HalfCadenceParallelFifthsVoiceCrossingVoiceOverlapSecondInversionStrongBeatParallelTenthsEmbeddedPhraseModelNeighborTonesPhrygianHalfCadencePedal6/4DeceptiveCadenceVoiceExchangeAnticipationCadential6/4PerfectAuthenticCadenceDominantFirstInversionSecond-LevelAnalysisPlagalCadenceImperfectAuthenticCadenceThirdInversionLeadingToneSprung/FrustratedL.T.SuspensionParallelOctavesChordalSeventhsPassingToneUnequalFifthsTonic10-The-Long-WayExpansionDirectParallelsConsecutiveParallelsPredominantArpeggiating6/4WeakBeatPassing6/4ScaleDegree7InversionPhoneNumberHalfCadenceParallelFifthsVoiceCrossingVoiceOverlapSecondInversionStrongBeatParallelTenthsEmbeddedPhraseModelNeighborTonesPhrygianHalfCadencePedal6/4DeceptiveCadenceVoiceExchangeAnticipationCadential6/4PerfectAuthenticCadenceDominantFirstInversionSecond-LevelAnalysisPlagalCadenceImperfectAuthenticCadenceThirdInversionLeadingToneSprung/FrustratedL.T.SuspensionParallelOctavesChordalSeventhsPassingToneUnequalFifthsTonic10-The-Long-WayExpansionDirectParallelsConsecutiveParallelsPredominantArpeggiating6/4WeakBeatPassing6/4ScaleDegree7InversionPhoneNumber

Units 2 & 3 BINGO! :D - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Half Cadence
  2. Parallel Fifths
  3. Voice Crossing
  4. Voice Overlap
  5. Second Inversion
  6. Strong Beat
  7. Parallel Tenths
  8. Embedded Phrase Model
  9. Neighbor Tones
  10. Phrygian Half Cadence
  11. Pedal 6/4
  12. Deceptive Cadence
  13. Voice Exchange
  14. Anticipation
  15. Cadential 6/4
  16. Perfect Authentic Cadence
  17. Dominant
  18. First Inversion
  19. Second-Level Analysis
  20. Plagal Cadence
  21. Imperfect Authentic Cadence
  22. Third Inversion
  23. Leading Tone
  24. Sprung/Frustrated L.T.
  25. Suspension
  26. Parallel Octaves
  27. Chordal Sevenths
  28. Passing Tone
  29. Unequal Fifths
  30. Tonic
  31. 10-The-Long-Way
  32. Expansion
  33. Direct Parallels
  34. Consecutive Parallels
  35. Predominant
  36. Arpeggiating 6/4
  37. Weak Beat
  38. Passing 6/4
  39. Scale Degree 7
  40. Inversion Phone Number