Exaggerateddeath sceneAdler -ExaggeratedfacialexpressionsActor playsmore thanonecharacter ina sceneSlapstickorPhysicalComedyActorvoicesmultiplecharactersAdler -Exaggeratedvillain voiceor postureChekhov-like biggestureActorvoicesmultiplecharactersMeisner:use ofrepetitionChekhov-like biggestureFast-paced wig/ propchangeActor“Steps into”then “out of”characterHagen -Actorswitchesrolls instantlyOver the topShakespeareanemotionAudienceInteractionimprovisedline ormistakeActor forgetsa line andcovers it withhumorSlapstickorPhysicalComedySpolin-styleimprovenergyBrecht -talksdirectly toaudienceActor forgetsa line andcovers it withhumorPracticalAesthetics –Actor statesclear, playableobjectivesActor usesa prop in anunintendedwayActor playsmore thanonecharacter ina sceneActor usesa prop in anunintendedwayimprovisedline ormistakeActor“Steps into”then “out of”characterCross-GenderCastingFast-paced wig/ propchangeSomethinggoes wrong(on purposeor not)Meisnermoment ofreactiontruthfully topartnerExaggerateddeath sceneAudienceInteractionStanislavskimoment ofrealemotionOver the topShakespeareanemotionAdler -ExaggeratedfacialexpressionsHagen -Actorswitchesrolls instantlyPracticalAesthetics –Actor statesclear, playableobjectivesBrecht -talksdirectly toaudienceSpolin-styleimprovenergyCross-GenderCastingAdler -Exaggeratedvillain voiceor postureMeisner:moment ofreactiontruthfully topartnerBreakingthe FourthWallBreakingthe FourthWallStanislavskimoment ofrealemotionSomethinggoes wrong(on purposeor not)Exaggerateddeath sceneAdler -ExaggeratedfacialexpressionsActor playsmore thanonecharacter ina sceneSlapstickorPhysicalComedyActorvoicesmultiplecharactersAdler -Exaggeratedvillain voiceor postureChekhov-like biggestureActorvoicesmultiplecharactersMeisner:use ofrepetitionChekhov-like biggestureFast-paced wig/ propchangeActor“Steps into”then “out of”characterHagen -Actorswitchesrolls instantlyOver the topShakespeareanemotionAudienceInteractionimprovisedline ormistakeActor forgetsa line andcovers it withhumorSlapstickorPhysicalComedySpolin-styleimprovenergyBrecht -talksdirectly toaudienceActor forgetsa line andcovers it withhumorPracticalAesthetics –Actor statesclear, playableobjectivesActor usesa prop in anunintendedwayActor playsmore thanonecharacter ina sceneActor usesa prop in anunintendedwayimprovisedline ormistakeActor“Steps into”then “out of”characterCross-GenderCastingFast-paced wig/ propchangeSomethinggoes wrong(on purposeor not)Meisnermoment ofreactiontruthfully topartnerExaggerateddeath sceneAudienceInteractionStanislavskimoment ofrealemotionOver the topShakespeareanemotionAdler -ExaggeratedfacialexpressionsHagen -Actorswitchesrolls instantlyPracticalAesthetics –Actor statesclear, playableobjectivesBrecht -talksdirectly toaudienceSpolin-styleimprovenergyCross-GenderCastingAdler -Exaggeratedvillain voiceor postureMeisner:moment ofreactiontruthfully topartnerBreakingthe FourthWallBreakingthe FourthWallStanislavskimoment ofrealemotionSomethinggoes wrong(on purposeor not)

Acting Techniques in The Complete Works of William Shakespeare (Abridged) - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Exaggerated death scene
  2. Adler - Exaggerated facial expressions
  3. Actor plays more than one character in a scene
  4. Slapstick or Physical Comedy
  5. Actor voices multiple characters
  6. Adler - Exaggerated villain voice or posture
  7. Chekhov-like big gesture
  8. Actor voices multiple characters
  9. Meisner: use of repetition
  10. Chekhov-like big gesture
  11. Fast-paced wig / prop change
  12. Actor “Steps into” then “out of” character
  13. Hagen - Actor switches rolls instantly
  14. Over the top Shakespearean emotion
  15. Audience Interaction
  16. improvised line or mistake
  17. Actor forgets a line and covers it with humor
  18. Slapstick or Physical Comedy
  19. Spolin-style improv energy
  20. Brecht - talks directly to audience
  21. Actor forgets a line and covers it with humor
  22. Practical Aesthetics – Actor states clear, playable objectives
  23. Actor uses a prop in an unintended way
  24. Actor plays more than one character in a scene
  25. Actor uses a prop in an unintended way
  26. improvised line or mistake
  27. Actor “Steps into” then “out of” character
  28. Cross-Gender Casting
  29. Fast-paced wig / prop change
  30. Something goes wrong (on purpose or not)
  31. Meisner moment of reaction truthfully to partner
  32. Exaggerated death scene
  33. Audience Interaction
  34. Stanislavski moment of real emotion
  35. Over the top Shakespearean emotion
  36. Adler - Exaggerated facial expressions
  37. Hagen - Actor switches rolls instantly
  38. Practical Aesthetics – Actor states clear, playable objectives
  39. Brecht - talks directly to audience
  40. Spolin-style improv energy
  41. Cross-Gender Casting
  42. Adler - Exaggerated villain voice or posture
  43. Meisner: moment of reaction truthfully to partner
  44. Breaking the Fourth Wall
  45. Breaking the Fourth Wall
  46. Stanislavski moment of real emotion
  47. Something goes wrong (on purpose or not)