bass isnotmelodicunimaginativemelodyfour chordprogressionsharmonicminordescendingfifths onrepeatornamentspamlacksformandalusiancadenceon repeatunplayablefugalsubjectsucksunreasonablecrossrelationssuspensionsmake nosensetrieswritingfuguesunacceptablevoiceseparationno clearcadencesbasicharpsichordsoundwhat iscounterpoint?lackscontrastingideascopy ofbach cmajorpreludenosense ofphrasingmodulationssoundforcedunnecessarilyconvolutedstructureparallelfifths andoctavesgaloremanyunintentionaldissonancesbass isnotmelodicunimaginativemelodyfour chordprogressionsharmonicminordescendingfifths onrepeatornamentspamlacksformandalusiancadenceon repeatunplayablefugalsubjectsucksunreasonablecrossrelationssuspensionsmake nosensetrieswritingfuguesunacceptablevoiceseparationno clearcadencesbasicharpsichordsoundwhat iscounterpoint?lackscontrastingideascopy ofbach cmajorpreludenosense ofphrasingmodulationssoundforcedunnecessarilyconvolutedstructureparallelfifths andoctavesgaloremanyunintentionaldissonances

amateur baroque composers - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. bass is not melodic
  2. unimaginative melody
  3. four chord progressions
  4. harmonic minor
  5. descending fifths on repeat
  6. ornament spam
  7. lacks form
  8. andalusian cadence on repeat
  9. unplayable
  10. fugal subject sucks
  11. unreasonable cross relations
  12. suspensions make no sense
  13. tries writing fugues
  14. unacceptable voice separation
  15. no clear cadences
  16. basic harpsichord sound
  17. what is counterpoint?
  18. lacks contrasting ideas
  19. copy of bach c major prelude
  20. no sense of phrasing
  21. modulations sound forced
  22. unnecessarily convoluted structure
  23. parallel fifths and octaves galore
  24. many unintentional dissonances