coldnessofcharactersmoremanifestationthansignificationsimultaneityrupture ofmeaningbetweenbeing andmeaningnot an I that speaks butan it through a complexmachinizedcomposition/agencementdialoguetakes placebetweensound andspacenon-hierarchicalelementsbody’spresenceover logosshockingphysicalitymoreenergeticimpulse thaninformationtext ismerely acomponentopen andfragmentingperceptionphenomenonovernarrativepolyglossiatrustsindividualimpulseshumanbeingsbecomegesticsculpturesdensity ofsigns—ornot (therebyactivatingimagination)theatre ofperceptibility(we startseeingseeing)makesceremonialaspect oftheatreimportant for itsown sakeaims atsynaesthesiavisualdramaturgythroughscenographymoreprocessthanproductmorepresence thanrepresentationirruption of thereal—notknowingwhethersomething isreal or notmore sharedthancommunicatedexperienceno aestheticdistance (weare part of acommonsituation)plethora,overabundance,hypernaturalism—theatre ofpropsheterogenous,individualimaginationsan event(feast, debate,public action,politicalmanifestation)a timeof thegazeabandonsitself tochance/risksocial situationfor allparticipants:what youexperiencedepends on allmicrostructuresof textpost-anthropocentricreminders ofreading/speakinga text = unnaturalresemblesstructuresof dreamstheatre of thevoice(reverberationof the past)overlapbetweentheatre andperformanceartreplacementof actionwithceremonydrama,emptiness, in-betweennessareprotagonistsmusicalization= sound is anew languagein the theatre?fragmentaryand partialtheatrebecomeschora-graphya theatre of thepresent, notintermediarybut continuouspoint ofpresentnesstheatre ofstates andscenicallydynamicformationscoldnessofcharactersmoremanifestationthansignificationsimultaneityrupture ofmeaningbetweenbeing andmeaningnot an I that speaks butan it through a complexmachinizedcomposition/agencementdialoguetakes placebetweensound andspacenon-hierarchicalelementsbody’spresenceover logosshockingphysicalitymoreenergeticimpulse thaninformationtext ismerely acomponentopen andfragmentingperceptionphenomenonovernarrativepolyglossiatrustsindividualimpulseshumanbeingsbecomegesticsculpturesdensity ofsigns—ornot (therebyactivatingimagination)theatre ofperceptibility(we startseeingseeing)makesceremonialaspect oftheatreimportant for itsown sakeaims atsynaesthesiavisualdramaturgythroughscenographymoreprocessthanproductmorepresence thanrepresentationirruption of thereal—notknowingwhethersomething isreal or notmore sharedthancommunicatedexperienceno aestheticdistance (weare part of acommonsituation)plethora,overabundance,hypernaturalism—theatre ofpropsheterogenous,individualimaginationsan event(feast, debate,public action,politicalmanifestation)a timeof thegazeabandonsitself tochance/risksocial situationfor allparticipants:what youexperiencedepends on allmicrostructuresof textpost-anthropocentricreminders ofreading/speakinga text = unnaturalresemblesstructuresof dreamstheatre of thevoice(reverberationof the past)overlapbetweentheatre andperformanceartreplacementof actionwithceremonydrama,emptiness, in-betweennessareprotagonistsmusicalization= sound is anew languagein the theatre?fragmentaryand partialtheatrebecomeschora-graphya theatre of thepresent, notintermediarybut continuouspoint ofpresentnesstheatre ofstates andscenicallydynamicformations

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. coldness of characters
  2. more manifestation than signification
  3. simultaneity
  4. rupture of meaning between being and meaning
  5. not an I that speaks but an it through a complex machinized composition/agencement
  6. dialogue takes place between sound and space
  7. non-hierarchical elements
  8. body’s presence over logos
  9. shocking physicality
  10. more energetic impulse than information
  11. text is merely a component
  12. open and fragmenting perception
  13. phenomenon over narrative
  14. polyglossia
  15. trusts individual impulses
  16. human beings become gestic sculptures
  17. density of signs—or not (thereby activating imagination)
  18. theatre of perceptibility (we start seeing seeing)
  19. makes ceremonial aspect of theatre important for its own sake
  20. aims at synaesthesia
  21. visual dramaturgy through scenography
  22. more process than product
  23. more presence than representation
  24. irruption of the real—not knowing whether something is real or not
  25. more shared than communicated experience
  26. no aesthetic distance (we are part of a common situation)
  27. plethora, overabundance, hypernaturalism—theatre of props
  28. heterogenous, individual imaginations
  29. an event (feast, debate, public action, political manifestation)
  30. a time of the gaze
  31. abandons itself to chance/risk
  32. social situation for all participants: what you experience depends on all
  33. microstructures of text
  34. post-anthropocentric
  35. reminders of reading/speaking a text = unnatural
  36. resembles structures of dreams
  37. theatre of the voice (reverberation of the past)
  38. overlap between theatre and performance art
  39. replacement of action with ceremony
  40. drama, emptiness, in-betweenness are protagonists
  41. musicalization = sound is a new language in the theatre?
  42. fragmentary and partial
  43. theatre becomes chora-graphy
  44. a theatre of the present, not intermediary but continuous point of presentness
  45. theatre of states and scenically dynamic formations