rise to dramaticOpposition ofpersons orforces givingaction.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.Properaudiencebehavior at atheatricalevent.The planningand working outof themovements ofactors on stage.The clearand precisepronunciationof words.Theconversationbetweenactors onstage.A reading of ascript done byactors who havenot previouslyreviewed the play.A person or asituation thatopposes anothercharacter’s goalsor desires.A group of 3or moreactorsworkingtogetherA rehearsalmoving from startto finish withoutstopping forcorrections ornotes.The degreeof loudnessor intensityof a voice.Thewrittentext of aplay.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.A male orfemale personwho performs arole in a play,work of theatre,or movie.Anexpressivemovement ofthe body orlimbs.Two or morepeople workingtogether in ajoint intellectualeffort.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.To turn thebody toward theaudience togive them aclearer view ofthe actorA type ofperformance(e.g. comedy,tragedy,dramatic,horror)A personalityor role anactor/actressre-creates.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).The point ofgreatestdramatictension ortransition in atheatrical work.rise to dramaticOpposition ofpersons orforces givingaction.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.Properaudiencebehavior at atheatricalevent.The planningand working outof themovements ofactors on stage.The clearand precisepronunciationof words.Theconversationbetweenactors onstage.A reading of ascript done byactors who havenot previouslyreviewed the play.A person or asituation thatopposes anothercharacter’s goalsor desires.A group of 3or moreactorsworkingtogetherA rehearsalmoving from startto finish withoutstopping forcorrections ornotes.The degreeof loudnessor intensityof a voice.Thewrittentext of aplay.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.A male orfemale personwho performs arole in a play,work of theatre,or movie.Anexpressivemovement ofthe body orlimbs.Two or morepeople workingtogether in ajoint intellectualeffort.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.To turn thebody toward theaudience togive them aclearer view ofthe actorA type ofperformance(e.g. comedy,tragedy,dramatic,horror)A personalityor role anactor/actressre-creates.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).The point ofgreatestdramatictension ortransition in atheatrical work.

Theatre Vocabulary - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. rise to dramatic Opposition of persons or forces giving action.
  2. The main character of a play and the character with whom the audience identifies most strongly.
  3. Opinions and comments based on predetermined criteria that may be used for self- evaluation or the evaluation of the actors or the production itself.
  4. A signal, either verbal or physical that indicates something else, such as a line of dialogue or an entrance, is to happen.
  5. Proper audience behavior at a theatrical event.
  6. The planning and working out of the movements of actors on stage.
  7. The clear and precise pronunciation of words.
  8. The conversation between actors on stage.
  9. A reading of a script done by actors who have not previously reviewed the play.
  10. A person or a situation that opposes another character’s goals or desires.
  11. A group of 3 or more actors working together
  12. A rehearsal moving from start to finish without stopping for corrections or notes.
  13. The degree of loudness or intensity of a voice.
  14. The written text of a play.
  15. The pronunciation of words, the choice of words, and the manner in which a person expresses himself or herself.
  16. A male or female person who performs a role in a play, work of theatre, or movie.
  17. An expressive movement of the body or limbs.
  18. Two or more people working together in a joint intellectual effort.
  19. The development and portrayal of a personality through thought, action, dialogue, costuming, and makeup.
  20. To turn the body toward the audience to give them a clearer view of the actor
  21. A type of performance( e.g. comedy, tragedy, dramatic, horror)
  22. A personality or role an actor/actress re-creates.
  23. The height of an actor’s head actor as determined by his or her body position (e.g., sitting, lying, standing, or elevated by an artificial means).
  24. The point of greatest dramatic tension or transition in a theatrical work.