Spolin-styleimprovenergySlapstickorPhysicalComedyActor playsmore thanonecharacter ina sceneActor playsmore thanonecharacter ina sceneHagen -Actorswitchesrolls instantlyOver the topShakespeareanemotionExaggerateddeath sceneBrecht -talksdirectly toaudienceActor“Steps into”then “out of”characterFast-paced wig/ propchangeAdler -ExaggeratedfacialexpressionsPracticalAesthetics –Actor statesclear, playableobjectivesActor usesa prop in anunintendedwayAdler -Exaggeratedvillain voiceor postureBrecht -talksdirectly toaudienceSomethinggoes wrong(on purposeor not)Cross-GenderCastingBreakingthe FourthWallCross-GenderCastingimprovisedline ormistakeActorvoicesmultiplecharactersOver the topShakespeareanemotionAudienceInteractionActor“Steps into”then “out of”characterSomethinggoes wrong(on purposeor not)Adler -Exaggeratedvillain voiceor postureAudienceInteractionBreakingthe FourthWallExaggerateddeath sceneActor forgetsa line andcovers it withhumorimprovisedline ormistakeChekhov-like biggestureActor usesa prop in anunintendedwaySlapstickorPhysicalComedyActorvoicesmultiplecharactersChekhov-like biggestureStanislavskimoment ofrealemotionHagen -Actorswitchesrolls instantlyMeisner:moment ofreactiontruthfully topartnerMeisner:use ofrepetitionSpolin-styleimprovenergyStanislavskimoment ofrealemotionPracticalAesthetics –Actor statesclear, playableobjectivesMeisnermoment ofreactiontruthfully topartnerAdler -ExaggeratedfacialexpressionsFast-paced wig/ propchangeActor forgetsa line andcovers it withhumorSpolin-styleimprovenergySlapstickorPhysicalComedyActor playsmore thanonecharacter ina sceneActor playsmore thanonecharacter ina sceneHagen -Actorswitchesrolls instantlyOver the topShakespeareanemotionExaggerateddeath sceneBrecht -talksdirectly toaudienceActor“Steps into”then “out of”characterFast-paced wig/ propchangeAdler -ExaggeratedfacialexpressionsPracticalAesthetics –Actor statesclear, playableobjectivesActor usesa prop in anunintendedwayAdler -Exaggeratedvillain voiceor postureBrecht -talksdirectly toaudienceSomethinggoes wrong(on purposeor not)Cross-GenderCastingBreakingthe FourthWallCross-GenderCastingimprovisedline ormistakeActorvoicesmultiplecharactersOver the topShakespeareanemotionAudienceInteractionActor“Steps into”then “out of”characterSomethinggoes wrong(on purposeor not)Adler -Exaggeratedvillain voiceor postureAudienceInteractionBreakingthe FourthWallExaggerateddeath sceneActor forgetsa line andcovers it withhumorimprovisedline ormistakeChekhov-like biggestureActor usesa prop in anunintendedwaySlapstickorPhysicalComedyActorvoicesmultiplecharactersChekhov-like biggestureStanislavskimoment ofrealemotionHagen -Actorswitchesrolls instantlyMeisner:moment ofreactiontruthfully topartnerMeisner:use ofrepetitionSpolin-styleimprovenergyStanislavskimoment ofrealemotionPracticalAesthetics –Actor statesclear, playableobjectivesMeisnermoment ofreactiontruthfully topartnerAdler -ExaggeratedfacialexpressionsFast-paced wig/ propchangeActor forgetsa line andcovers it withhumor

Acting Techniques in The Complete Works of William Shakespeare (Abridged) - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Spolin-style improv energy
  2. Slapstick or Physical Comedy
  3. Actor plays more than one character in a scene
  4. Actor plays more than one character in a scene
  5. Hagen - Actor switches rolls instantly
  6. Over the top Shakespearean emotion
  7. Exaggerated death scene
  8. Brecht - talks directly to audience
  9. Actor “Steps into” then “out of” character
  10. Fast-paced wig / prop change
  11. Adler - Exaggerated facial expressions
  12. Practical Aesthetics – Actor states clear, playable objectives
  13. Actor uses a prop in an unintended way
  14. Adler - Exaggerated villain voice or posture
  15. Brecht - talks directly to audience
  16. Something goes wrong (on purpose or not)
  17. Cross-Gender Casting
  18. Breaking the Fourth Wall
  19. Cross-Gender Casting
  20. improvised line or mistake
  21. Actor voices multiple characters
  22. Over the top Shakespearean emotion
  23. Audience Interaction
  24. Actor “Steps into” then “out of” character
  25. Something goes wrong (on purpose or not)
  26. Adler - Exaggerated villain voice or posture
  27. Audience Interaction
  28. Breaking the Fourth Wall
  29. Exaggerated death scene
  30. Actor forgets a line and covers it with humor
  31. improvised line or mistake
  32. Chekhov-like big gesture
  33. Actor uses a prop in an unintended way
  34. Slapstick or Physical Comedy
  35. Actor voices multiple characters
  36. Chekhov-like big gesture
  37. Stanislavski moment of real emotion
  38. Hagen - Actor switches rolls instantly
  39. Meisner: moment of reaction truthfully to partner
  40. Meisner: use of repetition
  41. Spolin-style improv energy
  42. Stanislavski moment of real emotion
  43. Practical Aesthetics – Actor states clear, playable objectives
  44. Meisner moment of reaction truthfully to partner
  45. Adler - Exaggerated facial expressions
  46. Fast-paced wig / prop change
  47. Actor forgets a line and covers it with humor