asidelines spoken bya character tothe audience,which the othercharacters can'thearsightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagesoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagedownstagearea of astage closestto theaudiencemotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingdialoguespoken linesbetween twoor morepeoplestageleftan actor'sleft whenfacing theaudiencecoldreadhaving toread from ascript withoutanypreparationstagepresencethe energy,commitment,and presencean actorappears tohave on stageblockingwhere andhow thedirector wouldlike you tomove on stageclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryscenesa smallersection orpotion ofa playadlibto improvlines thatare not fromthe scripthandpropsprops thatare carriedon stageby an actorupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audiencemonologuea longerspeechmade byone actorironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typessceneryall the elementsand set piecesused tocommunicateenvironment ina showthrusttype of stagethat extendsinto theaudience withseats on threesidescontrastdynamic use ofopposites.movement/stillness,quiet/loudcenterstagearea of thestage inthe centeror middlestagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in asceneimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptfourthwallan invisiblewall thatseperates anactor fromthe audiencecontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalchorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenstagerightan actor'sright whenfacing theaudienceprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudiencepersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketacta majordivision, or'chapters" of aplay. There areusually twounderstudyan actor who isable to play amajor role incase theoriginal actorcannotcharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characterapronarea of thestage thatjets out infront of thecurtainhousearea of atheater thatthe audiencesits inconflictan internal orexternal strugglebetween forcesthat createstension in a playprojectionyour voice'sability to beheard clearlyfrom farawaycallbacka secondaudition,usually usedby directors tocast lead rolesblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackarticu-lationthe clarity,pronunciation,or distinctionof yourspeechblackouta lightingcue whereall stagelights areturned offmirroringcopying themovement orexpressionof someoneelse exactlyupstagearea of astagefarthestaway fromthe audiencetheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidesoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptpantomimeacting without theuse of props orset, pretending touse invisible propor set piecescuethe signal foran actor tosay theirnext line ordo an actionasidelines spoken bya character tothe audience,which the othercharacters can'thearsightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagesoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagedownstagearea of astage closestto theaudiencemotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingdialoguespoken linesbetween twoor morepeoplestageleftan actor'sleft whenfacing theaudiencecoldreadhaving toread from ascript withoutanypreparationstagepresencethe energy,commitment,and presencean actorappears tohave on stageblockingwhere andhow thedirector wouldlike you tomove on stageclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryscenesa smallersection orpotion ofa playadlibto improvlines thatare not fromthe scripthandpropsprops thatare carriedon stageby an actorupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audiencemonologuea longerspeechmade byone actorironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typessceneryall the elementsand set piecesused tocommunicateenvironment ina showthrusttype of stagethat extendsinto theaudience withseats on threesidescontrastdynamic use ofopposites.movement/stillness,quiet/loudcenterstagearea of thestage inthe centeror middlestagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in asceneimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scriptfourthwallan invisiblewall thatseperates anactor fromthe audiencecontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalchorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linesexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappenstagerightan actor'sright whenfacing theaudienceprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudiencepersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketacta majordivision, or'chapters" of aplay. There areusually twounderstudyan actor who isable to play amajor role incase theoriginal actorcannotcharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characterapronarea of thestage thatjets out infront of thecurtainhousearea of atheater thatthe audiencesits inconflictan internal orexternal strugglebetween forcesthat createstension in a playprojectionyour voice'sability to beheard clearlyfrom farawaycallbacka secondaudition,usually usedby directors tocast lead rolesblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackarticu-lationthe clarity,pronunciation,or distinctionof yourspeechblackouta lightingcue whereall stagelights areturned offmirroringcopying themovement orexpressionof someoneelse exactlyupstagearea of astagefarthestaway fromthe audiencetheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidesoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptpantomimeacting without theuse of props orset, pretending touse invisible propor set piecescuethe signal foran actor tosay theirnext line ordo an action

Basics Vocab - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. lines spoken by a character to the audience, which the other characters can't hear
    aside
  2. what an audience will be able to see from their seats, both onstage and backstage
    sight lines
  3. a speech in which an actor speaks the inner thoughts of their character aloud, usually alone on stage
    soliloquy
  4. area of a stage closest to the audience
    down stage
  5. the reason for a character's behaviors. why they are doing what they're doing
    motivation
  6. style of theater with a round stage and no roof, surrounded by tiered seating
    amphi- theater
  7. spoken lines between two or more people
    dialogue
  8. an actor's left when facing the audience
    stage left
  9. having to read from a script without any preparation
    cold read
  10. the energy, commitment, and presence an actor appears to have on stage
    stage presence
  11. where and how the director would like you to move on stage
    blocking
  12. a word for any play written before the present century. opposite of contemporary
    classical
  13. a smaller section or potion of a play
    scenes
  14. to improv lines that are not from the script
    adlib
  15. props that are carried on stage by an actor
    hand props
  16. to draw the audience's attention away from another actor, or to stand upstage of another actor - forcing them to turn their backs on the audience
    upstaging
  17. a longer speech made by one actor
    monologue
  18. a discrepancy or difference between what is said and what is meant. there are multiple different types
    irony
  19. all the elements and set pieces used to communicate environment in a show
    scenery
  20. type of stage that extends into the audience with seats on three sides
    thrust
  21. dynamic use of opposites. movement/stillness, quiet/loud
    contrast
  22. area of the stage in the center or middle
    center stage
  23. actions or behaviors actos may do on stage to look busy or involved in a scene
    stage business
  24. spontaneous use of movement and speech to create characters and scenes without a script. acting done without a script
    improv
  25. an invisible wall that seperates an actor from the audience
    fourth wall
  26. word for any play that was written in present day, or after 1980. opposite of classical
    contemporary
  27. a group of actors that work together to fill the stage, often without lines
    chorus/ ensemble
  28. when a character explains to the audience what the play is about or what will happen
    exposition
  29. an actor's right when facing the audience
    stage right
  30. the most common type of stage, a stage with a wall and curtain seperating the actors from the audience
    proscenium
  31. props that are kept on an actor's person, i.e. in their pocket
    personal props
  32. a major division, or 'chapters" of a play. There are usually two
    act
  33. an actor who is able to play a major role in case the original actor cannot
    understudy
  34. how an actor uses their body, voice, and thoughts to develop or portray a character
    character-ization
  35. area of the stage that jets out in front of the curtain
    apron
  36. area of a theater that the audience sits in
    house
  37. an internal or external struggle between forces that creates tension in a play
    conflict
  38. your voice's ability to be heard clearly from far away
    projection
  39. a second audition, usually used by directors to cast lead roles
    callback
  40. type of stage that uses a flat floor on the same level as the audience, the entire space is usually painted black
    black box
  41. the clarity, pronunciation, or distinction of your speech
    articu-lation
  42. a lighting cue where all stage lights are turned off
    black out
  43. copying the movement or expression of someone else exactly
    mirroring
  44. area of a stage farthest away from the audience
    up stage
  45. type of stage that sits in the middle of an audience, surrounded on all sides
    theater- in-the- round
  46. being memorized enough to say your lines without using a script
    off-book
  47. acting without the use of props or set, pretending to use invisible prop or set pieces
    pantomime
  48. the signal for an actor to say their next line or do an action
    cue