a theatre of thepresent, notintermediarybut continuouspoint ofpresentnessmoreenergeticimpulse thaninformationmoremanifestationthansignificationmicrostructuresof textaims atsynaesthesianon-hierarchicalelementspost-anthropocentricresemblesstructuresof dreamscoldnessofcharactersfragmentaryand partialsocial situationfor allparticipants:what youexperiencedepends on allshockingphysicalitymakesceremonialaspect oftheatreimportant for itsown sakemusicalization= sound is anew languagein the theatre?theatre of thevoice(reverberationof the past)no aestheticdistance (weare part of acommonsituation)an event(feast, debate,public action,politicalmanifestation)moreprocessthanproductreminders ofreading/speakinga text = unnaturalabandonsitself tochance/riskbody’spresenceover logossimultaneitypolyglossiamorepresence thanrepresentationopen andfragmentingperceptionmore sharedthancommunicatedexperiencerupture ofmeaningbetweenbeing andmeaningtheatre ofstates andscenicallydynamicformationsirruption of thereal—notknowingwhethersomething isreal or notphenomenonovernarrativeoverlapbetweentheatre andperformanceartdialoguetakes placebetweensound andspacedensity ofsigns—ornot (therebyactivatingimagination)a timeof thegazetheatre ofperceptibility(we startseeingseeing)plethora,overabundance,hypernaturalism—theatre ofpropstheatrebecomeschora-graphyreplacementof actionwithceremonynot an I that speaks butan it through a complexmachinizedcomposition/agencementdrama,emptiness, in-betweennessareprotagonistshumanbeingsbecomegesticsculpturestext ismerely acomponenttrustsindividualimpulsesheterogenous,individualimaginationsvisualdramaturgythroughscenographya theatre of thepresent, notintermediarybut continuouspoint ofpresentnessmoreenergeticimpulse thaninformationmoremanifestationthansignificationmicrostructuresof textaims atsynaesthesianon-hierarchicalelementspost-anthropocentricresemblesstructuresof dreamscoldnessofcharactersfragmentaryand partialsocial situationfor allparticipants:what youexperiencedepends on allshockingphysicalitymakesceremonialaspect oftheatreimportant for itsown sakemusicalization= sound is anew languagein the theatre?theatre of thevoice(reverberationof the past)no aestheticdistance (weare part of acommonsituation)an event(feast, debate,public action,politicalmanifestation)moreprocessthanproductreminders ofreading/speakinga text = unnaturalabandonsitself tochance/riskbody’spresenceover logossimultaneitypolyglossiamorepresence thanrepresentationopen andfragmentingperceptionmore sharedthancommunicatedexperiencerupture ofmeaningbetweenbeing andmeaningtheatre ofstates andscenicallydynamicformationsirruption of thereal—notknowingwhethersomething isreal or notphenomenonovernarrativeoverlapbetweentheatre andperformanceartdialoguetakes placebetweensound andspacedensity ofsigns—ornot (therebyactivatingimagination)a timeof thegazetheatre ofperceptibility(we startseeingseeing)plethora,overabundance,hypernaturalism—theatre ofpropstheatrebecomeschora-graphyreplacementof actionwithceremonynot an I that speaks butan it through a complexmachinizedcomposition/agencementdrama,emptiness, in-betweennessareprotagonistshumanbeingsbecomegesticsculpturestext ismerely acomponenttrustsindividualimpulsesheterogenous,individualimaginationsvisualdramaturgythroughscenography

Postdramatic Bingo - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. a theatre of the present, not intermediary but continuous point of presentness
  2. more energetic impulse than information
  3. more manifestation than signification
  4. microstructures of text
  5. aims at synaesthesia
  6. non-hierarchical elements
  7. post-anthropocentric
  8. resembles structures of dreams
  9. coldness of characters
  10. fragmentary and partial
  11. social situation for all participants: what you experience depends on all
  12. shocking physicality
  13. makes ceremonial aspect of theatre important for its own sake
  14. musicalization = sound is a new language in the theatre?
  15. theatre of the voice (reverberation of the past)
  16. no aesthetic distance (we are part of a common situation)
  17. an event (feast, debate, public action, political manifestation)
  18. more process than product
  19. reminders of reading/speaking a text = unnatural
  20. abandons itself to chance/risk
  21. body’s presence over logos
  22. simultaneity
  23. polyglossia
  24. more presence than representation
  25. open and fragmenting perception
  26. more shared than communicated experience
  27. rupture of meaning between being and meaning
  28. theatre of states and scenically dynamic formations
  29. irruption of the real—not knowing whether something is real or not
  30. phenomenon over narrative
  31. overlap between theatre and performance art
  32. dialogue takes place between sound and space
  33. density of signs—or not (thereby activating imagination)
  34. a time of the gaze
  35. theatre of perceptibility (we start seeing seeing)
  36. plethora, overabundance, hypernaturalism—theatre of props
  37. theatre becomes chora-graphy
  38. replacement of action with ceremony
  39. not an I that speaks but an it through a complex machinized composition/agencement
  40. drama, emptiness, in-betweenness are protagonists
  41. human beings become gestic sculptures
  42. text is merely a component
  43. trusts individual impulses
  44. heterogenous, individual imaginations
  45. visual dramaturgy through scenography