downstagearea of astage closestto theaudiencemotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingunderstudyan actor who isable to play amajor role incase theoriginal actorcannotasidelines spoken bya character tothe audience,which the othercharacters can'thearcontrastdynamic use ofopposites.movement/stillness,quiet/loudblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingmonologuea longerspeechmade byone actorclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryhandpropsprops thatare carriedon stageby an actorupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audiencetheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidescuethe signal foran actor tosay theirnext line ordo an actionarticu-lationthe clarity,pronunciation,or distinctionof yourspeechblockingwhere andhow thedirector wouldlike you tomove on stagedialoguespoken linesbetween twoor morepeoplestagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in ascenechorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesstagepresencethe energy,commitment,and presencean actorappears tohave on stagecontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalstageleftan actor'sleft whenfacing theaudienceironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typesprojectionyour voice'sability to beheard clearlyfrom farawaypantomimeacting without theuse of props orset, pretending touse invisible propor set piecescoldreadhaving toread from ascript withoutanypreparationhousearea of atheater thatthe audiencesits instagerightan actor'sright whenfacing theaudienceacta majordivision, or'chapters" of aplay. There areusually twofourthwallan invisiblewall thatseperates anactor fromthe audiencecenterstagearea of thestage inthe centeror middleupstagearea of astagefarthestaway fromthe audienceprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudiencecallbacka secondaudition,usually usedby directors tocast lead rolessceneryall the elementsand set piecesused tocommunicateenvironment ina showthrusttype of stagethat extendsinto theaudience withseats on threesidesapronarea of thestage thatjets out infront of thecurtainadlibto improvlines thatare not fromthe scriptconflictan internal orexternal strugglebetween forcesthat createstension in a playscenesa smallersection orpotion ofa playcharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characteroff-bookbeingmemorizedenough to sayyour lineswithout using ascriptpersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketsightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagemirroringcopying themovement orexpressionof someoneelse exactlyblackouta lightingcue whereall stagelights areturned offimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptsoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagedownstagearea of astage closestto theaudiencemotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingunderstudyan actor who isable to play amajor role incase theoriginal actorcannotasidelines spoken bya character tothe audience,which the othercharacters can'thearcontrastdynamic use ofopposites.movement/stillness,quiet/loudblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingmonologuea longerspeechmade byone actorclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryhandpropsprops thatare carriedon stageby an actorupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audiencetheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidescuethe signal foran actor tosay theirnext line ordo an actionarticu-lationthe clarity,pronunciation,or distinctionof yourspeechblockingwhere andhow thedirector wouldlike you tomove on stagedialoguespoken linesbetween twoor morepeoplestagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in ascenechorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesstagepresencethe energy,commitment,and presencean actorappears tohave on stagecontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalstageleftan actor'sleft whenfacing theaudienceironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typesprojectionyour voice'sability to beheard clearlyfrom farawaypantomimeacting without theuse of props orset, pretending touse invisible propor set piecescoldreadhaving toread from ascript withoutanypreparationhousearea of atheater thatthe audiencesits instagerightan actor'sright whenfacing theaudienceacta majordivision, or'chapters" of aplay. There areusually twofourthwallan invisiblewall thatseperates anactor fromthe audiencecenterstagearea of thestage inthe centeror middleupstagearea of astagefarthestaway fromthe audienceprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudiencecallbacka secondaudition,usually usedby directors tocast lead rolessceneryall the elementsand set piecesused tocommunicateenvironment ina showthrusttype of stagethat extendsinto theaudience withseats on threesidesapronarea of thestage thatjets out infront of thecurtainadlibto improvlines thatare not fromthe scriptconflictan internal orexternal strugglebetween forcesthat createstension in a playscenesa smallersection orpotion ofa playcharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characteroff-bookbeingmemorizedenough to sayyour lineswithout using ascriptpersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketsightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagemirroringcopying themovement orexpressionof someoneelse exactlyblackouta lightingcue whereall stagelights areturned offimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptsoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stage

Basics Vocab - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. area of a stage closest to the audience
    down stage
  2. the reason for a character's behaviors. why they are doing what they're doing
    motivation
  3. an actor who is able to play a major role in case the original actor cannot
    understudy
  4. lines spoken by a character to the audience, which the other characters can't hear
    aside
  5. dynamic use of opposites. movement/stillness, quiet/loud
    contrast
  6. type of stage that uses a flat floor on the same level as the audience, the entire space is usually painted black
    black box
  7. when a character explains to the audience what the play is about or what will happen
    exposition
  8. style of theater with a round stage and no roof, surrounded by tiered seating
    amphi- theater
  9. a longer speech made by one actor
    monologue
  10. a word for any play written before the present century. opposite of contemporary
    classical
  11. props that are carried on stage by an actor
    hand props
  12. to draw the audience's attention away from another actor, or to stand upstage of another actor - forcing them to turn their backs on the audience
    upstaging
  13. type of stage that sits in the middle of an audience, surrounded on all sides
    theater- in-the- round
  14. the signal for an actor to say their next line or do an action
    cue
  15. the clarity, pronunciation, or distinction of your speech
    articu-lation
  16. where and how the director would like you to move on stage
    blocking
  17. spoken lines between two or more people
    dialogue
  18. actions or behaviors actos may do on stage to look busy or involved in a scene
    stage business
  19. a group of actors that work together to fill the stage, often without lines
    chorus/ ensemble
  20. the energy, commitment, and presence an actor appears to have on stage
    stage presence
  21. word for any play that was written in present day, or after 1980. opposite of classical
    contemporary
  22. an actor's left when facing the audience
    stage left
  23. a discrepancy or difference between what is said and what is meant. there are multiple different types
    irony
  24. your voice's ability to be heard clearly from far away
    projection
  25. acting without the use of props or set, pretending to use invisible prop or set pieces
    pantomime
  26. having to read from a script without any preparation
    cold read
  27. area of a theater that the audience sits in
    house
  28. an actor's right when facing the audience
    stage right
  29. a major division, or 'chapters" of a play. There are usually two
    act
  30. an invisible wall that seperates an actor from the audience
    fourth wall
  31. area of the stage in the center or middle
    center stage
  32. area of a stage farthest away from the audience
    up stage
  33. the most common type of stage, a stage with a wall and curtain seperating the actors from the audience
    proscenium
  34. a second audition, usually used by directors to cast lead roles
    callback
  35. all the elements and set pieces used to communicate environment in a show
    scenery
  36. type of stage that extends into the audience with seats on three sides
    thrust
  37. area of the stage that jets out in front of the curtain
    apron
  38. to improv lines that are not from the script
    adlib
  39. an internal or external struggle between forces that creates tension in a play
    conflict
  40. a smaller section or potion of a play
    scenes
  41. how an actor uses their body, voice, and thoughts to develop or portray a character
    character-ization
  42. being memorized enough to say your lines without using a script
    off-book
  43. props that are kept on an actor's person, i.e. in their pocket
    personal props
  44. what an audience will be able to see from their seats, both onstage and backstage
    sight lines
  45. copying the movement or expression of someone else exactly
    mirroring
  46. a lighting cue where all stage lights are turned off
    black out
  47. spontaneous use of movement and speech to create characters and scenes without a script. acting done without a script
    improv
  48. a speech in which an actor speaks the inner thoughts of their character aloud, usually alone on stage
    soliloquy