AnticipationArpeggiating6/4PhrygianHalfCadencePassing6/4DeceptiveCadencePedal6/4NeighborTonesEmbeddedPhraseModelSuspensionSecondInversionPerfectAuthenticCadenceConsecutiveParallelsPlagalCadence10-The-Long-WayLeadingToneFirstInversionSprung/FrustratedL.T.VoiceCrossingTonicInversionPhoneNumberParallelTenthsSecond-LevelAnalysisParallelFifthsDirectParallelsStrongBeatPassingToneVoiceOverlapUnequalFifthsExpansionScaleDegree7PredominantVoiceExchangeCadential6/4DominantThirdInversionImperfectAuthenticCadenceWeakBeatChordalSeventhsHalfCadenceParallelOctavesAnticipationArpeggiating6/4PhrygianHalfCadencePassing6/4DeceptiveCadencePedal6/4NeighborTonesEmbeddedPhraseModelSuspensionSecondInversionPerfectAuthenticCadenceConsecutiveParallelsPlagalCadence10-The-Long-WayLeadingToneFirstInversionSprung/FrustratedL.T.VoiceCrossingTonicInversionPhoneNumberParallelTenthsSecond-LevelAnalysisParallelFifthsDirectParallelsStrongBeatPassingToneVoiceOverlapUnequalFifthsExpansionScaleDegree7PredominantVoiceExchangeCadential6/4DominantThirdInversionImperfectAuthenticCadenceWeakBeatChordalSeventhsHalfCadenceParallelOctaves

Units 2 & 3 BINGO! :D - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Anticipation
  2. Arpeggiating 6/4
  3. Phrygian Half Cadence
  4. Passing 6/4
  5. Deceptive Cadence
  6. Pedal 6/4
  7. Neighbor Tones
  8. Embedded Phrase Model
  9. Suspension
  10. Second Inversion
  11. Perfect Authentic Cadence
  12. Consecutive Parallels
  13. Plagal Cadence
  14. 10-The-Long-Way
  15. Leading Tone
  16. First Inversion
  17. Sprung/Frustrated L.T.
  18. Voice Crossing
  19. Tonic
  20. Inversion Phone Number
  21. Parallel Tenths
  22. Second-Level Analysis
  23. Parallel Fifths
  24. Direct Parallels
  25. Strong Beat
  26. Passing Tone
  27. Voice Overlap
  28. Unequal Fifths
  29. Expansion
  30. Scale Degree 7
  31. Predominant
  32. Voice Exchange
  33. Cadential 6/4
  34. Dominant
  35. Third Inversion
  36. Imperfect Authentic Cadence
  37. Weak Beat
  38. Chordal Sevenths
  39. Half Cadence
  40. Parallel Octaves