The point ofgreatestdramatictension ortransition in atheatrical work.Properaudiencebehavior at atheatricalevent.The clearand precisepronunciationof words.Anexpressivemovement ofthe body orlimbs.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.A group of 3or moreactorsworkingtogetherThe main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.Theconversationbetweenactors onstage.To turn thebody toward theaudience togive them aclearer view ofthe actorA type ofperformance(e.g. comedy,tragedy,dramatic,horror)A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.Two or morepeople workingtogether in ajoint intellectualeffort.A male orfemale personwho performs arole in a play,work of theatre,or movie.The degreeof loudnessor intensityof a voice.Thewrittentext of aplay.A person or asituation thatopposes anothercharacter’s goalsor desires.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).The planningand working outof themovements ofactors on stage.A reading of ascript done byactors who havenot previouslyreviewed the play.rise to dramaticOpposition ofpersons orforces givingaction.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.A personalityor role anactor/actressre-creates.The point ofgreatestdramatictension ortransition in atheatrical work.Properaudiencebehavior at atheatricalevent.The clearand precisepronunciationof words.Anexpressivemovement ofthe body orlimbs.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.A group of 3or moreactorsworkingtogetherThe main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.Theconversationbetweenactors onstage.To turn thebody toward theaudience togive them aclearer view ofthe actorA type ofperformance(e.g. comedy,tragedy,dramatic,horror)A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.Two or morepeople workingtogether in ajoint intellectualeffort.A male orfemale personwho performs arole in a play,work of theatre,or movie.The degreeof loudnessor intensityof a voice.Thewrittentext of aplay.A person or asituation thatopposes anothercharacter’s goalsor desires.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).The planningand working outof themovements ofactors on stage.A reading of ascript done byactors who havenot previouslyreviewed the play.rise to dramaticOpposition ofpersons orforces givingaction.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.A personalityor role anactor/actressre-creates.

Theatre Vocabulary - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
  1. The point of greatest dramatic tension or transition in a theatrical work.
  2. Proper audience behavior at a theatrical event.
  3. The clear and precise pronunciation of words.
  4. An expressive movement of the body or limbs.
  5. Opinions and comments based on predetermined criteria that may be used for self- evaluation or the evaluation of the actors or the production itself.
  6. A group of 3 or more actors working together
  7. The main character of a play and the character with whom the audience identifies most strongly.
  8. The conversation between actors on stage.
  9. To turn the body toward the audience to give them a clearer view of the actor
  10. A type of performance( e.g. comedy, tragedy, dramatic, horror)
  11. A signal, either verbal or physical that indicates something else, such as a line of dialogue or an entrance, is to happen.
  12. Two or more people working together in a joint intellectual effort.
  13. A male or female person who performs a role in a play, work of theatre, or movie.
  14. The degree of loudness or intensity of a voice.
  15. The written text of a play.
  16. A person or a situation that opposes another character’s goals or desires.
  17. The height of an actor’s head actor as determined by his or her body position (e.g., sitting, lying, standing, or elevated by an artificial means).
  18. The planning and working out of the movements of actors on stage.
  19. A reading of a script done by actors who have not previously reviewed the play.
  20. rise to dramatic Opposition of persons or forces giving action.
  21. A rehearsal moving from start to finish without stopping for corrections or notes.
  22. The development and portrayal of a personality through thought, action, dialogue, costuming, and makeup.
  23. The pronunciation of words, the choice of words, and the manner in which a person expresses himself or herself.
  24. A personality or role an actor/actress re-creates.