Brecht -talksdirectly toaudienceFast-paced wig/ propchangeOver the topShakespeareanemotionAdler -Exaggeratedvillain voiceor postureSomethinggoes wrong(on purposeor not)Exaggerateddeath sceneActor playsmore thanonecharacter ina sceneActor usesa prop in anunintendedwaySomethinggoes wrong(on purposeor not)Actor forgetsa line andcovers it withhumorActor“Steps into”then “out of”characterActor forgetsa line andcovers it withhumorMeisner:moment ofreactiontruthfully topartnerSlapstickorPhysicalComedyBreakingthe FourthWallChekhov-like biggestureMeisnermoment ofreactiontruthfully topartnerHagen -Actorswitchesrolls instantlyAudienceInteractionAdler -ExaggeratedfacialexpressionsStanislavskimoment ofrealemotionBrecht -talksdirectly toaudienceActor playsmore thanonecharacter ina sceneOver the topShakespeareanemotionAudienceInteractionActorvoicesmultiplecharactersActor usesa prop in anunintendedwayAdler -Exaggeratedvillain voiceor postureMeisner:use ofrepetitionPracticalAesthetics –Actor statesclear, playableobjectivesCross-GenderCastingimprovisedline ormistakeBreakingthe FourthWallAdler -ExaggeratedfacialexpressionsPracticalAesthetics –Actor statesclear, playableobjectivesimprovisedline ormistakeCross-GenderCastingActorvoicesmultiplecharactersChekhov-like biggestureStanislavskimoment ofrealemotionSlapstickorPhysicalComedySpolin-styleimprovenergyExaggerateddeath sceneActor“Steps into”then “out of”characterHagen -Actorswitchesrolls instantlySpolin-styleimprovenergyFast-paced wig/ propchangeBrecht -talksdirectly toaudienceFast-paced wig/ propchangeOver the topShakespeareanemotionAdler -Exaggeratedvillain voiceor postureSomethinggoes wrong(on purposeor not)Exaggerateddeath sceneActor playsmore thanonecharacter ina sceneActor usesa prop in anunintendedwaySomethinggoes wrong(on purposeor not)Actor forgetsa line andcovers it withhumorActor“Steps into”then “out of”characterActor forgetsa line andcovers it withhumorMeisner:moment ofreactiontruthfully topartnerSlapstickorPhysicalComedyBreakingthe FourthWallChekhov-like biggestureMeisnermoment ofreactiontruthfully topartnerHagen -Actorswitchesrolls instantlyAudienceInteractionAdler -ExaggeratedfacialexpressionsStanislavskimoment ofrealemotionBrecht -talksdirectly toaudienceActor playsmore thanonecharacter ina sceneOver the topShakespeareanemotionAudienceInteractionActorvoicesmultiplecharactersActor usesa prop in anunintendedwayAdler -Exaggeratedvillain voiceor postureMeisner:use ofrepetitionPracticalAesthetics –Actor statesclear, playableobjectivesCross-GenderCastingimprovisedline ormistakeBreakingthe FourthWallAdler -ExaggeratedfacialexpressionsPracticalAesthetics –Actor statesclear, playableobjectivesimprovisedline ormistakeCross-GenderCastingActorvoicesmultiplecharactersChekhov-like biggestureStanislavskimoment ofrealemotionSlapstickorPhysicalComedySpolin-styleimprovenergyExaggerateddeath sceneActor“Steps into”then “out of”characterHagen -Actorswitchesrolls instantlySpolin-styleimprovenergyFast-paced wig/ propchange

Acting Techniques in The Complete Works of William Shakespeare (Abridged) - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Brecht - talks directly to audience
  2. Fast-paced wig / prop change
  3. Over the top Shakespearean emotion
  4. Adler - Exaggerated villain voice or posture
  5. Something goes wrong (on purpose or not)
  6. Exaggerated death scene
  7. Actor plays more than one character in a scene
  8. Actor uses a prop in an unintended way
  9. Something goes wrong (on purpose or not)
  10. Actor forgets a line and covers it with humor
  11. Actor “Steps into” then “out of” character
  12. Actor forgets a line and covers it with humor
  13. Meisner: moment of reaction truthfully to partner
  14. Slapstick or Physical Comedy
  15. Breaking the Fourth Wall
  16. Chekhov-like big gesture
  17. Meisner moment of reaction truthfully to partner
  18. Hagen - Actor switches rolls instantly
  19. Audience Interaction
  20. Adler - Exaggerated facial expressions
  21. Stanislavski moment of real emotion
  22. Brecht - talks directly to audience
  23. Actor plays more than one character in a scene
  24. Over the top Shakespearean emotion
  25. Audience Interaction
  26. Actor voices multiple characters
  27. Actor uses a prop in an unintended way
  28. Adler - Exaggerated villain voice or posture
  29. Meisner: use of repetition
  30. Practical Aesthetics – Actor states clear, playable objectives
  31. Cross-Gender Casting
  32. improvised line or mistake
  33. Breaking the Fourth Wall
  34. Adler - Exaggerated facial expressions
  35. Practical Aesthetics – Actor states clear, playable objectives
  36. improvised line or mistake
  37. Cross-Gender Casting
  38. Actor voices multiple characters
  39. Chekhov-like big gesture
  40. Stanislavski moment of real emotion
  41. Slapstick or Physical Comedy
  42. Spolin-style improv energy
  43. Exaggerated death scene
  44. Actor “Steps into” then “out of” character
  45. Hagen - Actor switches rolls instantly
  46. Spolin-style improv energy
  47. Fast-paced wig / prop change