shows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.captures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.MEDIUMCLOSE-UPhows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.CUTAWAYSHOTthe subject'shead andface take upmost of theframefree!Free!OVER THESHOULDERPOINTOFVIEWclose-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.shows acharacter frombehind theshoulder ofanothercharacter.captures ahumansubject's facefrom aboutmid-chestSINGLECLOSE-UPWIDESHOTThis shotallows theaudience tofocus solely onone character.two similarlyframed butreverse shotsare cut togetherto connect thecharacters.free!where the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.additional detailsto enhance thestory but notdirectly related tothe main action inthe scene.FULLSHOTfree!TWO-SHOTshows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe characteREACTIONSHOTEXTREMECLOSE-UPframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.INSERTSHOTcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.free!SHOTREVERSESHOTMEDIUMSHOTEXTREMELONGSHOTCOWBOYSHOTThis shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.shows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.captures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.MEDIUMCLOSE-UPhows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.CUTAWAYSHOTthe subject'shead andface take upmost of theframefree!Free!OVER THESHOULDERPOINTOFVIEWclose-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.shows acharacter frombehind theshoulder ofanothercharacter.captures ahumansubject's facefrom aboutmid-chestSINGLECLOSE-UPWIDESHOTThis shotallows theaudience tofocus solely onone character.two similarlyframed butreverse shotsare cut togetherto connect thecharacters.free!where the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.additional detailsto enhance thestory but notdirectly related tothe main action inthe scene.FULLSHOTfree!TWO-SHOTshows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe characteREACTIONSHOTEXTREMECLOSE-UPframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.INSERTSHOTcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.free!SHOTREVERSESHOTMEDIUMSHOTEXTREMELONGSHOTCOWBOYSHOTThis shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.

shot coverage - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. shows a vast amount of the scene's location while making the characters appear small, if visible, in the space.
  2. captures the human subject's entire body along with room to see the location or place of the scene.
  3. MEDIUM CLOSE-UP
  4. hows a character's reaction to someone or something that occurred in the previous shot.
  5. CUTAWAY SHOT
  6. the subject's head and face take up most of the frame
  7. free!
  8. Free!
  9. OVER THE SHOULDER
  10. POINT OF VIEW
  11. close-ups/extreme close-ups that emphasize a particular object inside a scene that is crucial to the story.
  12. shows a character from behind the shoulder of another character.
  13. captures a human subject's face from about mid-chest
  14. SINGLE
  15. CLOSE-UP
  16. WIDE SHOT
  17. This shot allows the audience to focus solely on one character.
  18. two similarly framed but reverse shots are cut together to connect the characters.
  19. free!
  20. where the subject fills most of the frame (top to bottom) from head to toe, filling most of the frame.
  21. additional details to enhance the story but not directly related to the main action in the scene.
  22. FULL SHOT
  23. free!
  24. TWO-SHOT
  25. shows what a character is looking at, making the audience feel like they are watching the action directly through the eyes of the characte
  26. REACTION SHOT
  27. EXTREME CLOSE-UP
  28. frames the character mid-thigh to allow the audience to see the character's gun holster within the shot.
  29. INSERT SHOT
  30. captures the subjects from the waist up and includes some surrounding areas within the setting while still being close enough to capture the character's emotions.
  31. free!
  32. SHOT REVERSE SHOT
  33. MEDIUM SHOT
  34. EXTREME LONG SHOT
  35. COWBOY SHOT
  36. This shot lets you see the orientation, meaning where they stand, and the interaction between the two characters.