ConsecutiveParallelsPhrygianHalfCadence10-The-Long-WaySecondInversionFirstInversionStrongBeatLeadingToneInversionPhoneNumberVoiceExchangeVoiceCrossingEmbeddedPhraseModelChordalSeventhsPassingToneWeakBeatAnticipationPassing6/4DeceptiveCadenceArpeggiating6/4PredominantParallelTenthsVoiceOverlapPerfectAuthenticCadenceCadential6/4TonicSprung/FrustratedL.T.Pedal6/4ThirdInversionParallelOctavesScaleDegree7DirectParallelsSuspensionHalfCadenceParallelFifthsUnequalFifthsDominantNeighborTonesImperfectAuthenticCadenceSecond-LevelAnalysisExpansionPlagalCadenceConsecutiveParallelsPhrygianHalfCadence10-The-Long-WaySecondInversionFirstInversionStrongBeatLeadingToneInversionPhoneNumberVoiceExchangeVoiceCrossingEmbeddedPhraseModelChordalSeventhsPassingToneWeakBeatAnticipationPassing6/4DeceptiveCadenceArpeggiating6/4PredominantParallelTenthsVoiceOverlapPerfectAuthenticCadenceCadential6/4TonicSprung/FrustratedL.T.Pedal6/4ThirdInversionParallelOctavesScaleDegree7DirectParallelsSuspensionHalfCadenceParallelFifthsUnequalFifthsDominantNeighborTonesImperfectAuthenticCadenceSecond-LevelAnalysisExpansionPlagalCadence

Units 2 & 3 BINGO! :D - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Consecutive Parallels
  2. Phrygian Half Cadence
  3. 10-The-Long-Way
  4. Second Inversion
  5. First Inversion
  6. Strong Beat
  7. Leading Tone
  8. Inversion Phone Number
  9. Voice Exchange
  10. Voice Crossing
  11. Embedded Phrase Model
  12. Chordal Sevenths
  13. Passing Tone
  14. Weak Beat
  15. Anticipation
  16. Passing 6/4
  17. Deceptive Cadence
  18. Arpeggiating 6/4
  19. Predominant
  20. Parallel Tenths
  21. Voice Overlap
  22. Perfect Authentic Cadence
  23. Cadential 6/4
  24. Tonic
  25. Sprung/Frustrated L.T.
  26. Pedal 6/4
  27. Third Inversion
  28. Parallel Octaves
  29. Scale Degree 7
  30. Direct Parallels
  31. Suspension
  32. Half Cadence
  33. Parallel Fifths
  34. Unequal Fifths
  35. Dominant
  36. Neighbor Tones
  37. Imperfect Authentic Cadence
  38. Second-Level Analysis
  39. Expansion
  40. Plagal Cadence