stagepresencethe energy,commitment,and presencean actorappears tohave on stageacta majordivision, or'chapters" of aplay. There areusually twopantomimeacting without theuse of props orset, pretending touse invisible propor set piecesstageleftan actor'sleft whenfacing theaudiencecuethe signal foran actor tosay theirnext line ordo an actioncallbacka secondaudition,usually usedby directors tocast lead rolesapronarea of thestage thatjets out infront of thecurtaintheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidesdialoguespoken linesbetween twoor morepeopleblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackcoldreadhaving toread from ascript withoutanypreparationcharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characterthrusttype of stagethat extendsinto theaudience withseats on threesidesmotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audienceprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudienceadlibto improvlines thatare not fromthe scriptimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptsoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagemirroringcopying themovement orexpressionof someoneelse exactlyhandpropsprops thatare carriedon stageby an actorstagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in asceneironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typescontrastdynamic use ofopposites.movement/stillness,quiet/loudblackouta lightingcue whereall stagelights areturned offfourthwallan invisiblewall thatseperates anactor fromthe audiencesightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstageunderstudyan actor who isable to play amajor role incase theoriginal actorcannotclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryconflictan internal orexternal strugglebetween forcesthat createstension in a playexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenscenesa smallersection orpotion ofa playupstagearea of astagefarthestaway fromthe audiencepersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketsceneryall the elementsand set piecesused tocommunicateenvironment ina showprojectionyour voice'sability to beheard clearlyfrom farawaymonologuea longerspeechmade byone actorhousearea of atheater thatthe audiencesits incenterstagearea of thestage inthe centeror middleamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingchorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesarticu-lationthe clarity,pronunciation,or distinctionof yourspeechcontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalasidelines spoken bya character tothe audience,which the othercharacters can'thearstagerightan actor'sright whenfacing theaudienceoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptblockingwhere andhow thedirector wouldlike you tomove on stagedownstagearea of astage closestto theaudiencestagepresencethe energy,commitment,and presencean actorappears tohave on stageacta majordivision, or'chapters" of aplay. There areusually twopantomimeacting without theuse of props orset, pretending touse invisible propor set piecesstageleftan actor'sleft whenfacing theaudiencecuethe signal foran actor tosay theirnext line ordo an actioncallbacka secondaudition,usually usedby directors tocast lead rolesapronarea of thestage thatjets out infront of thecurtaintheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidesdialoguespoken linesbetween twoor morepeopleblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackcoldreadhaving toread from ascript withoutanypreparationcharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characterthrusttype of stagethat extendsinto theaudience withseats on threesidesmotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audienceprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudienceadlibto improvlines thatare not fromthe scriptimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptsoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagemirroringcopying themovement orexpressionof someoneelse exactlyhandpropsprops thatare carriedon stageby an actorstagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in asceneironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typescontrastdynamic use ofopposites.movement/stillness,quiet/loudblackouta lightingcue whereall stagelights areturned offfourthwallan invisiblewall thatseperates anactor fromthe audiencesightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstageunderstudyan actor who isable to play amajor role incase theoriginal actorcannotclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryconflictan internal orexternal strugglebetween forcesthat createstension in a playexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenscenesa smallersection orpotion ofa playupstagearea of astagefarthestaway fromthe audiencepersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketsceneryall the elementsand set piecesused tocommunicateenvironment ina showprojectionyour voice'sability to beheard clearlyfrom farawaymonologuea longerspeechmade byone actorhousearea of atheater thatthe audiencesits incenterstagearea of thestage inthe centeror middleamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingchorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesarticu-lationthe clarity,pronunciation,or distinctionof yourspeechcontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalasidelines spoken bya character tothe audience,which the othercharacters can'thearstagerightan actor'sright whenfacing theaudienceoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptblockingwhere andhow thedirector wouldlike you tomove on stagedownstagearea of astage closestto theaudience

Basics Vocab - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. the energy, commitment, and presence an actor appears to have on stage
    stage presence
  2. a major division, or 'chapters" of a play. There are usually two
    act
  3. acting without the use of props or set, pretending to use invisible prop or set pieces
    pantomime
  4. an actor's left when facing the audience
    stage left
  5. the signal for an actor to say their next line or do an action
    cue
  6. a second audition, usually used by directors to cast lead roles
    callback
  7. area of the stage that jets out in front of the curtain
    apron
  8. type of stage that sits in the middle of an audience, surrounded on all sides
    theater- in-the- round
  9. spoken lines between two or more people
    dialogue
  10. type of stage that uses a flat floor on the same level as the audience, the entire space is usually painted black
    black box
  11. having to read from a script without any preparation
    cold read
  12. how an actor uses their body, voice, and thoughts to develop or portray a character
    character-ization
  13. type of stage that extends into the audience with seats on three sides
    thrust
  14. the reason for a character's behaviors. why they are doing what they're doing
    motivation
  15. to draw the audience's attention away from another actor, or to stand upstage of another actor - forcing them to turn their backs on the audience
    upstaging
  16. the most common type of stage, a stage with a wall and curtain seperating the actors from the audience
    proscenium
  17. to improv lines that are not from the script
    adlib
  18. spontaneous use of movement and speech to create characters and scenes without a script. acting done without a script
    improv
  19. a speech in which an actor speaks the inner thoughts of their character aloud, usually alone on stage
    soliloquy
  20. copying the movement or expression of someone else exactly
    mirroring
  21. props that are carried on stage by an actor
    hand props
  22. actions or behaviors actos may do on stage to look busy or involved in a scene
    stage business
  23. a discrepancy or difference between what is said and what is meant. there are multiple different types
    irony
  24. dynamic use of opposites. movement/stillness, quiet/loud
    contrast
  25. a lighting cue where all stage lights are turned off
    black out
  26. an invisible wall that seperates an actor from the audience
    fourth wall
  27. what an audience will be able to see from their seats, both onstage and backstage
    sight lines
  28. an actor who is able to play a major role in case the original actor cannot
    understudy
  29. a word for any play written before the present century. opposite of contemporary
    classical
  30. an internal or external struggle between forces that creates tension in a play
    conflict
  31. when a character explains to the audience what the play is about or what will happen
    exposition
  32. a smaller section or potion of a play
    scenes
  33. area of a stage farthest away from the audience
    up stage
  34. props that are kept on an actor's person, i.e. in their pocket
    personal props
  35. all the elements and set pieces used to communicate environment in a show
    scenery
  36. your voice's ability to be heard clearly from far away
    projection
  37. a longer speech made by one actor
    monologue
  38. area of a theater that the audience sits in
    house
  39. area of the stage in the center or middle
    center stage
  40. style of theater with a round stage and no roof, surrounded by tiered seating
    amphi- theater
  41. a group of actors that work together to fill the stage, often without lines
    chorus/ ensemble
  42. the clarity, pronunciation, or distinction of your speech
    articu-lation
  43. word for any play that was written in present day, or after 1980. opposite of classical
    contemporary
  44. lines spoken by a character to the audience, which the other characters can't hear
    aside
  45. an actor's right when facing the audience
    stage right
  46. being memorized enough to say your lines without using a script
    off-book
  47. where and how the director would like you to move on stage
    blocking
  48. area of a stage closest to the audience
    down stage