simultaneitymusicalization= sound is anew languagein the theatre?heterogenous,individualimaginationsnot an I that speaks butan it through a complexmachinizedcomposition/agencementmoreprocessthanproductoverlapbetweentheatre andperformanceartresemblesstructuresof dreamsopen andfragmentingperceptionno aestheticdistance (weare part of acommonsituation)social situationfor allparticipants:what youexperiencedepends on allpolyglossiapost-anthropocentriccoldnessofcharacterstheatre of thevoice(reverberationof the past)text ismerely acomponentan event(feast, debate,public action,politicalmanifestation)density ofsigns—ornot (therebyactivatingimagination)theatre ofperceptibility(we startseeingseeing)replacementof actionwithceremonyirruption of thereal—notknowingwhethersomething isreal or nothumanbeingsbecomegesticsculpturesbody’spresenceover logosmoremanifestationthansignificationmorepresence thanrepresentationtheatrebecomeschora-graphydialoguetakes placebetweensound andspacea theatre of thepresent, notintermediarybut continuouspoint ofpresentnessa timeof thegazetheatre ofstates andscenicallydynamicformationsreminders ofreading/speakinga text = unnaturaltrustsindividualimpulsesabandonsitself tochance/riskshockingphysicalitymoreenergeticimpulse thaninformationfragmentaryand partialrupture ofmeaningbetweenbeing andmeaningmore sharedthancommunicatedexperiencemicrostructuresof textdrama,emptiness, in-betweennessareprotagonistsnon-hierarchicalelementsmakesceremonialaspect oftheatreimportant for itsown sakevisualdramaturgythroughscenographyplethora,overabundance,hypernaturalism—theatre ofpropsaims atsynaesthesiaphenomenonovernarrativesimultaneitymusicalization= sound is anew languagein the theatre?heterogenous,individualimaginationsnot an I that speaks butan it through a complexmachinizedcomposition/agencementmoreprocessthanproductoverlapbetweentheatre andperformanceartresemblesstructuresof dreamsopen andfragmentingperceptionno aestheticdistance (weare part of acommonsituation)social situationfor allparticipants:what youexperiencedepends on allpolyglossiapost-anthropocentriccoldnessofcharacterstheatre of thevoice(reverberationof the past)text ismerely acomponentan event(feast, debate,public action,politicalmanifestation)density ofsigns—ornot (therebyactivatingimagination)theatre ofperceptibility(we startseeingseeing)replacementof actionwithceremonyirruption of thereal—notknowingwhethersomething isreal or nothumanbeingsbecomegesticsculpturesbody’spresenceover logosmoremanifestationthansignificationmorepresence thanrepresentationtheatrebecomeschora-graphydialoguetakes placebetweensound andspacea theatre of thepresent, notintermediarybut continuouspoint ofpresentnessa timeof thegazetheatre ofstates andscenicallydynamicformationsreminders ofreading/speakinga text = unnaturaltrustsindividualimpulsesabandonsitself tochance/riskshockingphysicalitymoreenergeticimpulse thaninformationfragmentaryand partialrupture ofmeaningbetweenbeing andmeaningmore sharedthancommunicatedexperiencemicrostructuresof textdrama,emptiness, in-betweennessareprotagonistsnon-hierarchicalelementsmakesceremonialaspect oftheatreimportant for itsown sakevisualdramaturgythroughscenographyplethora,overabundance,hypernaturalism—theatre ofpropsaims atsynaesthesiaphenomenonovernarrative

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. simultaneity
  2. musicalization = sound is a new language in the theatre?
  3. heterogenous, individual imaginations
  4. not an I that speaks but an it through a complex machinized composition/agencement
  5. more process than product
  6. overlap between theatre and performance art
  7. resembles structures of dreams
  8. open and fragmenting perception
  9. no aesthetic distance (we are part of a common situation)
  10. social situation for all participants: what you experience depends on all
  11. polyglossia
  12. post-anthropocentric
  13. coldness of characters
  14. theatre of the voice (reverberation of the past)
  15. text is merely a component
  16. an event (feast, debate, public action, political manifestation)
  17. density of signs—or not (thereby activating imagination)
  18. theatre of perceptibility (we start seeing seeing)
  19. replacement of action with ceremony
  20. irruption of the real—not knowing whether something is real or not
  21. human beings become gestic sculptures
  22. body’s presence over logos
  23. more manifestation than signification
  24. more presence than representation
  25. theatre becomes chora-graphy
  26. dialogue takes place between sound and space
  27. a theatre of the present, not intermediary but continuous point of presentness
  28. a time of the gaze
  29. theatre of states and scenically dynamic formations
  30. reminders of reading/speaking a text = unnatural
  31. trusts individual impulses
  32. abandons itself to chance/risk
  33. shocking physicality
  34. more energetic impulse than information
  35. fragmentary and partial
  36. rupture of meaning between being and meaning
  37. more shared than communicated experience
  38. microstructures of text
  39. drama, emptiness, in-betweenness are protagonists
  40. non-hierarchical elements
  41. makes ceremonial aspect of theatre important for its own sake
  42. visual dramaturgy through scenography
  43. plethora, overabundance, hypernaturalism—theatre of props
  44. aims at synaesthesia
  45. phenomenon over narrative