Adler -Exaggeratedvillain voiceor postureFast-paced wig/ propchangeStanislavskimoment ofrealemotionSomethinggoes wrong(on purposeor not)Actor playsmore thanonecharacter ina sceneActorvoicesmultiplecharactersActor forgetsa line andcovers it withhumorAdler -ExaggeratedfacialexpressionsSpolin-styleimprovenergyimprovisedline ormistakeOver the topShakespeareanemotionAudienceInteractionHagen -Actorswitchesrolls instantlyChekhov-like biggestureFast-paced wig/ propchangeExaggerateddeath sceneActorvoicesmultiplecharactersBreakingthe FourthWallAdler -Exaggeratedvillain voiceor postureSlapstickorPhysicalComedyBrecht -talksdirectly toaudienceActor usesa prop in anunintendedwaySlapstickorPhysicalComedyCross-GenderCastingStanislavskimoment ofrealemotionActor“Steps into”then “out of”characterPracticalAesthetics –Actor statesclear, playableobjectivesMeisner:moment ofreactiontruthfully topartnerExaggerateddeath sceneHagen -Actorswitchesrolls instantlySpolin-styleimprovenergyActor“Steps into”then “out of”characterAdler -ExaggeratedfacialexpressionsActor playsmore thanonecharacter ina sceneActor usesa prop in anunintendedwayimprovisedline ormistakeChekhov-like biggestureAudienceInteractionPracticalAesthetics –Actor statesclear, playableobjectivesMeisner:use ofrepetitionBrecht -talksdirectly toaudienceSomethinggoes wrong(on purposeor not)Cross-GenderCastingMeisnermoment ofreactiontruthfully topartnerOver the topShakespeareanemotionActor forgetsa line andcovers it withhumorBreakingthe FourthWallAdler -Exaggeratedvillain voiceor postureFast-paced wig/ propchangeStanislavskimoment ofrealemotionSomethinggoes wrong(on purposeor not)Actor playsmore thanonecharacter ina sceneActorvoicesmultiplecharactersActor forgetsa line andcovers it withhumorAdler -ExaggeratedfacialexpressionsSpolin-styleimprovenergyimprovisedline ormistakeOver the topShakespeareanemotionAudienceInteractionHagen -Actorswitchesrolls instantlyChekhov-like biggestureFast-paced wig/ propchangeExaggerateddeath sceneActorvoicesmultiplecharactersBreakingthe FourthWallAdler -Exaggeratedvillain voiceor postureSlapstickorPhysicalComedyBrecht -talksdirectly toaudienceActor usesa prop in anunintendedwaySlapstickorPhysicalComedyCross-GenderCastingStanislavskimoment ofrealemotionActor“Steps into”then “out of”characterPracticalAesthetics –Actor statesclear, playableobjectivesMeisner:moment ofreactiontruthfully topartnerExaggerateddeath sceneHagen -Actorswitchesrolls instantlySpolin-styleimprovenergyActor“Steps into”then “out of”characterAdler -ExaggeratedfacialexpressionsActor playsmore thanonecharacter ina sceneActor usesa prop in anunintendedwayimprovisedline ormistakeChekhov-like biggestureAudienceInteractionPracticalAesthetics –Actor statesclear, playableobjectivesMeisner:use ofrepetitionBrecht -talksdirectly toaudienceSomethinggoes wrong(on purposeor not)Cross-GenderCastingMeisnermoment ofreactiontruthfully topartnerOver the topShakespeareanemotionActor forgetsa line andcovers it withhumorBreakingthe FourthWall

Acting Techniques in The Complete Works of William Shakespeare (Abridged) - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Adler - Exaggerated villain voice or posture
  2. Fast-paced wig / prop change
  3. Stanislavski moment of real emotion
  4. Something goes wrong (on purpose or not)
  5. Actor plays more than one character in a scene
  6. Actor voices multiple characters
  7. Actor forgets a line and covers it with humor
  8. Adler - Exaggerated facial expressions
  9. Spolin-style improv energy
  10. improvised line or mistake
  11. Over the top Shakespearean emotion
  12. Audience Interaction
  13. Hagen - Actor switches rolls instantly
  14. Chekhov-like big gesture
  15. Fast-paced wig / prop change
  16. Exaggerated death scene
  17. Actor voices multiple characters
  18. Breaking the Fourth Wall
  19. Adler - Exaggerated villain voice or posture
  20. Slapstick or Physical Comedy
  21. Brecht - talks directly to audience
  22. Actor uses a prop in an unintended way
  23. Slapstick or Physical Comedy
  24. Cross-Gender Casting
  25. Stanislavski moment of real emotion
  26. Actor “Steps into” then “out of” character
  27. Practical Aesthetics – Actor states clear, playable objectives
  28. Meisner: moment of reaction truthfully to partner
  29. Exaggerated death scene
  30. Hagen - Actor switches rolls instantly
  31. Spolin-style improv energy
  32. Actor “Steps into” then “out of” character
  33. Adler - Exaggerated facial expressions
  34. Actor plays more than one character in a scene
  35. Actor uses a prop in an unintended way
  36. improvised line or mistake
  37. Chekhov-like big gesture
  38. Audience Interaction
  39. Practical Aesthetics – Actor states clear, playable objectives
  40. Meisner: use of repetition
  41. Brecht - talks directly to audience
  42. Something goes wrong (on purpose or not)
  43. Cross-Gender Casting
  44. Meisner moment of reaction truthfully to partner
  45. Over the top Shakespearean emotion
  46. Actor forgets a line and covers it with humor
  47. Breaking the Fourth Wall