Sprung/FrustratedL.T.PassingToneEmbeddedPhraseModelTonicHalfCadenceLeadingToneWeakBeatUnequalFifthsNeighborTonesParallelTenthsDeceptiveCadenceScaleDegree7ChordalSeventhsVoiceCrossingCadential6/4PerfectAuthenticCadencePassing6/4ExpansionInversionPhoneNumberPredominant10-The-Long-WayStrongBeatImperfectAuthenticCadenceConsecutiveParallelsSuspensionVoiceOverlapPhrygianHalfCadenceParallelOctavesPedal6/4ParallelFifthsDirectParallelsSecondInversionAnticipationSecond-LevelAnalysisThirdInversionFirstInversionDominantVoiceExchangePlagalCadenceArpeggiating6/4Sprung/FrustratedL.T.PassingToneEmbeddedPhraseModelTonicHalfCadenceLeadingToneWeakBeatUnequalFifthsNeighborTonesParallelTenthsDeceptiveCadenceScaleDegree7ChordalSeventhsVoiceCrossingCadential6/4PerfectAuthenticCadencePassing6/4ExpansionInversionPhoneNumberPredominant10-The-Long-WayStrongBeatImperfectAuthenticCadenceConsecutiveParallelsSuspensionVoiceOverlapPhrygianHalfCadenceParallelOctavesPedal6/4ParallelFifthsDirectParallelsSecondInversionAnticipationSecond-LevelAnalysisThirdInversionFirstInversionDominantVoiceExchangePlagalCadenceArpeggiating6/4

Units 2 & 3 BINGO! :D - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Sprung/Frustrated L.T.
  2. Passing Tone
  3. Embedded Phrase Model
  4. Tonic
  5. Half Cadence
  6. Leading Tone
  7. Weak Beat
  8. Unequal Fifths
  9. Neighbor Tones
  10. Parallel Tenths
  11. Deceptive Cadence
  12. Scale Degree 7
  13. Chordal Sevenths
  14. Voice Crossing
  15. Cadential 6/4
  16. Perfect Authentic Cadence
  17. Passing 6/4
  18. Expansion
  19. Inversion Phone Number
  20. Predominant
  21. 10-The-Long-Way
  22. Strong Beat
  23. Imperfect Authentic Cadence
  24. Consecutive Parallels
  25. Suspension
  26. Voice Overlap
  27. Phrygian Half Cadence
  28. Parallel Octaves
  29. Pedal 6/4
  30. Parallel Fifths
  31. Direct Parallels
  32. Second Inversion
  33. Anticipation
  34. Second-Level Analysis
  35. Third Inversion
  36. First Inversion
  37. Dominant
  38. Voice Exchange
  39. Plagal Cadence
  40. Arpeggiating 6/4