Meisnermoment ofreactiontruthfully topartnerChekhov-like biggestureBrecht -talksdirectly toaudienceSpolin-styleimprovenergyBreakingthe FourthWallAudienceInteractionMeisner:moment ofreactiontruthfully topartnerChekhov-like biggestureAdler -ExaggeratedfacialexpressionsActor usesa prop in anunintendedwayActor playsmore thanonecharacter ina sceneActor forgetsa line andcovers it withhumorCross-GenderCastingExaggerateddeath sceneBreakingthe FourthWallSlapstickorPhysicalComedySomethinggoes wrong(on purposeor not)Spolin-styleimprovenergyPracticalAesthetics –Actor statesclear, playableobjectivesActorvoicesmultiplecharactersFast-paced wig/ propchangeActorvoicesmultiplecharactersSomethinggoes wrong(on purposeor not)Cross-GenderCastingimprovisedline ormistakeActor forgetsa line andcovers it withhumorAudienceInteractionHagen -Actorswitchesrolls instantlyStanislavskimoment ofrealemotionFast-paced wig/ propchangeHagen -Actorswitchesrolls instantlyPracticalAesthetics –Actor statesclear, playableobjectivesAdler -Exaggeratedvillain voiceor postureActor usesa prop in anunintendedwayBrecht -talksdirectly toaudienceimprovisedline ormistakeOver the topShakespeareanemotionActor playsmore thanonecharacter ina sceneStanislavskimoment ofrealemotionExaggerateddeath sceneSlapstickorPhysicalComedyAdler -Exaggeratedvillain voiceor postureActor“Steps into”then “out of”characterOver the topShakespeareanemotionActor“Steps into”then “out of”characterAdler -ExaggeratedfacialexpressionsMeisner:use ofrepetitionMeisnermoment ofreactiontruthfully topartnerChekhov-like biggestureBrecht -talksdirectly toaudienceSpolin-styleimprovenergyBreakingthe FourthWallAudienceInteractionMeisner:moment ofreactiontruthfully topartnerChekhov-like biggestureAdler -ExaggeratedfacialexpressionsActor usesa prop in anunintendedwayActor playsmore thanonecharacter ina sceneActor forgetsa line andcovers it withhumorCross-GenderCastingExaggerateddeath sceneBreakingthe FourthWallSlapstickorPhysicalComedySomethinggoes wrong(on purposeor not)Spolin-styleimprovenergyPracticalAesthetics –Actor statesclear, playableobjectivesActorvoicesmultiplecharactersFast-paced wig/ propchangeActorvoicesmultiplecharactersSomethinggoes wrong(on purposeor not)Cross-GenderCastingimprovisedline ormistakeActor forgetsa line andcovers it withhumorAudienceInteractionHagen -Actorswitchesrolls instantlyStanislavskimoment ofrealemotionFast-paced wig/ propchangeHagen -Actorswitchesrolls instantlyPracticalAesthetics –Actor statesclear, playableobjectivesAdler -Exaggeratedvillain voiceor postureActor usesa prop in anunintendedwayBrecht -talksdirectly toaudienceimprovisedline ormistakeOver the topShakespeareanemotionActor playsmore thanonecharacter ina sceneStanislavskimoment ofrealemotionExaggerateddeath sceneSlapstickorPhysicalComedyAdler -Exaggeratedvillain voiceor postureActor“Steps into”then “out of”characterOver the topShakespeareanemotionActor“Steps into”then “out of”characterAdler -ExaggeratedfacialexpressionsMeisner:use ofrepetition

Acting Techniques in The Complete Works of William Shakespeare (Abridged) - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Meisner moment of reaction truthfully to partner
  2. Chekhov-like big gesture
  3. Brecht - talks directly to audience
  4. Spolin-style improv energy
  5. Breaking the Fourth Wall
  6. Audience Interaction
  7. Meisner: moment of reaction truthfully to partner
  8. Chekhov-like big gesture
  9. Adler - Exaggerated facial expressions
  10. Actor uses a prop in an unintended way
  11. Actor plays more than one character in a scene
  12. Actor forgets a line and covers it with humor
  13. Cross-Gender Casting
  14. Exaggerated death scene
  15. Breaking the Fourth Wall
  16. Slapstick or Physical Comedy
  17. Something goes wrong (on purpose or not)
  18. Spolin-style improv energy
  19. Practical Aesthetics – Actor states clear, playable objectives
  20. Actor voices multiple characters
  21. Fast-paced wig / prop change
  22. Actor voices multiple characters
  23. Something goes wrong (on purpose or not)
  24. Cross-Gender Casting
  25. improvised line or mistake
  26. Actor forgets a line and covers it with humor
  27. Audience Interaction
  28. Hagen - Actor switches rolls instantly
  29. Stanislavski moment of real emotion
  30. Fast-paced wig / prop change
  31. Hagen - Actor switches rolls instantly
  32. Practical Aesthetics – Actor states clear, playable objectives
  33. Adler - Exaggerated villain voice or posture
  34. Actor uses a prop in an unintended way
  35. Brecht - talks directly to audience
  36. improvised line or mistake
  37. Over the top Shakespearean emotion
  38. Actor plays more than one character in a scene
  39. Stanislavski moment of real emotion
  40. Exaggerated death scene
  41. Slapstick or Physical Comedy
  42. Adler - Exaggerated villain voice or posture
  43. Actor “Steps into” then “out of” character
  44. Over the top Shakespearean emotion
  45. Actor “Steps into” then “out of” character
  46. Adler - Exaggerated facial expressions
  47. Meisner: use of repetition