(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
A Passage to India (1924) is complex, elegant, and poignant.
Crime and Punishment (1866) is brooding, philosophical, and intense.
Middlemarch (1871) is nuanced, wise, and deeply human.
The Master and Margarita (1967) is bizarre, darkly funny, and brilliant.
Anna Karenina (1878) is sweeping, emotional, and devastating.
Frankenstein (1818) is gothic, tragic, and thought-provoking.
One Hundred Years of Solitude (1967) is magical, intricate, and unforgettable.
The Grapes of Wrath (1939) is epic, gritty, and socially conscious.
Things Fall Apart (1958) is spare, powerful, and culturally rich.
Brave New World (1932) is provocative, dystopian, and chilling.
Wuthering Heights (1847) is dark, passionate, and haunting.
The Stranger (1942) is existential, sparse, and unsettling.
The Sound and the Fury (1929) is fragmented, intense, and poetic.
Mrs Dalloway (1925) is introspective, elegant, and experimental.
The Name of the Rose (1980) is intellectual, mysterious, and richly layered.
1984 (1949) is bleak, prophetic, and terrifying.
The Catcher in the Rye (1951) is rebellious, raw, and introspective.
Beloved (1987) is harrowing, poetic, and profound.
The Trial (1925) is surreal, claustrophobic, and chilling.
A Tale of Two Cities (1859) is dramatic, historical, and emotionally charged.
To Kill a Mockingbird (1960) is powerful, compassionate, and unflinching.
Ficciones (1944) is cerebral, inventive, and mind-bending.
The Handmaid’s Tale (1985) is bold, urgent, and unforgettable.
Jane Eyre (1847) is fierce, romantic, and defiant.
The Brothers Karamazov (1880) is spiritual, intellectual, and gripping.
Invisible Man (1952) is urgent, symbolic, and explosive.
Don Quixote (1605) is imaginative, satirical, and enduring.
Siddhartha (1922) is spiritual, serene, and wise.
Pride and Prejudice (1813) is witty, elegant, and charming.
Heart of Darkness (1899) is disturbing, symbolic, and atmospheric.
Lolita (1955) is controversial, lyrical, and unsettling.
Ulysses (1922) is dense, experimental, and masterful.
The Great Gatsby (1925) is haunting, lyrical, and tragic.
