an event(feast, debate,public action,politicalmanifestation)abandonsitself tochance/riskmorepresence thanrepresentationa theatre of thepresent, notintermediarybut continuouspoint ofpresentnessnot an I that speaks butan it through a complexmachinizedcomposition/agencementdialoguetakes placebetweensound andspacepost-anthropocentrictheatrebecomeschora-graphyphenomenonovernarrativeaims atsynaesthesiatext ismerely acomponenthumanbeingsbecomegesticsculpturesfragmentaryand partialmoremanifestationthansignificationmoreenergeticimpulse thaninformationrupture ofmeaningbetweenbeing andmeaningheterogenous,individualimaginationsvisualdramaturgythroughscenographypolyglossiatrustsindividualimpulsesplethora,overabundance,hypernaturalism—theatre ofpropssocial situationfor allparticipants:what youexperiencedepends on allreminders ofreading/speakinga text = unnaturalmore sharedthancommunicatedexperiencetheatre ofstates andscenicallydynamicformationsshockingphysicalitya timeof thegazeresemblesstructuresof dreamssimultaneityopen andfragmentingperceptionreplacementof actionwithceremonymusicalization= sound is anew languagein the theatre?theatre ofperceptibility(we startseeingseeing)coldnessofcharactersmakesceremonialaspect oftheatreimportant for itsown sakeoverlapbetweentheatre andperformanceartmoreprocessthanproducttheatre of thevoice(reverberationof the past)drama,emptiness, in-betweennessareprotagonistsmicrostructuresof textnon-hierarchicalelementsbody’spresenceover logosno aestheticdistance (weare part of acommonsituation)density ofsigns—ornot (therebyactivatingimagination)irruption of thereal—notknowingwhethersomething isreal or notan event(feast, debate,public action,politicalmanifestation)abandonsitself tochance/riskmorepresence thanrepresentationa theatre of thepresent, notintermediarybut continuouspoint ofpresentnessnot an I that speaks butan it through a complexmachinizedcomposition/agencementdialoguetakes placebetweensound andspacepost-anthropocentrictheatrebecomeschora-graphyphenomenonovernarrativeaims atsynaesthesiatext ismerely acomponenthumanbeingsbecomegesticsculpturesfragmentaryand partialmoremanifestationthansignificationmoreenergeticimpulse thaninformationrupture ofmeaningbetweenbeing andmeaningheterogenous,individualimaginationsvisualdramaturgythroughscenographypolyglossiatrustsindividualimpulsesplethora,overabundance,hypernaturalism—theatre ofpropssocial situationfor allparticipants:what youexperiencedepends on allreminders ofreading/speakinga text = unnaturalmore sharedthancommunicatedexperiencetheatre ofstates andscenicallydynamicformationsshockingphysicalitya timeof thegazeresemblesstructuresof dreamssimultaneityopen andfragmentingperceptionreplacementof actionwithceremonymusicalization= sound is anew languagein the theatre?theatre ofperceptibility(we startseeingseeing)coldnessofcharactersmakesceremonialaspect oftheatreimportant for itsown sakeoverlapbetweentheatre andperformanceartmoreprocessthanproducttheatre of thevoice(reverberationof the past)drama,emptiness, in-betweennessareprotagonistsmicrostructuresof textnon-hierarchicalelementsbody’spresenceover logosno aestheticdistance (weare part of acommonsituation)density ofsigns—ornot (therebyactivatingimagination)irruption of thereal—notknowingwhethersomething isreal or not

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. an event (feast, debate, public action, political manifestation)
  2. abandons itself to chance/risk
  3. more presence than representation
  4. a theatre of the present, not intermediary but continuous point of presentness
  5. not an I that speaks but an it through a complex machinized composition/agencement
  6. dialogue takes place between sound and space
  7. post-anthropocentric
  8. theatre becomes chora-graphy
  9. phenomenon over narrative
  10. aims at synaesthesia
  11. text is merely a component
  12. human beings become gestic sculptures
  13. fragmentary and partial
  14. more manifestation than signification
  15. more energetic impulse than information
  16. rupture of meaning between being and meaning
  17. heterogenous, individual imaginations
  18. visual dramaturgy through scenography
  19. polyglossia
  20. trusts individual impulses
  21. plethora, overabundance, hypernaturalism—theatre of props
  22. social situation for all participants: what you experience depends on all
  23. reminders of reading/speaking a text = unnatural
  24. more shared than communicated experience
  25. theatre of states and scenically dynamic formations
  26. shocking physicality
  27. a time of the gaze
  28. resembles structures of dreams
  29. simultaneity
  30. open and fragmenting perception
  31. replacement of action with ceremony
  32. musicalization = sound is a new language in the theatre?
  33. theatre of perceptibility (we start seeing seeing)
  34. coldness of characters
  35. makes ceremonial aspect of theatre important for its own sake
  36. overlap between theatre and performance art
  37. more process than product
  38. theatre of the voice (reverberation of the past)
  39. drama, emptiness, in-betweenness are protagonists
  40. microstructures of text
  41. non-hierarchical elements
  42. body’s presence over logos
  43. no aesthetic distance (we are part of a common situation)
  44. density of signs—or not (thereby activating imagination)
  45. irruption of the real—not knowing whether something is real or not