the lines andborders thatcontain thepanelsan angle thatzooms into animage, like acharacter’s face,to allow forcloser viewthe edgeof aparticularpanelpositioning can beused to express whatis happening in thestory, such as surprise,discomfort, fear,shame, shyness,embarrassment, panic,urgency, or speedappearubiquitously ingraphicrepresentation todepict the path ofa moving objectrefers toany rowof panelsthe capturingof primemoments ina storygraphic signs used torelate informationthat cannot easily beperceived, such asstates of mind,particular feelings orother non-visiblephenomenause words to providefurther informationabout what is going onwithin a panel, to tellabout the passing oftime, indicate locationor perhaps to suggestwhat a character isfeelingallowscentering ofimage by usingnatural restingplace visionindicates thewords aparticularcharacter isactuallyspeakingan imagethat spansmore thanone pagevarious kindsof icons areused toindicatesoundsthe whitespace thatseparatespanels fromone anothercan be portrayed indifferent ways, such asdepicting an actualperson (portrait), iconicto represent an idea orgroup of people,dramatic, or withoutmuch expression ordetailone particulardrawing on apage, oftendefined withuse of a borderthe panelclosest tothe viewerstands for therepresentationof anyparticular thingon the pageprovidesadditional,subtextualinformationfor the readera large, often full-pageillustration which opensand introduces a story;often designed as adecorative unit, its purposeis to capture the reader'sattention, and can be usedto establish time, place andmoodthe configuration ofall the elements onthe page; the way inwhich the frame,panels, speechbubbles, etc. arearranged to tell thenarrativea term that describesthe way someimages draw the eyemore than others,creating a definitefocus using color andshading in variouswaysa method of drawingattention to text; itoften highlightsonomatopoeia andreinforces the impactof wordsindicates thewords aparticularcharacter isthinking, but notsayingthe lines andborders thatcontain thepanelsan angle thatzooms into animage, like acharacter’s face,to allow forcloser viewthe edgeof aparticularpanelpositioning can beused to express whatis happening in thestory, such as surprise,discomfort, fear,shame, shyness,embarrassment, panic,urgency, or speedappearubiquitously ingraphicrepresentation todepict the path ofa moving objectrefers toany rowof panelsthe capturingof primemoments ina storygraphic signs used torelate informationthat cannot easily beperceived, such asstates of mind,particular feelings orother non-visiblephenomenause words to providefurther informationabout what is going onwithin a panel, to tellabout the passing oftime, indicate locationor perhaps to suggestwhat a character isfeelingallowscentering ofimage by usingnatural restingplace visionindicates thewords aparticularcharacter isactuallyspeakingan imagethat spansmore thanone pagevarious kindsof icons areused toindicatesoundsthe whitespace thatseparatespanels fromone anothercan be portrayed indifferent ways, such asdepicting an actualperson (portrait), iconicto represent an idea orgroup of people,dramatic, or withoutmuch expression ordetailone particulardrawing on apage, oftendefined withuse of a borderthe panelclosest tothe viewerstands for therepresentationof anyparticular thingon the pageprovidesadditional,subtextualinformationfor the readera large, often full-pageillustration which opensand introduces a story;often designed as adecorative unit, its purposeis to capture the reader'sattention, and can be usedto establish time, place andmoodthe configuration ofall the elements onthe page; the way inwhich the frame,panels, speechbubbles, etc. arearranged to tell thenarrativea term that describesthe way someimages draw the eyemore than others,creating a definitefocus using color andshading in variouswaysa method of drawingattention to text; itoften highlightsonomatopoeia andreinforces the impactof wordsindicates thewords aparticularcharacter isthinking, but notsaying

April: IBDP Graphic Novel - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. the lines and borders that contain the panels
  2. an angle that zooms into an image, like a character’s face, to allow for closer view
  3. the edge of a particular panel
  4. positioning can be used to express what is happening in the story, such as surprise, discomfort, fear, shame, shyness, embarrassment, panic, urgency, or speed
  5. appear ubiquitously in graphic representation to depict the path of a moving object
  6. refers to any row of panels
  7. the capturing of prime moments in a story
  8. graphic signs used to relate information that cannot easily be perceived, such as states of mind, particular feelings or other non-visible phenomena
  9. use words to provide further information about what is going on within a panel, to tell about the passing of time, indicate location or perhaps to suggest what a character is feeling
  10. allows centering of image by using natural resting place vision
  11. indicates the words a particular character is actually speaking
  12. an image that spans more than one page
  13. various kinds of icons are used to indicate sounds
  14. the white space that separates panels from one another
  15. can be portrayed in different ways, such as depicting an actual person (portrait), iconic to represent an idea or group of people, dramatic, or without much expression or detail
  16. one particular drawing on a page, often defined with use of a border
  17. the panel closest to the viewer
  18. stands for the representation of any particular thing on the page
  19. provides additional, subtextual information for the reader
  20. a large, often full-page illustration which opens and introduces a story; often designed as a decorative unit, its purpose is to capture the reader's attention, and can be used to establish time, place and mood
  21. the configuration of all the elements on the page; the way in which the frame, panels, speech bubbles, etc. are arranged to tell the narrative
  22. a term that describes the way some images draw the eye more than others, creating a definite focus using color and shading in various ways
  23. a method of drawing attention to text; it often highlights onomatopoeia and reinforces the impact of words
  24. indicates the words a particular character is thinking, but not saying