the emotioncreated in thereader bypart of all of aliterary workthe belief in aprinciple, idea, orstandard that is good,worth trying toachieve, and seemsto be the bestpossible example of itidea, or otherelement of thestory; mostlydescriptive,often little or noplot detaila work in whichthe characters,events, or settingssymbolize, orrepresent,something elsethe speech of thecommon people;often used loosely torefer to colloquial,dialectical, or slangexpressionsa force thatmoves acharacter tothink, feel, orbehave in acertain wayanything thatstands for orrepresents bothitself andsomething elsea seeminglycontradictorystatement, idea,or event thatmay actually betrueunexplainedfeelings thatsomething is trueeven if there isn’tevidence or proofconsists of theparticularqualities thatmake a persondifferent fromothersthe ability to formpictures or ideas inthe mind of thingsthat are new andexciting, or thingsthat have not yetbeen experienceda version of languagespoken by the peopleof a particular place,time, or social group;writers often usedialect to give theirworks a realisticflavora comparison oftwo seeminglyunlike thingsusing the wordlike or asthe time and place inwhich a literary workoccurs, together withall the details used tocreate a sense of aparticular time andplacean animal, thing,force of nature, oridea is describedas if it were humanor given humancharacteristicsa storyteller who "missesthe point" of the events orthings he describes in astory, who plainlymisinterprets the motivesor actions of characters, orwho fails to see theconnections betweenevents in the storythe feeling ofenthusiasmobtained fromsomeone orsomething thatprovides new andcreative ideasa narrativetechnique in whichthe storyline is toldout ofchronologicalorderone thing isspoken orwritten aboutas if it wereanotherused tocreate wordpictures orimagesa statementthatcontradictsitselfa word, phrase,statement, oridea that can beunderstood inmore than onewaythe familiar and theunfamiliar clash;emphasis on scienceor technology,speculation aboutpast, current, orfuture events, andsocial commentarya strugglebetweentwo forcesthe emotioncreated in thereader bypart of all of aliterary workthe belief in aprinciple, idea, orstandard that is good,worth trying toachieve, and seemsto be the bestpossible example of itidea, or otherelement of thestory; mostlydescriptive,often little or noplot detaila work in whichthe characters,events, or settingssymbolize, orrepresent,something elsethe speech of thecommon people;often used loosely torefer to colloquial,dialectical, or slangexpressionsa force thatmoves acharacter tothink, feel, orbehave in acertain wayanything thatstands for orrepresents bothitself andsomething elsea seeminglycontradictorystatement, idea,or event thatmay actually betrueunexplainedfeelings thatsomething is trueeven if there isn’tevidence or proofconsists of theparticularqualities thatmake a persondifferent fromothersthe ability to formpictures or ideas inthe mind of thingsthat are new andexciting, or thingsthat have not yetbeen experienceda version of languagespoken by the peopleof a particular place,time, or social group;writers often usedialect to give theirworks a realisticflavora comparison oftwo seeminglyunlike thingsusing the wordlike or asthe time and place inwhich a literary workoccurs, together withall the details used tocreate a sense of aparticular time andplacean animal, thing,force of nature, oridea is describedas if it were humanor given humancharacteristicsa storyteller who "missesthe point" of the events orthings he describes in astory, who plainlymisinterprets the motivesor actions of characters, orwho fails to see theconnections betweenevents in the storythe feeling ofenthusiasmobtained fromsomeone orsomething thatprovides new andcreative ideasa narrativetechnique in whichthe storyline is toldout ofchronologicalorderone thing isspoken orwritten aboutas if it wereanotherused tocreate wordpictures orimagesa statementthatcontradictsitselfa word, phrase,statement, oridea that can beunderstood inmore than onewaythe familiar and theunfamiliar clash;emphasis on scienceor technology,speculation aboutpast, current, orfuture events, andsocial commentarya strugglebetweentwo forces

November: IBDP Prose Fiction - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. the emotion created in the reader by part of all of a literary work
  2. the belief in a principle, idea, or standard that is good, worth trying to achieve, and seems to be the best possible example of it
  3. idea, or other element of the story; mostly descriptive, often little or no plot detail
  4. a work in which the characters, events, or settings symbolize, or represent, something else
  5. the speech of the common people; often used loosely to refer to colloquial, dialectical, or slang expressions
  6. a force that moves a character to think, feel, or behave in a certain way
  7. anything that stands for or represents both itself and something else
  8. a seemingly contradictory statement, idea, or event that may actually be true
  9. unexplained feelings that something is true even if there isn’t evidence or proof
  10. consists of the particular qualities that make a person different from others
  11. the ability to form pictures or ideas in the mind of things that are new and exciting, or things that have not yet been experienced
  12. a version of language spoken by the people of a particular place, time, or social group; writers often use dialect to give their works a realistic flavor
  13. a comparison of two seemingly unlike things using the word like or as
  14. the time and place in which a literary work occurs, together with all the details used to create a sense of a particular time and place
  15. an animal, thing, force of nature, or idea is described as if it were human or given human characteristics
  16. a storyteller who "misses the point" of the events or things he describes in a story, who plainly misinterprets the motives or actions of characters, or who fails to see the connections between events in the story
  17. the feeling of enthusiasm obtained from someone or something that provides new and creative ideas
  18. a narrative technique in which the storyline is told out of chronological order
  19. one thing is spoken or written about as if it were another
  20. used to create word pictures or images
  21. a statement that contradicts itself
  22. a word, phrase, statement, or idea that can be understood in more than one way
  23. the familiar and the unfamiliar clash; emphasis on science or technology, speculation about past, current, or future events, and social commentary
  24. a struggle between two forces