A mark withgreaterlength thanwidth.Extremelowvantagepoint.Arrangementorjuxtapositionof opposingelements.Thesurfacequality ofobjects.Presence ofdifferencesamong partsor elements.Phenomenonproduced byvaryingwavelengths oflight absorbed orreflected byobjects.Formed whenan area orspace isenclosed bylines.Placingimportanceor focus in acomposition.Therecurrence ofelements orarrangementof elements.Thelightness orthe darknessof a hue.Colors thatintensify eachother when placedside by side andneutralize eachother when mixed.Areabetween ornot occupiedby objects orfigures.Thedistributionof elementsin a visualcomposition.Preciseand clearlydefinedshapes.Shapes mostlyfound in naturedefined by curvedlines, oftenasymmetrical andirregular.Strongcontrastbetweenlight anddark.Elements onone sideperfectlyreflected onanother side.Produces anillusion of depththrough the useof convergingparallel lines.A familyof relatedcolors.The absenceof emptyspace in avisualcomposition.Lines thatdefine theform offigures.The purityof a huein a color.Oneness orwholenessin acomposition.A colorschemeusing only asingle hue.A mark withgreaterlength thanwidth.Extremelowvantagepoint.Arrangementorjuxtapositionof opposingelements.Thesurfacequality ofobjects.Presence ofdifferencesamong partsor elements.Phenomenonproduced byvaryingwavelengths oflight absorbed orreflected byobjects.Formed whenan area orspace isenclosed bylines.Placingimportanceor focus in acomposition.Therecurrence ofelements orarrangementof elements.Thelightness orthe darknessof a hue.Colors thatintensify eachother when placedside by side andneutralize eachother when mixed.Areabetween ornot occupiedby objects orfigures.Thedistributionof elementsin a visualcomposition.Preciseand clearlydefinedshapes.Shapes mostlyfound in naturedefined by curvedlines, oftenasymmetrical andirregular.Strongcontrastbetweenlight anddark.Elements onone sideperfectlyreflected onanother side.Produces anillusion of depththrough the useof convergingparallel lines.A familyof relatedcolors.The absenceof emptyspace in avisualcomposition.Lines thatdefine theform offigures.The purityof a huein a color.Oneness orwholenessin acomposition.A colorschemeusing only asingle hue.

Untitled Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. A mark with greater length than width.
  2. Extreme low vantage point.
  3. Arrangement or juxtaposition of opposing elements.
  4. The surface quality of objects.
  5. Presence of differences among parts or elements.
  6. Phenomenon produced by varying wavelengths of light absorbed or reflected by objects.
  7. Formed when an area or space is enclosed by lines.
  8. Placing importance or focus in a composition.
  9. The recurrence of elements or arrangement of elements.
  10. The lightness or the darkness of a hue.
  11. Colors that intensify each other when placed side by side and neutralize each other when mixed.
  12. Area between or not occupied by objects or figures.
  13. The distribution of elements in a visual composition.
  14. Precise and clearly defined shapes.
  15. Shapes mostly found in nature defined by curved lines, often asymmetrical and irregular.
  16. Strong contrast between light and dark.
  17. Elements on one side perfectly reflected on another side.
  18. Produces an illusion of depth through the use of converging parallel lines.
  19. A family of related colors.
  20. The absence of empty space in a visual composition.
  21. Lines that define the form of figures.
  22. The purity of a hue in a color.
  23. Oneness or wholeness in a composition.
  24. A color scheme using only a single hue.