open andfragmentingperceptionmoremanifestationthansignificationpost-anthropocentricmicrostructuresof textno aestheticdistance (weare part of acommonsituation)reminders ofreading/speakinga text = unnaturalmoreprocessthanproducttrustsindividualimpulsestheatre ofperceptibility(we startseeingseeing)social situationfor allparticipants:what youexperiencedepends on allmore sharedthancommunicatedexperiencedialoguetakes placebetweensound andspacemoreenergeticimpulse thaninformationbody’spresenceover logosresemblesstructuresof dreamsheterogenous,individualimaginationsnon-hierarchicalelementsplethora,overabundance,hypernaturalism—theatre ofpropsan event(feast, debate,public action,politicalmanifestation)not an I that speaks butan it through a complexmachinizedcomposition/agencementirruption of thereal—notknowingwhethersomething isreal or nota timeof thegazeoverlapbetweentheatre andperformanceartvisualdramaturgythroughscenographyfragmentaryand partialhumanbeingsbecomegesticsculpturesmorepresence thanrepresentationreplacementof actionwithceremonymusicalization= sound is anew languagein the theatre?theatre of thevoice(reverberationof the past)phenomenonovernarrativeshockingphysicalityaims atsynaesthesiasimultaneitymakesceremonialaspect oftheatreimportant for itsown saketheatre ofstates andscenicallydynamicformationstext ismerely acomponentcoldnessofcharactersrupture ofmeaningbetweenbeing andmeaningabandonsitself tochance/riskpolyglossiadrama,emptiness, in-betweennessareprotagonistsdensity ofsigns—ornot (therebyactivatingimagination)theatrebecomeschora-graphya theatre of thepresent, notintermediarybut continuouspoint ofpresentnessopen andfragmentingperceptionmoremanifestationthansignificationpost-anthropocentricmicrostructuresof textno aestheticdistance (weare part of acommonsituation)reminders ofreading/speakinga text = unnaturalmoreprocessthanproducttrustsindividualimpulsestheatre ofperceptibility(we startseeingseeing)social situationfor allparticipants:what youexperiencedepends on allmore sharedthancommunicatedexperiencedialoguetakes placebetweensound andspacemoreenergeticimpulse thaninformationbody’spresenceover logosresemblesstructuresof dreamsheterogenous,individualimaginationsnon-hierarchicalelementsplethora,overabundance,hypernaturalism—theatre ofpropsan event(feast, debate,public action,politicalmanifestation)not an I that speaks butan it through a complexmachinizedcomposition/agencementirruption of thereal—notknowingwhethersomething isreal or nota timeof thegazeoverlapbetweentheatre andperformanceartvisualdramaturgythroughscenographyfragmentaryand partialhumanbeingsbecomegesticsculpturesmorepresence thanrepresentationreplacementof actionwithceremonymusicalization= sound is anew languagein the theatre?theatre of thevoice(reverberationof the past)phenomenonovernarrativeshockingphysicalityaims atsynaesthesiasimultaneitymakesceremonialaspect oftheatreimportant for itsown saketheatre ofstates andscenicallydynamicformationstext ismerely acomponentcoldnessofcharactersrupture ofmeaningbetweenbeing andmeaningabandonsitself tochance/riskpolyglossiadrama,emptiness, in-betweennessareprotagonistsdensity ofsigns—ornot (therebyactivatingimagination)theatrebecomeschora-graphya theatre of thepresent, notintermediarybut continuouspoint ofpresentness

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. open and fragmenting perception
  2. more manifestation than signification
  3. post-anthropocentric
  4. microstructures of text
  5. no aesthetic distance (we are part of a common situation)
  6. reminders of reading/speaking a text = unnatural
  7. more process than product
  8. trusts individual impulses
  9. theatre of perceptibility (we start seeing seeing)
  10. social situation for all participants: what you experience depends on all
  11. more shared than communicated experience
  12. dialogue takes place between sound and space
  13. more energetic impulse than information
  14. body’s presence over logos
  15. resembles structures of dreams
  16. heterogenous, individual imaginations
  17. non-hierarchical elements
  18. plethora, overabundance, hypernaturalism—theatre of props
  19. an event (feast, debate, public action, political manifestation)
  20. not an I that speaks but an it through a complex machinized composition/agencement
  21. irruption of the real—not knowing whether something is real or not
  22. a time of the gaze
  23. overlap between theatre and performance art
  24. visual dramaturgy through scenography
  25. fragmentary and partial
  26. human beings become gestic sculptures
  27. more presence than representation
  28. replacement of action with ceremony
  29. musicalization = sound is a new language in the theatre?
  30. theatre of the voice (reverberation of the past)
  31. phenomenon over narrative
  32. shocking physicality
  33. aims at synaesthesia
  34. simultaneity
  35. makes ceremonial aspect of theatre important for its own sake
  36. theatre of states and scenically dynamic formations
  37. text is merely a component
  38. coldness of characters
  39. rupture of meaning between being and meaning
  40. abandons itself to chance/risk
  41. polyglossia
  42. drama, emptiness, in-betweenness are protagonists
  43. density of signs—or not (thereby activating imagination)
  44. theatre becomes chora-graphy
  45. a theatre of the present, not intermediary but continuous point of presentness