post-anthropocentricrupture ofmeaningbetweenbeing andmeaningan event(feast, debate,public action,politicalmanifestation)non-hierarchicalelementsmoremanifestationthansignificationhumanbeingsbecomegesticsculpturesfragmentaryand partiala timeof thegazesocial situationfor allparticipants:what youexperiencedepends on alldialoguetakes placebetweensound andspaceabandonsitself tochance/riskmore sharedthancommunicatedexperiencereminders ofreading/speakinga text = unnaturala theatre of thepresent, notintermediarybut continuouspoint ofpresentnessdensity ofsigns—ornot (therebyactivatingimagination)plethora,overabundance,hypernaturalism—theatre ofpropstheatre of thevoice(reverberationof the past)simultaneitymakesceremonialaspect oftheatreimportant for itsown sakepolyglossiaaims atsynaesthesiairruption of thereal—notknowingwhethersomething isreal or notreplacementof actionwithceremonydrama,emptiness, in-betweennessareprotagonistsbody’spresenceover logosvisualdramaturgythroughscenographyshockingphysicalitymorepresence thanrepresentationheterogenous,individualimaginationsopen andfragmentingperceptionmusicalization= sound is anew languagein the theatre?no aestheticdistance (weare part of acommonsituation)moreenergeticimpulse thaninformationtheatre ofstates andscenicallydynamicformationsoverlapbetweentheatre andperformanceartnot an I that speaks butan it through a complexmachinizedcomposition/agencementtheatrebecomeschora-graphymicrostructuresof texttext ismerely acomponentphenomenonovernarrativetrustsindividualimpulsesresemblesstructuresof dreamsmoreprocessthanproductcoldnessofcharacterstheatre ofperceptibility(we startseeingseeing)post-anthropocentricrupture ofmeaningbetweenbeing andmeaningan event(feast, debate,public action,politicalmanifestation)non-hierarchicalelementsmoremanifestationthansignificationhumanbeingsbecomegesticsculpturesfragmentaryand partiala timeof thegazesocial situationfor allparticipants:what youexperiencedepends on alldialoguetakes placebetweensound andspaceabandonsitself tochance/riskmore sharedthancommunicatedexperiencereminders ofreading/speakinga text = unnaturala theatre of thepresent, notintermediarybut continuouspoint ofpresentnessdensity ofsigns—ornot (therebyactivatingimagination)plethora,overabundance,hypernaturalism—theatre ofpropstheatre of thevoice(reverberationof the past)simultaneitymakesceremonialaspect oftheatreimportant for itsown sakepolyglossiaaims atsynaesthesiairruption of thereal—notknowingwhethersomething isreal or notreplacementof actionwithceremonydrama,emptiness, in-betweennessareprotagonistsbody’spresenceover logosvisualdramaturgythroughscenographyshockingphysicalitymorepresence thanrepresentationheterogenous,individualimaginationsopen andfragmentingperceptionmusicalization= sound is anew languagein the theatre?no aestheticdistance (weare part of acommonsituation)moreenergeticimpulse thaninformationtheatre ofstates andscenicallydynamicformationsoverlapbetweentheatre andperformanceartnot an I that speaks butan it through a complexmachinizedcomposition/agencementtheatrebecomeschora-graphymicrostructuresof texttext ismerely acomponentphenomenonovernarrativetrustsindividualimpulsesresemblesstructuresof dreamsmoreprocessthanproductcoldnessofcharacterstheatre ofperceptibility(we startseeingseeing)

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. post-anthropocentric
  2. rupture of meaning between being and meaning
  3. an event (feast, debate, public action, political manifestation)
  4. non-hierarchical elements
  5. more manifestation than signification
  6. human beings become gestic sculptures
  7. fragmentary and partial
  8. a time of the gaze
  9. social situation for all participants: what you experience depends on all
  10. dialogue takes place between sound and space
  11. abandons itself to chance/risk
  12. more shared than communicated experience
  13. reminders of reading/speaking a text = unnatural
  14. a theatre of the present, not intermediary but continuous point of presentness
  15. density of signs—or not (thereby activating imagination)
  16. plethora, overabundance, hypernaturalism—theatre of props
  17. theatre of the voice (reverberation of the past)
  18. simultaneity
  19. makes ceremonial aspect of theatre important for its own sake
  20. polyglossia
  21. aims at synaesthesia
  22. irruption of the real—not knowing whether something is real or not
  23. replacement of action with ceremony
  24. drama, emptiness, in-betweenness are protagonists
  25. body’s presence over logos
  26. visual dramaturgy through scenography
  27. shocking physicality
  28. more presence than representation
  29. heterogenous, individual imaginations
  30. open and fragmenting perception
  31. musicalization = sound is a new language in the theatre?
  32. no aesthetic distance (we are part of a common situation)
  33. more energetic impulse than information
  34. theatre of states and scenically dynamic formations
  35. overlap between theatre and performance art
  36. not an I that speaks but an it through a complex machinized composition/agencement
  37. theatre becomes chora-graphy
  38. microstructures of text
  39. text is merely a component
  40. phenomenon over narrative
  41. trusts individual impulses
  42. resembles structures of dreams
  43. more process than product
  44. coldness of characters
  45. theatre of perceptibility (we start seeing seeing)