“do you think I ameasier to / be playedon than a pipe? Callme what instrument /you will, though youcan fret me, yet youcannot play / uponme” (3.2.350-358).Hamlet'swords andactions in thisscene revealthat he is...Hamlet'smental state inthis scene isdifferent frombeforebecause...“Do you seeyonder cloudthat’s almost inshape of a /camel?”(3.2.356-357).“He poisonshim i' th' gardenfor ’s estate.His name’s /Gonzago.”(3.2.247-248).Free!“My lord, youonce didlove me.”(3.2.316)“I could interpretbetween you andyour love, if Icould / see thepuppets dallying.”(3.2.232-233).Hamlet'spersonality isdifferent in thisscene becausehe is now...“Soft, now to mymother.— / O heart,lose not thy nature,let not ever / The soulof Nero enter this firmbosom. / Let me becruel, not unnatural.”(3.2.372-375)Hamlet's wordsand actions inthis scenereveal his ____personality.“My lord, youplayed once /i' th' university,you say?”(3.2.94-95)“Give him heedfulnote./ For I mineeyes will rivet to hisface, / And after wewill both ourjudgments join / Incensure of hisseeming.” (3.2.80-83)“Give me that man /That is not passion’sslave, and I will wearhim / In my heart’score, ay, in my heartof heart, / As I dothee.” (3.2.67-70).“Give mesome light,away!”(3.2.255)“No thanks, mygood mother.There’s a nicer/ piece of workright here.”(3.2.104)“do you think I ameasier to / be playedon than a pipe? Callme what instrument /you will, though youcan fret me, yet youcannot play / uponme” (3.2.350-358).Hamlet'swords andactions in thisscene revealthat he is...Hamlet'smental state inthis scene isdifferent frombeforebecause...“Do you seeyonder cloudthat’s almost inshape of a /camel?”(3.2.356-357).“He poisonshim i' th' gardenfor ’s estate.His name’s /Gonzago.”(3.2.247-248).Free!“My lord, youonce didlove me.”(3.2.316)“I could interpretbetween you andyour love, if Icould / see thepuppets dallying.”(3.2.232-233).Hamlet'spersonality isdifferent in thisscene becausehe is now...“Soft, now to mymother.— / O heart,lose not thy nature,let not ever / The soulof Nero enter this firmbosom. / Let me becruel, not unnatural.”(3.2.372-375)Hamlet's wordsand actions inthis scenereveal his ____personality.“My lord, youplayed once /i' th' university,you say?”(3.2.94-95)“Give him heedfulnote./ For I mineeyes will rivet to hisface, / And after wewill both ourjudgments join / Incensure of hisseeming.” (3.2.80-83)“Give me that man /That is not passion’sslave, and I will wearhim / In my heart’score, ay, in my heartof heart, / As I dothee.” (3.2.67-70).“Give mesome light,away!”(3.2.255)“No thanks, mygood mother.There’s a nicer/ piece of workright here.”(3.2.104)

Hamlet Lesson 8 - Act 3, Scene 2 - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. “do you think I am easier to / be played on than a pipe? Call me what instrument / you will, though you can fret me, yet you cannot play / upon me” (3.2.350-358).
  2. Hamlet's words and actions in this scene reveal that he is...
  3. Hamlet's mental state in this scene is different from before because...
  4. “Do you see yonder cloud that’s almost in shape of a / camel?” (3.2.356-357).
  5. “He poisons him i' th' garden for ’s estate. His name’s / Gonzago.” (3.2.247-248).
  6. Free!
  7. “My lord, you once did love me.” (3.2.316)
  8. “I could interpret between you and your love, if I could / see the puppets dallying.” (3.2.232-233).
  9. Hamlet's personality is different in this scene because he is now...
  10. “Soft, now to my mother.— / O heart, lose not thy nature, let not ever / The soul of Nero enter this firm bosom. / Let me be cruel, not unnatural.” (3.2.372-375)
  11. Hamlet's words and actions in this scene reveal his ____ personality.
  12. “My lord, you played once / i' th' university, you say?” (3.2.94-95)
  13. “Give him heedful note./ For I mine eyes will rivet to his face, / And after we will both our judgments join / In censure of his seeming.” (3.2.80-83)
  14. “Give me that man / That is not passion’s slave, and I will wear him / In my heart’s core, ay, in my heart of heart, / As I do thee.” (3.2.67-70).
  15. “Give me some light, away!” (3.2.255)
  16. “No thanks, my good mother. There’s a nicer / piece of work right here.” (3.2.104)