The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.rise to dramaticOpposition ofpersons orforces givingaction.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.The point ofgreatestdramatictension ortransition in atheatrical work.Two or morepeople workingtogether in ajoint intellectualeffort.The degreeof loudnessor intensityof a voice.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.A reading of ascript done byactors who havenot previouslyreviewed the play.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).The clearand precisepronunciationof words.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.Theconversationbetweenactors onstage.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.To turn thebody toward theaudience togive them aclearer view ofthe actorThe planningand working outof themovements ofactors on stage.Anexpressivemovement ofthe body orlimbs.A person or asituation thatopposes anothercharacter’s goalsor desires.Properaudiencebehavior at atheatricalevent.A male orfemale personwho performs arole in a play,work of theatre,or movie.A personalityor role anactor/actressre-creates.A group of 3or moreactorsworkingtogetherA type ofperformance(e.g. comedy,tragedy,dramatic,horror)Thewrittentext of aplay.The main characterof a play and thecharacter with whomthe audienceidentifies moststrongly.rise to dramaticOpposition ofpersons orforces givingaction.The pronunciation ofwords, the choice ofwords, and themanner in which aperson expresseshimself or herself.The point ofgreatestdramatictension ortransition in atheatrical work.Two or morepeople workingtogether in ajoint intellectualeffort.The degreeof loudnessor intensityof a voice.A signal, eitherverbal or physicalthat indicatessomething else,such as a line ofdialogue or anentrance, is tohappen.A reading of ascript done byactors who havenot previouslyreviewed the play.The height of an actor’shead actor asdetermined by his orher body position (e.g.,sitting, lying, standing,or elevated by anartificial means).The clearand precisepronunciationof words.A rehearsalmoving from startto finish withoutstopping forcorrections ornotes.Opinions andcomments based onpredetermined criteriathat may be used forself- evaluation or theevaluation of the actorsor the production itself.Theconversationbetweenactors onstage.The developmentand portrayal of apersonalitythrough thought,action, dialogue,costuming, andmakeup.To turn thebody toward theaudience togive them aclearer view ofthe actorThe planningand working outof themovements ofactors on stage.Anexpressivemovement ofthe body orlimbs.A person or asituation thatopposes anothercharacter’s goalsor desires.Properaudiencebehavior at atheatricalevent.A male orfemale personwho performs arole in a play,work of theatre,or movie.A personalityor role anactor/actressre-creates.A group of 3or moreactorsworkingtogetherA type ofperformance(e.g. comedy,tragedy,dramatic,horror)Thewrittentext of aplay.

Theatre Vocabulary - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. The main character of a play and the character with whom the audience identifies most strongly.
  2. rise to dramatic Opposition of persons or forces giving action.
  3. The pronunciation of words, the choice of words, and the manner in which a person expresses himself or herself.
  4. The point of greatest dramatic tension or transition in a theatrical work.
  5. Two or more people working together in a joint intellectual effort.
  6. The degree of loudness or intensity of a voice.
  7. A signal, either verbal or physical that indicates something else, such as a line of dialogue or an entrance, is to happen.
  8. A reading of a script done by actors who have not previously reviewed the play.
  9. The height of an actor’s head actor as determined by his or her body position (e.g., sitting, lying, standing, or elevated by an artificial means).
  10. The clear and precise pronunciation of words.
  11. A rehearsal moving from start to finish without stopping for corrections or notes.
  12. Opinions and comments based on predetermined criteria that may be used for self- evaluation or the evaluation of the actors or the production itself.
  13. The conversation between actors on stage.
  14. The development and portrayal of a personality through thought, action, dialogue, costuming, and makeup.
  15. To turn the body toward the audience to give them a clearer view of the actor
  16. The planning and working out of the movements of actors on stage.
  17. An expressive movement of the body or limbs.
  18. A person or a situation that opposes another character’s goals or desires.
  19. Proper audience behavior at a theatrical event.
  20. A male or female person who performs a role in a play, work of theatre, or movie.
  21. A personality or role an actor/actress re-creates.
  22. A group of 3 or more actors working together
  23. A type of performance( e.g. comedy, tragedy, dramatic, horror)
  24. The written text of a play.