(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
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non-hierarchical elements
density of signs—or not (thereby activating imagination)
dialogue takes place between sound and space
coldness of characters
not an I that speaks but an it through a complex machinized composition/agencement
aims at synaesthesia
social situation for all participants: what you experience depends on all
overlap between theatre and performance art
rupture of meaning between being and meaning
heterogenous, individual imaginations
abandons itself to chance/risk
an event (feast, debate, public action, political manifestation)
more presence than representation
post-anthropocentric
text is merely a component
polyglossia
drama, emptiness, in-betweenness are protagonists
makes ceremonial aspect of theatre important for its own sake
theatre of the voice (reverberation of the past)
theatre becomes chora-graphy
phenomenon over narrative
no aesthetic distance (we are part of a common situation)
microstructures of text
more manifestation than signification
theatre of perceptibility (we start seeing seeing)
resembles structures of dreams
open and fragmenting perception
replacement of action with ceremony
musicalization = sound is a new language in the theatre?
reminders of reading/speaking a text = unnatural
plethora, overabundance, hypernaturalism—theatre of props
more shared than communicated experience
simultaneity
a time of the gaze
shocking physicality
a theatre of the present, not intermediary but continuous point of presentness
body’s presence over logos
more energetic impulse than information
trusts individual impulses
fragmentary and partial
irruption of the real—not knowing whether something is real or not
human beings become gestic sculptures
theatre of states and scenically dynamic formations