hows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.SINGLEclose-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.additional detailsto enhance thestory but notdirectly related tothe main action inthe scene.MEDIUMCLOSE-UPtwo similarlyframed butreverse shotsare cut togetherto connect thecharacters.FULLSHOTfree!This shotallows theaudience tofocus solely onone character.TWO-SHOTEXTREMELONGSHOTwhere the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.the subject'shead andface take upmost of theframecaptures ahumansubject's facefrom aboutmid-chestframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.WIDESHOTFree!POINTOFVIEWcaptures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.CLOSE-UPfree!shows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.CUTAWAYSHOTcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.shows acharacter frombehind theshoulder ofanothercharacter.OVER THESHOULDERshows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe characteINSERTSHOTThis shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.COWBOYSHOTfree!EXTREMECLOSE-UPSHOTREVERSESHOTREACTIONSHOTfree!MEDIUMSHOThows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.SINGLEclose-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.additional detailsto enhance thestory but notdirectly related tothe main action inthe scene.MEDIUMCLOSE-UPtwo similarlyframed butreverse shotsare cut togetherto connect thecharacters.FULLSHOTfree!This shotallows theaudience tofocus solely onone character.TWO-SHOTEXTREMELONGSHOTwhere the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.the subject'shead andface take upmost of theframecaptures ahumansubject's facefrom aboutmid-chestframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.WIDESHOTFree!POINTOFVIEWcaptures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.CLOSE-UPfree!shows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.CUTAWAYSHOTcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.shows acharacter frombehind theshoulder ofanothercharacter.OVER THESHOULDERshows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe characteINSERTSHOTThis shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.COWBOYSHOTfree!EXTREMECLOSE-UPSHOTREVERSESHOTREACTIONSHOTfree!MEDIUMSHOT

shot coverage - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. hows a character's reaction to someone or something that occurred in the previous shot.
  2. SINGLE
  3. close-ups/extreme close-ups that emphasize a particular object inside a scene that is crucial to the story.
  4. additional details to enhance the story but not directly related to the main action in the scene.
  5. MEDIUM CLOSE-UP
  6. two similarly framed but reverse shots are cut together to connect the characters.
  7. FULL SHOT
  8. free!
  9. This shot allows the audience to focus solely on one character.
  10. TWO-SHOT
  11. EXTREME LONG SHOT
  12. where the subject fills most of the frame (top to bottom) from head to toe, filling most of the frame.
  13. the subject's head and face take up most of the frame
  14. captures a human subject's face from about mid-chest
  15. frames the character mid-thigh to allow the audience to see the character's gun holster within the shot.
  16. WIDE SHOT
  17. Free!
  18. POINT OF VIEW
  19. captures the human subject's entire body along with room to see the location or place of the scene.
  20. CLOSE-UP
  21. free!
  22. shows a vast amount of the scene's location while making the characters appear small, if visible, in the space.
  23. CUTAWAY SHOT
  24. captures the subjects from the waist up and includes some surrounding areas within the setting while still being close enough to capture the character's emotions.
  25. shows a character from behind the shoulder of another character.
  26. OVER THE SHOULDER
  27. shows what a character is looking at, making the audience feel like they are watching the action directly through the eyes of the characte
  28. INSERT SHOT
  29. This shot lets you see the orientation, meaning where they stand, and the interaction between the two characters.
  30. COWBOY SHOT
  31. free!
  32. EXTREME CLOSE-UP
  33. SHOT REVERSE SHOT
  34. REACTION SHOT
  35. free!
  36. MEDIUM SHOT