This bingo card has a free space and 47 words: Breaking the Fourth Wall, Actor plays more than one character in a scene, Exaggerated death scene, improvised line or mistake, Fast-paced wig / prop change, Audience Interaction, Slapstick or Physical Comedy, Over the top Shakespearean emotion, Actor voices multiple characters, Cross-Gender Casting, Something goes wrong (on purpose or not), Actor “Steps into” then “out of” character, Actor uses a prop in an unintended way, Actor forgets a line and covers it with humor, Chekhov-like big gesture, Stanislavski moment of real emotion, Meisner moment of reaction truthfully to partner, Brecht - talks directly to audience, Spolin-style improv energy, Adler - Exaggerated facial expressions, Practical Aesthetics – Actor states clear, playable objectives, Adler - Exaggerated villain voice or posture, Hagen - Actor switches rolls instantly, Breaking the Fourth Wall, Actor plays more than one character in a scene, Exaggerated death scene, improvised line or mistake, Fast-paced wig / prop change, Audience Interaction, Slapstick or Physical Comedy, Over the top Shakespearean emotion, Actor voices multiple characters, Cross-Gender Casting, Something goes wrong (on purpose or not), Actor “Steps into” then “out of” character, Actor uses a prop in an unintended way, Actor forgets a line and covers it with humor, Chekhov-like big gesture, Stanislavski moment of real emotion, Meisner: moment of reaction truthfully to partner, Meisner: use of repetition, Brecht - talks directly to audience, Spolin-style improv energy, Adler - Exaggerated facial expressions, Practical Aesthetics – Actor states clear, playable objectives, Adler - Exaggerated villain voice or posture and Hagen - Actor switches rolls instantly.
⚠ This card has duplicate items: Breaking the Fourth Wall (2), Actor plays more than one character in a scene (2), Exaggerated death scene (2), improvised line or mistake (2), Fast-paced wig / prop change (2), Audience Interaction (2), Slapstick or Physical Comedy (2), Over the top Shakespearean emotion (2), Actor voices multiple characters (2), Cross-Gender Casting (2), Something goes wrong (on purpose or not) (2), Actor “Steps into” then “out of” character (2), Actor uses a prop in an unintended way (2), Actor forgets a line and covers it with humor (2), Chekhov-like big gesture (2), Stanislavski moment of real emotion (2), Brecht - talks directly to audience (2), Spolin-style improv energy (2), Adler - Exaggerated facial expressions (2), Practical Aesthetics – Actor states clear, playable objectives (2), Adler - Exaggerated villain voice or posture (2), Hagen - Actor switches rolls instantly (2)
Acting Techniques in The Complete Works of William Shakespeare (Abridged) | Student Showcase Bingo | 1984 BINGO | 2024-25 Macbeth Production | Dress Rehearsal
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