off-bookbeingmemorizedenough to sayyour lineswithout using ascriptpantomimeacting without theuse of props orset, pretending touse invisible propor set piecessightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagesoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagehandpropsprops thatare carriedon stageby an actorstagerightan actor'sright whenfacing theaudienceadlibto improvlines thatare not fromthe scriptcoldreadhaving toread from ascript withoutanypreparationblockingwhere andhow thedirector wouldlike you tomove on stageapronarea of thestage thatjets out infront of thecurtainupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audienceamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typesdialoguespoken linesbetween twoor morepeopleunderstudyan actor who isable to play amajor role incase theoriginal actorcannotimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptscenesa smallersection orpotion ofa playacta majordivision, or'chapters" of aplay. There areusually twoprojectionyour voice'sability to beheard clearlyfrom farawayupstagearea of astagefarthestaway fromthe audienceexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenconflictan internal orexternal strugglebetween forcesthat createstension in a playcontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalcenterstagearea of thestage inthe centeror middlechorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesstagepresencethe energy,commitment,and presencean actorappears tohave on stagearticu-lationthe clarity,pronunciation,or distinctionof yourspeechpersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketblackouta lightingcue whereall stagelights areturned offprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudiencestagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in asceneasidelines spoken bya character tothe audience,which the othercharacters can'thearmirroringcopying themovement orexpressionof someoneelse exactlysceneryall the elementsand set piecesused tocommunicateenvironment ina showtheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidesfourthwallan invisiblewall thatseperates anactor fromthe audiencemonologuea longerspeechmade byone actorclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryhousearea of atheater thatthe audiencesits instageleftan actor'sleft whenfacing theaudienceblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackcontrastdynamic use ofopposites.movement/stillness,quiet/louddownstagearea of astage closestto theaudiencemotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingcuethe signal foran actor tosay theirnext line ordo an actionthrusttype of stagethat extendsinto theaudience withseats on threesidescallbacka secondaudition,usually usedby directors tocast lead rolescharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characteroff-bookbeingmemorizedenough to sayyour lineswithout using ascriptpantomimeacting without theuse of props orset, pretending touse invisible propor set piecessightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagesoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagehandpropsprops thatare carriedon stageby an actorstagerightan actor'sright whenfacing theaudienceadlibto improvlines thatare not fromthe scriptcoldreadhaving toread from ascript withoutanypreparationblockingwhere andhow thedirector wouldlike you tomove on stageapronarea of thestage thatjets out infront of thecurtainupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audienceamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typesdialoguespoken linesbetween twoor morepeopleunderstudyan actor who isable to play amajor role incase theoriginal actorcannotimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptscenesa smallersection orpotion ofa playacta majordivision, or'chapters" of aplay. There areusually twoprojectionyour voice'sability to beheard clearlyfrom farawayupstagearea of astagefarthestaway fromthe audienceexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenconflictan internal orexternal strugglebetween forcesthat createstension in a playcontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalcenterstagearea of thestage inthe centeror middlechorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesstagepresencethe energy,commitment,and presencean actorappears tohave on stagearticu-lationthe clarity,pronunciation,or distinctionof yourspeechpersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketblackouta lightingcue whereall stagelights areturned offprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudiencestagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in asceneasidelines spoken bya character tothe audience,which the othercharacters can'thearmirroringcopying themovement orexpressionof someoneelse exactlysceneryall the elementsand set piecesused tocommunicateenvironment ina showtheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidesfourthwallan invisiblewall thatseperates anactor fromthe audiencemonologuea longerspeechmade byone actorclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryhousearea of atheater thatthe audiencesits instageleftan actor'sleft whenfacing theaudienceblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackcontrastdynamic use ofopposites.movement/stillness,quiet/louddownstagearea of astage closestto theaudiencemotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingcuethe signal foran actor tosay theirnext line ordo an actionthrusttype of stagethat extendsinto theaudience withseats on threesidescallbacka secondaudition,usually usedby directors tocast lead rolescharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya character

Basics Vocab - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. being memorized enough to say your lines without using a script
    off-book
  2. acting without the use of props or set, pretending to use invisible prop or set pieces
    pantomime
  3. what an audience will be able to see from their seats, both onstage and backstage
    sight lines
  4. a speech in which an actor speaks the inner thoughts of their character aloud, usually alone on stage
    soliloquy
  5. props that are carried on stage by an actor
    hand props
  6. an actor's right when facing the audience
    stage right
  7. to improv lines that are not from the script
    adlib
  8. having to read from a script without any preparation
    cold read
  9. where and how the director would like you to move on stage
    blocking
  10. area of the stage that jets out in front of the curtain
    apron
  11. to draw the audience's attention away from another actor, or to stand upstage of another actor - forcing them to turn their backs on the audience
    upstaging
  12. style of theater with a round stage and no roof, surrounded by tiered seating
    amphi- theater
  13. a discrepancy or difference between what is said and what is meant. there are multiple different types
    irony
  14. spoken lines between two or more people
    dialogue
  15. an actor who is able to play a major role in case the original actor cannot
    understudy
  16. spontaneous use of movement and speech to create characters and scenes without a script. acting done without a script
    improv
  17. a smaller section or potion of a play
    scenes
  18. a major division, or 'chapters" of a play. There are usually two
    act
  19. your voice's ability to be heard clearly from far away
    projection
  20. area of a stage farthest away from the audience
    up stage
  21. when a character explains to the audience what the play is about or what will happen
    exposition
  22. an internal or external struggle between forces that creates tension in a play
    conflict
  23. word for any play that was written in present day, or after 1980. opposite of classical
    contemporary
  24. area of the stage in the center or middle
    center stage
  25. a group of actors that work together to fill the stage, often without lines
    chorus/ ensemble
  26. the energy, commitment, and presence an actor appears to have on stage
    stage presence
  27. the clarity, pronunciation, or distinction of your speech
    articu-lation
  28. props that are kept on an actor's person, i.e. in their pocket
    personal props
  29. a lighting cue where all stage lights are turned off
    black out
  30. the most common type of stage, a stage with a wall and curtain seperating the actors from the audience
    proscenium
  31. actions or behaviors actos may do on stage to look busy or involved in a scene
    stage business
  32. lines spoken by a character to the audience, which the other characters can't hear
    aside
  33. copying the movement or expression of someone else exactly
    mirroring
  34. all the elements and set pieces used to communicate environment in a show
    scenery
  35. type of stage that sits in the middle of an audience, surrounded on all sides
    theater- in-the- round
  36. an invisible wall that seperates an actor from the audience
    fourth wall
  37. a longer speech made by one actor
    monologue
  38. a word for any play written before the present century. opposite of contemporary
    classical
  39. area of a theater that the audience sits in
    house
  40. an actor's left when facing the audience
    stage left
  41. type of stage that uses a flat floor on the same level as the audience, the entire space is usually painted black
    black box
  42. dynamic use of opposites. movement/stillness, quiet/loud
    contrast
  43. area of a stage closest to the audience
    down stage
  44. the reason for a character's behaviors. why they are doing what they're doing
    motivation
  45. the signal for an actor to say their next line or do an action
    cue
  46. type of stage that extends into the audience with seats on three sides
    thrust
  47. a second audition, usually used by directors to cast lead roles
    callback
  48. how an actor uses their body, voice, and thoughts to develop or portray a character
    character-ization