character-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya charactertheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidesapronarea of thestage thatjets out infront of thecurtainblockingwhere andhow thedirector wouldlike you tomove on stagehousearea of atheater thatthe audiencesits inclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptfourthwallan invisiblewall thatseperates anactor fromthe audiencehandpropsprops thatare carriedon stageby an actoradlibto improvlines thatare not fromthe scriptstagepresencethe energy,commitment,and presencean actorappears tohave on stagecallbacka secondaudition,usually usedby directors tocast lead rolesimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audienceasidelines spoken bya character tothe audience,which the othercharacters can'thearpersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketcenterstagearea of thestage inthe centeror middleprojectionyour voice'sability to beheard clearlyfrom farawaymirroringcopying themovement orexpressionof someoneelse exactlycontrastdynamic use ofopposites.movement/stillness,quiet/loudmonologuea longerspeechmade byone actorarticu-lationthe clarity,pronunciation,or distinctionof yourspeechacta majordivision, or'chapters" of aplay. There areusually twoprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudiencescenesa smallersection orpotion ofa playdownstagearea of astage closestto theaudiencepantomimeacting without theuse of props orset, pretending touse invisible propor set piecessoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagecuethe signal foran actor tosay theirnext line ordo an actionamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingblackouta lightingcue whereall stagelights areturned offstagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in ascenecontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalsceneryall the elementsand set piecesused tocommunicateenvironment ina showsightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstageconflictan internal orexternal strugglebetween forcesthat createstension in a playexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenmotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingcoldreadhaving toread from ascript withoutanypreparationblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackdialoguespoken linesbetween twoor morepeoplestageleftan actor'sleft whenfacing theaudiencestagerightan actor'sright whenfacing theaudienceupstagearea of astagefarthestaway fromthe audienceironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typesunderstudyan actor who isable to play amajor role incase theoriginal actorcannotchorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesthrusttype of stagethat extendsinto theaudience withseats on threesidescharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya charactertheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidesapronarea of thestage thatjets out infront of thecurtainblockingwhere andhow thedirector wouldlike you tomove on stagehousearea of atheater thatthe audiencesits inclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptfourthwallan invisiblewall thatseperates anactor fromthe audiencehandpropsprops thatare carriedon stageby an actoradlibto improvlines thatare not fromthe scriptstagepresencethe energy,commitment,and presencean actorappears tohave on stagecallbacka secondaudition,usually usedby directors tocast lead rolesimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audienceasidelines spoken bya character tothe audience,which the othercharacters can'thearpersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketcenterstagearea of thestage inthe centeror middleprojectionyour voice'sability to beheard clearlyfrom farawaymirroringcopying themovement orexpressionof someoneelse exactlycontrastdynamic use ofopposites.movement/stillness,quiet/loudmonologuea longerspeechmade byone actorarticu-lationthe clarity,pronunciation,or distinctionof yourspeechacta majordivision, or'chapters" of aplay. There areusually twoprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudiencescenesa smallersection orpotion ofa playdownstagearea of astage closestto theaudiencepantomimeacting without theuse of props orset, pretending touse invisible propor set piecessoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagecuethe signal foran actor tosay theirnext line ordo an actionamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingblackouta lightingcue whereall stagelights areturned offstagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in ascenecontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalsceneryall the elementsand set piecesused tocommunicateenvironment ina showsightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstageconflictan internal orexternal strugglebetween forcesthat createstension in a playexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenmotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingcoldreadhaving toread from ascript withoutanypreparationblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackdialoguespoken linesbetween twoor morepeoplestageleftan actor'sleft whenfacing theaudiencestagerightan actor'sright whenfacing theaudienceupstagearea of astagefarthestaway fromthe audienceironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typesunderstudyan actor who isable to play amajor role incase theoriginal actorcannotchorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesthrusttype of stagethat extendsinto theaudience withseats on threesides

Basics Vocab - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. how an actor uses their body, voice, and thoughts to develop or portray a character
    character-ization
  2. type of stage that sits in the middle of an audience, surrounded on all sides
    theater- in-the- round
  3. area of the stage that jets out in front of the curtain
    apron
  4. where and how the director would like you to move on stage
    blocking
  5. area of a theater that the audience sits in
    house
  6. a word for any play written before the present century. opposite of contemporary
    classical
  7. being memorized enough to say your lines without using a script
    off-book
  8. an invisible wall that seperates an actor from the audience
    fourth wall
  9. props that are carried on stage by an actor
    hand props
  10. to improv lines that are not from the script
    adlib
  11. the energy, commitment, and presence an actor appears to have on stage
    stage presence
  12. a second audition, usually used by directors to cast lead roles
    callback
  13. spontaneous use of movement and speech to create characters and scenes without a script. acting done without a script
    improv
  14. to draw the audience's attention away from another actor, or to stand upstage of another actor - forcing them to turn their backs on the audience
    upstaging
  15. lines spoken by a character to the audience, which the other characters can't hear
    aside
  16. props that are kept on an actor's person, i.e. in their pocket
    personal props
  17. area of the stage in the center or middle
    center stage
  18. your voice's ability to be heard clearly from far away
    projection
  19. copying the movement or expression of someone else exactly
    mirroring
  20. dynamic use of opposites. movement/stillness, quiet/loud
    contrast
  21. a longer speech made by one actor
    monologue
  22. the clarity, pronunciation, or distinction of your speech
    articu-lation
  23. a major division, or 'chapters" of a play. There are usually two
    act
  24. the most common type of stage, a stage with a wall and curtain seperating the actors from the audience
    proscenium
  25. a smaller section or potion of a play
    scenes
  26. area of a stage closest to the audience
    down stage
  27. acting without the use of props or set, pretending to use invisible prop or set pieces
    pantomime
  28. a speech in which an actor speaks the inner thoughts of their character aloud, usually alone on stage
    soliloquy
  29. the signal for an actor to say their next line or do an action
    cue
  30. style of theater with a round stage and no roof, surrounded by tiered seating
    amphi- theater
  31. a lighting cue where all stage lights are turned off
    black out
  32. actions or behaviors actos may do on stage to look busy or involved in a scene
    stage business
  33. word for any play that was written in present day, or after 1980. opposite of classical
    contemporary
  34. all the elements and set pieces used to communicate environment in a show
    scenery
  35. what an audience will be able to see from their seats, both onstage and backstage
    sight lines
  36. an internal or external struggle between forces that creates tension in a play
    conflict
  37. when a character explains to the audience what the play is about or what will happen
    exposition
  38. the reason for a character's behaviors. why they are doing what they're doing
    motivation
  39. having to read from a script without any preparation
    cold read
  40. type of stage that uses a flat floor on the same level as the audience, the entire space is usually painted black
    black box
  41. spoken lines between two or more people
    dialogue
  42. an actor's left when facing the audience
    stage left
  43. an actor's right when facing the audience
    stage right
  44. area of a stage farthest away from the audience
    up stage
  45. a discrepancy or difference between what is said and what is meant. there are multiple different types
    irony
  46. an actor who is able to play a major role in case the original actor cannot
    understudy
  47. a group of actors that work together to fill the stage, often without lines
    chorus/ ensemble
  48. type of stage that extends into the audience with seats on three sides
    thrust