sightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagehousearea of atheater thatthe audiencesits intheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sideschorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout lineshandpropsprops thatare carriedon stageby an actoradlibto improvlines thatare not fromthe scriptdialoguespoken linesbetween twoor morepeoplefourthwallan invisiblewall thatseperates anactor fromthe audiencestagepresencethe energy,commitment,and presencean actorappears tohave on stageprojectionyour voice'sability to beheard clearlyfrom farawaycallbacka secondaudition,usually usedby directors tocast lead rolesunderstudyan actor who isable to play amajor role incase theoriginal actorcannotdownstagearea of astage closestto theaudiencemonologuea longerspeechmade byone actorpersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketcoldreadhaving toread from ascript withoutanypreparationsoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagecharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characterprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudienceclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporarycuethe signal foran actor tosay theirnext line ordo an actionamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackmirroringcopying themovement orexpressionof someoneelse exactlythrusttype of stagethat extendsinto theaudience withseats on threesidesexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenmotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingscenesa smallersection orpotion ofa playconflictan internal orexternal strugglebetween forcesthat createstension in a playironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typescontrastdynamic use ofopposites.movement/stillness,quiet/loudapronarea of thestage thatjets out infront of thecurtainupstagearea of astagefarthestaway fromthe audienceasidelines spoken bya character tothe audience,which the othercharacters can'thearimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptcontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audiencearticu-lationthe clarity,pronunciation,or distinctionof yourspeechcenterstagearea of thestage inthe centeror middlestagerightan actor'sright whenfacing theaudienceacta majordivision, or'chapters" of aplay. There areusually twoblackouta lightingcue whereall stagelights areturned offstageleftan actor'sleft whenfacing theaudiencestagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in ascenepantomimeacting without theuse of props orset, pretending touse invisible propor set piecessceneryall the elementsand set piecesused tocommunicateenvironment ina showblockingwhere andhow thedirector wouldlike you tomove on stagesightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagehousearea of atheater thatthe audiencesits intheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sideschorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout lineshandpropsprops thatare carriedon stageby an actoradlibto improvlines thatare not fromthe scriptdialoguespoken linesbetween twoor morepeoplefourthwallan invisiblewall thatseperates anactor fromthe audiencestagepresencethe energy,commitment,and presencean actorappears tohave on stageprojectionyour voice'sability to beheard clearlyfrom farawaycallbacka secondaudition,usually usedby directors tocast lead rolesunderstudyan actor who isable to play amajor role incase theoriginal actorcannotdownstagearea of astage closestto theaudiencemonologuea longerspeechmade byone actorpersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketcoldreadhaving toread from ascript withoutanypreparationsoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagecharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characterprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudienceclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporarycuethe signal foran actor tosay theirnext line ordo an actionamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackmirroringcopying themovement orexpressionof someoneelse exactlythrusttype of stagethat extendsinto theaudience withseats on threesidesexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenmotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingscenesa smallersection orpotion ofa playconflictan internal orexternal strugglebetween forcesthat createstension in a playironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typescontrastdynamic use ofopposites.movement/stillness,quiet/loudapronarea of thestage thatjets out infront of thecurtainupstagearea of astagefarthestaway fromthe audienceasidelines spoken bya character tothe audience,which the othercharacters can'thearimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptcontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audiencearticu-lationthe clarity,pronunciation,or distinctionof yourspeechcenterstagearea of thestage inthe centeror middlestagerightan actor'sright whenfacing theaudienceacta majordivision, or'chapters" of aplay. There areusually twoblackouta lightingcue whereall stagelights areturned offstageleftan actor'sleft whenfacing theaudiencestagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in ascenepantomimeacting without theuse of props orset, pretending touse invisible propor set piecessceneryall the elementsand set piecesused tocommunicateenvironment ina showblockingwhere andhow thedirector wouldlike you tomove on stage

Basics Vocab - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. what an audience will be able to see from their seats, both onstage and backstage
    sight lines
  2. area of a theater that the audience sits in
    house
  3. type of stage that sits in the middle of an audience, surrounded on all sides
    theater- in-the- round
  4. a group of actors that work together to fill the stage, often without lines
    chorus/ ensemble
  5. props that are carried on stage by an actor
    hand props
  6. to improv lines that are not from the script
    adlib
  7. spoken lines between two or more people
    dialogue
  8. an invisible wall that seperates an actor from the audience
    fourth wall
  9. the energy, commitment, and presence an actor appears to have on stage
    stage presence
  10. your voice's ability to be heard clearly from far away
    projection
  11. a second audition, usually used by directors to cast lead roles
    callback
  12. an actor who is able to play a major role in case the original actor cannot
    understudy
  13. area of a stage closest to the audience
    down stage
  14. a longer speech made by one actor
    monologue
  15. props that are kept on an actor's person, i.e. in their pocket
    personal props
  16. having to read from a script without any preparation
    cold read
  17. a speech in which an actor speaks the inner thoughts of their character aloud, usually alone on stage
    soliloquy
  18. how an actor uses their body, voice, and thoughts to develop or portray a character
    character-ization
  19. the most common type of stage, a stage with a wall and curtain seperating the actors from the audience
    proscenium
  20. a word for any play written before the present century. opposite of contemporary
    classical
  21. the signal for an actor to say their next line or do an action
    cue
  22. style of theater with a round stage and no roof, surrounded by tiered seating
    amphi- theater
  23. being memorized enough to say your lines without using a script
    off-book
  24. type of stage that uses a flat floor on the same level as the audience, the entire space is usually painted black
    black box
  25. copying the movement or expression of someone else exactly
    mirroring
  26. type of stage that extends into the audience with seats on three sides
    thrust
  27. when a character explains to the audience what the play is about or what will happen
    exposition
  28. the reason for a character's behaviors. why they are doing what they're doing
    motivation
  29. a smaller section or potion of a play
    scenes
  30. an internal or external struggle between forces that creates tension in a play
    conflict
  31. a discrepancy or difference between what is said and what is meant. there are multiple different types
    irony
  32. dynamic use of opposites. movement/stillness, quiet/loud
    contrast
  33. area of the stage that jets out in front of the curtain
    apron
  34. area of a stage farthest away from the audience
    up stage
  35. lines spoken by a character to the audience, which the other characters can't hear
    aside
  36. spontaneous use of movement and speech to create characters and scenes without a script. acting done without a script
    improv
  37. word for any play that was written in present day, or after 1980. opposite of classical
    contemporary
  38. to draw the audience's attention away from another actor, or to stand upstage of another actor - forcing them to turn their backs on the audience
    upstaging
  39. the clarity, pronunciation, or distinction of your speech
    articu-lation
  40. area of the stage in the center or middle
    center stage
  41. an actor's right when facing the audience
    stage right
  42. a major division, or 'chapters" of a play. There are usually two
    act
  43. a lighting cue where all stage lights are turned off
    black out
  44. an actor's left when facing the audience
    stage left
  45. actions or behaviors actos may do on stage to look busy or involved in a scene
    stage business
  46. acting without the use of props or set, pretending to use invisible prop or set pieces
    pantomime
  47. all the elements and set pieces used to communicate environment in a show
    scenery
  48. where and how the director would like you to move on stage
    blocking