Movementincludes theword"Behold" inits titleViolasectionhas themelodyConductor fucksup orchestraentrances inrecitativo,particularly veryexposed chords inffSomebody inthe audiencefalls asleepUnnecessaryencore aftera 2h30 piece That aria about astorm, naturaldisaster or warthat is way too fastfor the strings. Somebody notremembering thescheduled cutsand entering in thewrong movementThe only well-known movementthat is the reasonwhy 80% of theaudience is in theconcertThat aria in which asolo soprano from thechoir has a protagonicrole by singing somegimmick, makingeveryone appreciatethat the soloists areexternal professionalsingers.That movement in thesecond half that youhear for the first time inthe concert and wouldswear that it was neverrehearsed despite yourannotations in thescoreHarpsichord playerarpeggiates theresolution chordwaaay longer thanneededGig takesplace in achurchwithoutheatingSad soprano ariawith a slowcounter melody onthe woodwinds,most likely oboesEnd of act witha slowintroductionfollowed by anallegro infugato styleThat movement,usually at the end, inwhich second violinshave accompanimentin triplets for severalpagesTacet movementturns out to be anAria Da Capo thatdoesn't seem toever endMovementincludes theword"Behold" inits titleViolasectionhas themelodyConductor fucksup orchestraentrances inrecitativo,particularly veryexposed chords inffSomebody inthe audiencefalls asleepUnnecessaryencore aftera 2h30 piece That aria about astorm, naturaldisaster or warthat is way too fastfor the strings. Somebody notremembering thescheduled cutsand entering in thewrong movementThe only well-known movementthat is the reasonwhy 80% of theaudience is in theconcertThat aria in which asolo soprano from thechoir has a protagonicrole by singing somegimmick, makingeveryone appreciatethat the soloists areexternal professionalsingers.That movement in thesecond half that youhear for the first time inthe concert and wouldswear that it was neverrehearsed despite yourannotations in thescoreHarpsichord playerarpeggiates theresolution chordwaaay longer thanneededGig takesplace in achurchwithoutheatingSad soprano ariawith a slowcounter melody onthe woodwinds,most likely oboesEnd of act witha slowintroductionfollowed by anallegro infugato styleThat movement,usually at the end, inwhich second violinshave accompanimentin triplets for severalpagesTacet movementturns out to be anAria Da Capo thatdoesn't seem toever end

Baroque/Classical Oratorio - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
  1. Movement includes the word "Behold" in its title
  2. Viola section has the melody
  3. Conductor fucks up orchestra entrances in recitativo, particularly very exposed chords in ff
  4. Somebody in the audience falls asleep
  5. Unnecessary encore after a 2h30 piece
  6. That aria about a storm, natural disaster or war that is way too fast for the strings.
  7. Somebody not remembering the scheduled cuts and entering in the wrong movement
  8. The only well-known movement that is the reason why 80% of the audience is in the concert
  9. That aria in which a solo soprano from the choir has a protagonic role by singing some gimmick, making everyone appreciate that the soloists are external professional singers.
  10. That movement in the second half that you hear for the first time in the concert and would swear that it was never rehearsed despite your annotations in the score
  11. Harpsichord player arpeggiates the resolution chord waaay longer than needed
  12. Gig takes place in a church without heating
  13. Sad soprano aria with a slow counter melody on the woodwinds, most likely oboes
  14. End of act with a slow introduction followed by an allegro in fugato style
  15. That movement, usually at the end, in which second violins have accompaniment in triplets for several pages
  16. Tacet movement turns out to be an Aria Da Capo that doesn't seem to ever end