Hagen -Actorswitchesrolls instantlyActorvoicesmultiplecharactersActor usesa prop in anunintendedwayMeisner:moment ofreactiontruthfully topartnerActorvoicesmultiplecharactersChekhov-like biggestureAudienceInteractionSomethinggoes wrong(on purposeor not)Stanislavskimoment ofrealemotionSlapstickorPhysicalComedyimprovisedline ormistakeStanislavskimoment ofrealemotionBrecht -talksdirectly toaudienceimprovisedline ormistakePracticalAesthetics –Actor statesclear, playableobjectivesBreakingthe FourthWallSpolin-styleimprovenergyActor“Steps into”then “out of”characterMeisner:use ofrepetitionAdler -ExaggeratedfacialexpressionsAdler -Exaggeratedvillain voiceor postureActor playsmore thanonecharacter ina sceneFast-paced wig/ propchangeOver the topShakespeareanemotionBreakingthe FourthWallSpolin-styleimprovenergyActor“Steps into”then “out of”characterCross-GenderCastingMeisnermoment ofreactiontruthfully topartnerActor playsmore thanonecharacter ina sceneSomethinggoes wrong(on purposeor not)Adler -ExaggeratedfacialexpressionsActor forgetsa line andcovers it withhumorChekhov-like biggesturePracticalAesthetics –Actor statesclear, playableobjectivesOver the topShakespeareanemotionActor forgetsa line andcovers it withhumorActor usesa prop in anunintendedwayHagen -Actorswitchesrolls instantlyBrecht -talksdirectly toaudienceAdler -Exaggeratedvillain voiceor postureExaggerateddeath sceneExaggerateddeath sceneCross-GenderCastingFast-paced wig/ propchangeSlapstickorPhysicalComedyAudienceInteractionHagen -Actorswitchesrolls instantlyActorvoicesmultiplecharactersActor usesa prop in anunintendedwayMeisner:moment ofreactiontruthfully topartnerActorvoicesmultiplecharactersChekhov-like biggestureAudienceInteractionSomethinggoes wrong(on purposeor not)Stanislavskimoment ofrealemotionSlapstickorPhysicalComedyimprovisedline ormistakeStanislavskimoment ofrealemotionBrecht -talksdirectly toaudienceimprovisedline ormistakePracticalAesthetics –Actor statesclear, playableobjectivesBreakingthe FourthWallSpolin-styleimprovenergyActor“Steps into”then “out of”characterMeisner:use ofrepetitionAdler -ExaggeratedfacialexpressionsAdler -Exaggeratedvillain voiceor postureActor playsmore thanonecharacter ina sceneFast-paced wig/ propchangeOver the topShakespeareanemotionBreakingthe FourthWallSpolin-styleimprovenergyActor“Steps into”then “out of”characterCross-GenderCastingMeisnermoment ofreactiontruthfully topartnerActor playsmore thanonecharacter ina sceneSomethinggoes wrong(on purposeor not)Adler -ExaggeratedfacialexpressionsActor forgetsa line andcovers it withhumorChekhov-like biggesturePracticalAesthetics –Actor statesclear, playableobjectivesOver the topShakespeareanemotionActor forgetsa line andcovers it withhumorActor usesa prop in anunintendedwayHagen -Actorswitchesrolls instantlyBrecht -talksdirectly toaudienceAdler -Exaggeratedvillain voiceor postureExaggerateddeath sceneExaggerateddeath sceneCross-GenderCastingFast-paced wig/ propchangeSlapstickorPhysicalComedyAudienceInteraction

Acting Techniques in The Complete Works of William Shakespeare (Abridged) - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
  1. Hagen - Actor switches rolls instantly
  2. Actor voices multiple characters
  3. Actor uses a prop in an unintended way
  4. Meisner: moment of reaction truthfully to partner
  5. Actor voices multiple characters
  6. Chekhov-like big gesture
  7. Audience Interaction
  8. Something goes wrong (on purpose or not)
  9. Stanislavski moment of real emotion
  10. Slapstick or Physical Comedy
  11. improvised line or mistake
  12. Stanislavski moment of real emotion
  13. Brecht - talks directly to audience
  14. improvised line or mistake
  15. Practical Aesthetics – Actor states clear, playable objectives
  16. Breaking the Fourth Wall
  17. Spolin-style improv energy
  18. Actor “Steps into” then “out of” character
  19. Meisner: use of repetition
  20. Adler - Exaggerated facial expressions
  21. Adler - Exaggerated villain voice or posture
  22. Actor plays more than one character in a scene
  23. Fast-paced wig / prop change
  24. Over the top Shakespearean emotion
  25. Breaking the Fourth Wall
  26. Spolin-style improv energy
  27. Actor “Steps into” then “out of” character
  28. Cross-Gender Casting
  29. Meisner moment of reaction truthfully to partner
  30. Actor plays more than one character in a scene
  31. Something goes wrong (on purpose or not)
  32. Adler - Exaggerated facial expressions
  33. Actor forgets a line and covers it with humor
  34. Chekhov-like big gesture
  35. Practical Aesthetics – Actor states clear, playable objectives
  36. Over the top Shakespearean emotion
  37. Actor forgets a line and covers it with humor
  38. Actor uses a prop in an unintended way
  39. Hagen - Actor switches rolls instantly
  40. Brecht - talks directly to audience
  41. Adler - Exaggerated villain voice or posture
  42. Exaggerated death scene
  43. Exaggerated death scene
  44. Cross-Gender Casting
  45. Fast-paced wig / prop change
  46. Slapstick or Physical Comedy
  47. Audience Interaction