coldnessofcharacterssimultaneityplethora,overabundance,hypernaturalism—theatre ofpropsdrama,emptiness, in-betweennessareprotagonistsnon-hierarchicalelementsdialoguetakes placebetweensound andspacetext ismerely acomponentrupture ofmeaningbetweenbeing andmeaningvisualdramaturgythroughscenographymoremanifestationthansignificationopen andfragmentingperceptionpost-anthropocentrictheatre ofperceptibility(we startseeingseeing)density ofsigns—ornot (therebyactivatingimagination)resemblesstructuresof dreamssocial situationfor allparticipants:what youexperiencedepends on allan event(feast, debate,public action,politicalmanifestation)moreenergeticimpulse thaninformationmore sharedthancommunicatedexperienceheterogenous,individualimaginationsmoreprocessthanproductreminders ofreading/speakinga text = unnaturaltrustsindividualimpulsesmicrostructuresof textbody’spresenceover logosnot an I that speaks butan it through a complexmachinizedcomposition/agencementshockingphysicalitytheatrebecomeschora-graphyhumanbeingsbecomegesticsculpturesmakesceremonialaspect oftheatreimportant for itsown saketheatre ofstates andscenicallydynamicformationsmorepresence thanrepresentationphenomenonovernarrativefragmentaryand partialaims atsynaesthesiatheatre of thevoice(reverberationof the past)a timeof thegazeirruption of thereal—notknowingwhethersomething isreal or notreplacementof actionwithceremonyabandonsitself tochance/riskmusicalization= sound is anew languagein the theatre?overlapbetweentheatre andperformanceartpolyglossiano aestheticdistance (weare part of acommonsituation)a theatre of thepresent, notintermediarybut continuouspoint ofpresentnesscoldnessofcharacterssimultaneityplethora,overabundance,hypernaturalism—theatre ofpropsdrama,emptiness, in-betweennessareprotagonistsnon-hierarchicalelementsdialoguetakes placebetweensound andspacetext ismerely acomponentrupture ofmeaningbetweenbeing andmeaningvisualdramaturgythroughscenographymoremanifestationthansignificationopen andfragmentingperceptionpost-anthropocentrictheatre ofperceptibility(we startseeingseeing)density ofsigns—ornot (therebyactivatingimagination)resemblesstructuresof dreamssocial situationfor allparticipants:what youexperiencedepends on allan event(feast, debate,public action,politicalmanifestation)moreenergeticimpulse thaninformationmore sharedthancommunicatedexperienceheterogenous,individualimaginationsmoreprocessthanproductreminders ofreading/speakinga text = unnaturaltrustsindividualimpulsesmicrostructuresof textbody’spresenceover logosnot an I that speaks butan it through a complexmachinizedcomposition/agencementshockingphysicalitytheatrebecomeschora-graphyhumanbeingsbecomegesticsculpturesmakesceremonialaspect oftheatreimportant for itsown saketheatre ofstates andscenicallydynamicformationsmorepresence thanrepresentationphenomenonovernarrativefragmentaryand partialaims atsynaesthesiatheatre of thevoice(reverberationof the past)a timeof thegazeirruption of thereal—notknowingwhethersomething isreal or notreplacementof actionwithceremonyabandonsitself tochance/riskmusicalization= sound is anew languagein the theatre?overlapbetweentheatre andperformanceartpolyglossiano aestheticdistance (weare part of acommonsituation)a theatre of thepresent, notintermediarybut continuouspoint ofpresentness

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
  1. coldness of characters
  2. simultaneity
  3. plethora, overabundance, hypernaturalism—theatre of props
  4. drama, emptiness, in-betweenness are protagonists
  5. non-hierarchical elements
  6. dialogue takes place between sound and space
  7. text is merely a component
  8. rupture of meaning between being and meaning
  9. visual dramaturgy through scenography
  10. more manifestation than signification
  11. open and fragmenting perception
  12. post-anthropocentric
  13. theatre of perceptibility (we start seeing seeing)
  14. density of signs—or not (thereby activating imagination)
  15. resembles structures of dreams
  16. social situation for all participants: what you experience depends on all
  17. an event (feast, debate, public action, political manifestation)
  18. more energetic impulse than information
  19. more shared than communicated experience
  20. heterogenous, individual imaginations
  21. more process than product
  22. reminders of reading/speaking a text = unnatural
  23. trusts individual impulses
  24. microstructures of text
  25. body’s presence over logos
  26. not an I that speaks but an it through a complex machinized composition/agencement
  27. shocking physicality
  28. theatre becomes chora-graphy
  29. human beings become gestic sculptures
  30. makes ceremonial aspect of theatre important for its own sake
  31. theatre of states and scenically dynamic formations
  32. more presence than representation
  33. phenomenon over narrative
  34. fragmentary and partial
  35. aims at synaesthesia
  36. theatre of the voice (reverberation of the past)
  37. a time of the gaze
  38. irruption of the real—not knowing whether something is real or not
  39. replacement of action with ceremony
  40. abandons itself to chance/risk
  41. musicalization = sound is a new language in the theatre?
  42. overlap between theatre and performance art
  43. polyglossia
  44. no aesthetic distance (we are part of a common situation)
  45. a theatre of the present, not intermediary but continuous point of presentness