A theory of literarycriticism that employsthe principles ofrhetoric to examinethe interactionsbetween a text, anauthor, and anaudience.A force thatmoves acharacter tothink, feel, orbehave in acertain way.Anything thatstands for orrepresents bothitself andsomething else.Thedifferencebetweenappearanceand reality.A run-on sentencein which only acomma separatestwo completesentences.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.A central messageor perceptionabout life revealedthrough a literarywork.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.An individualthat takespart in theaction of aliterary work.A strugglebetweentwoforces.A recurringsubject,theme,idea, etc.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.Thecorrespondence,or match, ingender andnumber betweengrammaticalforms.The speaker’saim, goal, orintentions inproducing thetext.Two or morecompletesentencesrun togetheras one.A group of words thatis punctuated as if itwere a completesentence but that doesnot contain both asubject and a verb orthat does not expressa complete thought.The emotioncreated in thereader bypart of all of aliterary work.The technique ofhinting at eventsthat will occurlater in a story.The word orwords that apronounstands for.A theory ofliterary criticismthat suggests atext is astorehouse ofsymbols.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.The state of beingclose together orside by side,especially forcomparison orcontrast.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.A group of wordsthat contains asubject and a verband expresses acomplete thought.A theory of literarycriticism that employsthe principles ofrhetoric to examinethe interactionsbetween a text, anauthor, and anaudience.A force thatmoves acharacter tothink, feel, orbehave in acertain way.Anything thatstands for orrepresents bothitself andsomething else.Thedifferencebetweenappearanceand reality.A run-on sentencein which only acomma separatestwo completesentences.Refers to whomevera text or performanceis aimed at, and thecharacteristics,impact or desiredresponse created.A central messageor perceptionabout life revealedthrough a literarywork.The characteristicsof the writer/author,character, point ofview, or “voice” whospeaks in ornarrates.An individualthat takespart in theaction of aliterary work.A strugglebetweentwoforces.A recurringsubject,theme,idea, etc.Writing or speechmeant to beunderstoodimaginativelyinstead of literally.Thecorrespondence,or match, ingender andnumber betweengrammaticalforms.The speaker’saim, goal, orintentions inproducing thetext.Two or morecompletesentencesrun togetheras one.A group of words thatis punctuated as if itwere a completesentence but that doesnot contain both asubject and a verb orthat does not expressa complete thought.The emotioncreated in thereader bypart of all of aliterary work.The technique ofhinting at eventsthat will occurlater in a story.The word orwords that apronounstands for.A theory ofliterary criticismthat suggests atext is astorehouse ofsymbols.The apparentemotional state, or“attitude”, of thespeaker, asconveyed throughthe language of thework.The state of beingclose together orside by side,especially forcomparison orcontrast.The context andenvironmentalfactors or settingaffecting themeaning of theliterary work.A group of wordsthat contains asubject and a verband expresses acomplete thought.

December: Miscellaneous Review - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. A theory of literary criticism that employs the principles of rhetoric to examine the interactions between a text, an author, and an audience.
  2. A force that moves a character to think, feel, or behave in a certain way.
  3. Anything that stands for or represents both itself and something else.
  4. The difference between appearance and reality.
  5. A run-on sentence in which only a comma separates two complete sentences.
  6. Refers to whomever a text or performance is aimed at, and the characteristics, impact or desired response created.
  7. A central message or perception about life revealed through a literary work.
  8. The characteristics of the writer/author, character, point of view, or “voice” who speaks in or narrates.
  9. An individual that takes part in the action of a literary work.
  10. A struggle between two forces.
  11. A recurring subject, theme, idea, etc.
  12. Writing or speech meant to be understood imaginatively instead of literally.
  13. The correspondence, or match, in gender and number between grammatical forms.
  14. The speaker’s aim, goal, or intentions in producing the text.
  15. Two or more complete sentences run together as one.
  16. A group of words that is punctuated as if it were a complete sentence but that does not contain both a subject and a verb or that does not express a complete thought.
  17. The emotion created in the reader by part of all of a literary work.
  18. The technique of hinting at events that will occur later in a story.
  19. The word or words that a pronoun stands for.
  20. A theory of literary criticism that suggests a text is a storehouse of symbols.
  21. The apparent emotional state, or “attitude”, of the speaker, as conveyed through the language of the work.
  22. The state of being close together or side by side, especially for comparison or contrast.
  23. The context and environmental factors or setting affecting the meaning of the literary work.
  24. A group of words that contains a subject and a verb and expresses a complete thought.