PhotoVoice projectphotographs areusually credited asfollows: ©Photographer /Partner Organisation/ PhotoVoiceTrueWhat type ofcamerasyour can usein your PVproject?Disposable,SLRs, Simpleautomaticpoint-and-shoot, film anddigital.Its is best to establisha rapport with printinglabs you'll work with. Transparency canlead to discounts orbetter qualityprocessing. PrintingandprocessingIn some situationspeople must giveformal permission fora photographic imageof them to be usedfor public display.TrueLonger projectsallow thepossibility ofintroducing theuse of SLRs.TrueIt's impossible and alogistical nightmareto insist thatparticipants on aproject get all theirsubjects to sign aMR.TrueParticipants valuethe opportunitypresented to themand will neverjeopardize it.TruePhotographs takenin a public place aresubject to as manyrestrictions as thosetaken in privatesituations.FalseIt's more suitable toleave cameras with theindividuals/participants.TrueA lot of material can beshot at no extra cost.No (-)s to get damaged orscratched and no‘ownership’ issue over (-)s. CDs of images can beburnt, prints can be madein most lab around theworld Advantagesof digitalcameras...Throw-away nature ofcan threaten theintegrity of the project. Disposable cameraslimit options for thelong-termsustainability. DisposablecamerasWorking withdigital it isoften lesscostly andtime-effective. FalseEquipment isinexpensive,which limitstheftconcerns.FalsePV sharescopyright of allimages takenduring thecourse of aproject. TrueThe concept ofcopyright mayNOT be quiteforeign in somecultures.FalsePhotographicimages and textare subject tocopyright laws.TrueHave enough cameras toavoid confusion aboutauthorship of photos. It is helpful to ensure thatall the cameras are thesame, too many camerascould lead to problems. Numberofcameras...Partnerorganizationswill NOT holdcopyrights ofimages in somecases. FalseEverybody isentitled to privacyand to be madeaware of what theyare beingassociated with.True  Film cameras assistparticipants with theconcepts ofphotography.    TrueWorking from a digitalprojector can offer itsown opportunities –images can beprojected much largerthan print size anddiscussed easily in agroup.TrueA close-up portrait ofsomeone is muchmore likely to requiremodel release than apicture of a sea ofrecognizable faces.TrueIn the digitalage, newfilm camerasare easy tolocate.FalseParticipants who are notcomputer-literate with limitedaccess = drawbacks. Deleting images immediately canmean the loss of interestingshots. Digital SLRs are too expensive touse on projects. Being able to shoot more canmean less thought andDisadvantagesof digitalcameras...PhotoVoice projectphotographs areusually credited asfollows: ©Photographer /Partner Organisation/ PhotoVoiceTrueWhat type ofcamerasyour can usein your PVproject?Disposable,SLRs, Simpleautomaticpoint-and-shoot, film anddigital.Its is best to establisha rapport with printinglabs you'll work with. Transparency canlead to discounts orbetter qualityprocessing. PrintingandprocessingIn some situationspeople must giveformal permission fora photographic imageof them to be usedfor public display.TrueLonger projectsallow thepossibility ofintroducing theuse of SLRs.TrueIt's impossible and alogistical nightmareto insist thatparticipants on aproject get all theirsubjects to sign aMR.TrueParticipants valuethe opportunitypresented to themand will neverjeopardize it.TruePhotographs takenin a public place aresubject to as manyrestrictions as thosetaken in privatesituations.FalseIt's more suitable toleave cameras with theindividuals/participants.TrueA lot of material can beshot at no extra cost.No (-)s to get damaged orscratched and no‘ownership’ issue over (-)s. CDs of images can beburnt, prints can be madein most lab around theworld Advantagesof digitalcameras...Throw-away nature ofcan threaten theintegrity of the project. Disposable cameraslimit options for thelong-termsustainability. DisposablecamerasWorking withdigital it isoften lesscostly andtime-effective. FalseEquipment isinexpensive,which limitstheftconcerns.FalsePV sharescopyright of allimages takenduring thecourse of aproject. TrueThe concept ofcopyright mayNOT be quiteforeign in somecultures.FalsePhotographicimages and textare subject tocopyright laws.TrueHave enough cameras toavoid confusion aboutauthorship of photos. It is helpful to ensure thatall the cameras are thesame, too many camerascould lead to problems. Numberofcameras...Partnerorganizationswill NOT holdcopyrights ofimages in somecases. FalseEverybody isentitled to privacyand to be madeaware of what theyare beingassociated with.True  Film cameras assistparticipants with theconcepts ofphotography.    TrueWorking from a digitalprojector can offer itsown opportunities –images can beprojected much largerthan print size anddiscussed easily in agroup.TrueA close-up portrait ofsomeone is muchmore likely to requiremodel release than apicture of a sea ofrecognizable faces.TrueIn the digitalage, newfilm camerasare easy tolocate.FalseParticipants who are notcomputer-literate with limitedaccess = drawbacks. Deleting images immediately canmean the loss of interestingshots. Digital SLRs are too expensive touse on projects. Being able to shoot more canmean less thought andDisadvantagesof digitalcameras...

Equipment and Copyright - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
G G
2
B B
3
O O
4
I I
5
N N
6
O O
7
G G
8
I I
9
G G
10
N N
11
G G
12
I I
13
O O
14
B B
15
I I
16
O O
17
N N
18
G G
19
B B
20
I I
21
B B
22
O O
23
N N
24
B B
  1. G-True
    G-PhotoVoice project photographs are usually credited as follows: © Photographer / Partner Organisation / PhotoVoice
  2. B-Disposable, SLRs, Simple automatic point-and-shoot, film and digital.
    B-What type of cameras your can use in your PV project?
  3. O-Printing and processing
    O-Its is best to establish a rapport with printing labs you'll work with. Transparency can lead to discounts or better quality processing.
  4. I-True
    I-In some situations people must give formal permission for a photographic image of them to be used for public display.
  5. N-True
    N-Longer projects allow the possibility of introducing the use of SLRs.
  6. O-True
    O-It's impossible and a logistical nightmare to insist that participants on a project get all their subjects to sign a MR.
  7. G-True
    G-Participants value the opportunity presented to them and will never jeopardize it.
  8. I-False
    I-Photographs taken in a public place are subject to as many restrictions as those taken in private situations.
  9. G-True
    G-It's more suitable to leave cameras with the individuals/participants.
  10. N-Advantages of digital cameras...
    N-A lot of material can be shot at no extra cost . No (-)s to get damaged or scratched and no ‘ownership’ issue over (-)s. CDs of images can be burnt, prints can be made in most lab around the world
  11. G-Disposable cameras
    G-Throw-away nature of can threaten the integrity of the project. Disposable cameras limit options for the long-term sustainability.
  12. I-False
    I-Working with digital it is often less costly and time-effective.
  13. O-False
    O-Equipment is inexpensive, which limits theft concerns.
  14. B-True
    B-PV shares copyright of all images taken during the course of a project.
  15. I-False
    I-The concept of copyright may NOT be quite foreign in some cultures.
  16. O-True
    O-Photographic images and text are subject to copyright laws.
  17. N-Number of cameras...
    N-Have enough cameras to avoid confusion about authorship of photos. It is helpful to ensure that all the cameras are the same, too many cameras could lead to problems.
  18. G-False
    G-Partner organizations will NOT hold copyrights of images in some cases.
  19. B-True
    B-Everybody is entitled to privacy and to be made aware of what they are being associated with.
  20. I-True
    I- Film cameras assist participants with the concepts of photography.
  21. B-True
    B-Working from a digital projector can offer its own opportunities – images can be projected much larger than print size and discussed easily in a group.
  22. O-True
    O-A close-up portrait of someone is much more likely to require model release than a picture of a sea of recognizable faces.
  23. N-False
    N-In the digital age, new film cameras are easy to locate.
  24. B-Disadvantages of digital cameras...
    B-Participants who are not computer-literate with limited access = drawbacks. Deleting images immediately can mean the loss of interesting shots. Digital SLRs are too expensive to use on projects. Being able to shoot more can mean less thought and