where the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.EXTREMECLOSE-UPMEDIUMCLOSE-UPshows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe charactePOINTOFVIEWframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.FULLSHOTWIDESHOTclose-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.MEDIUMSHOTFree!free!SHOTREVERSESHOTadditional detailsto enhance thestory but notdirectly related tothe main action inthe scene.CLOSE-UPfree!COWBOYSHOTshows acharacter frombehind theshoulder ofanothercharacter.This shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.free!TWO-SHOTREACTIONSHOTcaptures ahumansubject's facefrom aboutmid-chesttwo similarlyframed butreverse shotsare cut togetherto connect thecharacters.captures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.OVER THESHOULDERhows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.free!shows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.INSERTSHOTEXTREMELONGSHOTCUTAWAYSHOTSINGLEthe subject'shead andface take upmost of theframeThis shotallows theaudience tofocus solely onone character.captures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.where the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.EXTREMECLOSE-UPMEDIUMCLOSE-UPshows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe charactePOINTOFVIEWframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.FULLSHOTWIDESHOTclose-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.MEDIUMSHOTFree!free!SHOTREVERSESHOTadditional detailsto enhance thestory but notdirectly related tothe main action inthe scene.CLOSE-UPfree!COWBOYSHOTshows acharacter frombehind theshoulder ofanothercharacter.This shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.free!TWO-SHOTREACTIONSHOTcaptures ahumansubject's facefrom aboutmid-chesttwo similarlyframed butreverse shotsare cut togetherto connect thecharacters.captures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.OVER THESHOULDERhows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.free!shows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.INSERTSHOTEXTREMELONGSHOTCUTAWAYSHOTSINGLEthe subject'shead andface take upmost of theframeThis shotallows theaudience tofocus solely onone character.captures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.

shot coverage - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. where the subject fills most of the frame (top to bottom) from head to toe, filling most of the frame.
  2. EXTREME CLOSE-UP
  3. MEDIUM CLOSE-UP
  4. shows what a character is looking at, making the audience feel like they are watching the action directly through the eyes of the characte
  5. POINT OF VIEW
  6. frames the character mid-thigh to allow the audience to see the character's gun holster within the shot.
  7. FULL SHOT
  8. WIDE SHOT
  9. close-ups/extreme close-ups that emphasize a particular object inside a scene that is crucial to the story.
  10. MEDIUM SHOT
  11. Free!
  12. free!
  13. SHOT REVERSE SHOT
  14. additional details to enhance the story but not directly related to the main action in the scene.
  15. CLOSE-UP
  16. free!
  17. COWBOY SHOT
  18. shows a character from behind the shoulder of another character.
  19. This shot lets you see the orientation, meaning where they stand, and the interaction between the two characters.
  20. free!
  21. TWO-SHOT
  22. REACTION SHOT
  23. captures a human subject's face from about mid-chest
  24. two similarly framed but reverse shots are cut together to connect the characters.
  25. captures the subjects from the waist up and includes some surrounding areas within the setting while still being close enough to capture the character's emotions.
  26. OVER THE SHOULDER
  27. hows a character's reaction to someone or something that occurred in the previous shot.
  28. free!
  29. shows a vast amount of the scene's location while making the characters appear small, if visible, in the space.
  30. INSERT SHOT
  31. EXTREME LONG SHOT
  32. CUTAWAY SHOT
  33. SINGLE
  34. the subject's head and face take up most of the frame
  35. This shot allows the audience to focus solely on one character.
  36. captures the human subject's entire body along with room to see the location or place of the scene.