rise to dramaticOpposition ofpersons orforces givingaction.The degreeof loudnessor intensityof a voice.Theconversationbetweenactors onstage.The clearand precisepronunciationof words.The point ofgreatestdramatictension ortransition in atheatrical work.Two or morepeople workingtogether in ajoint intellectualeffort.A type ofperformance(e.g. comedy,tragedy,dramatic,horror)The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.To turn thebody toward theaudience togive them aclearer view ofthe actorA rehearsalmoving from startto finish withoutstopping forcorrections ornotes.A group of 3or moreactorsworkingtogetherThe height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).A reading of ascript done byactors who havenot previouslyreviewed the play.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.The planningand working outof themovements ofactors on stage.A person or asituation thatopposes anothercharacter’s goalsor desires.Thewrittentext of aplay.Anexpressivemovement ofthe body orlimbs.A personalityor role anactor/actressre-creates.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.A male orfemale personwho performs arole in a play,work of theatre,or movie.Properaudiencebehavior at atheatricalevent.rise to dramaticOpposition ofpersons orforces givingaction.The degreeof loudnessor intensityof a voice.Theconversationbetweenactors onstage.The clearand precisepronunciationof words.The point ofgreatestdramatictension ortransition in atheatrical work.Two or morepeople workingtogether in ajoint intellectualeffort.A type ofperformance(e.g. comedy,tragedy,dramatic,horror)The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.To turn thebody toward theaudience togive them aclearer view ofthe actorA rehearsalmoving from startto finish withoutstopping forcorrections ornotes.A group of 3or moreactorsworkingtogetherThe height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).A reading of ascript done byactors who havenot previouslyreviewed the play.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.The planningand working outof themovements ofactors on stage.A person or asituation thatopposes anothercharacter’s goalsor desires.Thewrittentext of aplay.Anexpressivemovement ofthe body orlimbs.A personalityor role anactor/actressre-creates.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.A male orfemale personwho performs arole in a play,work of theatre,or movie.Properaudiencebehavior at atheatricalevent.

Theatre Vocabulary - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. rise to dramatic Opposition of persons or forces giving action.
  2. The degree of loudness or intensity of a voice.
  3. The conversation between actors on stage.
  4. The clear and precise pronunciation of words.
  5. The point of greatest dramatic tension or transition in a theatrical work.
  6. Two or more people working together in a joint intellectual effort.
  7. A type of performance( e.g. comedy, tragedy, dramatic, horror)
  8. The pronunciation of words, the choice of words, and the manner in which a person expresses himself or herself.
  9. To turn the body toward the audience to give them a clearer view of the actor
  10. A rehearsal moving from start to finish without stopping for corrections or notes.
  11. A group of 3 or more actors working together
  12. The height of an actor’s head actor as determined by his or her body position (e.g., sitting, lying, standing, or elevated by an artificial means).
  13. A reading of a script done by actors who have not previously reviewed the play.
  14. The main character of a play and the character with whom the audience identifies most strongly.
  15. The planning and working out of the movements of actors on stage.
  16. A person or a situation that opposes another character’s goals or desires.
  17. The written text of a play.
  18. An expressive movement of the body or limbs.
  19. A personality or role an actor/actress re-creates.
  20. Opinions and comments based on predetermined criteria that may be used for self- evaluation or the evaluation of the actors or the production itself.
  21. A signal, either verbal or physical that indicates something else, such as a line of dialogue or an entrance, is to happen.
  22. The development and portrayal of a personality through thought, action, dialogue, costuming, and makeup.
  23. A male or female person who performs a role in a play, work of theatre, or movie.
  24. Proper audience behavior at a theatrical event.