Exaggerateddeath sceneActorvoicesmultiplecharactersActor forgetsa line andcovers it withhumorSomethinggoes wrong(on purposeor not)Meisner:moment ofreactiontruthfully topartnerPracticalAesthetics –Actor statesclear, playableobjectivesSomethinggoes wrong(on purposeor not)Brecht -talksdirectly toaudienceAdler -Exaggeratedvillain voiceor postureSpolin-styleimprovenergyimprovisedline ormistakeActor playsmore thanonecharacter ina sceneOver the topShakespeareanemotionActor“Steps into”then “out of”characterStanislavskimoment ofrealemotionOver the topShakespeareanemotionChekhov-like biggestureMeisnermoment ofreactiontruthfully topartnerActor usesa prop in anunintendedwayBrecht -talksdirectly toaudienceActor usesa prop in anunintendedwayHagen -Actorswitchesrolls instantlyCross-GenderCastingimprovisedline ormistakeChekhov-like biggestureActor forgetsa line andcovers it withhumorBreakingthe FourthWallFast-paced wig/ propchangeSlapstickorPhysicalComedyMeisner:use ofrepetitionAdler -ExaggeratedfacialexpressionsHagen -Actorswitchesrolls instantlySpolin-styleimprovenergyActor playsmore thanonecharacter ina sceneSlapstickorPhysicalComedyAdler -ExaggeratedfacialexpressionsFast-paced wig/ propchangeStanislavskimoment ofrealemotionActor“Steps into”then “out of”characterExaggerateddeath sceneAudienceInteractionAudienceInteractionBreakingthe FourthWallActorvoicesmultiplecharactersCross-GenderCastingAdler -Exaggeratedvillain voiceor posturePracticalAesthetics –Actor statesclear, playableobjectivesExaggerateddeath sceneActorvoicesmultiplecharactersActor forgetsa line andcovers it withhumorSomethinggoes wrong(on purposeor not)Meisner:moment ofreactiontruthfully topartnerPracticalAesthetics –Actor statesclear, playableobjectivesSomethinggoes wrong(on purposeor not)Brecht -talksdirectly toaudienceAdler -Exaggeratedvillain voiceor postureSpolin-styleimprovenergyimprovisedline ormistakeActor playsmore thanonecharacter ina sceneOver the topShakespeareanemotionActor“Steps into”then “out of”characterStanislavskimoment ofrealemotionOver the topShakespeareanemotionChekhov-like biggestureMeisnermoment ofreactiontruthfully topartnerActor usesa prop in anunintendedwayBrecht -talksdirectly toaudienceActor usesa prop in anunintendedwayHagen -Actorswitchesrolls instantlyCross-GenderCastingimprovisedline ormistakeChekhov-like biggestureActor forgetsa line andcovers it withhumorBreakingthe FourthWallFast-paced wig/ propchangeSlapstickorPhysicalComedyMeisner:use ofrepetitionAdler -ExaggeratedfacialexpressionsHagen -Actorswitchesrolls instantlySpolin-styleimprovenergyActor playsmore thanonecharacter ina sceneSlapstickorPhysicalComedyAdler -ExaggeratedfacialexpressionsFast-paced wig/ propchangeStanislavskimoment ofrealemotionActor“Steps into”then “out of”characterExaggerateddeath sceneAudienceInteractionAudienceInteractionBreakingthe FourthWallActorvoicesmultiplecharactersCross-GenderCastingAdler -Exaggeratedvillain voiceor posturePracticalAesthetics –Actor statesclear, playableobjectives

Acting Techniques in The Complete Works of William Shakespeare (Abridged) - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
  1. Exaggerated death scene
  2. Actor voices multiple characters
  3. Actor forgets a line and covers it with humor
  4. Something goes wrong (on purpose or not)
  5. Meisner: moment of reaction truthfully to partner
  6. Practical Aesthetics – Actor states clear, playable objectives
  7. Something goes wrong (on purpose or not)
  8. Brecht - talks directly to audience
  9. Adler - Exaggerated villain voice or posture
  10. Spolin-style improv energy
  11. improvised line or mistake
  12. Actor plays more than one character in a scene
  13. Over the top Shakespearean emotion
  14. Actor “Steps into” then “out of” character
  15. Stanislavski moment of real emotion
  16. Over the top Shakespearean emotion
  17. Chekhov-like big gesture
  18. Meisner moment of reaction truthfully to partner
  19. Actor uses a prop in an unintended way
  20. Brecht - talks directly to audience
  21. Actor uses a prop in an unintended way
  22. Hagen - Actor switches rolls instantly
  23. Cross-Gender Casting
  24. improvised line or mistake
  25. Chekhov-like big gesture
  26. Actor forgets a line and covers it with humor
  27. Breaking the Fourth Wall
  28. Fast-paced wig / prop change
  29. Slapstick or Physical Comedy
  30. Meisner: use of repetition
  31. Adler - Exaggerated facial expressions
  32. Hagen - Actor switches rolls instantly
  33. Spolin-style improv energy
  34. Actor plays more than one character in a scene
  35. Slapstick or Physical Comedy
  36. Adler - Exaggerated facial expressions
  37. Fast-paced wig / prop change
  38. Stanislavski moment of real emotion
  39. Actor “Steps into” then “out of” character
  40. Exaggerated death scene
  41. Audience Interaction
  42. Audience Interaction
  43. Breaking the Fourth Wall
  44. Actor voices multiple characters
  45. Cross-Gender Casting
  46. Adler - Exaggerated villain voice or posture
  47. Practical Aesthetics – Actor states clear, playable objectives