Actor forgetsa line andcovers it withhumorActor playsmore thanonecharacter ina sceneCross-GenderCastingBrecht -talksdirectly toaudienceActor usesa prop in anunintendedwaySomethinggoes wrong(on purposeor not)Adler -Exaggeratedvillain voiceor postureActorvoicesmultiplecharactersHagen -Actorswitchesrolls instantlyimprovisedline ormistakeOver the topShakespeareanemotionFast-paced wig/ propchangeBreakingthe FourthWallChekhov-like biggestureSpolin-styleimprovenergySlapstickorPhysicalComedyExaggerateddeath sceneMeisner:moment ofreactiontruthfully topartnerPracticalAesthetics –Actor statesclear, playableobjectivesStanislavskimoment ofrealemotionAdler -ExaggeratedfacialexpressionsMeisner:use ofrepetitionActor“Steps into”then “out of”characterAudienceInteractionActor forgetsa line andcovers it withhumorActor playsmore thanonecharacter ina sceneCross-GenderCastingBrecht -talksdirectly toaudienceActor usesa prop in anunintendedwaySomethinggoes wrong(on purposeor not)Adler -Exaggeratedvillain voiceor postureActorvoicesmultiplecharactersHagen -Actorswitchesrolls instantlyimprovisedline ormistakeOver the topShakespeareanemotionFast-paced wig/ propchangeBreakingthe FourthWallChekhov-like biggestureSpolin-styleimprovenergySlapstickorPhysicalComedyExaggerateddeath sceneMeisner:moment ofreactiontruthfully topartnerPracticalAesthetics –Actor statesclear, playableobjectivesStanislavskimoment ofrealemotionAdler -ExaggeratedfacialexpressionsMeisner:use ofrepetitionActor“Steps into”then “out of”characterAudienceInteraction

Acting Techniques in The Complete Works of William Shakespeare (Abridged) - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
  1. Actor forgets a line and covers it with humor
  2. Actor plays more than one character in a scene
  3. Cross-Gender Casting
  4. Brecht - talks directly to audience
  5. Actor uses a prop in an unintended way
  6. Something goes wrong (on purpose or not)
  7. Adler - Exaggerated villain voice or posture
  8. Actor voices multiple characters
  9. Hagen - Actor switches rolls instantly
  10. improvised line or mistake
  11. Over the top Shakespearean emotion
  12. Fast-paced wig / prop change
  13. Breaking the Fourth Wall
  14. Chekhov-like big gesture
  15. Spolin-style improv energy
  16. Slapstick or Physical Comedy
  17. Exaggerated death scene
  18. Meisner: moment of reaction truthfully to partner
  19. Practical Aesthetics – Actor states clear, playable objectives
  20. Stanislavski moment of real emotion
  21. Adler - Exaggerated facial expressions
  22. Meisner: use of repetition
  23. Actor “Steps into” then “out of” character
  24. Audience Interaction