *day ofweek*saying aphrase inJapanesefolksstaccato isnot shortbut?...split thedifferencewith mebeing unsure ofwhether to saygood morningor goodafternoondeer intheheadlightspartandparcela boat loadofaccidentalsnow thatwe knowwhere weare...mentionsof being atrombonist

Morsisms - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. S-I've been yakking for a while, spend 30 seconds to put some air through your instruments
  2. S-tangent
  3. E-actually, let's get into that. count with me please...
  4. E-pick a number between 0 and 9
  5. S-let them center, before you tune
  6. O-wearing drip
  7. E-read what he wrote
  8. O-we're in a really good spot, folks
  9. M-using the name of a piece as a verb (ex. "let us 'Rock n' March)"
  10. M-if you have half note/quarter note motion, this is you
  11. R-dancing :)
  12. S-for those of you keeping track at home...
  13. E-military reference
  14. R-lock yourself into a practice room
  15. M-remind me to make a part for you
  16. O-I appreciate the hard work y'all have put into this
  17. O-you get accidentals! and YOU get accidentals!
  18. E-true or false: tuning is a "set it and forget it" type of deal
  19. O-anyone here drive stick shift?
  20. O-please put phones tucked away, and not on your stand
  21. S-cancelling count off
  22. E-for those of you in my conducting class...
  23. R-santa laughing when plenty of accidentals
  24. M-Star Wars reference
  25. M-that one was on me
  26. O-good air flow, for your best possible sound
  27. S-scribbling on paper when someone's late
  28. S-rubbing hands right on 11:59 A.M. or 1:29 P.M.
  29. S-what key are we in?
  30. E-Be! Aggressive! B! E! Aggressive!
  31. O-what a great key signature to start rehearsal with
  32. E-we are about a 90% solution to our concert
  33. M-more to follow...
  34. S-don't let your instruments collect dust
  35. E-if you would please
  36. S-do you hear how (early/late/etc) you are?
  37. O-it isssssssssss wweeeeeek
  38. E-does anyone know where *person* is?
  39. O- thank you for your patience, for those of you who are not in
  40. R-shedding a tear after a minor key warm up
  41. R-that throws a wrench in there
  42. M-we are x weeks away from our concert
  43. M-ahhh, I can't conduct today
  44. R-let us get a pitch please
  45. R-sorry y'all, its *day of week*
  46. R-saying a phrase in Japanese
  47. M-folks staccato is not short but?...
  48. M-split the difference with me
  49. R-being unsure of whether to say good morning or good afternoon
  50. S-deer in the headlights
  51. O-part and parcel
  52. M-a boat load of accidentals
  53. E-now that we know where we are...
  54. M-
  55. R-mentions of being a trombonist