PV sharescopyright of allimages takenduring thecourse of aproject. TruePartnerorganizationswill NOT holdcopyrights ofimages in somecases. FalseIt's impossible and alogistical nightmareto insist thatparticipants on aproject get all theirsubjects to sign aMR.TrueEverybody isentitled to privacyand to be madeaware of what theyare beingassociated with.TrueIt's more suitable toleave cameras with theindividuals/participants.TruePhotoVoice projectphotographs areusually credited asfollows: ©Photographer /Partner Organisation/ PhotoVoiceTrueParticipants who are notcomputer-literate with limitedaccess = drawbacks. Deleting images immediately canmean the loss of interestingshots. Digital SLRs are too expensive touse on projects. Being able to shoot more canmean less thought andDisadvantagesof digitalcameras...Have enough cameras toavoid confusion aboutauthorship of photos. It is helpful to ensure thatall the cameras are thesame, too many camerascould lead to problems. Numberofcameras...A close-up portrait ofsomeone is muchmore likely to requiremodel release than apicture of a sea ofrecognizable faces.TruePhotographicimages and textare subject tocopyright laws.TrueIn some situationspeople must giveformal permission fora photographic imageof them to be usedfor public display.TrueIts is best to establisha rapport with printinglabs you'll work with. Transparency canlead to discounts orbetter qualityprocessing. PrintingandprocessingEquipment isinexpensive,which limitstheftconcerns.FalseThe concept ofcopyright mayNOT be quiteforeign in somecultures.FalseA lot of material can beshot at no extra cost.No (-)s to get damaged orscratched and no‘ownership’ issue over (-)s. CDs of images can beburnt, prints can be madein most lab around theworld Advantagesof digitalcameras...Longer projectsallow thepossibility ofintroducing theuse of SLRs.TrueParticipants valuethe opportunitypresented to themand will neverjeopardize it.TrueWorking withdigital it isoften lesscostly andtime-effective. FalseIn the digitalage, newfilm camerasare easy tolocate.FalseThrow-away nature ofcan threaten theintegrity of the project. Disposable cameraslimit options for thelong-termsustainability. DisposablecamerasPhotographs takenin a public place aresubject to as manyrestrictions as thosetaken in privatesituations.FalseWorking from a digitalprojector can offer itsown opportunities –images can beprojected much largerthan print size anddiscussed easily in agroup.True  Film cameras assistparticipants with theconcepts ofphotography.    TrueWhat type ofcamerasyour can usein your PVproject?Disposable,SLRs, Simpleautomaticpoint-and-shoot, film anddigital.PV sharescopyright of allimages takenduring thecourse of aproject. TruePartnerorganizationswill NOT holdcopyrights ofimages in somecases. FalseIt's impossible and alogistical nightmareto insist thatparticipants on aproject get all theirsubjects to sign aMR.TrueEverybody isentitled to privacyand to be madeaware of what theyare beingassociated with.TrueIt's more suitable toleave cameras with theindividuals/participants.TruePhotoVoice projectphotographs areusually credited asfollows: ©Photographer /Partner Organisation/ PhotoVoiceTrueParticipants who are notcomputer-literate with limitedaccess = drawbacks. Deleting images immediately canmean the loss of interestingshots. Digital SLRs are too expensive touse on projects. Being able to shoot more canmean less thought andDisadvantagesof digitalcameras...Have enough cameras toavoid confusion aboutauthorship of photos. It is helpful to ensure thatall the cameras are thesame, too many camerascould lead to problems. Numberofcameras...A close-up portrait ofsomeone is muchmore likely to requiremodel release than apicture of a sea ofrecognizable faces.TruePhotographicimages and textare subject tocopyright laws.TrueIn some situationspeople must giveformal permission fora photographic imageof them to be usedfor public display.TrueIts is best to establisha rapport with printinglabs you'll work with. Transparency canlead to discounts orbetter qualityprocessing. PrintingandprocessingEquipment isinexpensive,which limitstheftconcerns.FalseThe concept ofcopyright mayNOT be quiteforeign in somecultures.FalseA lot of material can beshot at no extra cost.No (-)s to get damaged orscratched and no‘ownership’ issue over (-)s. CDs of images can beburnt, prints can be madein most lab around theworld Advantagesof digitalcameras...Longer projectsallow thepossibility ofintroducing theuse of SLRs.TrueParticipants valuethe opportunitypresented to themand will neverjeopardize it.TrueWorking withdigital it isoften lesscostly andtime-effective. FalseIn the digitalage, newfilm camerasare easy tolocate.FalseThrow-away nature ofcan threaten theintegrity of the project. Disposable cameraslimit options for thelong-termsustainability. DisposablecamerasPhotographs takenin a public place aresubject to as manyrestrictions as thosetaken in privatesituations.FalseWorking from a digitalprojector can offer itsown opportunities –images can beprojected much largerthan print size anddiscussed easily in agroup.True  Film cameras assistparticipants with theconcepts ofphotography.    TrueWhat type ofcamerasyour can usein your PVproject?Disposable,SLRs, Simpleautomaticpoint-and-shoot, film anddigital.

Equipment and Copyright - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
B B
2
G G
3
O O
4
B B
5
G G
6
G G
7
B B
8
N N
9
O O
10
O O
11
I I
12
O O
13
O O
14
I I
15
N N
16
N N
17
G G
18
I I
19
N N
20
G G
21
I I
22
B B
23
I I
24
B B
  1. B-True
    B-PV shares copyright of all images taken during the course of a project.
  2. G-False
    G-Partner organizations will NOT hold copyrights of images in some cases.
  3. O-True
    O-It's impossible and a logistical nightmare to insist that participants on a project get all their subjects to sign a MR.
  4. B-True
    B-Everybody is entitled to privacy and to be made aware of what they are being associated with.
  5. G-True
    G-It's more suitable to leave cameras with the individuals/participants.
  6. G-True
    G-PhotoVoice project photographs are usually credited as follows: © Photographer / Partner Organisation / PhotoVoice
  7. B-Disadvantages of digital cameras...
    B-Participants who are not computer-literate with limited access = drawbacks. Deleting images immediately can mean the loss of interesting shots. Digital SLRs are too expensive to use on projects. Being able to shoot more can mean less thought and
  8. N-Number of cameras...
    N-Have enough cameras to avoid confusion about authorship of photos. It is helpful to ensure that all the cameras are the same, too many cameras could lead to problems.
  9. O-True
    O-A close-up portrait of someone is much more likely to require model release than a picture of a sea of recognizable faces.
  10. O-True
    O-Photographic images and text are subject to copyright laws.
  11. I-True
    I-In some situations people must give formal permission for a photographic image of them to be used for public display.
  12. O-Printing and processing
    O-Its is best to establish a rapport with printing labs you'll work with. Transparency can lead to discounts or better quality processing.
  13. O-False
    O-Equipment is inexpensive, which limits theft concerns.
  14. I-False
    I-The concept of copyright may NOT be quite foreign in some cultures.
  15. N-Advantages of digital cameras...
    N-A lot of material can be shot at no extra cost . No (-)s to get damaged or scratched and no ‘ownership’ issue over (-)s. CDs of images can be burnt, prints can be made in most lab around the world
  16. N-True
    N-Longer projects allow the possibility of introducing the use of SLRs.
  17. G-True
    G-Participants value the opportunity presented to them and will never jeopardize it.
  18. I-False
    I-Working with digital it is often less costly and time-effective.
  19. N-False
    N-In the digital age, new film cameras are easy to locate.
  20. G-Disposable cameras
    G-Throw-away nature of can threaten the integrity of the project. Disposable cameras limit options for the long-term sustainability.
  21. I-False
    I-Photographs taken in a public place are subject to as many restrictions as those taken in private situations.
  22. B-True
    B-Working from a digital projector can offer its own opportunities – images can be projected much larger than print size and discussed easily in a group.
  23. I-True
    I- Film cameras assist participants with the concepts of photography.
  24. B-Disposable, SLRs, Simple automatic point-and-shoot, film and digital.
    B-What type of cameras your can use in your PV project?