appearubiquitously ingraphicrepresentation todepict the path ofa moving objectindicates thewords aparticularcharacter isactuallyspeakingthe lines andborders thatcontain thepanelscan be portrayed indifferent ways, such asdepicting an actualperson (portrait), iconicto represent an idea orgroup of people,dramatic, or withoutmuch expression ordetailallowscentering ofimage by usingnatural restingplace visionstands for therepresentationof anyparticular thingon the pagepositioning can beused to express whatis happening in thestory, such as surprise,discomfort, fear,shame, shyness,embarrassment, panic,urgency, or speedthe edgeof aparticularpanelthe whitespace thatseparatespanels fromone anotheran angle thatzooms into animage, like acharacter’s face,to allow forcloser viewrefers toany rowof panelsuse words to providefurther informationabout what is going onwithin a panel, to tellabout the passing oftime, indicate locationor perhaps to suggestwhat a character isfeelingone particulardrawing on apage, oftendefined withuse of a borderprovidesadditional,subtextualinformationfor the readerindicates thewords aparticularcharacter isthinking, but notsayingvarious kindsof icons areused toindicatesoundsgraphic signs used torelate informationthat cannot easily beperceived, such asstates of mind,particular feelings orother non-visiblephenomenathe capturingof primemoments ina storyan imagethat spansmore thanone pagethe configuration ofall the elements onthe page; the way inwhich the frame,panels, speechbubbles, etc. arearranged to tell thenarrativea method of drawingattention to text; itoften highlightsonomatopoeia andreinforces the impactof wordsthe panelclosest tothe viewera large, often full-pageillustration which opensand introduces a story;often designed as adecorative unit, its purposeis to capture the reader'sattention, and can be usedto establish time, place andmooda term that describesthe way someimages draw the eyemore than others,creating a definitefocus using color andshading in variouswaysappearubiquitously ingraphicrepresentation todepict the path ofa moving objectindicates thewords aparticularcharacter isactuallyspeakingthe lines andborders thatcontain thepanelscan be portrayed indifferent ways, such asdepicting an actualperson (portrait), iconicto represent an idea orgroup of people,dramatic, or withoutmuch expression ordetailallowscentering ofimage by usingnatural restingplace visionstands for therepresentationof anyparticular thingon the pagepositioning can beused to express whatis happening in thestory, such as surprise,discomfort, fear,shame, shyness,embarrassment, panic,urgency, or speedthe edgeof aparticularpanelthe whitespace thatseparatespanels fromone anotheran angle thatzooms into animage, like acharacter’s face,to allow forcloser viewrefers toany rowof panelsuse words to providefurther informationabout what is going onwithin a panel, to tellabout the passing oftime, indicate locationor perhaps to suggestwhat a character isfeelingone particulardrawing on apage, oftendefined withuse of a borderprovidesadditional,subtextualinformationfor the readerindicates thewords aparticularcharacter isthinking, but notsayingvarious kindsof icons areused toindicatesoundsgraphic signs used torelate informationthat cannot easily beperceived, such asstates of mind,particular feelings orother non-visiblephenomenathe capturingof primemoments ina storyan imagethat spansmore thanone pagethe configuration ofall the elements onthe page; the way inwhich the frame,panels, speechbubbles, etc. arearranged to tell thenarrativea method of drawingattention to text; itoften highlightsonomatopoeia andreinforces the impactof wordsthe panelclosest tothe viewera large, often full-pageillustration which opensand introduces a story;often designed as adecorative unit, its purposeis to capture the reader'sattention, and can be usedto establish time, place andmooda term that describesthe way someimages draw the eyemore than others,creating a definitefocus using color andshading in variousways

April: IBDP Graphic Novel - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. appear ubiquitously in graphic representation to depict the path of a moving object
  2. indicates the words a particular character is actually speaking
  3. the lines and borders that contain the panels
  4. can be portrayed in different ways, such as depicting an actual person (portrait), iconic to represent an idea or group of people, dramatic, or without much expression or detail
  5. allows centering of image by using natural resting place vision
  6. stands for the representation of any particular thing on the page
  7. positioning can be used to express what is happening in the story, such as surprise, discomfort, fear, shame, shyness, embarrassment, panic, urgency, or speed
  8. the edge of a particular panel
  9. the white space that separates panels from one another
  10. an angle that zooms into an image, like a character’s face, to allow for closer view
  11. refers to any row of panels
  12. use words to provide further information about what is going on within a panel, to tell about the passing of time, indicate location or perhaps to suggest what a character is feeling
  13. one particular drawing on a page, often defined with use of a border
  14. provides additional, subtextual information for the reader
  15. indicates the words a particular character is thinking, but not saying
  16. various kinds of icons are used to indicate sounds
  17. graphic signs used to relate information that cannot easily be perceived, such as states of mind, particular feelings or other non-visible phenomena
  18. the capturing of prime moments in a story
  19. an image that spans more than one page
  20. the configuration of all the elements on the page; the way in which the frame, panels, speech bubbles, etc. are arranged to tell the narrative
  21. a method of drawing attention to text; it often highlights onomatopoeia and reinforces the impact of words
  22. the panel closest to the viewer
  23. a large, often full-page illustration which opens and introduces a story; often designed as a decorative unit, its purpose is to capture the reader's attention, and can be used to establish time, place and mood
  24. a term that describes the way some images draw the eye more than others, creating a definite focus using color and shading in various ways