SpatialcontentThe where ofmovement such aslevels, directions,pathways, shapes,designs andpatternsActionsWhat adancer doese.g. travel,rotate etcStaminaAbility tomaintainphysical andmental energyover periods oftimePostureThe waythe bodyis held MentalrehearsalThinkingthrough orvisualisingthe danceMobilityThe range ofmovement in ajoint; the abilityto move fluidlyfrom action toactionSensitivityto otherdancersAwarenessof andconnectionto otherdancers    projection   The energy thedancer uses toconnect withand draw inthe audienceFocusUse of theeyes toenhanceperformanceDynamicsThe qualities ofmovementsbased onvariations inspeed strengthand flowControlThe ability tostart and stopmovement,change directionand hold ashape efficientlyStrengthMuscularpower Phrasing   The way in whichthe energy isdistributed in theexecution of amovementphraseCoordination   The efficientcombinationof bodypartsTimingThe use of timeor counts whenmatchingmovements tosound and/orother dancersFlexibility The range ofmovement in thejoints (involvingmuscles,tendons andligaments)Relationships  The ways inwhich dancersinteract; theconnectionsbetweendancersExtensionLengtheningone or moremuscles orlimbsIsolationAnindependentmovement ofpart of thebodyFacialexpressionsUse of theface to showmood,feeling orcharacterSpatialawareness consciousnessof thesurroundingspace and it'seffective useMusicalityThe ability tomake the uniquequalities of theaccompanimentevident inperformanceRehearsaldisciplineAttributes andskills required forperformance suchcommitment,teamwork,systematicrepetition etcCoordinationThe efficientcombinationof bodypartsAlignmentcorrectplacement ofbody parts inrelation toone anotherSpatialcontentThe where ofmovement such aslevels, directions,pathways, shapes,designs andpatternsActionsWhat adancer doese.g. travel,rotate etcStaminaAbility tomaintainphysical andmental energyover periods oftimePostureThe waythe bodyis held MentalrehearsalThinkingthrough orvisualisingthe danceMobilityThe range ofmovement in ajoint; the abilityto move fluidlyfrom action toactionSensitivityto otherdancersAwarenessof andconnectionto otherdancers    projection   The energy thedancer uses toconnect withand draw inthe audienceFocusUse of theeyes toenhanceperformanceDynamicsThe qualities ofmovementsbased onvariations inspeed strengthand flowControlThe ability tostart and stopmovement,change directionand hold ashape efficientlyStrengthMuscularpower Phrasing   The way in whichthe energy isdistributed in theexecution of amovementphraseCoordination   The efficientcombinationof bodypartsTimingThe use of timeor counts whenmatchingmovements tosound and/orother dancersFlexibility The range ofmovement in thejoints (involvingmuscles,tendons andligaments)Relationships  The ways inwhich dancersinteract; theconnectionsbetweendancersExtensionLengtheningone or moremuscles orlimbsIsolationAnindependentmovement ofpart of thebodyFacialexpressionsUse of theface to showmood,feeling orcharacterSpatialawareness consciousnessof thesurroundingspace and it'seffective useMusicalityThe ability tomake the uniquequalities of theaccompanimentevident inperformanceRehearsaldisciplineAttributes andskills required forperformance suchcommitment,teamwork,systematicrepetition etcCoordinationThe efficientcombinationof bodypartsAlignmentcorrectplacement ofbody parts inrelation toone another

Performance skills GCSE Dance - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
  1. The where of movement such as levels, directions, pathways, shapes, designs and patterns
    Spatial content
  2. What a dancer does e.g. travel, rotate etc
    Actions
  3. Ability to maintain physical and mental energy over periods of time
    Stamina
  4. The way the body is held
    Posture
  5. Thinking through or visualising the dance
    Mental rehearsal
  6. The range of movement in a joint; the ability to move fluidly from action to action
    Mobility
  7. Awareness of and connection to other dancers
    Sensitivity to other dancers
  8. The energy the dancer uses to connect with and draw in the audience
    projection
  9. Use of the eyes to enhance performance
    Focus
  10. The qualities of movements based on variations in speed strength and flow
    Dynamics
  11. The ability to start and stop movement, change direction and hold a shape efficiently
    Control
  12. Muscular power
    Strength
  13. The way in which the energy is distributed in the execution of a movement phrase
    Phrasing
  14. The efficient combination of body parts
    Coordination
  15. The use of time or counts when matching movements to sound and/or other dancers
    Timing
  16. The range of movement in the joints (involving muscles, tendons and ligaments)
    Flexibility
  17. The ways in which dancers interact; the connections between dancers
    Relationships
  18. Lengthening one or more muscles or limbs
    Extension
  19. An independent movement of part of the body
    Isolation
  20. Use of the face to show mood, feeling or character
    Facial expressions
  21. consciousness of the surrounding space and it's effective use
    Spatial awareness
  22. The ability to make the unique qualities of the accompaniment evident in performance
    Musicality
  23. Attributes and skills required for performance such commitment, teamwork, systematic repetition etc
    Rehearsal discipline
  24. The efficient combination of body parts
    Coordination
  25. correct placement of body parts in relation to one another
    Alignment