CLOSE-UPcaptures ahumansubject's facefrom aboutmid-chesttwo similarlyframed butreverse shotsare cut togetherto connect thecharacters.captures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.CUTAWAYSHOTcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.shows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.free!close-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.OVER THESHOULDERFULLSHOTwhere the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.WIDESHOTINSERTSHOTSHOTREVERSESHOTMEDIUMSHOTSINGLEPOINTOFVIEWhows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.EXTREMELONGSHOTshows acharacter frombehind theshoulder ofanothercharacter.This shotallows theaudience tofocus solely onone character.REACTIONSHOTThis shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.COWBOYSHOTFree!TWO-SHOTframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.MEDIUMCLOSE-UPfree!free!the subject'shead andface take upmost of theframeshows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe characteEXTREMECLOSE-UPfree!additional detailsto enhance thestory but notdirectly related tothe main action inthe scene.CLOSE-UPcaptures ahumansubject's facefrom aboutmid-chesttwo similarlyframed butreverse shotsare cut togetherto connect thecharacters.captures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.CUTAWAYSHOTcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.shows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.free!close-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.OVER THESHOULDERFULLSHOTwhere the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.WIDESHOTINSERTSHOTSHOTREVERSESHOTMEDIUMSHOTSINGLEPOINTOFVIEWhows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.EXTREMELONGSHOTshows acharacter frombehind theshoulder ofanothercharacter.This shotallows theaudience tofocus solely onone character.REACTIONSHOTThis shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.COWBOYSHOTFree!TWO-SHOTframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.MEDIUMCLOSE-UPfree!free!the subject'shead andface take upmost of theframeshows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe characteEXTREMECLOSE-UPfree!additional detailsto enhance thestory but notdirectly related tothe main action inthe scene.

shot coverage - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
  1. CLOSE-UP
  2. captures a human subject's face from about mid-chest
  3. two similarly framed but reverse shots are cut together to connect the characters.
  4. captures the human subject's entire body along with room to see the location or place of the scene.
  5. CUTAWAY SHOT
  6. captures the subjects from the waist up and includes some surrounding areas within the setting while still being close enough to capture the character's emotions.
  7. shows a vast amount of the scene's location while making the characters appear small, if visible, in the space.
  8. free!
  9. close-ups/extreme close-ups that emphasize a particular object inside a scene that is crucial to the story.
  10. OVER THE SHOULDER
  11. FULL SHOT
  12. where the subject fills most of the frame (top to bottom) from head to toe, filling most of the frame.
  13. WIDE SHOT
  14. INSERT SHOT
  15. SHOT REVERSE SHOT
  16. MEDIUM SHOT
  17. SINGLE
  18. POINT OF VIEW
  19. hows a character's reaction to someone or something that occurred in the previous shot.
  20. EXTREME LONG SHOT
  21. shows a character from behind the shoulder of another character.
  22. This shot allows the audience to focus solely on one character.
  23. REACTION SHOT
  24. This shot lets you see the orientation, meaning where they stand, and the interaction between the two characters.
  25. COWBOY SHOT
  26. Free!
  27. TWO-SHOT
  28. frames the character mid-thigh to allow the audience to see the character's gun holster within the shot.
  29. MEDIUM CLOSE-UP
  30. free!
  31. free!
  32. the subject's head and face take up most of the frame
  33. shows what a character is looking at, making the audience feel like they are watching the action directly through the eyes of the characte
  34. EXTREME CLOSE-UP
  35. free!
  36. additional details to enhance the story but not directly related to the main action in the scene.