captures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.Free!CLOSE-UPCUTAWAYSHOTWIDESHOTThis shotallows theaudience tofocus solely onone character.COWBOYSHOTSHOTREVERSESHOTINSERTSHOTfree!This shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.free!captures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.shows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe charactefree!where the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.hows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.two similarlyframed butreverse shotsare cut togetherto connect thecharacters.POINTOFVIEWshows acharacter frombehind theshoulder ofanothercharacter.free!additional detailsto enhance thestory but notdirectly related tothe main action inthe scene.FULLSHOTthe subject'shead andface take upmost of theframeframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.SINGLEOVER THESHOULDEREXTREMECLOSE-UPcaptures ahumansubject's facefrom aboutmid-chestshows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.TWO-SHOTclose-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.EXTREMELONGSHOTREACTIONSHOTMEDIUMSHOTMEDIUMCLOSE-UPcaptures the subjectsfrom the waist up andincludes somesurrounding areaswithin the setting whilestill being closeenough to capture thecharacter's emotions.Free!CLOSE-UPCUTAWAYSHOTWIDESHOTThis shotallows theaudience tofocus solely onone character.COWBOYSHOTSHOTREVERSESHOTINSERTSHOTfree!This shot lets yousee the orientation,meaning wherethey stand, and theinteraction betweenthe two characters.free!captures thehuman subject'sentire body alongwith room to seethe location orplace of the scene.shows what acharacter is lookingat, making theaudience feel likethey are watching theaction directlythrough the eyes ofthe charactefree!where the subjectfills most of theframe (top tobottom) from headto toe, filling mostof the frame.hows a character'sreaction tosomeone orsomething thatoccurred in theprevious shot.two similarlyframed butreverse shotsare cut togetherto connect thecharacters.POINTOFVIEWshows acharacter frombehind theshoulder ofanothercharacter.free!additional detailsto enhance thestory but notdirectly related tothe main action inthe scene.FULLSHOTthe subject'shead andface take upmost of theframeframes thecharacter mid-thigh to allow theaudience to seethe character'sgun holster withinthe shot.SINGLEOVER THESHOULDEREXTREMECLOSE-UPcaptures ahumansubject's facefrom aboutmid-chestshows a vastamount of thescene's locationwhile making thecharacters appearsmall, if visible, inthe space.TWO-SHOTclose-ups/extremeclose-ups thatemphasize aparticular objectinside a scene thatis crucial to thestory.EXTREMELONGSHOTREACTIONSHOTMEDIUMSHOTMEDIUMCLOSE-UP

shot coverage - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. captures the subjects from the waist up and includes some surrounding areas within the setting while still being close enough to capture the character's emotions.
  2. Free!
  3. CLOSE-UP
  4. CUTAWAY SHOT
  5. WIDE SHOT
  6. This shot allows the audience to focus solely on one character.
  7. COWBOY SHOT
  8. SHOT REVERSE SHOT
  9. INSERT SHOT
  10. free!
  11. This shot lets you see the orientation, meaning where they stand, and the interaction between the two characters.
  12. free!
  13. captures the human subject's entire body along with room to see the location or place of the scene.
  14. shows what a character is looking at, making the audience feel like they are watching the action directly through the eyes of the characte
  15. free!
  16. where the subject fills most of the frame (top to bottom) from head to toe, filling most of the frame.
  17. hows a character's reaction to someone or something that occurred in the previous shot.
  18. two similarly framed but reverse shots are cut together to connect the characters.
  19. POINT OF VIEW
  20. shows a character from behind the shoulder of another character.
  21. free!
  22. additional details to enhance the story but not directly related to the main action in the scene.
  23. FULL SHOT
  24. the subject's head and face take up most of the frame
  25. frames the character mid-thigh to allow the audience to see the character's gun holster within the shot.
  26. SINGLE
  27. OVER THE SHOULDER
  28. EXTREME CLOSE-UP
  29. captures a human subject's face from about mid-chest
  30. shows a vast amount of the scene's location while making the characters appear small, if visible, in the space.
  31. TWO-SHOT
  32. close-ups/extreme close-ups that emphasize a particular object inside a scene that is crucial to the story.
  33. EXTREME LONG SHOT
  34. REACTION SHOT
  35. MEDIUM SHOT
  36. MEDIUM CLOSE-UP