(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.
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polyglossia
more process than product
dialogue takes place between sound and space
resembles structures of dreams
microstructures of text
theatre of states and scenically dynamic formations
density of signs—or not (thereby activating imagination)
human beings become gestic sculptures
abandons itself to chance/risk
more manifestation than signification
aims at synaesthesia
theatre becomes chora-graphy
plethora, overabundance, hypernaturalism—theatre of props
reminders of reading/speaking a text = unnatural
a time of the gaze
more presence than representation
drama, emptiness, in-betweenness are protagonists
shocking physicality
no aesthetic distance (we are part of a common situation)
open and fragmenting perception
theatre of the voice (reverberation of the past)
non-hierarchical elements
trusts individual impulses
visual dramaturgy through scenography
not an I that speaks but an it through a complex machinized composition/agencement
social situation for all participants: what you experience depends on all
replacement of action with ceremony
heterogenous, individual imaginations
coldness of characters
an event (feast, debate, public action, political manifestation)
musicalization = sound is a new language in the theatre?
makes ceremonial aspect of theatre important for its own sake
overlap between theatre and performance art
post-anthropocentric
a theatre of the present, not intermediary but continuous point of presentness
irruption of the real—not knowing whether something is real or not
theatre of perceptibility (we start seeing seeing)
