(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
density of signs—or not (thereby activating imagination)
social situation for all participants: what you experience depends on all
body’s presence over logos
theatre becomes chora-graphy
replacement of action with ceremony
a theatre of the present, not intermediary but continuous point of presentness
heterogenous, individual imaginations
irruption of the real—not knowing whether something is real or not
more presence than representation
post-anthropocentric
aims at synaesthesia
abandons itself to chance/risk
theatre of perceptibility (we start seeing seeing)
phenomenon over narrative
plethora, overabundance, hypernaturalism—theatre of props
a time of the gaze
text is merely a component
trusts individual impulses
resembles structures of dreams
overlap between theatre and performance art
visual dramaturgy through scenography
microstructures of text
more energetic impulse than information
no aesthetic distance (we are part of a common situation)
simultaneity
theatre of states and scenically dynamic formations
non-hierarchical elements
theatre of the voice (reverberation of the past)
fragmentary and partial
not an I that speaks but an it through a complex machinized composition/agencement
an event (feast, debate, public action, political manifestation)
shocking physicality
reminders of reading/speaking a text = unnatural
more manifestation than signification
open and fragmenting perception
polyglossia
makes ceremonial aspect of theatre important for its own sake
musicalization = sound is a new language in the theatre?
