heterogenous,individualimaginationstheatrebecomeschora-graphysimultaneityno aestheticdistance (weare part of acommonsituation)overlapbetweentheatre andperformancearttrustsindividualimpulsesa timeof thegazemore sharedthancommunicatedexperiencereminders ofreading/speakinga text = unnaturalphenomenonovernarrativetheatre of thevoice(reverberationof the past)moremanifestationthansignificationdrama,emptiness, in-betweennessareprotagonistsfragmentaryand partialmicrostructuresof textshockingphysicalityhumanbeingsbecomegesticsculpturesnon-hierarchicalelementsabandonsitself tochance/riskmoreprocessthanproductbody’spresenceover logossocial situationfor allparticipants:what youexperiencedepends on alla theatre of thepresent, notintermediarybut continuouspoint ofpresentnessnot an I that speaks butan it through a complexmachinizedcomposition/agencementtext ismerely acomponentmakesceremonialaspect oftheatreimportant for itsown sakeplethora,overabundance,hypernaturalism—theatre ofpropstheatre ofperceptibility(we startseeingseeing)replacementof actionwithceremonyrupture ofmeaningbetweenbeing andmeaningopen andfragmentingperceptionan event(feast, debate,public action,politicalmanifestation)musicalization= sound is anew languagein the theatre?theatre ofstates andscenicallydynamicformationsvisualdramaturgythroughscenographypost-anthropocentricaims atsynaesthesiamorepresence thanrepresentationirruption of thereal—notknowingwhethersomething isreal or notresemblesstructuresof dreamscoldnessofcharactersdensity ofsigns—ornot (therebyactivatingimagination)moreenergeticimpulse thaninformationpolyglossiadialoguetakes placebetweensound andspaceheterogenous,individualimaginationstheatrebecomeschora-graphysimultaneityno aestheticdistance (weare part of acommonsituation)overlapbetweentheatre andperformancearttrustsindividualimpulsesa timeof thegazemore sharedthancommunicatedexperiencereminders ofreading/speakinga text = unnaturalphenomenonovernarrativetheatre of thevoice(reverberationof the past)moremanifestationthansignificationdrama,emptiness, in-betweennessareprotagonistsfragmentaryand partialmicrostructuresof textshockingphysicalityhumanbeingsbecomegesticsculpturesnon-hierarchicalelementsabandonsitself tochance/riskmoreprocessthanproductbody’spresenceover logossocial situationfor allparticipants:what youexperiencedepends on alla theatre of thepresent, notintermediarybut continuouspoint ofpresentnessnot an I that speaks butan it through a complexmachinizedcomposition/agencementtext ismerely acomponentmakesceremonialaspect oftheatreimportant for itsown sakeplethora,overabundance,hypernaturalism—theatre ofpropstheatre ofperceptibility(we startseeingseeing)replacementof actionwithceremonyrupture ofmeaningbetweenbeing andmeaningopen andfragmentingperceptionan event(feast, debate,public action,politicalmanifestation)musicalization= sound is anew languagein the theatre?theatre ofstates andscenicallydynamicformationsvisualdramaturgythroughscenographypost-anthropocentricaims atsynaesthesiamorepresence thanrepresentationirruption of thereal—notknowingwhethersomething isreal or notresemblesstructuresof dreamscoldnessofcharactersdensity ofsigns—ornot (therebyactivatingimagination)moreenergeticimpulse thaninformationpolyglossiadialoguetakes placebetweensound andspace

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. heterogenous, individual imaginations
  2. theatre becomes chora-graphy
  3. simultaneity
  4. no aesthetic distance (we are part of a common situation)
  5. overlap between theatre and performance art
  6. trusts individual impulses
  7. a time of the gaze
  8. more shared than communicated experience
  9. reminders of reading/speaking a text = unnatural
  10. phenomenon over narrative
  11. theatre of the voice (reverberation of the past)
  12. more manifestation than signification
  13. drama, emptiness, in-betweenness are protagonists
  14. fragmentary and partial
  15. microstructures of text
  16. shocking physicality
  17. human beings become gestic sculptures
  18. non-hierarchical elements
  19. abandons itself to chance/risk
  20. more process than product
  21. body’s presence over logos
  22. social situation for all participants: what you experience depends on all
  23. a theatre of the present, not intermediary but continuous point of presentness
  24. not an I that speaks but an it through a complex machinized composition/agencement
  25. text is merely a component
  26. makes ceremonial aspect of theatre important for its own sake
  27. plethora, overabundance, hypernaturalism—theatre of props
  28. theatre of perceptibility (we start seeing seeing)
  29. replacement of action with ceremony
  30. rupture of meaning between being and meaning
  31. open and fragmenting perception
  32. an event (feast, debate, public action, political manifestation)
  33. musicalization = sound is a new language in the theatre?
  34. theatre of states and scenically dynamic formations
  35. visual dramaturgy through scenography
  36. post-anthropocentric
  37. aims at synaesthesia
  38. more presence than representation
  39. irruption of the real—not knowing whether something is real or not
  40. resembles structures of dreams
  41. coldness of characters
  42. density of signs—or not (thereby activating imagination)
  43. more energetic impulse than information
  44. polyglossia
  45. dialogue takes place between sound and space