Hegemons Define "Good Taste" Decolonizing Art / Craft Taxonomies of Categorization Alienation from Product Indigenous Crafts as "artifacts" and not art Decontexualized art / craft Species- Being Authenticity / Authenticators Provenance Free! Self-Taught (classification) "Women's Work" = "High art" Black creative agency Craft- Becomes- Art Semantic Criteria (Aboutness) Identity- Art Cultural Supremacy Virtuosity Craft / Art as Political Statement "Superstar Effect" Gentrification of previously "Low Brow" Utility Cultural Capital Exhibition as a Colonial Structure Modern Eye “Discovering” an Artist Hegemons Define "Good Taste" Decolonizing Art / Craft Taxonomies of Categorization Alienation from Product Indigenous Crafts as "artifacts" and not art Decontexualized art / craft Species- Being Authenticity / Authenticators Provenance Free! Self-Taught (classification) "Women's Work" = "High art" Black creative agency Craft- Becomes- Art Semantic Criteria (Aboutness) Identity- Art Cultural Supremacy Virtuosity Craft / Art as Political Statement "Superstar Effect" Gentrification of previously "Low Brow" Utility Cultural Capital Exhibition as a Colonial Structure Modern Eye “Discovering” an Artist
(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
Hegemons Define "Good Taste"
Decolonizing Art / Craft
Taxonomies of Categorization
Alienation from Product
Indigenous Crafts as "artifacts" and not art
Decontexualized art / craft
Species-Being
Authenticity / Authenticators
Provenance
Free!
Self-Taught (classification)
"Women's Work" = "High art"
Black creative agency
Craft-Becomes-Art
Semantic Criteria (Aboutness)
Identity-Art
Cultural Supremacy
Virtuosity
Craft / Art as Political Statement
"Superstar Effect"
Gentrification of previously "Low Brow"
Utility
Cultural Capital
Exhibition as a Colonial Structure
Modern Eye
“Discovering” an Artist