Sprung/FrustratedL.T.StrongBeatDeceptiveCadenceExpansionVoiceOverlapPassing6/4LeadingToneThirdInversionPerfectAuthenticCadencePassingToneScaleDegree7ImperfectAuthenticCadenceHalfCadenceDominantChordalSeventhsPlagalCadenceSecondInversionArpeggiating6/4AnticipationParallelOctavesParallelTenthsSuspensionConsecutiveParallelsDirectParallelsCadential6/4PhrygianHalfCadenceWeakBeatPredominantFirstInversion10-The-Long-WayUnequalFifthsEmbeddedPhraseModelVoiceCrossingInversionPhoneNumberTonicNeighborTonesVoiceExchangeParallelFifthsPedal6/4Second-LevelAnalysisSprung/FrustratedL.T.StrongBeatDeceptiveCadenceExpansionVoiceOverlapPassing6/4LeadingToneThirdInversionPerfectAuthenticCadencePassingToneScaleDegree7ImperfectAuthenticCadenceHalfCadenceDominantChordalSeventhsPlagalCadenceSecondInversionArpeggiating6/4AnticipationParallelOctavesParallelTenthsSuspensionConsecutiveParallelsDirectParallelsCadential6/4PhrygianHalfCadenceWeakBeatPredominantFirstInversion10-The-Long-WayUnequalFifthsEmbeddedPhraseModelVoiceCrossingInversionPhoneNumberTonicNeighborTonesVoiceExchangeParallelFifthsPedal6/4Second-LevelAnalysis

Units 2 & 3 BINGO! :D - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Sprung/Frustrated L.T.
  2. Strong Beat
  3. Deceptive Cadence
  4. Expansion
  5. Voice Overlap
  6. Passing 6/4
  7. Leading Tone
  8. Third Inversion
  9. Perfect Authentic Cadence
  10. Passing Tone
  11. Scale Degree 7
  12. Imperfect Authentic Cadence
  13. Half Cadence
  14. Dominant
  15. Chordal Sevenths
  16. Plagal Cadence
  17. Second Inversion
  18. Arpeggiating 6/4
  19. Anticipation
  20. Parallel Octaves
  21. Parallel Tenths
  22. Suspension
  23. Consecutive Parallels
  24. Direct Parallels
  25. Cadential 6/4
  26. Phrygian Half Cadence
  27. Weak Beat
  28. Predominant
  29. First Inversion
  30. 10-The-Long-Way
  31. Unequal Fifths
  32. Embedded Phrase Model
  33. Voice Crossing
  34. Inversion Phone Number
  35. Tonic
  36. Neighbor Tones
  37. Voice Exchange
  38. Parallel Fifths
  39. Pedal 6/4
  40. Second-Level Analysis