(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
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Invisible Man (1952) is urgent, symbolic, and explosive.
The Stranger (1942) is existential, sparse, and unsettling.
The Handmaid’s Tale (1985) is bold, urgent, and unforgettable.
The Catcher in the Rye (1951) is rebellious, raw, and introspective.
The Master and Margarita (1967) is bizarre, darkly funny, and brilliant.
The Grapes of Wrath (1939) is epic, gritty, and socially conscious.
A Tale of Two Cities (1859) is dramatic, historical, and emotionally charged.
Anna Karenina (1878) is sweeping, emotional, and devastating.
Things Fall Apart (1958) is spare, powerful, and culturally rich.
Pride and Prejudice (1813) is witty, elegant, and charming.
To Kill a Mockingbird (1960) is powerful, compassionate, and unflinching.
One Hundred Years of Solitude (1967) is magical, intricate, and unforgettable.
Siddhartha (1922) is spiritual, serene, and wise.
Frankenstein (1818) is gothic, tragic, and thought-provoking.
Beloved (1987) is harrowing, poetic, and profound.
The Sound and the Fury (1929) is fragmented, intense, and poetic.
Brave New World (1932) is provocative, dystopian, and chilling.
A Passage to India (1924) is complex, elegant, and poignant.
Wuthering Heights (1847) is dark, passionate, and haunting.
Ulysses (1922) is dense, experimental, and masterful.
Mrs Dalloway (1925) is introspective, elegant, and experimental.
The Brothers Karamazov (1880) is spiritual, intellectual, and gripping.
Crime and Punishment (1866) is brooding, philosophical, and intense.
Ficciones (1944) is cerebral, inventive, and mind-bending.
Jane Eyre (1847) is fierce, romantic, and defiant.
The Trial (1925) is surreal, claustrophobic, and chilling.
Lolita (1955) is controversial, lyrical, and unsettling.
1984 (1949) is bleak, prophetic, and terrifying.
Middlemarch (1871) is nuanced, wise, and deeply human.
The Name of the Rose (1980) is intellectual, mysterious, and richly layered.
Don Quixote (1605) is imaginative, satirical, and enduring.
Heart of Darkness (1899) is disturbing, symbolic, and atmospheric.
The Great Gatsby (1925) is haunting, lyrical, and tragic.
