(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
theatre of perceptibility (we start seeing seeing)
theatre of states and scenically dynamic formations
visual dramaturgy through scenography
more manifestation than signification
post-anthropocentric
irruption of the real—not knowing whether something is real or not
a theatre of the present, not intermediary but continuous point of presentness
microstructures of text
reminders of reading/speaking a text = unnatural
more shared than communicated experience
resembles structures of dreams
open and fragmenting perception
more presence than representation
an event (feast, debate, public action, political manifestation)
text is merely a component
a time of the gaze
simultaneity
social situation for all participants: what you experience depends on all
dialogue takes place between sound and space
plethora, overabundance, hypernaturalism—theatre of props
shocking physicality
musicalization = sound is a new language in the theatre?
more process than product
theatre of the voice (reverberation of the past)
trusts individual impulses
more energetic impulse than information
replacement of action with ceremony
abandons itself to chance/risk
body’s presence over logos
no aesthetic distance (we are part of a common situation)
drama, emptiness, in-betweenness are protagonists
not an I that speaks but an it through a complex machinized composition/agencement
density of signs—or not (thereby activating imagination)
rupture of meaning between being and meaning
heterogenous, individual imaginations
polyglossia
coldness of characters
theatre becomes chora-graphy
aims at synaesthesia
phenomenon over narrative
non-hierarchical elements
makes ceremonial aspect of theatre important for its own sake