Equipment and Copyright - Call List

(Print) Use this randomly generated list as your call list when playing the game. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.

1. I-False
   I-The concept of copyright may NOT be quite foreign in some cultures.
2. G-True
   G-PhotoVoice project photographs are usually credited as follows: © Photographer / Partner Organisation / PhotoVoice
3. I-False
   I-Working with digital it is often less costly and time-effective.
4. I-False
   I-Photographs taken in a public place are subject to as many restrictions as those taken in private situations.
5. G-Disposable cameras
   G-Throw-away nature of can threaten the integrity of the project. Disposable cameras limit options for the long-term sustainability.
6. O-Printing and processing
   O-Its is best to establish a rapport with printing labs you'll work with. Transparency can lead to discounts or better quality processing.
7. O-True
   O-Photographic images and text are subject to copyright laws.
8. O-True
   O-It's impossible and a logistical nightmare to insist that participants on a project get all their subjects to sign a MR.
9. G-True
   G-Participants value the opportunity presented to them and will never jeopardize it.
10. B-Disposable, SLRs, Simple automatic point-and-shoot, film and digital.
    B-What type of cameras your can use in your PV project?
11. B-True
    B-Everybody is entitled to privacy and to be made aware of what they are being associated with.
12. G-True
    G-It's more suitable to leave cameras with the individuals/participants.
13. N-Number of cameras...
    N-Have enough cameras to avoid confusion about authorship of photos. It is helpful to ensure that all the cameras are the same, too many cameras could lead to problems.
14. B-True
    B-PV shares copyright of all images taken during the course of a project.
15. G-False
    G-Partner organizations will NOT hold copyrights of images in some cases.
16. B-Disadvantages of digital cameras...
    B-Participants who are not computer-literate with limited access = drawbacks. Deleting images immediately can mean the loss of interesting shots. Digital SLRs are too expensive to use on projects. Being able to shoot more can mean less thought and
17. I-True
    I- Film cameras assist participants with the concepts of photography.
18. O-True
    O-A close-up portrait of someone is much more likely to require model release than a picture of a sea of recognizable faces.
19. N-True
    N-Longer projects allow the possibility of introducing the use of SLRs.
20. I-True
    I-In some situations people must give formal permission for a photographic image of them to be used for public display.
21. O-False
    O-Equipment is inexpensive, which limits theft concerns.
22. N-Advantages of digital cameras...
    N-A lot of material can be shot at no extra cost . No (-)s to get damaged or scratched and no ‘ownership’ issue over (-)s. CDs of images can be burnt, prints can be made in most lab around the world
23. B-True
    B-Working from a digital projector can offer its own opportunities – images can be projected much larger than print size and discussed easily in a group.
24. N-False
    N-In the digital age, new film cameras are easy to locate.