Plagal Cadence Leading Tone Passing 6/4 Chordal Sevenths Pedal 6/4 Second Inversion Cadential 6/4 Second- Level Analysis Parallel Octaves Parallel Fifths Strong Beat Passing Tone Embedded Phrase Model Parallel Tenths Voice Crossing Tonic Sprung/Frustrated L.T. Voice Overlap Direct Parallels Arpeggiating 6/4 10-The- Long- Way Perfect Authentic Cadence Scale Degree 7 Dominant Phrygian Half Cadence Weak Beat Consecutive Parallels First Inversion Anticipation Neighbor Tones Voice Exchange Imperfect Authentic Cadence Half Cadence Unequal Fifths Predominant Expansion Inversion Phone Number Suspension Third Inversion Deceptive Cadence Plagal Cadence Leading Tone Passing 6/4 Chordal Sevenths Pedal 6/4 Second Inversion Cadential 6/4 Second- Level Analysis Parallel Octaves Parallel Fifths Strong Beat Passing Tone Embedded Phrase Model Parallel Tenths Voice Crossing Tonic Sprung/Frustrated L.T. Voice Overlap Direct Parallels Arpeggiating 6/4 10-The- Long- Way Perfect Authentic Cadence Scale Degree 7 Dominant Phrygian Half Cadence Weak Beat Consecutive Parallels First Inversion Anticipation Neighbor Tones Voice Exchange Imperfect Authentic Cadence Half Cadence Unequal Fifths Predominant Expansion Inversion Phone Number Suspension Third Inversion Deceptive Cadence
(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
Plagal Cadence
Leading Tone
Passing 6/4
Chordal Sevenths
Pedal 6/4
Second Inversion
Cadential 6/4
Second-Level Analysis
Parallel Octaves
Parallel Fifths
Strong Beat
Passing Tone
Embedded Phrase Model
Parallel Tenths
Voice Crossing
Tonic
Sprung/Frustrated L.T.
Voice Overlap
Direct Parallels
Arpeggiating 6/4
10-The-Long-Way
Perfect Authentic Cadence
Scale Degree 7
Dominant
Phrygian Half Cadence
Weak Beat
Consecutive Parallels
First Inversion
Anticipation
Neighbor Tones
Voice Exchange
Imperfect Authentic Cadence
Half Cadence
Unequal Fifths
Predominant
Expansion
Inversion Phone Number
Suspension
Third Inversion
Deceptive Cadence