thatthrows awrench intherelet us geta pitchpleasereadwhat hewrotetrue or false:tuning is a"set it andforget it" typeof dealif youwouldpleasecancellingcount offsplit thedifferencewith medon't let yourinstrumentscollect dustdancing:)militaryreferencesorry y'all,its *day ofweek*if you havehalfnote/quarternote motion,this is youfor those ofyou keepingtrack athome...Be!Aggressive!B! E!Aggressive!do you hearhow(early/late/etc)you are?what a greatkey signatureto startrehearsalwithshedding atear after aminor keywarm upI appreciatethe hardwork y'allhave put intothisgood airflow, for yourbest possiblesounditissssssssssswweeeeeektangentplease putphonestucked away,and not onyour standlock yourselfinto apracticeroomwhatkey arewe in?actually, let'sget into that.count withme please...does anyoneknow where*person* is?let themcenter,beforeyou tunefor those ofyou in myconductingclass...rubbinghands righton 11:59A.M. or 1:29P.M.a boat loadofaccidentalsanyonehere drivestickshift?moretofollow... thank you foryour patience,for those of youwho are not inbeing unsure ofwhether to saygood morningor goodafternoonpartandparcelahhh, Ican'tconducttodaynow thatwe knowwhere weare...we are xweeks awayfrom ourconcertmentionsof being atrombonistpick anumberbetween 0and 9that onewas onmesaying aphrase inJapaneseremind meto make apart foryoudeer intheheadlightswe are abouta 90%solution toour concertusing the nameof a piece as averb (ex. "let us'Rock n'March)"wearingdripyou getaccidentals!and YOU getaccidentals!StarWarsreferencesantalaughingwhen plentyofaccidentalswe're in areallygoodspot, folksscribbling onpaper whensomeone'slatefolksstaccato isnot shortbut?...I've been yakkingfor a while, spend30 seconds to putsome air throughyour instrumentsthatthrows awrench intherelet us geta pitchpleasereadwhat hewrotetrue or false:tuning is a"set it andforget it" typeof dealif youwouldpleasecancellingcount offsplit thedifferencewith medon't let yourinstrumentscollect dustdancing:)militaryreferencesorry y'all,its *day ofweek*if you havehalfnote/quarternote motion,this is youfor those ofyou keepingtrack athome...Be!Aggressive!B! E!Aggressive!do you hearhow(early/late/etc)you are?what a greatkey signatureto startrehearsalwithshedding atear after aminor keywarm upI appreciatethe hardwork y'allhave put intothisgood airflow, for yourbest possiblesounditissssssssssswweeeeeektangentplease putphonestucked away,and not onyour standlock yourselfinto apracticeroomwhatkey arewe in?actually, let'sget into that.count withme please...does anyoneknow where*person* is?let themcenter,beforeyou tunefor those ofyou in myconductingclass...rubbinghands righton 11:59A.M. or 1:29P.M.a boat loadofaccidentalsanyonehere drivestickshift?moretofollow... thank you foryour patience,for those of youwho are not inbeing unsure ofwhether to saygood morningor goodafternoonpartandparcelahhh, Ican'tconducttodaynow thatwe knowwhere weare...we are xweeks awayfrom ourconcertmentionsof being atrombonistpick anumberbetween 0and 9that onewas onmesaying aphrase inJapaneseremind meto make apart foryoudeer intheheadlightswe are abouta 90%solution toour concertusing the nameof a piece as averb (ex. "let us'Rock n'March)"wearingdripyou getaccidentals!and YOU getaccidentals!StarWarsreferencesantalaughingwhen plentyofaccidentalswe're in areallygoodspot, folksscribbling onpaper whensomeone'slatefolksstaccato isnot shortbut?...I've been yakkingfor a while, spend30 seconds to putsome air throughyour instruments

Morsisms - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
R
2
R
3
E
4
E
5
E
6
S
7
M
8
S
9
R
10
E
11
R
12
M
13
S
14
E
15
S
16
O
17
R
18
O
19
O
20
O
21
S
22
O
23
R
24
S
25
E
26
E
27
S
28
E
29
S
30
M
31
O
32
M
33
O
34
R
35
O
36
M
37
E
38
M
39
R
40
E
41
M
42
R
43
M
44
M
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S
46
E
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M
48
O
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O
50
M
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R
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O
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S
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M
55
S
  1. R-that throws a wrench in there
  2. R-let us get a pitch please
  3. E-read what he wrote
  4. E-true or false: tuning is a "set it and forget it" type of deal
  5. E-if you would please
  6. S-cancelling count off
  7. M-split the difference with me
  8. S-don't let your instruments collect dust
  9. R-dancing :)
  10. E-military reference
  11. R-sorry y'all, its *day of week*
  12. M-if you have half note/quarter note motion, this is you
  13. S-for those of you keeping track at home...
  14. E-Be! Aggressive! B! E! Aggressive!
  15. S-do you hear how (early/late/etc) you are?
  16. O-what a great key signature to start rehearsal with
  17. R-shedding a tear after a minor key warm up
  18. O-I appreciate the hard work y'all have put into this
  19. O-good air flow, for your best possible sound
  20. O-it isssssssssss wweeeeeek
  21. S-tangent
  22. O-please put phones tucked away, and not on your stand
  23. R-lock yourself into a practice room
  24. S-what key are we in?
  25. E-actually, let's get into that. count with me please...
  26. E-does anyone know where *person* is?
  27. S-let them center, before you tune
  28. E-for those of you in my conducting class...
  29. S-rubbing hands right on 11:59 A.M. or 1:29 P.M.
  30. M-a boat load of accidentals
  31. O-anyone here drive stick shift?
  32. M-more to follow...
  33. O- thank you for your patience, for those of you who are not in
  34. R-being unsure of whether to say good morning or good afternoon
  35. O-part and parcel
  36. M-ahhh, I can't conduct today
  37. E-now that we know where we are...
  38. M-we are x weeks away from our concert
  39. R-mentions of being a trombonist
  40. E-pick a number between 0 and 9
  41. M-that one was on me
  42. R-saying a phrase in Japanese
  43. M-remind me to make a part for you
  44. M-
  45. S-deer in the headlights
  46. E-we are about a 90% solution to our concert
  47. M-using the name of a piece as a verb (ex. "let us 'Rock n' March)"
  48. O-wearing drip
  49. O-you get accidentals! and YOU get accidentals!
  50. M-Star Wars reference
  51. R-santa laughing when plenty of accidentals
  52. O-we're in a really good spot, folks
  53. S-scribbling on paper when someone's late
  54. M-folks staccato is not short but?...
  55. S-I've been yakking for a while, spend 30 seconds to put some air through your instruments