Allusionreference to awell knownperson, place,event, literarywork, or work ofartExposition the part of the plotwhich introducesthe characters, thesetting, and thebasic situation orconflict Settingthe timeand placeof a storyAntagonista characteror force inconflict withthe maincharacterconflicta strugglebetween twoopposingforcesrisingactionthe part of theplot where thecentral conflictis developedSymbolismanything that standsfor or representssomething else,something concretewhich is used torepresent somethingabstractMr.BrownThe leader ofthe church whohas arestrainedapproach inTFA.EmiliaThis person issent to tellOthello andDesdemonaabout Cassio'swoundsPlotthe sequenceof events of astory, the actionin chronologicalorderSighetThe townElie andhis familyare from.MontanoTheGovernor ofCyprus inAct II ofOthello.protagonistthe maincharacterin a literaryworkForeshadowingthe author’suse of clues tohint at whatmight happenlater in thestoryInferencea logical conclusionor educatedassumption areader makes fromthe informationgivendialecta form of alanguagespoken bypeople in aparticular regionor groupAlliterationthe repetitionof consonantsoundsSimilean indirectcomparison oftwo dissimilarthings using“like” or “as”GreenThis is Ms.Griffin'sfavoritecolor.firstpersona character tellsthe story anduses thepronoun “I” torefer to himselfor herselfThemethe centralmessage,concern,universal truth,or purpose of astoryMetaphora directcomparisonof twodissimilarthingsonomatopoeiawords thatcapture asoundPointof viewtheperspective orvantage pointfrom which astory is tolddialoguea conversationbetween two ormorecharacters in aliterary workEzinmaThis isOkonwo'sfavoritechild.thirdpersonomniscientthe story is told by anarrator who can “see”into the minds andhearts of several or allof the characters anduses the pronouns “he,she, or they” to refer tothe charactersFallingActionthe part of the plotwhich follows theclimax and ties upthe “loose ends ofthe story” before theresolutionMr.SmithThe zealousandaggressivechurch leaderin TFA.thirdpersonlimitedthe story is told by anarrator who can only“see” into the mind andheart of one characterin the story and usesthe pronouns “he orshe” to refer to thatcharacterIronysomething that isunexpected, theopposite of what isexpected orthought to be trueA-7713This is the numberElie is given in theconcentration camp.It becomes his 'name'for the rest of his timein the Concentrationcamp.MoishetheBeadleThe person whohelped Elie withhis studies of theKabala at thebeginning of thenovelclimaxthe highest pointof interest orsuspense of theplot of a story; thelast crisis in theactionAllusionreference to awell knownperson, place,event, literarywork, or work ofartExposition the part of the plotwhich introducesthe characters, thesetting, and thebasic situation orconflict Settingthe timeand placeof a storyAntagonista characteror force inconflict withthe maincharacterconflicta strugglebetween twoopposingforcesrisingactionthe part of theplot where thecentral conflictis developedSymbolismanything that standsfor or representssomething else,something concretewhich is used torepresent somethingabstractMr.BrownThe leader ofthe church whohas arestrainedapproach inTFA.EmiliaThis person issent to tellOthello andDesdemonaabout Cassio'swoundsPlotthe sequenceof events of astory, the actionin chronologicalorderSighetThe townElie andhis familyare from.MontanoTheGovernor ofCyprus inAct II ofOthello.protagonistthe maincharacterin a literaryworkForeshadowingthe author’suse of clues tohint at whatmight happenlater in thestoryInferencea logical conclusionor educatedassumption areader makes fromthe informationgivendialecta form of alanguagespoken bypeople in aparticular regionor groupAlliterationthe repetitionof consonantsoundsSimilean indirectcomparison oftwo dissimilarthings using“like” or “as”GreenThis is Ms.Griffin'sfavoritecolor.firstpersona character tellsthe story anduses thepronoun “I” torefer to himselfor herselfThemethe centralmessage,concern,universal truth,or purpose of astoryMetaphora directcomparisonof twodissimilarthingsonomatopoeiawords thatcapture asoundPointof viewtheperspective orvantage pointfrom which astory is tolddialoguea conversationbetween two ormorecharacters in aliterary workEzinmaThis isOkonwo'sfavoritechild.thirdpersonomniscientthe story is told by anarrator who can “see”into the minds andhearts of several or allof the characters anduses the pronouns “he,she, or they” to refer tothe charactersFallingActionthe part of the plotwhich follows theclimax and ties upthe “loose ends ofthe story” before theresolutionMr.SmithThe zealousandaggressivechurch leaderin TFA.thirdpersonlimitedthe story is told by anarrator who can only“see” into the mind andheart of one characterin the story and usesthe pronouns “he orshe” to refer to thatcharacterIronysomething that isunexpected, theopposite of what isexpected orthought to be trueA-7713This is the numberElie is given in theconcentration camp.It becomes his 'name'for the rest of his timein the Concentrationcamp.MoishetheBeadleThe person whohelped Elie withhis studies of theKabala at thebeginning of thenovelclimaxthe highest pointof interest orsuspense of theplot of a story; thelast crisis in theaction

World Literature Final Final - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. reference to a well known person, place, event, literary work, or work of art
    Allusion
  2. the part of the plot which introduces the characters, the setting, and the basic situation or conflict
    Exposition
  3. the time and place of a story
    Setting
  4. a character or force in conflict with the main character
    Antagonist
  5. a struggle between two opposing forces
    conflict
  6. the part of the plot where the central conflict is developed
    rising action
  7. anything that stands for or represents something else, something concrete which is used to represent something abstract
    Symbolism
  8. The leader of the church who has a restrained approach in TFA.
    Mr. Brown
  9. This person is sent to tell Othello and Desdemona about Cassio's wounds
    Emilia
  10. the sequence of events of a story, the action in chronological order
    Plot
  11. The town Elie and his family are from.
    Sighet
  12. The Governor of Cyprus in Act II of Othello.
    Montano
  13. the main character in a literary work
    protagonist
  14. the author’s use of clues to hint at what might happen later in the story
    Foreshadowing
  15. a logical conclusion or educated assumption a reader makes from the information given
    Inference
  16. a form of a language spoken by people in a particular region or group
    dialect
  17. the repetition of consonant sounds
    Alliteration
  18. an indirect comparison of two dissimilar things using “like” or “as”
    Simile
  19. This is Ms. Griffin's favorite color.
    Green
  20. a character tells the story and uses the pronoun “I” to refer to himself or herself
    first person
  21. the central message, concern, universal truth, or purpose of a story
    Theme
  22. a direct comparison of two dissimilar things
    Metaphor
  23. words that capture a sound
    onomatopoeia
  24. the perspective or vantage point from which a story is told
    Point of view
  25. a conversation between two or more characters in a literary work
    dialogue
  26. This is Okonwo's favorite child.
    Ezinma
  27. the story is told by a narrator who can “see” into the minds and hearts of several or all of the characters and uses the pronouns “he, she, or they” to refer to the characters
    third person omniscient
  28. the part of the plot which follows the climax and ties up the “loose ends of the story” before the resolution
    Falling Action
  29. The zealous and aggressive church leader in TFA.
    Mr. Smith
  30. the story is told by a narrator who can only “see” into the mind and heart of one character in the story and uses the pronouns “he or she” to refer to that character
    third person limited
  31. something that is unexpected, the opposite of what is expected or thought to be true
    Irony
  32. This is the number Elie is given in the concentration camp. It becomes his 'name' for the rest of his time in the Concentration camp.
    A-7713
  33. The person who helped Elie with his studies of the Kabala at the beginning of the novel
    Moishe the Beadle
  34. the highest point of interest or suspense of the plot of a story; the last crisis in the action
    climax