This bingo card has a free space and 45 words: text is merely a component, fragmentary and partial, abandons itself to chance/risk, trusts individual impulses, microstructures of text, theatre of states and scenically dynamic formations, makes ceremonial aspect of theatre important for its own sake, replacement of action with ceremony, theatre of the voice (reverberation of the past), drama, emptiness, in-betweenness are protagonists, dialogue takes place between sound and space, phenomenon over narrative, a time of the gaze, human beings become gestic sculptures, post-anthropocentric, open and fragmenting perception, heterogenous, individual imaginations, resembles structures of dreams, non-hierarchical elements, more presence than representation, more shared than communicated experience, more process than product, more manifestation than signification, more energetic impulse than information, simultaneity, aims at synaesthesia, density of signs—or not (thereby activating imagination), plethora, overabundance, hypernaturalism—theatre of props, musicalization = sound is a new language in the theatre?, visual dramaturgy through scenography, coldness of characters, shocking physicality, theatre of perceptibility (we start seeing seeing), irruption of the real—not knowing whether something is real or not, no aesthetic distance (we are part of a common situation), an event (feast, debate, public action, political manifestation), social situation for all participants: what you experience depends on all, overlap between theatre and performance art, a theatre of the present, not intermediary but continuous point of presentness, body’s presence over logos, theatre becomes chora-graphy, rupture of meaning between being and meaning, polyglossia, reminders of reading/speaking a text = unnatural and not an I that speaks but an it through a complex machinized composition/agencement.
Postdramatic Bingo | Postdramatic Bingo | Comprehension Theories | December: Miscellaneous Review | BICS & CALP BINGO
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