That aria about astorm, naturaldisaster or warthat is way too fastfor the strings. Gig takesplace in achurchwithoutheatingSomebody inthe audiencefalls asleepHarpsichord playerarpeggiates theresolution chordwaaay longer thanneededThat movement in thesecond half that youhear for the first time inthe concert and wouldswear that it was neverrehearsed despite yourannotations in thescoreConductor fucksup orchestraentrances inrecitativo,particularly veryexposed chords inffViolasectionhas themelodyThat movement,usually at the end, inwhich second violinshave accompanimentin triplets for severalpagesThat aria in which asolo soprano from thechoir has a protagonicrole by singing somegimmick, makingeveryone appreciatethat the soloists areexternal professionalsingers.The only well-known movementthat is the reasonwhy 80% of theaudience is in theconcertMovementincludes theword"Behold" inits titleSomebody notremembering thescheduled cutsand entering in thewrong movementTacet movementturns out to be anAria Da Capo thatdoesn't seem toever endUnnecessaryencore aftera 2h30 pieceEnd of act witha slowintroductionfollowed by anallegro infugato styleSad soprano ariawith a slowcounter melody onthe woodwinds,most likely oboes That aria about astorm, naturaldisaster or warthat is way too fastfor the strings. Gig takesplace in achurchwithoutheatingSomebody inthe audiencefalls asleepHarpsichord playerarpeggiates theresolution chordwaaay longer thanneededThat movement in thesecond half that youhear for the first time inthe concert and wouldswear that it was neverrehearsed despite yourannotations in thescoreConductor fucksup orchestraentrances inrecitativo,particularly veryexposed chords inffViolasectionhas themelodyThat movement,usually at the end, inwhich second violinshave accompanimentin triplets for severalpagesThat aria in which asolo soprano from thechoir has a protagonicrole by singing somegimmick, makingeveryone appreciatethat the soloists areexternal professionalsingers.The only well-known movementthat is the reasonwhy 80% of theaudience is in theconcertMovementincludes theword"Behold" inits titleSomebody notremembering thescheduled cutsand entering in thewrong movementTacet movementturns out to be anAria Da Capo thatdoesn't seem toever endUnnecessaryencore aftera 2h30 pieceEnd of act witha slowintroductionfollowed by anallegro infugato styleSad soprano ariawith a slowcounter melody onthe woodwinds,most likely oboes

Baroque/Classical Oratorio - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. That aria about a storm, natural disaster or war that is way too fast for the strings.
  2. Gig takes place in a church without heating
  3. Somebody in the audience falls asleep
  4. Harpsichord player arpeggiates the resolution chord waaay longer than needed
  5. That movement in the second half that you hear for the first time in the concert and would swear that it was never rehearsed despite your annotations in the score
  6. Conductor fucks up orchestra entrances in recitativo, particularly very exposed chords in ff
  7. Viola section has the melody
  8. That movement, usually at the end, in which second violins have accompaniment in triplets for several pages
  9. That aria in which a solo soprano from the choir has a protagonic role by singing some gimmick, making everyone appreciate that the soloists are external professional singers.
  10. The only well-known movement that is the reason why 80% of the audience is in the concert
  11. Movement includes the word "Behold" in its title
  12. Somebody not remembering the scheduled cuts and entering in the wrong movement
  13. Tacet movement turns out to be an Aria Da Capo that doesn't seem to ever end
  14. Unnecessary encore after a 2h30 piece
  15. End of act with a slow introduction followed by an allegro in fugato style
  16. Sad soprano aria with a slow counter melody on the woodwinds, most likely oboes