resemblesstructuresof dreamstext ismerely acomponentphenomenonovernarrativemoreenergeticimpulse thaninformationan event(feast, debate,public action,politicalmanifestation)no aestheticdistance (weare part of acommonsituation)non-hierarchicalelementsshockingphysicalitydensity ofsigns—ornot (therebyactivatingimagination)reminders ofreading/speakinga text = unnaturalmorepresence thanrepresentationplethora,overabundance,hypernaturalism—theatre ofpropsirruption of thereal—notknowingwhethersomething isreal or notdrama,emptiness, in-betweennessareprotagonistsbody’spresenceover logosmoremanifestationthansignificationheterogenous,individualimaginationshumanbeingsbecomegesticsculpturesa timeof thegazemore sharedthancommunicatedexperiencereplacementof actionwithceremonytheatre ofperceptibility(we startseeingseeing)rupture ofmeaningbetweenbeing andmeaningpost-anthropocentrictrustsindividualimpulsesmicrostructuresof textmusicalization= sound is anew languagein the theatre?not an I that speaks butan it through a complexmachinizedcomposition/agencementmakesceremonialaspect oftheatreimportant for itsown saketheatrebecomeschora-graphya theatre of thepresent, notintermediarybut continuouspoint ofpresentnesstheatre of thevoice(reverberationof the past)simultaneitypolyglossiadialoguetakes placebetweensound andspacecoldnessofcharactersaims atsynaesthesiaoverlapbetweentheatre andperformanceartopen andfragmentingperceptiontheatre ofstates andscenicallydynamicformationsvisualdramaturgythroughscenographymoreprocessthanproductfragmentaryand partialabandonsitself tochance/risksocial situationfor allparticipants:what youexperiencedepends on allresemblesstructuresof dreamstext ismerely acomponentphenomenonovernarrativemoreenergeticimpulse thaninformationan event(feast, debate,public action,politicalmanifestation)no aestheticdistance (weare part of acommonsituation)non-hierarchicalelementsshockingphysicalitydensity ofsigns—ornot (therebyactivatingimagination)reminders ofreading/speakinga text = unnaturalmorepresence thanrepresentationplethora,overabundance,hypernaturalism—theatre ofpropsirruption of thereal—notknowingwhethersomething isreal or notdrama,emptiness, in-betweennessareprotagonistsbody’spresenceover logosmoremanifestationthansignificationheterogenous,individualimaginationshumanbeingsbecomegesticsculpturesa timeof thegazemore sharedthancommunicatedexperiencereplacementof actionwithceremonytheatre ofperceptibility(we startseeingseeing)rupture ofmeaningbetweenbeing andmeaningpost-anthropocentrictrustsindividualimpulsesmicrostructuresof textmusicalization= sound is anew languagein the theatre?not an I that speaks butan it through a complexmachinizedcomposition/agencementmakesceremonialaspect oftheatreimportant for itsown saketheatrebecomeschora-graphya theatre of thepresent, notintermediarybut continuouspoint ofpresentnesstheatre of thevoice(reverberationof the past)simultaneitypolyglossiadialoguetakes placebetweensound andspacecoldnessofcharactersaims atsynaesthesiaoverlapbetweentheatre andperformanceartopen andfragmentingperceptiontheatre ofstates andscenicallydynamicformationsvisualdramaturgythroughscenographymoreprocessthanproductfragmentaryand partialabandonsitself tochance/risksocial situationfor allparticipants:what youexperiencedepends on all

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. resembles structures of dreams
  2. text is merely a component
  3. phenomenon over narrative
  4. more energetic impulse than information
  5. an event (feast, debate, public action, political manifestation)
  6. no aesthetic distance (we are part of a common situation)
  7. non-hierarchical elements
  8. shocking physicality
  9. density of signs—or not (thereby activating imagination)
  10. reminders of reading/speaking a text = unnatural
  11. more presence than representation
  12. plethora, overabundance, hypernaturalism—theatre of props
  13. irruption of the real—not knowing whether something is real or not
  14. drama, emptiness, in-betweenness are protagonists
  15. body’s presence over logos
  16. more manifestation than signification
  17. heterogenous, individual imaginations
  18. human beings become gestic sculptures
  19. a time of the gaze
  20. more shared than communicated experience
  21. replacement of action with ceremony
  22. theatre of perceptibility (we start seeing seeing)
  23. rupture of meaning between being and meaning
  24. post-anthropocentric
  25. trusts individual impulses
  26. microstructures of text
  27. musicalization = sound is a new language in the theatre?
  28. not an I that speaks but an it through a complex machinized composition/agencement
  29. makes ceremonial aspect of theatre important for its own sake
  30. theatre becomes chora-graphy
  31. a theatre of the present, not intermediary but continuous point of presentness
  32. theatre of the voice (reverberation of the past)
  33. simultaneity
  34. polyglossia
  35. dialogue takes place between sound and space
  36. coldness of characters
  37. aims at synaesthesia
  38. overlap between theatre and performance art
  39. open and fragmenting perception
  40. theatre of states and scenically dynamic formations
  41. visual dramaturgy through scenography
  42. more process than product
  43. fragmentary and partial
  44. abandons itself to chance/risk
  45. social situation for all participants: what you experience depends on all