DeceptiveCadenceEmbeddedPhraseModelArpeggiating6/4Second-LevelAnalysisFirstInversionPlagalCadenceNeighborTonesStrongBeatPassingTonePerfectAuthenticCadenceParallelOctavesExpansionScaleDegree7DirectParallelsSprung/FrustratedL.T.10-The-Long-WaySuspensionDominantVoiceCrossingUnequalFifthsCadential6/4ConsecutiveParallelsVoiceExchangeInversionPhoneNumberWeakBeatThirdInversionPedal6/4LeadingTonePhrygianHalfCadenceAnticipationHalfCadenceVoiceOverlapPassing6/4TonicSecondInversionParallelTenthsPredominantImperfectAuthenticCadenceParallelFifthsChordalSeventhsDeceptiveCadenceEmbeddedPhraseModelArpeggiating6/4Second-LevelAnalysisFirstInversionPlagalCadenceNeighborTonesStrongBeatPassingTonePerfectAuthenticCadenceParallelOctavesExpansionScaleDegree7DirectParallelsSprung/FrustratedL.T.10-The-Long-WaySuspensionDominantVoiceCrossingUnequalFifthsCadential6/4ConsecutiveParallelsVoiceExchangeInversionPhoneNumberWeakBeatThirdInversionPedal6/4LeadingTonePhrygianHalfCadenceAnticipationHalfCadenceVoiceOverlapPassing6/4TonicSecondInversionParallelTenthsPredominantImperfectAuthenticCadenceParallelFifthsChordalSevenths

Units 2 & 3 BINGO! :D - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Deceptive Cadence
  2. Embedded Phrase Model
  3. Arpeggiating 6/4
  4. Second-Level Analysis
  5. First Inversion
  6. Plagal Cadence
  7. Neighbor Tones
  8. Strong Beat
  9. Passing Tone
  10. Perfect Authentic Cadence
  11. Parallel Octaves
  12. Expansion
  13. Scale Degree 7
  14. Direct Parallels
  15. Sprung/Frustrated L.T.
  16. 10-The-Long-Way
  17. Suspension
  18. Dominant
  19. Voice Crossing
  20. Unequal Fifths
  21. Cadential 6/4
  22. Consecutive Parallels
  23. Voice Exchange
  24. Inversion Phone Number
  25. Weak Beat
  26. Third Inversion
  27. Pedal 6/4
  28. Leading Tone
  29. Phrygian Half Cadence
  30. Anticipation
  31. Half Cadence
  32. Voice Overlap
  33. Passing 6/4
  34. Tonic
  35. Second Inversion
  36. Parallel Tenths
  37. Predominant
  38. Imperfect Authentic Cadence
  39. Parallel Fifths
  40. Chordal Sevenths