Extremelowvantagepoint.Therecurrence ofelements orarrangementof elements.Placingimportanceor focus in acomposition.Preciseand clearlydefinedshapes.Thedistributionof elementsin a visualcomposition.Areabetween ornot occupiedby objects orfigures.Thelightness orthe darknessof a hue.The purityof a huein a color.Produces anillusion of depththrough the useof convergingparallel lines.A mark withgreaterlength thanwidth.The absenceof emptyspace in avisualcomposition.Shapes mostlyfound in naturedefined by curvedlines, oftenasymmetrical andirregular.Strongcontrastbetweenlight anddark.Arrangementorjuxtapositionof opposingelements.Phenomenonproduced byvaryingwavelengths oflight absorbed orreflected byobjects.A familyof relatedcolors.Thesurfacequality ofobjects.A colorschemeusing only asingle hue.Formed whenan area orspace isenclosed bylines.Lines thatdefine theform offigures.Elements onone sideperfectlyreflected onanother side.Colors thatintensify eachother when placedside by side andneutralize eachother when mixed.Presence ofdifferencesamong partsor elements.Oneness orwholenessin acomposition.Extremelowvantagepoint.Therecurrence ofelements orarrangementof elements.Placingimportanceor focus in acomposition.Preciseand clearlydefinedshapes.Thedistributionof elementsin a visualcomposition.Areabetween ornot occupiedby objects orfigures.Thelightness orthe darknessof a hue.The purityof a huein a color.Produces anillusion of depththrough the useof convergingparallel lines.A mark withgreaterlength thanwidth.The absenceof emptyspace in avisualcomposition.Shapes mostlyfound in naturedefined by curvedlines, oftenasymmetrical andirregular.Strongcontrastbetweenlight anddark.Arrangementorjuxtapositionof opposingelements.Phenomenonproduced byvaryingwavelengths oflight absorbed orreflected byobjects.A familyof relatedcolors.Thesurfacequality ofobjects.A colorschemeusing only asingle hue.Formed whenan area orspace isenclosed bylines.Lines thatdefine theform offigures.Elements onone sideperfectlyreflected onanother side.Colors thatintensify eachother when placedside by side andneutralize eachother when mixed.Presence ofdifferencesamong partsor elements.Oneness orwholenessin acomposition.

Untitled Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Extreme low vantage point.
  2. The recurrence of elements or arrangement of elements.
  3. Placing importance or focus in a composition.
  4. Precise and clearly defined shapes.
  5. The distribution of elements in a visual composition.
  6. Area between or not occupied by objects or figures.
  7. The lightness or the darkness of a hue.
  8. The purity of a hue in a color.
  9. Produces an illusion of depth through the use of converging parallel lines.
  10. A mark with greater length than width.
  11. The absence of empty space in a visual composition.
  12. Shapes mostly found in nature defined by curved lines, often asymmetrical and irregular.
  13. Strong contrast between light and dark.
  14. Arrangement or juxtaposition of opposing elements.
  15. Phenomenon produced by varying wavelengths of light absorbed or reflected by objects.
  16. A family of related colors.
  17. The surface quality of objects.
  18. A color scheme using only a single hue.
  19. Formed when an area or space is enclosed by lines.
  20. Lines that define the form of figures.
  21. Elements on one side perfectly reflected on another side.
  22. Colors that intensify each other when placed side by side and neutralize each other when mixed.
  23. Presence of differences among parts or elements.
  24. Oneness or wholeness in a composition.