Spatialawareness consciousnessof thesurroundingspace and it'seffective usePostureThe waythe bodyis heldActionsWhat adancer doese.g. travel,rotate etcExtensionLengtheningone or moremuscles orlimbsFocusUse of theeyes toenhanceperformanceFacialexpressionsUse of theface to showmood,feeling orcharacterMusicalityThe ability tomake the uniquequalities of theaccompanimentevident inperformanceFlexibility The range ofmovement in thejoints (involvingmuscles,tendons andligaments)TimingThe use of timeor counts whenmatchingmovements tosound and/orother dancersStrengthMuscularpowerStaminaAbility tomaintainphysical andmental energyover periods oftime Phrasing   The way in whichthe energy isdistributed in theexecution of amovementphraseMobilityThe range ofmovement in ajoint; the abilityto move fluidlyfrom action toactionSensitivityto otherdancersAwarenessof andconnectionto otherdancersControlThe ability tostart and stopmovement,change directionand hold ashape efficientlyAlignmentcorrectplacement ofbody parts inrelation toone anotherCoordination   The efficientcombinationof bodypartsSpatialcontentThe where ofmovement such aslevels, directions,pathways, shapes,designs andpatternsRelationships  The ways inwhich dancersinteract; theconnectionsbetweendancers MentalrehearsalThinkingthrough orvisualisingthe danceDynamicsThe qualities ofmovementsbased onvariations inspeed strengthand flow    projection   The energy thedancer uses toconnect withand draw inthe audienceCoordinationThe efficientcombinationof bodypartsIsolationAnindependentmovement ofpart of thebodyRehearsaldisciplineAttributes andskills required forperformance suchcommitment,teamwork,systematicrepetition etcSpatialawareness consciousnessof thesurroundingspace and it'seffective usePostureThe waythe bodyis heldActionsWhat adancer doese.g. travel,rotate etcExtensionLengtheningone or moremuscles orlimbsFocusUse of theeyes toenhanceperformanceFacialexpressionsUse of theface to showmood,feeling orcharacterMusicalityThe ability tomake the uniquequalities of theaccompanimentevident inperformanceFlexibility The range ofmovement in thejoints (involvingmuscles,tendons andligaments)TimingThe use of timeor counts whenmatchingmovements tosound and/orother dancersStrengthMuscularpowerStaminaAbility tomaintainphysical andmental energyover periods oftime Phrasing   The way in whichthe energy isdistributed in theexecution of amovementphraseMobilityThe range ofmovement in ajoint; the abilityto move fluidlyfrom action toactionSensitivityto otherdancersAwarenessof andconnectionto otherdancersControlThe ability tostart and stopmovement,change directionand hold ashape efficientlyAlignmentcorrectplacement ofbody parts inrelation toone anotherCoordination   The efficientcombinationof bodypartsSpatialcontentThe where ofmovement such aslevels, directions,pathways, shapes,designs andpatternsRelationships  The ways inwhich dancersinteract; theconnectionsbetweendancers MentalrehearsalThinkingthrough orvisualisingthe danceDynamicsThe qualities ofmovementsbased onvariations inspeed strengthand flow    projection   The energy thedancer uses toconnect withand draw inthe audienceCoordinationThe efficientcombinationof bodypartsIsolationAnindependentmovement ofpart of thebodyRehearsaldisciplineAttributes andskills required forperformance suchcommitment,teamwork,systematicrepetition etc

Performance skills GCSE Dance - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. consciousness of the surrounding space and it's effective use
    Spatial awareness
  2. The way the body is held
    Posture
  3. What a dancer does e.g. travel, rotate etc
    Actions
  4. Lengthening one or more muscles or limbs
    Extension
  5. Use of the eyes to enhance performance
    Focus
  6. Use of the face to show mood, feeling or character
    Facial expressions
  7. The ability to make the unique qualities of the accompaniment evident in performance
    Musicality
  8. The range of movement in the joints (involving muscles, tendons and ligaments)
    Flexibility
  9. The use of time or counts when matching movements to sound and/or other dancers
    Timing
  10. Muscular power
    Strength
  11. Ability to maintain physical and mental energy over periods of time
    Stamina
  12. The way in which the energy is distributed in the execution of a movement phrase
    Phrasing
  13. The range of movement in a joint; the ability to move fluidly from action to action
    Mobility
  14. Awareness of and connection to other dancers
    Sensitivity to other dancers
  15. The ability to start and stop movement, change direction and hold a shape efficiently
    Control
  16. correct placement of body parts in relation to one another
    Alignment
  17. The efficient combination of body parts
    Coordination
  18. The where of movement such as levels, directions, pathways, shapes, designs and patterns
    Spatial content
  19. The ways in which dancers interact; the connections between dancers
    Relationships
  20. Thinking through or visualising the dance
    Mental rehearsal
  21. The qualities of movements based on variations in speed strength and flow
    Dynamics
  22. The energy the dancer uses to connect with and draw in the audience
    projection
  23. The efficient combination of body parts
    Coordination
  24. An independent movement of part of the body
    Isolation
  25. Attributes and skills required for performance such commitment, teamwork, systematic repetition etc
    Rehearsal discipline