irruption of thereal—notknowingwhethersomething isreal or notsocial situationfor allparticipants:what youexperiencedepends on alltrustsindividualimpulsesdrama,emptiness, in-betweennessareprotagonistsmicrostructuresof textmusicalization= sound is anew languagein the theatre?not an I that speaks butan it through a complexmachinizedcomposition/agencementmoremanifestationthansignificationresemblesstructuresof dreamsmoreprocessthanproductreminders ofreading/speakinga text = unnaturaltheatre of thevoice(reverberationof the past)a timeof thegazerupture ofmeaningbetweenbeing andmeaningreplacementof actionwithceremonydialoguetakes placebetweensound andspaceaims atsynaesthesiamoreenergeticimpulse thaninformationshockingphysicalitydensity ofsigns—ornot (therebyactivatingimagination)a theatre of thepresent, notintermediarybut continuouspoint ofpresentnessbody’spresenceover logosvisualdramaturgythroughscenographyan event(feast, debate,public action,politicalmanifestation)open andfragmentingperceptionabandonsitself tochance/riskmakesceremonialaspect oftheatreimportant for itsown saketheatre ofstates andscenicallydynamicformationsplethora,overabundance,hypernaturalism—theatre ofpropspolyglossiaoverlapbetweentheatre andperformanceartsimultaneitynon-hierarchicalelementsphenomenonovernarrativehumanbeingsbecomegesticsculpturesfragmentaryand partialheterogenous,individualimaginationscoldnessofcharacterstheatrebecomeschora-graphytext ismerely acomponentno aestheticdistance (weare part of acommonsituation)morepresence thanrepresentationtheatre ofperceptibility(we startseeingseeing)post-anthropocentricmore sharedthancommunicatedexperienceirruption of thereal—notknowingwhethersomething isreal or notsocial situationfor allparticipants:what youexperiencedepends on alltrustsindividualimpulsesdrama,emptiness, in-betweennessareprotagonistsmicrostructuresof textmusicalization= sound is anew languagein the theatre?not an I that speaks butan it through a complexmachinizedcomposition/agencementmoremanifestationthansignificationresemblesstructuresof dreamsmoreprocessthanproductreminders ofreading/speakinga text = unnaturaltheatre of thevoice(reverberationof the past)a timeof thegazerupture ofmeaningbetweenbeing andmeaningreplacementof actionwithceremonydialoguetakes placebetweensound andspaceaims atsynaesthesiamoreenergeticimpulse thaninformationshockingphysicalitydensity ofsigns—ornot (therebyactivatingimagination)a theatre of thepresent, notintermediarybut continuouspoint ofpresentnessbody’spresenceover logosvisualdramaturgythroughscenographyan event(feast, debate,public action,politicalmanifestation)open andfragmentingperceptionabandonsitself tochance/riskmakesceremonialaspect oftheatreimportant for itsown saketheatre ofstates andscenicallydynamicformationsplethora,overabundance,hypernaturalism—theatre ofpropspolyglossiaoverlapbetweentheatre andperformanceartsimultaneitynon-hierarchicalelementsphenomenonovernarrativehumanbeingsbecomegesticsculpturesfragmentaryand partialheterogenous,individualimaginationscoldnessofcharacterstheatrebecomeschora-graphytext ismerely acomponentno aestheticdistance (weare part of acommonsituation)morepresence thanrepresentationtheatre ofperceptibility(we startseeingseeing)post-anthropocentricmore sharedthancommunicatedexperience

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. irruption of the real—not knowing whether something is real or not
  2. social situation for all participants: what you experience depends on all
  3. trusts individual impulses
  4. drama, emptiness, in-betweenness are protagonists
  5. microstructures of text
  6. musicalization = sound is a new language in the theatre?
  7. not an I that speaks but an it through a complex machinized composition/agencement
  8. more manifestation than signification
  9. resembles structures of dreams
  10. more process than product
  11. reminders of reading/speaking a text = unnatural
  12. theatre of the voice (reverberation of the past)
  13. a time of the gaze
  14. rupture of meaning between being and meaning
  15. replacement of action with ceremony
  16. dialogue takes place between sound and space
  17. aims at synaesthesia
  18. more energetic impulse than information
  19. shocking physicality
  20. density of signs—or not (thereby activating imagination)
  21. a theatre of the present, not intermediary but continuous point of presentness
  22. body’s presence over logos
  23. visual dramaturgy through scenography
  24. an event (feast, debate, public action, political manifestation)
  25. open and fragmenting perception
  26. abandons itself to chance/risk
  27. makes ceremonial aspect of theatre important for its own sake
  28. theatre of states and scenically dynamic formations
  29. plethora, overabundance, hypernaturalism—theatre of props
  30. polyglossia
  31. overlap between theatre and performance art
  32. simultaneity
  33. non-hierarchical elements
  34. phenomenon over narrative
  35. human beings become gestic sculptures
  36. fragmentary and partial
  37. heterogenous, individual imaginations
  38. coldness of characters
  39. theatre becomes chora-graphy
  40. text is merely a component
  41. no aesthetic distance (we are part of a common situation)
  42. more presence than representation
  43. theatre of perceptibility (we start seeing seeing)
  44. post-anthropocentric
  45. more shared than communicated experience