Two or morepeople workingtogether in ajoint intellectualeffort.A type ofperformance(e.g. comedy,tragedy,dramatic,horror)The degreeof loudnessor intensityof a voice.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.The planningand working outof themovements ofactors on stage.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.Thewrittentext of aplay.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.A personalityor role anactor/actressre-creates.A male orfemale personwho performs arole in a play,work of theatre,or movie.The point ofgreatestdramatictension ortransition in atheatrical work.A reading of ascript done byactors who havenot previouslyreviewed the play.A group of 3or moreactorsworkingtogetherA person or asituation thatopposes anothercharacter’s goalsor desires.Theconversationbetweenactors onstage.Properaudiencebehavior at atheatricalevent.rise to dramaticOpposition ofpersons orforces givingaction.Anexpressivemovement ofthe body orlimbs.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.The clearand precisepronunciationof words.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.To turn thebody toward theaudience togive them aclearer view ofthe actorTwo or morepeople workingtogether in ajoint intellectualeffort.A type ofperformance(e.g. comedy,tragedy,dramatic,horror)The degreeof loudnessor intensityof a voice.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.The planningand working outof themovements ofactors on stage.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.Thewrittentext of aplay.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.A personalityor role anactor/actressre-creates.A male orfemale personwho performs arole in a play,work of theatre,or movie.The point ofgreatestdramatictension ortransition in atheatrical work.A reading of ascript done byactors who havenot previouslyreviewed the play.A group of 3or moreactorsworkingtogetherA person or asituation thatopposes anothercharacter’s goalsor desires.Theconversationbetweenactors onstage.Properaudiencebehavior at atheatricalevent.rise to dramaticOpposition ofpersons orforces givingaction.Anexpressivemovement ofthe body orlimbs.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.The clearand precisepronunciationof words.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.To turn thebody toward theaudience togive them aclearer view ofthe actor

Theatre Vocabulary - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Two or more people working together in a joint intellectual effort.
  2. A type of performance( e.g. comedy, tragedy, dramatic, horror)
  3. The degree of loudness or intensity of a voice.
  4. The development and portrayal of a personality through thought, action, dialogue, costuming, and makeup.
  5. A rehearsal moving from start to finish without stopping for corrections or notes.
  6. The planning and working out of the movements of actors on stage.
  7. A signal, either verbal or physical that indicates something else, such as a line of dialogue or an entrance, is to happen.
  8. The written text of a play.
  9. The main character of a play and the character with whom the audience identifies most strongly.
  10. A personality or role an actor/actress re-creates.
  11. A male or female person who performs a role in a play, work of theatre, or movie.
  12. The point of greatest dramatic tension or transition in a theatrical work.
  13. A reading of a script done by actors who have not previously reviewed the play.
  14. A group of 3 or more actors working together
  15. A person or a situation that opposes another character’s goals or desires.
  16. The conversation between actors on stage.
  17. Proper audience behavior at a theatrical event.
  18. rise to dramatic Opposition of persons or forces giving action.
  19. An expressive movement of the body or limbs.
  20. The height of an actor’s head actor as determined by his or her body position (e.g., sitting, lying, standing, or elevated by an artificial means).
  21. Opinions and comments based on predetermined criteria that may be used for self- evaluation or the evaluation of the actors or the production itself.
  22. The clear and precise pronunciation of words.
  23. The pronunciation of words, the choice of words, and the manner in which a person expresses himself or herself.
  24. To turn the body toward the audience to give them a clearer view of the actor