This shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.MEDIUMSHOTSINGLEfree!POINTOFVIEWOVER THESHOULDERshows acharacter frombehind theshoulder ofanothercharacter.COWBOYSHOTtwo similarlyframed butreverse shotsare cut togetherto connect thecharacters.hows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.free!INSERTSHOTfree!where the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.This shotallows theaudience tofocus solely onone character.shows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.free!WIDESHOTCUTAWAYSHOTEXTREMELONGSHOTshows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe characteTWO-SHOTcaptures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.captures ahumansubject's facefrom aboutmid-chestCLOSE-UPMEDIUMCLOSE-UPadditional detailsto enhance thestory but notdirectly related tothe main action inthe scene.REACTIONSHOTframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.SHOTREVERSESHOTcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.close-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.EXTREMECLOSE-UPFree!FULLSHOTthe subject'shead andface take upmost of theframeThis shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.MEDIUMSHOTSINGLEfree!POINTOFVIEWOVER THESHOULDERshows acharacter frombehind theshoulder ofanothercharacter.COWBOYSHOTtwo similarlyframed butreverse shotsare cut togetherto connect thecharacters.hows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.free!INSERTSHOTfree!where the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.This shotallows theaudience tofocus solely onone character.shows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.free!WIDESHOTCUTAWAYSHOTEXTREMELONGSHOTshows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe characteTWO-SHOTcaptures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.captures ahumansubject's facefrom aboutmid-chestCLOSE-UPMEDIUMCLOSE-UPadditional detailsto enhance thestory but notdirectly related tothe main action inthe scene.REACTIONSHOTframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.SHOTREVERSESHOTcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.close-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.EXTREMECLOSE-UPFree!FULLSHOTthe subject'shead andface take upmost of theframe

shot coverage - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. This shot lets you see the orientation, meaning where they stand, and the interaction between the two characters.
  2. MEDIUM SHOT
  3. SINGLE
  4. free!
  5. POINT OF VIEW
  6. OVER THE SHOULDER
  7. shows a character from behind the shoulder of another character.
  8. COWBOY SHOT
  9. two similarly framed but reverse shots are cut together to connect the characters.
  10. hows a character's reaction to someone or something that occurred in the previous shot.
  11. free!
  12. INSERT SHOT
  13. free!
  14. where the subject fills most of the frame (top to bottom) from head to toe, filling most of the frame.
  15. This shot allows the audience to focus solely on one character.
  16. shows a vast amount of the scene's location while making the characters appear small, if visible, in the space.
  17. free!
  18. WIDE SHOT
  19. CUTAWAY SHOT
  20. EXTREME LONG SHOT
  21. shows what a character is looking at, making the audience feel like they are watching the action directly through the eyes of the characte
  22. TWO-SHOT
  23. captures the human subject's entire body along with room to see the location or place of the scene.
  24. captures a human subject's face from about mid-chest
  25. CLOSE-UP
  26. MEDIUM CLOSE-UP
  27. additional details to enhance the story but not directly related to the main action in the scene.
  28. REACTION SHOT
  29. frames the character mid-thigh to allow the audience to see the character's gun holster within the shot.
  30. SHOT REVERSE SHOT
  31. captures the subjects from the waist up and includes some surrounding areas within the setting while still being close enough to capture the character's emotions.
  32. close-ups/extreme close-ups that emphasize a particular object inside a scene that is crucial to the story.
  33. EXTREME CLOSE-UP
  34. Free!
  35. FULL SHOT
  36. the subject's head and face take up most of the frame