Arpeggiating6/4DirectParallelsPlagalCadenceStrongBeatPassingToneTonicPassing6/4Cadential6/4NeighborTonesWeakBeatUnequalFifthsPhrygianHalfCadenceSprung/FrustratedL.T.ImperfectAuthenticCadenceVoiceOverlapPredominantExpansionPedal6/4ScaleDegree7ParallelOctavesDominantPerfectAuthenticCadenceSecondInversionInversionPhoneNumberAnticipationFirstInversionChordalSeventhsVoiceExchangeSuspensionEmbeddedPhraseModelSecond-LevelAnalysisParallelTenthsParallelFifthsDeceptiveCadenceLeadingToneHalfCadenceConsecutiveParallelsVoiceCrossing10-The-Long-WayThirdInversionArpeggiating6/4DirectParallelsPlagalCadenceStrongBeatPassingToneTonicPassing6/4Cadential6/4NeighborTonesWeakBeatUnequalFifthsPhrygianHalfCadenceSprung/FrustratedL.T.ImperfectAuthenticCadenceVoiceOverlapPredominantExpansionPedal6/4ScaleDegree7ParallelOctavesDominantPerfectAuthenticCadenceSecondInversionInversionPhoneNumberAnticipationFirstInversionChordalSeventhsVoiceExchangeSuspensionEmbeddedPhraseModelSecond-LevelAnalysisParallelTenthsParallelFifthsDeceptiveCadenceLeadingToneHalfCadenceConsecutiveParallelsVoiceCrossing10-The-Long-WayThirdInversion

Units 2 & 3 BINGO! :D - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Arpeggiating 6/4
  2. Direct Parallels
  3. Plagal Cadence
  4. Strong Beat
  5. Passing Tone
  6. Tonic
  7. Passing 6/4
  8. Cadential 6/4
  9. Neighbor Tones
  10. Weak Beat
  11. Unequal Fifths
  12. Phrygian Half Cadence
  13. Sprung/Frustrated L.T.
  14. Imperfect Authentic Cadence
  15. Voice Overlap
  16. Predominant
  17. Expansion
  18. Pedal 6/4
  19. Scale Degree 7
  20. Parallel Octaves
  21. Dominant
  22. Perfect Authentic Cadence
  23. Second Inversion
  24. Inversion Phone Number
  25. Anticipation
  26. First Inversion
  27. Chordal Sevenths
  28. Voice Exchange
  29. Suspension
  30. Embedded Phrase Model
  31. Second-Level Analysis
  32. Parallel Tenths
  33. Parallel Fifths
  34. Deceptive Cadence
  35. Leading Tone
  36. Half Cadence
  37. Consecutive Parallels
  38. Voice Crossing
  39. 10-The-Long-Way
  40. Third Inversion