Chekhov-like biggestureMeisner:moment ofreactiontruthfully topartnerimprovisedline ormistakeActorvoicesmultiplecharactersSomethinggoes wrong(on purposeor not)Over the topShakespeareanemotionChekhov-like biggestureAdler -ExaggeratedfacialexpressionsActor playsmore thanonecharacter ina sceneAudienceInteractionSomethinggoes wrong(on purposeor not)PracticalAesthetics –Actor statesclear, playableobjectivesBrecht -talksdirectly toaudienceAdler -Exaggeratedvillain voiceor postureExaggerateddeath sceneActor usesa prop in anunintendedwayBreakingthe FourthWallSlapstickorPhysicalComedyimprovisedline ormistakeExaggerateddeath sceneCross-GenderCastingActor forgetsa line andcovers it withhumorAdler -ExaggeratedfacialexpressionsAdler -Exaggeratedvillain voiceor postureActor usesa prop in anunintendedwayActor“Steps into”then “out of”characterActor“Steps into”then “out of”characterActor forgetsa line andcovers it withhumorCross-GenderCastingOver the topShakespeareanemotionFast-paced wig/ propchangeBrecht -talksdirectly toaudienceMeisnermoment ofreactiontruthfully topartnerSpolin-styleimprovenergyBreakingthe FourthWallHagen -Actorswitchesrolls instantlyFast-paced wig/ propchangeStanislavskimoment ofrealemotionActorvoicesmultiplecharactersStanislavskimoment ofrealemotionAudienceInteractionSlapstickorPhysicalComedyPracticalAesthetics –Actor statesclear, playableobjectivesHagen -Actorswitchesrolls instantlyActor playsmore thanonecharacter ina sceneSpolin-styleimprovenergyMeisner:use ofrepetitionChekhov-like biggestureMeisner:moment ofreactiontruthfully topartnerimprovisedline ormistakeActorvoicesmultiplecharactersSomethinggoes wrong(on purposeor not)Over the topShakespeareanemotionChekhov-like biggestureAdler -ExaggeratedfacialexpressionsActor playsmore thanonecharacter ina sceneAudienceInteractionSomethinggoes wrong(on purposeor not)PracticalAesthetics –Actor statesclear, playableobjectivesBrecht -talksdirectly toaudienceAdler -Exaggeratedvillain voiceor postureExaggerateddeath sceneActor usesa prop in anunintendedwayBreakingthe FourthWallSlapstickorPhysicalComedyimprovisedline ormistakeExaggerateddeath sceneCross-GenderCastingActor forgetsa line andcovers it withhumorAdler -ExaggeratedfacialexpressionsAdler -Exaggeratedvillain voiceor postureActor usesa prop in anunintendedwayActor“Steps into”then “out of”characterActor“Steps into”then “out of”characterActor forgetsa line andcovers it withhumorCross-GenderCastingOver the topShakespeareanemotionFast-paced wig/ propchangeBrecht -talksdirectly toaudienceMeisnermoment ofreactiontruthfully topartnerSpolin-styleimprovenergyBreakingthe FourthWallHagen -Actorswitchesrolls instantlyFast-paced wig/ propchangeStanislavskimoment ofrealemotionActorvoicesmultiplecharactersStanislavskimoment ofrealemotionAudienceInteractionSlapstickorPhysicalComedyPracticalAesthetics –Actor statesclear, playableobjectivesHagen -Actorswitchesrolls instantlyActor playsmore thanonecharacter ina sceneSpolin-styleimprovenergyMeisner:use ofrepetition

Acting Techniques in The Complete Works of William Shakespeare (Abridged) - Call List

(Print) Use this randomly generated list as your call list when playing the game. There is no need to say the BINGO column name. Place some kind of mark (like an X, a checkmark, a dot, tally mark, etc) on each cell as you announce it, to keep track. You can also cut out each item, place them in a bag and pull words from the bag.


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  1. Chekhov-like big gesture
  2. Meisner: moment of reaction truthfully to partner
  3. improvised line or mistake
  4. Actor voices multiple characters
  5. Something goes wrong (on purpose or not)
  6. Over the top Shakespearean emotion
  7. Chekhov-like big gesture
  8. Adler - Exaggerated facial expressions
  9. Actor plays more than one character in a scene
  10. Audience Interaction
  11. Something goes wrong (on purpose or not)
  12. Practical Aesthetics – Actor states clear, playable objectives
  13. Brecht - talks directly to audience
  14. Adler - Exaggerated villain voice or posture
  15. Exaggerated death scene
  16. Actor uses a prop in an unintended way
  17. Breaking the Fourth Wall
  18. Slapstick or Physical Comedy
  19. improvised line or mistake
  20. Exaggerated death scene
  21. Cross-Gender Casting
  22. Actor forgets a line and covers it with humor
  23. Adler - Exaggerated facial expressions
  24. Adler - Exaggerated villain voice or posture
  25. Actor uses a prop in an unintended way
  26. Actor “Steps into” then “out of” character
  27. Actor “Steps into” then “out of” character
  28. Actor forgets a line and covers it with humor
  29. Cross-Gender Casting
  30. Over the top Shakespearean emotion
  31. Fast-paced wig / prop change
  32. Brecht - talks directly to audience
  33. Meisner moment of reaction truthfully to partner
  34. Spolin-style improv energy
  35. Breaking the Fourth Wall
  36. Hagen - Actor switches rolls instantly
  37. Fast-paced wig / prop change
  38. Stanislavski moment of real emotion
  39. Actor voices multiple characters
  40. Stanislavski moment of real emotion
  41. Audience Interaction
  42. Slapstick or Physical Comedy
  43. Practical Aesthetics – Actor states clear, playable objectives
  44. Hagen - Actor switches rolls instantly
  45. Actor plays more than one character in a scene
  46. Spolin-style improv energy
  47. Meisner: use of repetition