(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
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abandons itself to chance/risk
irruption of the real—not knowing whether something is real or not
not an I that speaks but an it through a complex machinized composition/agencement
theatre becomes chora-graphy
dialogue takes place between sound and space
theatre of perceptibility (we start seeing seeing)
plethora, overabundance, hypernaturalism—theatre of props
an event (feast, debate, public action, political manifestation)
density of signs—or not (thereby activating imagination)
visual dramaturgy through scenography
heterogenous, individual imaginations
microstructures of text
open and fragmenting perception
overlap between theatre and performance art
post-anthropocentric
makes ceremonial aspect of theatre important for its own sake
simultaneity
human beings become gestic sculptures
phenomenon over narrative
resembles structures of dreams
reminders of reading/speaking a text = unnatural
aims at synaesthesia
more energetic impulse than information
fragmentary and partial
text is merely a component
social situation for all participants: what you experience depends on all
body’s presence over logos
drama, emptiness, in-betweenness are protagonists
coldness of characters
no aesthetic distance (we are part of a common situation)
musicalization = sound is a new language in the theatre?
shocking physicality
trusts individual impulses
more shared than communicated experience
more manifestation than signification
theatre of states and scenically dynamic formations
polyglossia
more presence than representation
non-hierarchical elements
a theatre of the present, not intermediary but continuous point of presentness