Lines thatdefine theform offigures.Colors thatintensify eachother when placedside by side andneutralize eachother when mixed.Shapes mostlyfound in naturedefined by curvedlines, oftenasymmetrical andirregular.Elements onone sideperfectlyreflected onanother side.A familyof relatedcolors.The absenceof emptyspace in avisualcomposition.Formed whenan area orspace isenclosed bylines.Presence ofdifferencesamong partsor elements.Phenomenonproduced byvaryingwavelengths oflight absorbed orreflected byobjects.Therecurrence ofelements orarrangementof elements.The purityof a huein a color.Thedistributionof elementsin a visualcomposition.Thesurfacequality ofobjects.Oneness orwholenessin acomposition.Areabetween ornot occupiedby objects orfigures.A colorschemeusing only asingle hue.Arrangementorjuxtapositionof opposingelements.Strongcontrastbetweenlight anddark.A mark withgreaterlength thanwidth.Extremelowvantagepoint.Preciseand clearlydefinedshapes.Thelightness orthe darknessof a hue.Placingimportanceor focus in acomposition.Produces anillusion of depththrough the useof convergingparallel lines.Lines thatdefine theform offigures.Colors thatintensify eachother when placedside by side andneutralize eachother when mixed.Shapes mostlyfound in naturedefined by curvedlines, oftenasymmetrical andirregular.Elements onone sideperfectlyreflected onanother side.A familyof relatedcolors.The absenceof emptyspace in avisualcomposition.Formed whenan area orspace isenclosed bylines.Presence ofdifferencesamong partsor elements.Phenomenonproduced byvaryingwavelengths oflight absorbed orreflected byobjects.Therecurrence ofelements orarrangementof elements.The purityof a huein a color.Thedistributionof elementsin a visualcomposition.Thesurfacequality ofobjects.Oneness orwholenessin acomposition.Areabetween ornot occupiedby objects orfigures.A colorschemeusing only asingle hue.Arrangementorjuxtapositionof opposingelements.Strongcontrastbetweenlight anddark.A mark withgreaterlength thanwidth.Extremelowvantagepoint.Preciseand clearlydefinedshapes.Thelightness orthe darknessof a hue.Placingimportanceor focus in acomposition.Produces anillusion of depththrough the useof convergingparallel lines.

Untitled Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Lines that define the form of figures.
  2. Colors that intensify each other when placed side by side and neutralize each other when mixed.
  3. Shapes mostly found in nature defined by curved lines, often asymmetrical and irregular.
  4. Elements on one side perfectly reflected on another side.
  5. A family of related colors.
  6. The absence of empty space in a visual composition.
  7. Formed when an area or space is enclosed by lines.
  8. Presence of differences among parts or elements.
  9. Phenomenon produced by varying wavelengths of light absorbed or reflected by objects.
  10. The recurrence of elements or arrangement of elements.
  11. The purity of a hue in a color.
  12. The distribution of elements in a visual composition.
  13. The surface quality of objects.
  14. Oneness or wholeness in a composition.
  15. Area between or not occupied by objects or figures.
  16. A color scheme using only a single hue.
  17. Arrangement or juxtaposition of opposing elements.
  18. Strong contrast between light and dark.
  19. A mark with greater length than width.
  20. Extreme low vantage point.
  21. Precise and clearly defined shapes.
  22. The lightness or the darkness of a hue.
  23. Placing importance or focus in a composition.
  24. Produces an illusion of depth through the use of converging parallel lines.