cuethe signal foran actor tosay theirnext line ordo an actionunderstudyan actor who isable to play amajor role incase theoriginal actorcannotsightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagemotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptcoldreadhaving toread from ascript withoutanypreparationhousearea of atheater thatthe audiencesits inexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappensoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagecenterstagearea of thestage inthe centeror middleadlibto improvlines thatare not fromthe scriptscenesa smallersection orpotion ofa playupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audiencedialoguespoken linesbetween twoor morepeoplestagerightan actor'sright whenfacing theaudiencemirroringcopying themovement orexpressionof someoneelse exactlyprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudienceamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingprojectionyour voice'sability to beheard clearlyfrom farawayironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typesblockingwhere andhow thedirector wouldlike you tomove on stagearticu-lationthe clarity,pronunciation,or distinctionof yourspeechsceneryall the elementsand set piecesused tocommunicateenvironment ina showapronarea of thestage thatjets out infront of thecurtainpantomimeacting without theuse of props orset, pretending touse invisible propor set piecesmonologuea longerspeechmade byone actorchorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linescharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characterstagepresencethe energy,commitment,and presencean actorappears tohave on stageblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackasidelines spoken bya character tothe audience,which the othercharacters can'thearstageleftan actor'sleft whenfacing theaudiencestagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in ascenecontrastdynamic use ofopposites.movement/stillness,quiet/loudconflictan internal orexternal strugglebetween forcesthat createstension in a playupstagearea of astagefarthestaway fromthe audiencetheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidesfourthwallan invisiblewall thatseperates anactor fromthe audiencepersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketcontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalblackouta lightingcue whereall stagelights areturned offthrusttype of stagethat extendsinto theaudience withseats on threesidesacta majordivision, or'chapters" of aplay. There areusually twodownstagearea of astage closestto theaudiencecallbacka secondaudition,usually usedby directors tocast lead rolesclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scripthandpropsprops thatare carriedon stageby an actorcuethe signal foran actor tosay theirnext line ordo an actionunderstudyan actor who isable to play amajor role incase theoriginal actorcannotsightlineswhat anaudience will beable to see fromtheir seats, bothonstage andbackstagemotivationthe reason for acharacter'sbehaviors. whythey are doingwhat they'redoingoff-bookbeingmemorizedenough to sayyour lineswithout using ascriptcoldreadhaving toread from ascript withoutanypreparationhousearea of atheater thatthe audiencesits inexpositionwhen a characterexplains to theaudience whatthe play is aboutor what willhappensoliloquya speech in whichan actor speaksthe inner thoughtsof their characteraloud, usuallyalone on stagecenterstagearea of thestage inthe centeror middleadlibto improvlines thatare not fromthe scriptscenesa smallersection orpotion ofa playupstagingto draw theaudience's attentionaway from anotheractor, or to standupstage of anotheractor - forcing themto turn their backs onthe audiencedialoguespoken linesbetween twoor morepeoplestagerightan actor'sright whenfacing theaudiencemirroringcopying themovement orexpressionof someoneelse exactlyprosceniumthe most commontype of stage, astage with a walland curtainseperating theactors from theaudienceamphi-theaterstyle of theaterwith a roundstage and noroof,surrounded bytiered seatingprojectionyour voice'sability to beheard clearlyfrom farawayironya discrepancy ordifference betweenwhat is said andwhat is meant.there are multipledifferent typesblockingwhere andhow thedirector wouldlike you tomove on stagearticu-lationthe clarity,pronunciation,or distinctionof yourspeechsceneryall the elementsand set piecesused tocommunicateenvironment ina showapronarea of thestage thatjets out infront of thecurtainpantomimeacting without theuse of props orset, pretending touse invisible propor set piecesmonologuea longerspeechmade byone actorchorus/ensemblea group ofactors that worktogether to fillthe stage, oftenwithout linescharacter-izationhow an actor usestheir body, voice,and thoughts todevelop or portraya characterstagepresencethe energy,commitment,and presencean actorappears tohave on stageblackboxtype of stage thatuses a flat floor onthe same level asthe audience, theentire space isusually paintedblackasidelines spoken bya character tothe audience,which the othercharacters can'thearstageleftan actor'sleft whenfacing theaudiencestagebusinessactions orbehaviors actosmay do on stageto look busy orinvolved in ascenecontrastdynamic use ofopposites.movement/stillness,quiet/loudconflictan internal orexternal strugglebetween forcesthat createstension in a playupstagearea of astagefarthestaway fromthe audiencetheater-in-the-roundtype of stagethat sits in themiddle of anaudience,surrounded onall sidesfourthwallan invisiblewall thatseperates anactor fromthe audiencepersonalpropsprops thatare kept onan actor'sperson, i.e. intheir pocketcontemporaryword for any playthat was writtenin present day, orafter 1980.opposite ofclassicalblackouta lightingcue whereall stagelights areturned offthrusttype of stagethat extendsinto theaudience withseats on threesidesacta majordivision, or'chapters" of aplay. There areusually twodownstagearea of astage closestto theaudiencecallbacka secondaudition,usually usedby directors tocast lead rolesclassicala word for anyplay writtenbefore thepresent century.opposite ofcontemporaryimprovspontaneous useof movement andspeech to createcharacters andscenes without ascript. acting donewithout a scripthandpropsprops thatare carriedon stageby an actor

Basics Vocab - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. the signal for an actor to say their next line or do an action
    cue
  2. an actor who is able to play a major role in case the original actor cannot
    understudy
  3. what an audience will be able to see from their seats, both onstage and backstage
    sight lines
  4. the reason for a character's behaviors. why they are doing what they're doing
    motivation
  5. being memorized enough to say your lines without using a script
    off-book
  6. having to read from a script without any preparation
    cold read
  7. area of a theater that the audience sits in
    house
  8. when a character explains to the audience what the play is about or what will happen
    exposition
  9. a speech in which an actor speaks the inner thoughts of their character aloud, usually alone on stage
    soliloquy
  10. area of the stage in the center or middle
    center stage
  11. to improv lines that are not from the script
    adlib
  12. a smaller section or potion of a play
    scenes
  13. to draw the audience's attention away from another actor, or to stand upstage of another actor - forcing them to turn their backs on the audience
    upstaging
  14. spoken lines between two or more people
    dialogue
  15. an actor's right when facing the audience
    stage right
  16. copying the movement or expression of someone else exactly
    mirroring
  17. the most common type of stage, a stage with a wall and curtain seperating the actors from the audience
    proscenium
  18. style of theater with a round stage and no roof, surrounded by tiered seating
    amphi- theater
  19. your voice's ability to be heard clearly from far away
    projection
  20. a discrepancy or difference between what is said and what is meant. there are multiple different types
    irony
  21. where and how the director would like you to move on stage
    blocking
  22. the clarity, pronunciation, or distinction of your speech
    articu-lation
  23. all the elements and set pieces used to communicate environment in a show
    scenery
  24. area of the stage that jets out in front of the curtain
    apron
  25. acting without the use of props or set, pretending to use invisible prop or set pieces
    pantomime
  26. a longer speech made by one actor
    monologue
  27. a group of actors that work together to fill the stage, often without lines
    chorus/ ensemble
  28. how an actor uses their body, voice, and thoughts to develop or portray a character
    character-ization
  29. the energy, commitment, and presence an actor appears to have on stage
    stage presence
  30. type of stage that uses a flat floor on the same level as the audience, the entire space is usually painted black
    black box
  31. lines spoken by a character to the audience, which the other characters can't hear
    aside
  32. an actor's left when facing the audience
    stage left
  33. actions or behaviors actos may do on stage to look busy or involved in a scene
    stage business
  34. dynamic use of opposites. movement/stillness, quiet/loud
    contrast
  35. an internal or external struggle between forces that creates tension in a play
    conflict
  36. area of a stage farthest away from the audience
    up stage
  37. type of stage that sits in the middle of an audience, surrounded on all sides
    theater- in-the- round
  38. an invisible wall that seperates an actor from the audience
    fourth wall
  39. props that are kept on an actor's person, i.e. in their pocket
    personal props
  40. word for any play that was written in present day, or after 1980. opposite of classical
    contemporary
  41. a lighting cue where all stage lights are turned off
    black out
  42. type of stage that extends into the audience with seats on three sides
    thrust
  43. a major division, or 'chapters" of a play. There are usually two
    act
  44. area of a stage closest to the audience
    down stage
  45. a second audition, usually used by directors to cast lead roles
    callback
  46. a word for any play written before the present century. opposite of contemporary
    classical
  47. spontaneous use of movement and speech to create characters and scenes without a script. acting done without a script
    improv
  48. props that are carried on stage by an actor
    hand props