MISE- EN- SCÈNE ENTER FRAME SETUP BLOCKING CONTINUITY EDITING OTS (OVER THE SHOULDER) 180 DEGREE RULE TRACKING SHOT FOREGROUND MOBILE CAMERA SHOT / REVERSE- SHOT DÉCOR OFFSCREEN SOUND PROFILE SHOT REACTION SHOT EXIT FRAME DOLLY INSERT EYELINE MATCH SCREEN DIRECTION NONDIEGETIC REVERB PAN HIGH- LEVEL SHOT LOW ANGLE SHOT PROP LOW-KEY LIGHTING FAVOURING OPTICAL PERSPECTIVE REFRAMING MUSICAL SCORE LEITMOTIF TILT SOUND BRIDGE ESTABLISHING SHOT TONE OF VOICE TRIPOD CANTED ANGLE EXPRESSIONISTIC CLOSE- UP UNDERSCORING AXIAL CUT PRACTICAL LIGHTING MATCH- ON- ACTION AMBIENT SOUND PROXEMICS POV STRUCTURE TWO- SHOT MISE- EN- SCÈNE ENTER FRAME SETUP BLOCKING CONTINUITY EDITING OTS (OVER THE SHOULDER) 180 DEGREE RULE TRACKING SHOT FOREGROUND MOBILE CAMERA SHOT / REVERSE- SHOT DÉCOR OFFSCREEN SOUND PROFILE SHOT REACTION SHOT EXIT FRAME DOLLY INSERT EYELINE MATCH SCREEN DIRECTION NONDIEGETIC REVERB PAN HIGH- LEVEL SHOT LOW ANGLE SHOT PROP LOW-KEY LIGHTING FAVOURING OPTICAL PERSPECTIVE REFRAMING MUSICAL SCORE LEITMOTIF TILT SOUND BRIDGE ESTABLISHING SHOT TONE OF VOICE TRIPOD CANTED ANGLE EXPRESSIONISTIC CLOSE- UP UNDERSCORING AXIAL CUT PRACTICAL LIGHTING MATCH- ON- ACTION AMBIENT SOUND PROXEMICS POV STRUCTURE TWO- SHOT
(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
MISE-EN-SCÈNE
ENTER FRAME
SETUP
BLOCKING
CONTINUITY EDITING
OTS (OVER THE SHOULDER)
180 DEGREE RULE
TRACKING SHOT
FOREGROUND
MOBILE CAMERA
SHOT / REVERSE-SHOT
DÉCOR
OFFSCREEN SOUND
PROFILE SHOT
REACTION SHOT
EXIT FRAME
DOLLY
INSERT
EYELINE MATCH
SCREEN DIRECTION
NONDIEGETIC
REVERB
PAN
HIGH-LEVEL SHOT
LOW ANGLE SHOT
PROP
LOW-KEY LIGHTING
FAVOURING
OPTICAL PERSPECTIVE
REFRAMING
MUSICAL SCORE
LEITMOTIF
TILT
SOUND BRIDGE
ESTABLISHING SHOT
TONE OF VOICE
TRIPOD
CANTED ANGLE
EXPRESSIONISTIC
CLOSE-UP
UNDERSCORING
AXIAL CUT
PRACTICAL LIGHTING
MATCH-ON-ACTION
AMBIENT SOUND
PROXEMICS
POV STRUCTURE
TWO-SHOT