Presence ofdifferencesamong partsor elements.Therecurrence ofelements orarrangementof elements.The absenceof emptyspace in avisualcomposition.A mark withgreaterlength thanwidth.Strongcontrastbetweenlight anddark.Extremelowvantagepoint.Arrangementorjuxtapositionof opposingelements.Placingimportanceor focus in acomposition.Lines thatdefine theform offigures.Thedistributionof elementsin a visualcomposition.Phenomenonproduced byvaryingwavelengths oflight absorbed orreflected byobjects.Colors thatintensify eachother when placedside by side andneutralize eachother when mixed.Formed whenan area orspace isenclosed bylines.Preciseand clearlydefinedshapes.A familyof relatedcolors.Elements onone sideperfectlyreflected onanother side.The purityof a huein a color.Thelightness orthe darknessof a hue.Thesurfacequality ofobjects.A colorschemeusing only asingle hue.Areabetween ornot occupiedby objects orfigures.Shapes mostlyfound in naturedefined by curvedlines, oftenasymmetrical andirregular.Oneness orwholenessin acomposition.Produces anillusion of depththrough the useof convergingparallel lines.Presence ofdifferencesamong partsor elements.Therecurrence ofelements orarrangementof elements.The absenceof emptyspace in avisualcomposition.A mark withgreaterlength thanwidth.Strongcontrastbetweenlight anddark.Extremelowvantagepoint.Arrangementorjuxtapositionof opposingelements.Placingimportanceor focus in acomposition.Lines thatdefine theform offigures.Thedistributionof elementsin a visualcomposition.Phenomenonproduced byvaryingwavelengths oflight absorbed orreflected byobjects.Colors thatintensify eachother when placedside by side andneutralize eachother when mixed.Formed whenan area orspace isenclosed bylines.Preciseand clearlydefinedshapes.A familyof relatedcolors.Elements onone sideperfectlyreflected onanother side.The purityof a huein a color.Thelightness orthe darknessof a hue.Thesurfacequality ofobjects.A colorschemeusing only asingle hue.Areabetween ornot occupiedby objects orfigures.Shapes mostlyfound in naturedefined by curvedlines, oftenasymmetrical andirregular.Oneness orwholenessin acomposition.Produces anillusion of depththrough the useof convergingparallel lines.

Untitled Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Presence of differences among parts or elements.
  2. The recurrence of elements or arrangement of elements.
  3. The absence of empty space in a visual composition.
  4. A mark with greater length than width.
  5. Strong contrast between light and dark.
  6. Extreme low vantage point.
  7. Arrangement or juxtaposition of opposing elements.
  8. Placing importance or focus in a composition.
  9. Lines that define the form of figures.
  10. The distribution of elements in a visual composition.
  11. Phenomenon produced by varying wavelengths of light absorbed or reflected by objects.
  12. Colors that intensify each other when placed side by side and neutralize each other when mixed.
  13. Formed when an area or space is enclosed by lines.
  14. Precise and clearly defined shapes.
  15. A family of related colors.
  16. Elements on one side perfectly reflected on another side.
  17. The purity of a hue in a color.
  18. The lightness or the darkness of a hue.
  19. The surface quality of objects.
  20. A color scheme using only a single hue.
  21. Area between or not occupied by objects or figures.
  22. Shapes mostly found in nature defined by curved lines, often asymmetrical and irregular.
  23. Oneness or wholeness in a composition.
  24. Produces an illusion of depth through the use of converging parallel lines.