Cadential 6/4 Voice Overlap Consecutive Parallels Predominant Unequal Fifths Chordal Sevenths Third Inversion Half Cadence Neighbor Tones Direct Parallels Strong Beat Phrygian Half Cadence Parallel Octaves Perfect Authentic Cadence Weak Beat Sprung/Frustrated L.T. Second Inversion Deceptive Cadence Pedal 6/4 Leading Tone Voice Crossing Expansion Arpeggiating 6/4 Suspension Parallel Fifths Dominant Passing 6/4 Second- Level Analysis Embedded Phrase Model Parallel Tenths Inversion Phone Number First Inversion Anticipation Imperfect Authentic Cadence Voice Exchange 10-The- Long- Way Plagal Cadence Tonic Scale Degree 7 Passing Tone Cadential 6/4 Voice Overlap Consecutive Parallels Predominant Unequal Fifths Chordal Sevenths Third Inversion Half Cadence Neighbor Tones Direct Parallels Strong Beat Phrygian Half Cadence Parallel Octaves Perfect Authentic Cadence Weak Beat Sprung/Frustrated L.T. Second Inversion Deceptive Cadence Pedal 6/4 Leading Tone Voice Crossing Expansion Arpeggiating 6/4 Suspension Parallel Fifths Dominant Passing 6/4 Second- Level Analysis Embedded Phrase Model Parallel Tenths Inversion Phone Number First Inversion Anticipation Imperfect Authentic Cadence Voice Exchange 10-The- Long- Way Plagal Cadence Tonic Scale Degree 7 Passing Tone
(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
Cadential 6/4
Voice Overlap
Consecutive Parallels
Predominant
Unequal Fifths
Chordal Sevenths
Third Inversion
Half Cadence
Neighbor Tones
Direct Parallels
Strong Beat
Phrygian Half Cadence
Parallel Octaves
Perfect Authentic Cadence
Weak Beat
Sprung/Frustrated L.T.
Second Inversion
Deceptive Cadence
Pedal 6/4
Leading Tone
Voice Crossing
Expansion
Arpeggiating 6/4
Suspension
Parallel Fifths
Dominant
Passing 6/4
Second-Level Analysis
Embedded Phrase Model
Parallel Tenths
Inversion Phone Number
First Inversion
Anticipation
Imperfect Authentic Cadence
Voice Exchange
10-The-Long-Way
Plagal Cadence
Tonic
Scale Degree 7
Passing Tone