NeighborTonesPlagalCadence10-The-Long-WayPassing6/4PhrygianHalfCadenceHalfCadenceParallelOctavesPedal6/4TonicChordalSeventhsDirectParallelsPerfectAuthenticCadenceParallelFifthsVoiceExchangeExpansionArpeggiating6/4SuspensionWeakBeatParallelTenthsUnequalFifthsThirdInversionConsecutiveParallelsInversionPhoneNumberVoiceCrossingDeceptiveCadenceDominantPassingTonePredominantStrongBeatVoiceOverlapImperfectAuthenticCadenceEmbeddedPhraseModelLeadingToneFirstInversionAnticipationScaleDegree7Sprung/FrustratedL.T.SecondInversionCadential6/4Second-LevelAnalysisNeighborTonesPlagalCadence10-The-Long-WayPassing6/4PhrygianHalfCadenceHalfCadenceParallelOctavesPedal6/4TonicChordalSeventhsDirectParallelsPerfectAuthenticCadenceParallelFifthsVoiceExchangeExpansionArpeggiating6/4SuspensionWeakBeatParallelTenthsUnequalFifthsThirdInversionConsecutiveParallelsInversionPhoneNumberVoiceCrossingDeceptiveCadenceDominantPassingTonePredominantStrongBeatVoiceOverlapImperfectAuthenticCadenceEmbeddedPhraseModelLeadingToneFirstInversionAnticipationScaleDegree7Sprung/FrustratedL.T.SecondInversionCadential6/4Second-LevelAnalysis

Units 2 & 3 BINGO! :D - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Neighbor Tones
  2. Plagal Cadence
  3. 10-The-Long-Way
  4. Passing 6/4
  5. Phrygian Half Cadence
  6. Half Cadence
  7. Parallel Octaves
  8. Pedal 6/4
  9. Tonic
  10. Chordal Sevenths
  11. Direct Parallels
  12. Perfect Authentic Cadence
  13. Parallel Fifths
  14. Voice Exchange
  15. Expansion
  16. Arpeggiating 6/4
  17. Suspension
  18. Weak Beat
  19. Parallel Tenths
  20. Unequal Fifths
  21. Third Inversion
  22. Consecutive Parallels
  23. Inversion Phone Number
  24. Voice Crossing
  25. Deceptive Cadence
  26. Dominant
  27. Passing Tone
  28. Predominant
  29. Strong Beat
  30. Voice Overlap
  31. Imperfect Authentic Cadence
  32. Embedded Phrase Model
  33. Leading Tone
  34. First Inversion
  35. Anticipation
  36. Scale Degree 7
  37. Sprung/Frustrated L.T.
  38. Second Inversion
  39. Cadential 6/4
  40. Second-Level Analysis