(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
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heterogenous, individual imaginations
plethora, overabundance, hypernaturalism—theatre of props
more shared than communicated experience
text is merely a component
trusts individual impulses
drama, emptiness, in-betweenness are protagonists
density of signs—or not (thereby activating imagination)
irruption of the real—not knowing whether something is real or not
shocking physicality
an event (feast, debate, public action, political manifestation)
polyglossia
fragmentary and partial
aims at synaesthesia
a theatre of the present, not intermediary but continuous point of presentness
body’s presence over logos
more process than product
theatre of perceptibility (we start seeing seeing)
no aesthetic distance (we are part of a common situation)
microstructures of text
resembles structures of dreams
coldness of characters
a time of the gaze
more manifestation than signification
more energetic impulse than information
more presence than representation
overlap between theatre and performance art
open and fragmenting perception
reminders of reading/speaking a text = unnatural
social situation for all participants: what you experience depends on all
replacement of action with ceremony
theatre of states and scenically dynamic formations
phenomenon over narrative
theatre becomes chora-graphy
musicalization = sound is a new language in the theatre?
dialogue takes place between sound and space
not an I that speaks but an it through a complex machinized composition/agencement
makes ceremonial aspect of theatre important for its own sake
