the emotioncreated in thereader bypart of all of aliterary workconsists of theparticularqualities thatmake a persondifferent fromothersunexplainedfeelings thatsomething is trueeven if there isn’tevidence or proofused tocreate wordpictures orimagesidea, or otherelement of thestory; mostlydescriptive,often little or noplot detailthe ability to formpictures or ideas inthe mind of thingsthat are new andexciting, or thingsthat have not yetbeen experiencedthe time and place inwhich a literary workoccurs, together withall the details used tocreate a sense of aparticular time andplaceone thing isspoken orwritten aboutas if it wereanothera force thatmoves acharacter tothink, feel, orbehave in acertain waya version of languagespoken by the peopleof a particular place,time, or social group;writers often usedialect to give theirworks a realisticflavora seeminglycontradictorystatement, idea,or event thatmay actually betruea statementthatcontradictsitselfa strugglebetweentwo forcesanything thatstands for orrepresents bothitself andsomething elsea narrativetechnique in whichthe storyline is toldout ofchronologicalordera work in whichthe characters,events, or settingssymbolize, orrepresent,something elsethe speech of thecommon people;often used loosely torefer to colloquial,dialectical, or slangexpressionsthe familiar and theunfamiliar clash;emphasis on scienceor technology,speculation aboutpast, current, orfuture events, andsocial commentaryan animal, thing,force of nature, oridea is describedas if it were humanor given humancharacteristicsa storyteller who "missesthe point" of the events orthings he describes in astory, who plainlymisinterprets the motivesor actions of characters, orwho fails to see theconnections betweenevents in the storya comparison oftwo seeminglyunlike thingsusing the wordlike or asthe feeling ofenthusiasmobtained fromsomeone orsomething thatprovides new andcreative ideasa word, phrase,statement, oridea that can beunderstood inmore than onewaythe belief in aprinciple, idea, orstandard that is good,worth trying toachieve, and seemsto be the bestpossible example of itthe emotioncreated in thereader bypart of all of aliterary workconsists of theparticularqualities thatmake a persondifferent fromothersunexplainedfeelings thatsomething is trueeven if there isn’tevidence or proofused tocreate wordpictures orimagesidea, or otherelement of thestory; mostlydescriptive,often little or noplot detailthe ability to formpictures or ideas inthe mind of thingsthat are new andexciting, or thingsthat have not yetbeen experiencedthe time and place inwhich a literary workoccurs, together withall the details used tocreate a sense of aparticular time andplaceone thing isspoken orwritten aboutas if it wereanothera force thatmoves acharacter tothink, feel, orbehave in acertain waya version of languagespoken by the peopleof a particular place,time, or social group;writers often usedialect to give theirworks a realisticflavora seeminglycontradictorystatement, idea,or event thatmay actually betruea statementthatcontradictsitselfa strugglebetweentwo forcesanything thatstands for orrepresents bothitself andsomething elsea narrativetechnique in whichthe storyline is toldout ofchronologicalordera work in whichthe characters,events, or settingssymbolize, orrepresent,something elsethe speech of thecommon people;often used loosely torefer to colloquial,dialectical, or slangexpressionsthe familiar and theunfamiliar clash;emphasis on scienceor technology,speculation aboutpast, current, orfuture events, andsocial commentaryan animal, thing,force of nature, oridea is describedas if it were humanor given humancharacteristicsa storyteller who "missesthe point" of the events orthings he describes in astory, who plainlymisinterprets the motivesor actions of characters, orwho fails to see theconnections betweenevents in the storya comparison oftwo seeminglyunlike thingsusing the wordlike or asthe feeling ofenthusiasmobtained fromsomeone orsomething thatprovides new andcreative ideasa word, phrase,statement, oridea that can beunderstood inmore than onewaythe belief in aprinciple, idea, orstandard that is good,worth trying toachieve, and seemsto be the bestpossible example of it

November: IBDP Prose Fiction - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
  1. the emotion created in the reader by part of all of a literary work
  2. consists of the particular qualities that make a person different from others
  3. unexplained feelings that something is true even if there isn’t evidence or proof
  4. used to create word pictures or images
  5. idea, or other element of the story; mostly descriptive, often little or no plot detail
  6. the ability to form pictures or ideas in the mind of things that are new and exciting, or things that have not yet been experienced
  7. the time and place in which a literary work occurs, together with all the details used to create a sense of a particular time and place
  8. one thing is spoken or written about as if it were another
  9. a force that moves a character to think, feel, or behave in a certain way
  10. a version of language spoken by the people of a particular place, time, or social group; writers often use dialect to give their works a realistic flavor
  11. a seemingly contradictory statement, idea, or event that may actually be true
  12. a statement that contradicts itself
  13. a struggle between two forces
  14. anything that stands for or represents both itself and something else
  15. a narrative technique in which the storyline is told out of chronological order
  16. a work in which the characters, events, or settings symbolize, or represent, something else
  17. the speech of the common people; often used loosely to refer to colloquial, dialectical, or slang expressions
  18. the familiar and the unfamiliar clash; emphasis on science or technology, speculation about past, current, or future events, and social commentary
  19. an animal, thing, force of nature, or idea is described as if it were human or given human characteristics
  20. a storyteller who "misses the point" of the events or things he describes in a story, who plainly misinterprets the motives or actions of characters, or who fails to see the connections between events in the story
  21. a comparison of two seemingly unlike things using the word like or as
  22. the feeling of enthusiasm obtained from someone or something that provides new and creative ideas
  23. a word, phrase, statement, or idea that can be understood in more than one way
  24. the belief in a principle, idea, or standard that is good, worth trying to achieve, and seems to be the best possible example of it