ThirdInversionStrongBeatInversionPhoneNumberPassingToneTonicFirstInversionWeakBeatChordalSeventhsNeighborTones10-The-Long-WaySecondInversionScaleDegree7Second-LevelAnalysisPerfectAuthenticCadenceExpansionParallelFifthsConsecutiveParallelsPredominantPassing6/4HalfCadenceSprung/FrustratedL.T.VoiceExchangeSuspensionLeadingToneDeceptiveCadenceUnequalFifthsVoiceCrossingPlagalCadenceDominantCadential6/4PhrygianHalfCadenceDirectParallelsParallelTenthsEmbeddedPhraseModelParallelOctavesArpeggiating6/4AnticipationImperfectAuthenticCadenceVoiceOverlapPedal6/4ThirdInversionStrongBeatInversionPhoneNumberPassingToneTonicFirstInversionWeakBeatChordalSeventhsNeighborTones10-The-Long-WaySecondInversionScaleDegree7Second-LevelAnalysisPerfectAuthenticCadenceExpansionParallelFifthsConsecutiveParallelsPredominantPassing6/4HalfCadenceSprung/FrustratedL.T.VoiceExchangeSuspensionLeadingToneDeceptiveCadenceUnequalFifthsVoiceCrossingPlagalCadenceDominantCadential6/4PhrygianHalfCadenceDirectParallelsParallelTenthsEmbeddedPhraseModelParallelOctavesArpeggiating6/4AnticipationImperfectAuthenticCadenceVoiceOverlapPedal6/4

Units 2 & 3 BINGO! :D - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Third Inversion
  2. Strong Beat
  3. Inversion Phone Number
  4. Passing Tone
  5. Tonic
  6. First Inversion
  7. Weak Beat
  8. Chordal Sevenths
  9. Neighbor Tones
  10. 10-The-Long-Way
  11. Second Inversion
  12. Scale Degree 7
  13. Second-Level Analysis
  14. Perfect Authentic Cadence
  15. Expansion
  16. Parallel Fifths
  17. Consecutive Parallels
  18. Predominant
  19. Passing 6/4
  20. Half Cadence
  21. Sprung/Frustrated L.T.
  22. Voice Exchange
  23. Suspension
  24. Leading Tone
  25. Deceptive Cadence
  26. Unequal Fifths
  27. Voice Crossing
  28. Plagal Cadence
  29. Dominant
  30. Cadential 6/4
  31. Phrygian Half Cadence
  32. Direct Parallels
  33. Parallel Tenths
  34. Embedded Phrase Model
  35. Parallel Octaves
  36. Arpeggiating 6/4
  37. Anticipation
  38. Imperfect Authentic Cadence
  39. Voice Overlap
  40. Pedal 6/4