Properaudiencebehavior at atheatricalevent.Theconversationbetweenactors onstage.A personalityor role anactor/actressre-creates.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).To turn thebody toward theaudience togive them aclearer view ofthe actorThe degreeof loudnessor intensityof a voice.The planningand working outof themovements ofactors on stage.A person or asituation thatopposes anothercharacter’s goalsor desires.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.rise to dramaticOpposition ofpersons orforces givingaction.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.The point ofgreatestdramatictension ortransition in atheatrical work.A male orfemale personwho performs arole in a play,work of theatre,or movie.The clearand precisepronunciationof words.A type ofperformance(e.g. comedy,tragedy,dramatic,horror)Two or morepeople workingtogether in ajoint intellectualeffort.A group of 3or moreactorsworkingtogetherThe developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.Thewrittentext of aplay.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.Anexpressivemovement ofthe body orlimbs.A reading of ascript done byactors who havenot previouslyreviewed the play.Properaudiencebehavior at atheatricalevent.Theconversationbetweenactors onstage.A personalityor role anactor/actressre-creates.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).To turn thebody toward theaudience togive them aclearer view ofthe actorThe degreeof loudnessor intensityof a voice.The planningand working outof themovements ofactors on stage.A person or asituation thatopposes anothercharacter’s goalsor desires.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.rise to dramaticOpposition ofpersons orforces givingaction.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.The point ofgreatestdramatictension ortransition in atheatrical work.A male orfemale personwho performs arole in a play,work of theatre,or movie.The clearand precisepronunciationof words.A type ofperformance(e.g. comedy,tragedy,dramatic,horror)Two or morepeople workingtogether in ajoint intellectualeffort.A group of 3or moreactorsworkingtogetherThe developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.Thewrittentext of aplay.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.Anexpressivemovement ofthe body orlimbs.A reading of ascript done byactors who havenot previouslyreviewed the play.

Theatre Vocabulary - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Proper audience behavior at a theatrical event.
  2. The conversation between actors on stage.
  3. A personality or role an actor/actress re-creates.
  4. The height of an actor’s head actor as determined by his or her body position (e.g., sitting, lying, standing, or elevated by an artificial means).
  5. To turn the body toward the audience to give them a clearer view of the actor
  6. The degree of loudness or intensity of a voice.
  7. The planning and working out of the movements of actors on stage.
  8. A person or a situation that opposes another character’s goals or desires.
  9. A rehearsal moving from start to finish without stopping for corrections or notes.
  10. rise to dramatic Opposition of persons or forces giving action.
  11. The main character of a play and the character with whom the audience identifies most strongly.
  12. A signal, either verbal or physical that indicates something else, such as a line of dialogue or an entrance, is to happen.
  13. The point of greatest dramatic tension or transition in a theatrical work.
  14. A male or female person who performs a role in a play, work of theatre, or movie.
  15. The clear and precise pronunciation of words.
  16. A type of performance( e.g. comedy, tragedy, dramatic, horror)
  17. Two or more people working together in a joint intellectual effort.
  18. A group of 3 or more actors working together
  19. The development and portrayal of a personality through thought, action, dialogue, costuming, and makeup.
  20. The pronunciation of words, the choice of words, and the manner in which a person expresses himself or herself.
  21. The written text of a play.
  22. Opinions and comments based on predetermined criteria that may be used for self- evaluation or the evaluation of the actors or the production itself.
  23. An expressive movement of the body or limbs.
  24. A reading of a script done by actors who have not previously reviewed the play.