This shotallows theaudience tofocus solely onone character.where the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.free!SHOTREVERSESHOTclose-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.MEDIUMSHOTMEDIUMCLOSE-UPFULLSHOTcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.REACTIONSHOTshows acharacter frombehind theshoulder ofanothercharacter.WIDESHOTPOINTOFVIEWEXTREMECLOSE-UPCLOSE-UPcaptures ahumansubject's facefrom aboutmid-chestINSERTSHOTcaptures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.EXTREMELONGSHOTtwo similarlyframed butreverse shotsare cut togetherto connect thecharacters.SINGLECOWBOYSHOTthe subject'shead andface take upmost of theframeshows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.additional detailsto enhance thestory but notdirectly related tothe main action inthe scene.frames thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.free!free!Free!shows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe charactefree!OVER THESHOULDERThis shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.CUTAWAYSHOTTWO-SHOThows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.This shotallows theaudience tofocus solely onone character.where the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.free!SHOTREVERSESHOTclose-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.MEDIUMSHOTMEDIUMCLOSE-UPFULLSHOTcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.REACTIONSHOTshows acharacter frombehind theshoulder ofanothercharacter.WIDESHOTPOINTOFVIEWEXTREMECLOSE-UPCLOSE-UPcaptures ahumansubject's facefrom aboutmid-chestINSERTSHOTcaptures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.EXTREMELONGSHOTtwo similarlyframed butreverse shotsare cut togetherto connect thecharacters.SINGLECOWBOYSHOTthe subject'shead andface take upmost of theframeshows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.additional detailsto enhance thestory but notdirectly related tothe main action inthe scene.frames thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.free!free!Free!shows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe charactefree!OVER THESHOULDERThis shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.CUTAWAYSHOTTWO-SHOThows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.

shot coverage - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. This shot allows the audience to focus solely on one character.
  2. where the subject fills most of the frame (top to bottom) from head to toe, filling most of the frame.
  3. free!
  4. SHOT REVERSE SHOT
  5. close-ups/extreme close-ups that emphasize a particular object inside a scene that is crucial to the story.
  6. MEDIUM SHOT
  7. MEDIUM CLOSE-UP
  8. FULL SHOT
  9. captures the subjects from the waist up and includes some surrounding areas within the setting while still being close enough to capture the character's emotions.
  10. REACTION SHOT
  11. shows a character from behind the shoulder of another character.
  12. WIDE SHOT
  13. POINT OF VIEW
  14. EXTREME CLOSE-UP
  15. CLOSE-UP
  16. captures a human subject's face from about mid-chest
  17. INSERT SHOT
  18. captures the human subject's entire body along with room to see the location or place of the scene.
  19. EXTREME LONG SHOT
  20. two similarly framed but reverse shots are cut together to connect the characters.
  21. SINGLE
  22. COWBOY SHOT
  23. the subject's head and face take up most of the frame
  24. shows a vast amount of the scene's location while making the characters appear small, if visible, in the space.
  25. additional details to enhance the story but not directly related to the main action in the scene.
  26. frames the character mid-thigh to allow the audience to see the character's gun holster within the shot.
  27. free!
  28. free!
  29. Free!
  30. shows what a character is looking at, making the audience feel like they are watching the action directly through the eyes of the characte
  31. free!
  32. OVER THE SHOULDER
  33. This shot lets you see the orientation, meaning where they stand, and the interaction between the two characters.
  34. CUTAWAY SHOT
  35. TWO-SHOT
  36. hows a character's reaction to someone or something that occurred in the previous shot.