To turn thebody toward theaudience togive them aclearer view ofthe actorA male orfemale personwho performs arole in a play,work of theatre,or movie.The clearand precisepronunciationof words.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.A personalityor role anactor/actressre-creates.Thewrittentext of aplay.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).The point ofgreatestdramatictension ortransition in atheatrical work.A person or asituation thatopposes anothercharacter’s goalsor desires.Properaudiencebehavior at atheatricalevent.The degreeof loudnessor intensityof a voice.Anexpressivemovement ofthe body orlimbs.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.A reading of ascript done byactors who havenot previouslyreviewed the play.A group of 3or moreactorsworkingtogetherTheconversationbetweenactors onstage.The planningand working outof themovements ofactors on stage.Two or morepeople workingtogether in ajoint intellectualeffort.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.rise to dramaticOpposition ofpersons orforces givingaction.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.A type ofperformance(e.g. comedy,tragedy,dramatic,horror)To turn thebody toward theaudience togive them aclearer view ofthe actorA male orfemale personwho performs arole in a play,work of theatre,or movie.The clearand precisepronunciationof words.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.A personalityor role anactor/actressre-creates.Thewrittentext of aplay.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).The point ofgreatestdramatictension ortransition in atheatrical work.A person or asituation thatopposes anothercharacter’s goalsor desires.Properaudiencebehavior at atheatricalevent.The degreeof loudnessor intensityof a voice.Anexpressivemovement ofthe body orlimbs.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.A reading of ascript done byactors who havenot previouslyreviewed the play.A group of 3or moreactorsworkingtogetherTheconversationbetweenactors onstage.The planningand working outof themovements ofactors on stage.Two or morepeople workingtogether in ajoint intellectualeffort.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.rise to dramaticOpposition ofpersons orforces givingaction.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.A type ofperformance(e.g. comedy,tragedy,dramatic,horror)

Theatre Vocabulary - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. To turn the body toward the audience to give them a clearer view of the actor
  2. A male or female person who performs a role in a play, work of theatre, or movie.
  3. The clear and precise pronunciation of words.
  4. A signal, either verbal or physical that indicates something else, such as a line of dialogue or an entrance, is to happen.
  5. A personality or role an actor/actress re-creates.
  6. The written text of a play.
  7. The main character of a play and the character with whom the audience identifies most strongly.
  8. The height of an actor’s head actor as determined by his or her body position (e.g., sitting, lying, standing, or elevated by an artificial means).
  9. The point of greatest dramatic tension or transition in a theatrical work.
  10. A person or a situation that opposes another character’s goals or desires.
  11. Proper audience behavior at a theatrical event.
  12. The degree of loudness or intensity of a voice.
  13. An expressive movement of the body or limbs.
  14. A rehearsal moving from start to finish without stopping for corrections or notes.
  15. A reading of a script done by actors who have not previously reviewed the play.
  16. A group of 3 or more actors working together
  17. The conversation between actors on stage.
  18. The planning and working out of the movements of actors on stage.
  19. Two or more people working together in a joint intellectual effort.
  20. Opinions and comments based on predetermined criteria that may be used for self- evaluation or the evaluation of the actors or the production itself.
  21. The pronunciation of words, the choice of words, and the manner in which a person expresses himself or herself.
  22. rise to dramatic Opposition of persons or forces giving action.
  23. The development and portrayal of a personality through thought, action, dialogue, costuming, and makeup.
  24. A type of performance( e.g. comedy, tragedy, dramatic, horror)