(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
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resembles structures of dreams
fragmentary and partial
musicalization = sound is a new language in the theatre?
more shared than communicated experience
density of signs—or not (thereby activating imagination)
plethora, overabundance, hypernaturalism—theatre of props
polyglossia
abandons itself to chance/risk
makes ceremonial aspect of theatre important for its own sake
more process than product
reminders of reading/speaking a text = unnatural
irruption of the real—not knowing whether something is real or not
post-anthropocentric
trusts individual impulses
theatre of the voice (reverberation of the past)
dialogue takes place between sound and space
text is merely a component
theatre of states and scenically dynamic formations
coldness of characters
more presence than representation
open and fragmenting perception
non-hierarchical elements
theatre of perceptibility (we start seeing seeing)
human beings become gestic sculptures
aims at synaesthesia
simultaneity
more manifestation than signification
body’s presence over logos
replacement of action with ceremony
microstructures of text
overlap between theatre and performance art
a theatre of the present, not intermediary but continuous point of presentness
not an I that speaks but an it through a complex machinized composition/agencement
rupture of meaning between being and meaning
social situation for all participants: what you experience depends on all
phenomenon over narrative
theatre becomes chora-graphy
no aesthetic distance (we are part of a common situation)
drama, emptiness, in-betweenness are protagonists
shocking physicality
more energetic impulse than information
an event (feast, debate, public action, political manifestation)