PracticalAesthetics –Actor statesclear, playableobjectivesActor playsmore thanonecharacter ina sceneStanislavskimoment ofrealemotionOver the topShakespeareanemotionFast-paced wig/ propchangeAdler -ExaggeratedfacialexpressionsSpolin-styleimprovenergyActor usesa prop in anunintendedwayCross-GenderCastingSomethinggoes wrong(on purposeor not)Actor playsmore thanonecharacter ina sceneHagen -Actorswitchesrolls instantlyActor“Steps into”then “out of”characterimprovisedline ormistakeMeisnermoment ofreactiontruthfully topartnerAdler -ExaggeratedfacialexpressionsActor usesa prop in anunintendedwayAdler -Exaggeratedvillain voiceor postureMeisner:moment ofreactiontruthfully topartnerBreakingthe FourthWallimprovisedline ormistakeOver the topShakespeareanemotionAdler -Exaggeratedvillain voiceor postureSomethinggoes wrong(on purposeor not)Hagen -Actorswitchesrolls instantlyMeisner:use ofrepetitionActor“Steps into”then “out of”characterExaggerateddeath sceneActor forgetsa line andcovers it withhumorBrecht -talksdirectly toaudienceChekhov-like biggestureSlapstickorPhysicalComedyCross-GenderCastingStanislavskimoment ofrealemotionActor forgetsa line andcovers it withhumorAudienceInteractionExaggerateddeath sceneBreakingthe FourthWallPracticalAesthetics –Actor statesclear, playableobjectivesSlapstickorPhysicalComedyFast-paced wig/ propchangeSpolin-styleimprovenergyActorvoicesmultiplecharactersAudienceInteractionBrecht -talksdirectly toaudienceActorvoicesmultiplecharactersChekhov-like biggesturePracticalAesthetics –Actor statesclear, playableobjectivesActor playsmore thanonecharacter ina sceneStanislavskimoment ofrealemotionOver the topShakespeareanemotionFast-paced wig/ propchangeAdler -ExaggeratedfacialexpressionsSpolin-styleimprovenergyActor usesa prop in anunintendedwayCross-GenderCastingSomethinggoes wrong(on purposeor not)Actor playsmore thanonecharacter ina sceneHagen -Actorswitchesrolls instantlyActor“Steps into”then “out of”characterimprovisedline ormistakeMeisnermoment ofreactiontruthfully topartnerAdler -ExaggeratedfacialexpressionsActor usesa prop in anunintendedwayAdler -Exaggeratedvillain voiceor postureMeisner:moment ofreactiontruthfully topartnerBreakingthe FourthWallimprovisedline ormistakeOver the topShakespeareanemotionAdler -Exaggeratedvillain voiceor postureSomethinggoes wrong(on purposeor not)Hagen -Actorswitchesrolls instantlyMeisner:use ofrepetitionActor“Steps into”then “out of”characterExaggerateddeath sceneActor forgetsa line andcovers it withhumorBrecht -talksdirectly toaudienceChekhov-like biggestureSlapstickorPhysicalComedyCross-GenderCastingStanislavskimoment ofrealemotionActor forgetsa line andcovers it withhumorAudienceInteractionExaggerateddeath sceneBreakingthe FourthWallPracticalAesthetics –Actor statesclear, playableobjectivesSlapstickorPhysicalComedyFast-paced wig/ propchangeSpolin-styleimprovenergyActorvoicesmultiplecharactersAudienceInteractionBrecht -talksdirectly toaudienceActorvoicesmultiplecharactersChekhov-like biggesture

Acting Techniques in The Complete Works of William Shakespeare (Abridged) - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Practical Aesthetics – Actor states clear, playable objectives
  2. Actor plays more than one character in a scene
  3. Stanislavski moment of real emotion
  4. Over the top Shakespearean emotion
  5. Fast-paced wig / prop change
  6. Adler - Exaggerated facial expressions
  7. Spolin-style improv energy
  8. Actor uses a prop in an unintended way
  9. Cross-Gender Casting
  10. Something goes wrong (on purpose or not)
  11. Actor plays more than one character in a scene
  12. Hagen - Actor switches rolls instantly
  13. Actor “Steps into” then “out of” character
  14. improvised line or mistake
  15. Meisner moment of reaction truthfully to partner
  16. Adler - Exaggerated facial expressions
  17. Actor uses a prop in an unintended way
  18. Adler - Exaggerated villain voice or posture
  19. Meisner: moment of reaction truthfully to partner
  20. Breaking the Fourth Wall
  21. improvised line or mistake
  22. Over the top Shakespearean emotion
  23. Adler - Exaggerated villain voice or posture
  24. Something goes wrong (on purpose or not)
  25. Hagen - Actor switches rolls instantly
  26. Meisner: use of repetition
  27. Actor “Steps into” then “out of” character
  28. Exaggerated death scene
  29. Actor forgets a line and covers it with humor
  30. Brecht - talks directly to audience
  31. Chekhov-like big gesture
  32. Slapstick or Physical Comedy
  33. Cross-Gender Casting
  34. Stanislavski moment of real emotion
  35. Actor forgets a line and covers it with humor
  36. Audience Interaction
  37. Exaggerated death scene
  38. Breaking the Fourth Wall
  39. Practical Aesthetics – Actor states clear, playable objectives
  40. Slapstick or Physical Comedy
  41. Fast-paced wig / prop change
  42. Spolin-style improv energy
  43. Actor voices multiple characters
  44. Audience Interaction
  45. Brecht - talks directly to audience
  46. Actor voices multiple characters
  47. Chekhov-like big gesture