The women are compared to a “crystal chandelier.” “No one in his right mind, the Good Lord knows, would have children!” Faber calls Montag a fool. “Poetry and tears, poetry and suicide and crying and awful feelings, poetry and sickness!’ The women storm out of the house. One woman says she’s not worried about war. The parlor walls are like “pale brows of sleeping giants.” Mrs. Bowles says she only sees her kids a few days a month. The women are shocked to see the book. “You’re nasty, Mr. Montag, you’re nasty!” The parlor walls are compared to a volcano. Montag throws the book into the incinerator. “Quick war. Forty- eight hours they said.” The women talk about politics and voting. Montag hides books in the bushes in his backyard. The women complain that the walls are off. “It’s always someone else’s husband dies.” “Let old Pete do the worrying.” “Children are ruinous!” Faber warns Montag to be careful. Mildred tries to cover for Montag. Faber scolds Montag through the earpiece. Montag turns off the parlor walls. Someone mentions her husband was called to war. The women are compared to a “crystal chandelier.” “No one in his right mind, the Good Lord knows, would have children!” Faber calls Montag a fool. “Poetry and tears, poetry and suicide and crying and awful feelings, poetry and sickness!’ The women storm out of the house. One woman says she’s not worried about war. The parlor walls are like “pale brows of sleeping giants.” Mrs. Bowles says she only sees her kids a few days a month. The women are shocked to see the book. “You’re nasty, Mr. Montag, you’re nasty!” The parlor walls are compared to a volcano. Montag throws the book into the incinerator. “Quick war. Forty- eight hours they said.” The women talk about politics and voting. Montag hides books in the bushes in his backyard. The women complain that the walls are off. “It’s always someone else’s husband dies.” “Let old Pete do the worrying.” “Children are ruinous!” Faber warns Montag to be careful. Mildred tries to cover for Montag. Faber scolds Montag through the earpiece. Montag turns off the parlor walls. Someone mentions her husband was called to war.
(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
The women are compared to a “crystal chandelier.”
“No one in his right mind, the Good Lord knows, would have children!”
Faber calls Montag a fool.
“Poetry and tears, poetry and suicide and crying and awful feelings, poetry and sickness!’
The women storm out of the house.
One woman says she’s not worried about war.
The parlor walls are like “pale brows of sleeping giants.”
Mrs. Bowles says she only sees her kids a few days a month.
The women are shocked to see the book.
“You’re nasty, Mr. Montag, you’re nasty!”
The parlor walls are compared to a volcano.
Montag throws the book into the incinerator.
“Quick war. Forty-eight hours they said.”
The women talk about politics and voting.
Montag hides books in the bushes in his backyard.
The women complain that the walls are off.
“It’s always someone else’s husband dies.”
“Let old Pete do the worrying.”
“Children are ruinous!”
Faber warns Montag to be careful.
Mildred tries to cover for Montag.
Faber scolds Montag through the earpiece.
Montag turns off the parlor walls.
Someone mentions her husband was called to war.