a theatre of thepresent, notintermediarybut continuouspoint ofpresentnesshumanbeingsbecomegesticsculpturespost-anthropocentricnon-hierarchicalelementsmoreenergeticimpulse thaninformationno aestheticdistance (weare part of acommonsituation)heterogenous,individualimaginationsshockingphysicalitytheatre ofstates andscenicallydynamicformationsmore sharedthancommunicatedexperiencean event(feast, debate,public action,politicalmanifestation)dialoguetakes placebetweensound andspacebody’spresenceover logossocial situationfor allparticipants:what youexperiencedepends on alldensity ofsigns—ornot (therebyactivatingimagination)drama,emptiness, in-betweennessareprotagonistsmicrostructuresof textrupture ofmeaningbetweenbeing andmeaningnot an I that speaks butan it through a complexmachinizedcomposition/agencementmorepresence thanrepresentationmoremanifestationthansignificationa timeof thegazetext ismerely acomponentfragmentaryand partialtheatre ofperceptibility(we startseeingseeing)moreprocessthanproducttrustsindividualimpulsesaims atsynaesthesiaphenomenonovernarrativeoverlapbetweentheatre andperformanceartreplacementof actionwithceremonymakesceremonialaspect oftheatreimportant for itsown sakecoldnessofcharactersopen andfragmentingperceptionresemblesstructuresof dreamstheatre of thevoice(reverberationof the past)reminders ofreading/speakinga text = unnaturalvisualdramaturgythroughscenographysimultaneityirruption of thereal—notknowingwhethersomething isreal or notpolyglossiamusicalization= sound is anew languagein the theatre?plethora,overabundance,hypernaturalism—theatre ofpropsabandonsitself tochance/risktheatrebecomeschora-graphya theatre of thepresent, notintermediarybut continuouspoint ofpresentnesshumanbeingsbecomegesticsculpturespost-anthropocentricnon-hierarchicalelementsmoreenergeticimpulse thaninformationno aestheticdistance (weare part of acommonsituation)heterogenous,individualimaginationsshockingphysicalitytheatre ofstates andscenicallydynamicformationsmore sharedthancommunicatedexperiencean event(feast, debate,public action,politicalmanifestation)dialoguetakes placebetweensound andspacebody’spresenceover logossocial situationfor allparticipants:what youexperiencedepends on alldensity ofsigns—ornot (therebyactivatingimagination)drama,emptiness, in-betweennessareprotagonistsmicrostructuresof textrupture ofmeaningbetweenbeing andmeaningnot an I that speaks butan it through a complexmachinizedcomposition/agencementmorepresence thanrepresentationmoremanifestationthansignificationa timeof thegazetext ismerely acomponentfragmentaryand partialtheatre ofperceptibility(we startseeingseeing)moreprocessthanproducttrustsindividualimpulsesaims atsynaesthesiaphenomenonovernarrativeoverlapbetweentheatre andperformanceartreplacementof actionwithceremonymakesceremonialaspect oftheatreimportant for itsown sakecoldnessofcharactersopen andfragmentingperceptionresemblesstructuresof dreamstheatre of thevoice(reverberationof the past)reminders ofreading/speakinga text = unnaturalvisualdramaturgythroughscenographysimultaneityirruption of thereal—notknowingwhethersomething isreal or notpolyglossiamusicalization= sound is anew languagein the theatre?plethora,overabundance,hypernaturalism—theatre ofpropsabandonsitself tochance/risktheatrebecomeschora-graphy

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
  1. a theatre of the present, not intermediary but continuous point of presentness
  2. human beings become gestic sculptures
  3. post-anthropocentric
  4. non-hierarchical elements
  5. more energetic impulse than information
  6. no aesthetic distance (we are part of a common situation)
  7. heterogenous, individual imaginations
  8. shocking physicality
  9. theatre of states and scenically dynamic formations
  10. more shared than communicated experience
  11. an event (feast, debate, public action, political manifestation)
  12. dialogue takes place between sound and space
  13. body’s presence over logos
  14. social situation for all participants: what you experience depends on all
  15. density of signs—or not (thereby activating imagination)
  16. drama, emptiness, in-betweenness are protagonists
  17. microstructures of text
  18. rupture of meaning between being and meaning
  19. not an I that speaks but an it through a complex machinized composition/agencement
  20. more presence than representation
  21. more manifestation than signification
  22. a time of the gaze
  23. text is merely a component
  24. fragmentary and partial
  25. theatre of perceptibility (we start seeing seeing)
  26. more process than product
  27. trusts individual impulses
  28. aims at synaesthesia
  29. phenomenon over narrative
  30. overlap between theatre and performance art
  31. replacement of action with ceremony
  32. makes ceremonial aspect of theatre important for its own sake
  33. coldness of characters
  34. open and fragmenting perception
  35. resembles structures of dreams
  36. theatre of the voice (reverberation of the past)
  37. reminders of reading/speaking a text = unnatural
  38. visual dramaturgy through scenography
  39. simultaneity
  40. irruption of the real—not knowing whether something is real or not
  41. polyglossia
  42. musicalization = sound is a new language in the theatre?
  43. plethora, overabundance, hypernaturalism—theatre of props
  44. abandons itself to chance/risk
  45. theatre becomes chora-graphy