characterized bythe 5 “I”s:imagination,intuition, idealism,inspiration, andindividualitythe emotioncreated in thereader bypart of all of aliterary workcontains all the “I”s ofRomanticism, but isspecifically characterizedby pseudo-medievalsettings, subjects andthemes focused on thedarker side of humannature, sinistersupernatural elements, anda darker mood and toneused tocreate wordpictures orimagesan individualthat takespart in theaction of aliterary workexplores identity; beliefsand values; personal,physical, mental, social,and spiritual health; humanrelationships and families,friends, communities andcultures; what it means tobe humanthe generalpsychologicalcharacteristics,feelings, andbehavioral traits ofhumankind, regardedas shared by allhumansrooted in the belief ina realm of spiritual ortranscendent truthsbeyond what humanscan know throughtheir sensesa statementthatcontradictsitselfthe time and place inwhich a literary workoccurs, together withall the details used tocreate a sense of aparticular time andplacea force thatmoves acharacter tothink, feel, orbehave in acertain wayconsists of theparticularqualities thatmake a persondifferent fromothersa comparison oftwo seeminglyunlike thingsusing the wordlike or asthe ability to formpictures or ideas inthe mind of thingsthat are new andexciting, or thingsthat have not yetbeen experiencedthe feeling ofenthusiasmobtained fromsomeone orsomething thatprovides new andcreative ideasanything thatstands for orrepresents bothitself andsomething elsea theory ofliterary criticismthat suggests atext is astorehouse ofsymbolsthe stateor face ofbeing thesamethe belief in aprinciple, idea, orstandard that is good,worth trying toachieve, and seemsto be the bestpossible example of itan animal, thing,force of nature, oridea is describedas if it were humanor given humancharacteristicsthe scientific study ofmental processesand behavior andhow these areaffected by internalprocesses and theenvironmenta strugglebetweentwo forcesone thing isspoken orwritten aboutas if it wereanotherunexplainedfeelings thatsomething is trueeven if there isn’tevidence or proofcharacterized bythe 5 “I”s:imagination,intuition, idealism,inspiration, andindividualitythe emotioncreated in thereader bypart of all of aliterary workcontains all the “I”s ofRomanticism, but isspecifically characterizedby pseudo-medievalsettings, subjects andthemes focused on thedarker side of humannature, sinistersupernatural elements, anda darker mood and toneused tocreate wordpictures orimagesan individualthat takespart in theaction of aliterary workexplores identity; beliefsand values; personal,physical, mental, social,and spiritual health; humanrelationships and families,friends, communities andcultures; what it means tobe humanthe generalpsychologicalcharacteristics,feelings, andbehavioral traits ofhumankind, regardedas shared by allhumansrooted in the belief ina realm of spiritual ortranscendent truthsbeyond what humanscan know throughtheir sensesa statementthatcontradictsitselfthe time and place inwhich a literary workoccurs, together withall the details used tocreate a sense of aparticular time andplacea force thatmoves acharacter tothink, feel, orbehave in acertain wayconsists of theparticularqualities thatmake a persondifferent fromothersa comparison oftwo seeminglyunlike thingsusing the wordlike or asthe ability to formpictures or ideas inthe mind of thingsthat are new andexciting, or thingsthat have not yetbeen experiencedthe feeling ofenthusiasmobtained fromsomeone orsomething thatprovides new andcreative ideasanything thatstands for orrepresents bothitself andsomething elsea theory ofliterary criticismthat suggests atext is astorehouse ofsymbolsthe stateor face ofbeing thesamethe belief in aprinciple, idea, orstandard that is good,worth trying toachieve, and seemsto be the bestpossible example of itan animal, thing,force of nature, oridea is describedas if it were humanor given humancharacteristicsthe scientific study ofmental processesand behavior andhow these areaffected by internalprocesses and theenvironmenta strugglebetweentwo forcesone thing isspoken orwritten aboutas if it wereanotherunexplainedfeelings thatsomething is trueeven if there isn’tevidence or proof

November: IBMYP Unit 2: Identity - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. characterized by the 5 “I”s: imagination, intuition, idealism, inspiration, and individuality
  2. the emotion created in the reader by part of all of a literary work
  3. contains all the “I”s of Romanticism, but is specifically characterized by pseudo-medieval settings, subjects and themes focused on the darker side of human nature, sinister supernatural elements, and a darker mood and tone
  4. used to create word pictures or images
  5. an individual that takes part in the action of a literary work
  6. explores identity; beliefs and values; personal, physical, mental, social, and spiritual health; human relationships and families, friends, communities and cultures; what it means to be human
  7. the general psychological characteristics, feelings, and behavioral traits of humankind, regarded as shared by all humans
  8. rooted in the belief in a realm of spiritual or transcendent truths beyond what humans can know through their senses
  9. a statement that contradicts itself
  10. the time and place in which a literary work occurs, together with all the details used to create a sense of a particular time and place
  11. a force that moves a character to think, feel, or behave in a certain way
  12. consists of the particular qualities that make a person different from others
  13. a comparison of two seemingly unlike things using the word like or as
  14. the ability to form pictures or ideas in the mind of things that are new and exciting, or things that have not yet been experienced
  15. the feeling of enthusiasm obtained from someone or something that provides new and creative ideas
  16. anything that stands for or represents both itself and something else
  17. a theory of literary criticism that suggests a text is a storehouse of symbols
  18. the state or face of being the same
  19. the belief in a principle, idea, or standard that is good, worth trying to achieve, and seems to be the best possible example of it
  20. an animal, thing, force of nature, or idea is described as if it were human or given human characteristics
  21. the scientific study of mental processes and behavior and how these are affected by internal processes and the environment
  22. a struggle between two forces
  23. one thing is spoken or written about as if it were another
  24. unexplained feelings that something is true even if there isn’t evidence or proof