The point ofgreatestdramatictension ortransition in atheatrical work.A reading of ascript done byactors who havenot previouslyreviewed the play.To turn thebody toward theaudience togive them aclearer view ofthe actorA male orfemale personwho performs arole in a play,work of theatre,or movie.Theconversationbetweenactors onstage.Two or morepeople workingtogether in ajoint intellectualeffort.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.Properaudiencebehavior at atheatricalevent.A personalityor role anactor/actressre-creates.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.A type ofperformance(e.g. comedy,tragedy,dramatic,horror)The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.The clearand precisepronunciationof words.A person or asituation thatopposes anothercharacter’s goalsor desires.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).Anexpressivemovement ofthe body orlimbs.The degreeof loudnessor intensityof a voice.The planningand working outof themovements ofactors on stage.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.rise to dramaticOpposition ofpersons orforces givingaction.A group of 3or moreactorsworkingtogetherThewrittentext of aplay.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.The point ofgreatestdramatictension ortransition in atheatrical work.A reading of ascript done byactors who havenot previouslyreviewed the play.To turn thebody toward theaudience togive them aclearer view ofthe actorA male orfemale personwho performs arole in a play,work of theatre,or movie.Theconversationbetweenactors onstage.Two or morepeople workingtogether in ajoint intellectualeffort.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.Properaudiencebehavior at atheatricalevent.A personalityor role anactor/actressre-creates.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.A type ofperformance(e.g. comedy,tragedy,dramatic,horror)The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.The clearand precisepronunciationof words.A person or asituation thatopposes anothercharacter’s goalsor desires.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).Anexpressivemovement ofthe body orlimbs.The degreeof loudnessor intensityof a voice.The planningand working outof themovements ofactors on stage.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.rise to dramaticOpposition ofpersons orforces givingaction.A group of 3or moreactorsworkingtogetherThewrittentext of aplay.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.

Theatre Vocabulary - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. The point of greatest dramatic tension or transition in a theatrical work.
  2. A reading of a script done by actors who have not previously reviewed the play.
  3. To turn the body toward the audience to give them a clearer view of the actor
  4. A male or female person who performs a role in a play, work of theatre, or movie.
  5. The conversation between actors on stage.
  6. Two or more people working together in a joint intellectual effort.
  7. The development and portrayal of a personality through thought, action, dialogue, costuming, and makeup.
  8. Proper audience behavior at a theatrical event.
  9. A personality or role an actor/actress re-creates.
  10. A rehearsal moving from start to finish without stopping for corrections or notes.
  11. A type of performance( e.g. comedy, tragedy, dramatic, horror)
  12. The main character of a play and the character with whom the audience identifies most strongly.
  13. Opinions and comments based on predetermined criteria that may be used for self- evaluation or the evaluation of the actors or the production itself.
  14. The clear and precise pronunciation of words.
  15. A person or a situation that opposes another character’s goals or desires.
  16. The height of an actor’s head actor as determined by his or her body position (e.g., sitting, lying, standing, or elevated by an artificial means).
  17. An expressive movement of the body or limbs.
  18. The degree of loudness or intensity of a voice.
  19. The planning and working out of the movements of actors on stage.
  20. A signal, either verbal or physical that indicates something else, such as a line of dialogue or an entrance, is to happen.
  21. rise to dramatic Opposition of persons or forces giving action.
  22. A group of 3 or more actors working together
  23. The written text of a play.
  24. The pronunciation of words, the choice of words, and the manner in which a person expresses himself or herself.