readwhat hewrotewearingdripsaying aphrase inJapaneseusing the nameof a piece as averb (ex. "let us'Rock n'March)"does anyoneknow where*person* is?actually, let'sget into that.count withme please...deer intheheadlightsa boat loadofaccidentalscancellingcount offwe are abouta 90%solution toour concertdo you hearhow(early/late/etc)you are?anyonehere drivestickshift?good airflow, for yourbest possiblesoundwe are xweeks awayfrom ourconcertI've been yakkingfor a while, spend30 seconds to putsome air throughyour instrumentsnow thatwe knowwhere weare...being unsure ofwhether to saygood morningor goodafternoondon't let yourinstrumentscollect dustwhat a greatkey signatureto startrehearsalwithpartandparcellet themcenter,beforeyou tuneif you havehalfnote/quarternote motion,this is youBe!Aggressive!B! E!Aggressive!I appreciatethe hardwork y'allhave put intothismentionsof being atrombonist thank you foryour patience,for those of youwho are not inStarWarsreferencesantalaughingwhen plentyofaccidentalslet us geta pitchpleaseshedding atear after aminor keywarm upahhh, Ican'tconducttodayyou getaccidentals!and YOU getaccidentals!please putphonestucked away,and not onyour standpick anumberbetween 0and 9scribbling onpaper whensomeone'slatewe're in areallygoodspot, folksfor those ofyou keepingtrack athome...rubbinghands righton 11:59A.M. or 1:29P.M.thatthrows awrench intheremilitaryreferencelock yourselfinto apracticeroomremind meto make apart foryoumoretofollow...itissssssssssswweeeeeekfolksstaccato isnot shortbut?...tangentfor those ofyou in myconductingclass...true or false:tuning is a"set it andforget it" typeof dealdancing:)that onewas onmesorry y'all,its *day ofweek*if youwouldpleasesplit thedifferencewith mewhatkey arewe in?readwhat hewrotewearingdripsaying aphrase inJapaneseusing the nameof a piece as averb (ex. "let us'Rock n'March)"does anyoneknow where*person* is?actually, let'sget into that.count withme please...deer intheheadlightsa boat loadofaccidentalscancellingcount offwe are abouta 90%solution toour concertdo you hearhow(early/late/etc)you are?anyonehere drivestickshift?good airflow, for yourbest possiblesoundwe are xweeks awayfrom ourconcertI've been yakkingfor a while, spend30 seconds to putsome air throughyour instrumentsnow thatwe knowwhere weare...being unsure ofwhether to saygood morningor goodafternoondon't let yourinstrumentscollect dustwhat a greatkey signatureto startrehearsalwithpartandparcellet themcenter,beforeyou tuneif you havehalfnote/quarternote motion,this is youBe!Aggressive!B! E!Aggressive!I appreciatethe hardwork y'allhave put intothismentionsof being atrombonist thank you foryour patience,for those of youwho are not inStarWarsreferencesantalaughingwhen plentyofaccidentalslet us geta pitchpleaseshedding atear after aminor keywarm upahhh, Ican'tconducttodayyou getaccidentals!and YOU getaccidentals!please putphonestucked away,and not onyour standpick anumberbetween 0and 9scribbling onpaper whensomeone'slatewe're in areallygoodspot, folksfor those ofyou keepingtrack athome...rubbinghands righton 11:59A.M. or 1:29P.M.thatthrows awrench intheremilitaryreferencelock yourselfinto apracticeroomremind meto make apart foryoumoretofollow...itissssssssssswweeeeeekfolksstaccato isnot shortbut?...tangentfor those ofyou in myconductingclass...true or false:tuning is a"set it andforget it" typeof dealdancing:)that onewas onmesorry y'all,its *day ofweek*if youwouldpleasesplit thedifferencewith mewhatkey arewe in?

Morsisms - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
  1. read what he wrote
  2. wearing drip
  3. saying a phrase in Japanese
  4. using the name of a piece as a verb (ex. "let us 'Rock n' March)"
  5. does anyone know where *person* is?
  6. actually, let's get into that. count with me please...
  7. deer in the headlights
  8. a boat load of accidentals
  9. cancelling count off
  10. we are about a 90% solution to our concert
  11. do you hear how (early/late/etc) you are?
  12. anyone here drive stick shift?
  13. good air flow, for your best possible sound
  14. we are x weeks away from our concert
  15. I've been yakking for a while, spend 30 seconds to put some air through your instruments
  16. now that we know where we are...
  17. being unsure of whether to say good morning or good afternoon
  18. don't let your instruments collect dust
  19. what a great key signature to start rehearsal with
  20. part and parcel
  21. let them center, before you tune
  23. if you have half note/quarter note motion, this is you
  24. Be! Aggressive! B! E! Aggressive!
  25. I appreciate the hard work y'all have put into this
  26. mentions of being a trombonist
  27. thank you for your patience, for those of you who are not in
  28. Star Wars reference
  29. santa laughing when plenty of accidentals
  30. let us get a pitch please
  31. shedding a tear after a minor key warm up
  32. ahhh, I can't conduct today
  33. you get accidentals! and YOU get accidentals!
  34. please put phones tucked away, and not on your stand
  35. pick a number between 0 and 9
  36. scribbling on paper when someone's late
  37. we're in a really good spot, folks
  38. for those of you keeping track at home...
  39. rubbing hands right on 11:59 A.M. or 1:29 P.M.
  40. that throws a wrench in there
  41. military reference
  42. lock yourself into a practice room
  43. remind me to make a part for you
  44. more to follow...
  45. it isssssssssss wweeeeeek
  46. folks staccato is not short but?...
  47. tangent
  48. for those of you in my conducting class...
  49. true or false: tuning is a "set it and forget it" type of deal
  50. dancing :)
  51. that one was on me
  52. sorry y'all, its *day of week*
  53. if you would please
  54. split the difference with me
  55. what key are we in?