Role reversalwhere MLIpreaches to nowhopeless FLIabout Christmas,love, and/or magicSappy, female sung,break-up genre songplays during montageof FLI and MLI goingabout their lives postconflict that tearsthem apartThe antagonistreveals information(whether its true ornot) that makes FLIbegin to distanceherself from MLIBad Ex trivializessomething aboutXmas, which turnsoff MLI andhappens in order tomake FLI look likethe better choiceMLI and FLI slowdance in acrowded room ofpeople at a formalevent, because,you know,ROYALSWhen emotional orphysicalbreakthroughoccurs, a LI clearstheir throat torecomposethemselvesFLI saysshe's finewhen shereally isn'tRoles switchand MLIteaches FLIsomethingAntagonistmisleads/liesfor anintendedoutcomeBarchimesused.Obvy.While Bad Ex istalking to/spendingtime with MLI, MLIis not payingattention and islooking at FLI"BestChristmasEver"An LI refersto the otherat somepoint as "theone"When FLI tries tobe strong, talkyfriend is used togive FLI theplatform to confessher insecurities andsorrowsWhen partingways, one LIlooks overthe shoulderat the otherThe reason MLI'sfamily doesn'tcelebrateChristmasanymore is due toits association to afamily deathLI gets garbageadvice from an allyabout "you'll justknow when you'vemet the right one" or"you'll feel a specialfeeling in your heart"Pizzicatostrings toindicate"awkward"sceneFLI consolesherself withsome sugaryChristmasfood/drinkAn ally of an LI tells theother LI something like,"I can't remember thelast time I saw LI sohappy" or "You makeLI so happy OOORRRverbalizes attraction LIhas been denyingTalky friend of FLItells FLI she still hasa chance with MLI,and disrespect theimplied or explicitrelationship the MLhas with Bad ExFLI gets helpfrom talky friendpicking out aformal outfit (FLImay do soreluctantly)Film uses child,animal, or homelessperson (or love ofone of these things)as a prop toestablish a LI as agood personA stupid callbackto when the firstLIs meet (a line issaid again, theMLI gives the FLia singing doormat,etc...)Role reversalwhere MLIpreaches to nowhopeless FLIabout Christmas,love, and/or magicSappy, female sung,break-up genre songplays during montageof FLI and MLI goingabout their lives postconflict that tearsthem apartThe antagonistreveals information(whether its true ornot) that makes FLIbegin to distanceherself from MLIBad Ex trivializessomething aboutXmas, which turnsoff MLI andhappens in order tomake FLI look likethe better choiceMLI and FLI slowdance in acrowded room ofpeople at a formalevent, because,you know,ROYALSWhen emotional orphysicalbreakthroughoccurs, a LI clearstheir throat torecomposethemselvesFLI saysshe's finewhen shereally isn'tRoles switchand MLIteaches FLIsomethingAntagonistmisleads/liesfor anintendedoutcomeBarchimesused.Obvy.While Bad Ex istalking to/spendingtime with MLI, MLIis not payingattention and islooking at FLI"BestChristmasEver"An LI refersto the otherat somepoint as "theone"When FLI tries tobe strong, talkyfriend is used togive FLI theplatform to confessher insecurities andsorrowsWhen partingways, one LIlooks overthe shoulderat the otherThe reason MLI'sfamily doesn'tcelebrateChristmasanymore is due toits association to afamily deathLI gets garbageadvice from an allyabout "you'll justknow when you'vemet the right one" or"you'll feel a specialfeeling in your heart"Pizzicatostrings toindicate"awkward"sceneFLI consolesherself withsome sugaryChristmasfood/drinkAn ally of an LI tells theother LI something like,"I can't remember thelast time I saw LI sohappy" or "You makeLI so happy OOORRRverbalizes attraction LIhas been denyingTalky friend of FLItells FLI she still hasa chance with MLI,and disrespect theimplied or explicitrelationship the MLhas with Bad ExFLI gets helpfrom talky friendpicking out aformal outfit (FLImay do soreluctantly)Film uses child,animal, or homelessperson (or love ofone of these things)as a prop toestablish a LI as agood personA stupid callbackto when the firstLIs meet (a line issaid again, theMLI gives the FLia singing doormat,etc...)

XMAS XRINGE: Cheerful Christmas - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Role reversal where MLI preaches to now hopeless FLI about Christmas, love, and/or magic
  2. Sappy, female sung, break-up genre song plays during montage of FLI and MLI going about their lives post conflict that tears them apart
  3. The antagonist reveals information (whether its true or not) that makes FLI begin to distance herself from MLI
  4. Bad Ex trivializes something about Xmas, which turns off MLI and happens in order to make FLI look like the better choice
  5. MLI and FLI slow dance in a crowded room of people at a formal event, because, you know, ROYALS
  6. When emotional or physical breakthrough occurs, a LI clears their throat to recompose themselves
  7. FLI says she's fine when she really isn't
  8. Roles switch and MLI teaches FLI something
  9. Antagonist misleads/lies for an intended outcome
  10. Bar chimes used. Obvy.
  11. While Bad Ex is talking to/spending time with MLI, MLI is not paying attention and is looking at FLI
  12. "Best Christmas Ever"
  13. An LI refers to the other at some point as "the one"
  14. When FLI tries to be strong, talky friend is used to give FLI the platform to confess her insecurities and sorrows
  15. When parting ways, one LI looks over the shoulder at the other
  16. The reason MLI's family doesn't celebrate Christmas anymore is due to its association to a family death
  17. LI gets garbage advice from an ally about "you'll just know when you've met the right one" or "you'll feel a special feeling in your heart"
  18. Pizzicato strings to indicate "awkward" scene
  19. FLI consoles herself with some sugary Christmas food/drink
  20. An ally of an LI tells the other LI something like, "I can't remember the last time I saw LI so happy" or "You make LI so happy OOORRR verbalizes attraction LI has been denying
  21. Talky friend of FLI tells FLI she still has a chance with MLI, and disrespect the implied or explicit relationship the ML has with Bad Ex
  22. FLI gets help from talky friend picking out a formal outfit (FLI may do so reluctantly)
  23. Film uses child, animal, or homeless person (or love of one of these things) as a prop to establish a LI as a good person
  24. A stupid callback to when the first LIs meet (a line is said again, the MLI gives the FLi a singing doormat, etc...)