ConsecutiveParallelsPerfectAuthenticCadencePedal6/4UnequalFifthsLeadingToneDeceptiveCadenceExpansionPredominantPlagalCadenceWeakBeatParallelTenthsParallelFifthsImperfectAuthenticCadencePassing6/4PhrygianHalfCadenceCadential6/4VoiceExchangeHalfCadenceFirstInversionScaleDegree7AnticipationSecond-LevelAnalysisChordalSeventhsDirectParallelsInversionPhoneNumberArpeggiating6/4Tonic10-The-Long-WaySecondInversionVoiceCrossingVoiceOverlapPassingToneSuspensionEmbeddedPhraseModelDominantNeighborTonesParallelOctavesStrongBeatSprung/FrustratedL.T.ThirdInversionConsecutiveParallelsPerfectAuthenticCadencePedal6/4UnequalFifthsLeadingToneDeceptiveCadenceExpansionPredominantPlagalCadenceWeakBeatParallelTenthsParallelFifthsImperfectAuthenticCadencePassing6/4PhrygianHalfCadenceCadential6/4VoiceExchangeHalfCadenceFirstInversionScaleDegree7AnticipationSecond-LevelAnalysisChordalSeventhsDirectParallelsInversionPhoneNumberArpeggiating6/4Tonic10-The-Long-WaySecondInversionVoiceCrossingVoiceOverlapPassingToneSuspensionEmbeddedPhraseModelDominantNeighborTonesParallelOctavesStrongBeatSprung/FrustratedL.T.ThirdInversion

Units 2 & 3 BINGO! :D - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
  1. Consecutive Parallels
  2. Perfect Authentic Cadence
  3. Pedal 6/4
  4. Unequal Fifths
  5. Leading Tone
  6. Deceptive Cadence
  7. Expansion
  8. Predominant
  9. Plagal Cadence
  10. Weak Beat
  11. Parallel Tenths
  12. Parallel Fifths
  13. Imperfect Authentic Cadence
  14. Passing 6/4
  15. Phrygian Half Cadence
  16. Cadential 6/4
  17. Voice Exchange
  18. Half Cadence
  19. First Inversion
  20. Scale Degree 7
  21. Anticipation
  22. Second-Level Analysis
  23. Chordal Sevenths
  24. Direct Parallels
  25. Inversion Phone Number
  26. Arpeggiating 6/4
  27. Tonic
  28. 10-The-Long-Way
  29. Second Inversion
  30. Voice Crossing
  31. Voice Overlap
  32. Passing Tone
  33. Suspension
  34. Embedded Phrase Model
  35. Dominant
  36. Neighbor Tones
  37. Parallel Octaves
  38. Strong Beat
  39. Sprung/Frustrated L.T.
  40. Third Inversion