character-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characterupstagearea of astagefarthestaway fromthe audienceblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackstageleftan actor'sleft whenfacing theaudiencemotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingscenesa smallersection orpotion ofa playtheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidescallbacka secondaudition,usually usedby directors tocast lead rolesasidelines spoken bya character tothe audience,which the othercharacters can'thearcoldreadhaving toread from ascript withoutanypreparationblockingwhere andhow thedirector wouldlike you tomove on stagethrusttype of stagethat extendsinto theaudience withseats on threesidesclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporarystagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in asceneupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audienceprojectionyour voice'sability to beheard clearlyfrom farawaycuethe signal foran actor tosay theirnext line ordo an actionarticu-lationthe clarity,pronunciation,or distinctionof yourspeechadlibto improvlines thatare not fromthe scriptpersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketpantomimeacting without theuse of props orset, pretending touse invisible propor set piecescontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalcenterstagearea of thestage inthe centeror middlechorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesdialoguespoken linesbetween twoor morepeopleapronarea of thestage thatjets out infront of thecurtainoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptstagepresencethe energy,commitment,and presencean actorappears tohave on stageamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingcontrastdynamic use ofopposites.movement/stillness,quiet/loudexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudiencemonologuea longerspeechmade byone actormirroringcopying themovement orexpressionof someoneelse exactlyblackouta lightingcue whereall stagelights areturned offimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptsightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagehousearea of atheater thatthe audiencesits inhandpropsprops thatare carriedon stageby an actorsoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stageunderstudyan actor who isable to play amajor role incase theoriginal actorcannotdownstagearea of astage closestto theaudienceacta majordivision, or'chapters" of aplay. There areusually twostagerightan actor'sright whenfacing theaudiencefourthwallan invisiblewall thatseperates anactor fromthe audiencesceneryall the elementsand set piecesused tocommunicateenvironment ina showconflictan internal orexternal strugglebetween forcesthat createstension in a playironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typescharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characterupstagearea of astagefarthestaway fromthe audienceblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackstageleftan actor'sleft whenfacing theaudiencemotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingscenesa smallersection orpotion ofa playtheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidescallbacka secondaudition,usually usedby directors tocast lead rolesasidelines spoken bya character tothe audience,which the othercharacters can'thearcoldreadhaving toread from ascript withoutanypreparationblockingwhere andhow thedirector wouldlike you tomove on stagethrusttype of stagethat extendsinto theaudience withseats on threesidesclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporarystagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in asceneupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audienceprojectionyour voice'sability to beheard clearlyfrom farawaycuethe signal foran actor tosay theirnext line ordo an actionarticu-lationthe clarity,pronunciation,or distinctionof yourspeechadlibto improvlines thatare not fromthe scriptpersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketpantomimeacting without theuse of props orset, pretending touse invisible propor set piecescontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalcenterstagearea of thestage inthe centeror middlechorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesdialoguespoken linesbetween twoor morepeopleapronarea of thestage thatjets out infront of thecurtainoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptstagepresencethe energy,commitment,and presencean actorappears tohave on stageamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingcontrastdynamic use ofopposites.movement/stillness,quiet/loudexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudiencemonologuea longerspeechmade byone actormirroringcopying themovement orexpressionof someoneelse exactlyblackouta lightingcue whereall stagelights areturned offimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptsightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagehousearea of atheater thatthe audiencesits inhandpropsprops thatare carriedon stageby an actorsoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stageunderstudyan actor who isable to play amajor role incase theoriginal actorcannotdownstagearea of astage closestto theaudienceacta majordivision, or'chapters" of aplay. There areusually twostagerightan actor'sright whenfacing theaudiencefourthwallan invisiblewall thatseperates anactor fromthe audiencesceneryall the elementsand set piecesused tocommunicateenvironment ina showconflictan internal orexternal strugglebetween forcesthat createstension in a playironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent types

Basics Vocab - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. how an actor uses their body, voice, and thoughts to develop or portray a character
    character-ization
  2. area of a stage farthest away from the audience
    up stage
  3. type of stage that uses a flat floor on the same level as the audience, the entire space is usually painted black
    black box
  4. an actor's left when facing the audience
    stage left
  5. the reason for a character's behaviors. why they are doing what they're doing
    motivation
  6. a smaller section or potion of a play
    scenes
  7. type of stage that sits in the middle of an audience, surrounded on all sides
    theater- in-the- round
  8. a second audition, usually used by directors to cast lead roles
    callback
  9. lines spoken by a character to the audience, which the other characters can't hear
    aside
  10. having to read from a script without any preparation
    cold read
  11. where and how the director would like you to move on stage
    blocking
  12. type of stage that extends into the audience with seats on three sides
    thrust
  13. a word for any play written before the present century. opposite of contemporary
    classical
  14. actions or behaviors actos may do on stage to look busy or involved in a scene
    stage business
  15. to draw the audience's attention away from another actor, or to stand upstage of another actor - forcing them to turn their backs on the audience
    upstaging
  16. your voice's ability to be heard clearly from far away
    projection
  17. the signal for an actor to say their next line or do an action
    cue
  18. the clarity, pronunciation, or distinction of your speech
    articu-lation
  19. to improv lines that are not from the script
    adlib
  20. props that are kept on an actor's person, i.e. in their pocket
    personal props
  21. acting without the use of props or set, pretending to use invisible prop or set pieces
    pantomime
  22. word for any play that was written in present day, or after 1980. opposite of classical
    contemporary
  23. area of the stage in the center or middle
    center stage
  24. a group of actors that work together to fill the stage, often without lines
    chorus/ ensemble
  25. spoken lines between two or more people
    dialogue
  26. area of the stage that jets out in front of the curtain
    apron
  27. being memorized enough to say your lines without using a script
    off-book
  28. the energy, commitment, and presence an actor appears to have on stage
    stage presence
  29. style of theater with a round stage and no roof, surrounded by tiered seating
    amphi- theater
  30. dynamic use of opposites. movement/stillness, quiet/loud
    contrast
  31. when a character explains to the audience what the play is about or what will happen
    exposition
  32. the most common type of stage, a stage with a wall and curtain seperating the actors from the audience
    proscenium
  33. a longer speech made by one actor
    monologue
  34. copying the movement or expression of someone else exactly
    mirroring
  35. a lighting cue where all stage lights are turned off
    black out
  36. spontaneous use of movement and speech to create characters and scenes without a script. acting done without a script
    improv
  37. what an audience will be able to see from their seats, both onstage and backstage
    sight lines
  38. area of a theater that the audience sits in
    house
  39. props that are carried on stage by an actor
    hand props
  40. a speech in which an actor speaks the inner thoughts of their character aloud, usually alone on stage
    soliloquy
  41. an actor who is able to play a major role in case the original actor cannot
    understudy
  42. area of a stage closest to the audience
    down stage
  43. a major division, or 'chapters" of a play. There are usually two
    act
  44. an actor's right when facing the audience
    stage right
  45. an invisible wall that seperates an actor from the audience
    fourth wall
  46. all the elements and set pieces used to communicate environment in a show
    scenery
  47. an internal or external struggle between forces that creates tension in a play
    conflict
  48. a discrepancy or difference between what is said and what is meant. there are multiple different types
    irony