(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
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Jane Eyre (1847) is fierce, romantic, and defiant.
Heart of Darkness (1899) is disturbing, symbolic, and atmospheric.
The Trial (1925) is surreal, claustrophobic, and chilling.
Things Fall Apart (1958) is spare, powerful, and culturally rich.
To Kill a Mockingbird (1960) is powerful, compassionate, and unflinching.
1984 (1949) is bleak, prophetic, and terrifying.
The Great Gatsby (1925) is haunting, lyrical, and tragic.
Brave New World (1932) is provocative, dystopian, and chilling.
The Stranger (1942) is existential, sparse, and unsettling.
Mrs Dalloway (1925) is introspective, elegant, and experimental.
The Master and Margarita (1967) is bizarre, darkly funny, and brilliant.
Ficciones (1944) is cerebral, inventive, and mind-bending.
Middlemarch (1871) is nuanced, wise, and deeply human.
The Catcher in the Rye (1951) is rebellious, raw, and introspective.
The Handmaid’s Tale (1985) is bold, urgent, and unforgettable.
One Hundred Years of Solitude (1967) is magical, intricate, and unforgettable.
Lolita (1955) is controversial, lyrical, and unsettling.
Don Quixote (1605) is imaginative, satirical, and enduring.
Frankenstein (1818) is gothic, tragic, and thought-provoking.
A Tale of Two Cities (1859) is dramatic, historical, and emotionally charged.
The Grapes of Wrath (1939) is epic, gritty, and socially conscious.
Siddhartha (1922) is spiritual, serene, and wise.
A Passage to India (1924) is complex, elegant, and poignant.
Wuthering Heights (1847) is dark, passionate, and haunting.
Anna Karenina (1878) is sweeping, emotional, and devastating.
The Sound and the Fury (1929) is fragmented, intense, and poetic.
Pride and Prejudice (1813) is witty, elegant, and charming.
The Name of the Rose (1980) is intellectual, mysterious, and richly layered.
The Brothers Karamazov (1880) is spiritual, intellectual, and gripping.
Beloved (1987) is harrowing, poetic, and profound.
Invisible Man (1952) is urgent, symbolic, and explosive.
Crime and Punishment (1866) is brooding, philosophical, and intense.
Ulysses (1922) is dense, experimental, and masterful.
